Recent posts: Experimental

Label/Cat#: Fields – FLDS 004A
Year: 28 October, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 56 mb
Genre: Electronic
Style: Experimental, Techno, Electronic

Tracklist:
1. Fragments of Self (05:15)
2. Quantet (05:43)
3. Fragments of Self (Petrels remix) (07:17)
4. Von Der Klippe Fallen (Beatport Exclusive Bonus Track) (06:21)

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Label: Beer On The Rug
Catalog#: BOTR020
Release date: 03-09-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 50 mb
Genre: Electronic
Style: Experimental, Ambient, Techno

Tracklist:
1. ’96 Galant 04:35
2. Pretend to be a Cop 02:33
3. Take Off Your Glasses 02:08
4. Gags and Broken Fingers 08:24
5. Two Winter Graves 03:55

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Label/Cat#: Resident Advisor – RA.390
Country: UK
Year: 18 Nov 2013
Source: WEB, Mixed
Format: MP3
Quality: 320 kbps
Size: 208 mb
Genre: Electronic
Style: Ambient, Dub Techno, Experimental

Tracklist:
b]1.[/b] Various – RA.390 (90:35)

The dub techno artist goes off-piste.

Rod Modell is an artist very firmly associated with a particular style, namely dub techno. Since the late ’90s, the Detroit native has mined this murky and atmospheric sound, whether on his own or with Steven Hitchell as Echospace and cv313. Though clearly inspired by Basic Channel and its related projects, Modell has always been committed to moving beyond dub techno’s old testament, creating something fresh and modern with each new release. These days Modell is moving faster than ever before. He splits his time between Amsterdam and Detroit, and seems completely uninterested in the past, especially when it comes to his own music. Deepchord’s latest album, the almost beatless 20 Electrostatic Soundfields, is his most experimental yet.

On RA.390 we see him at his most unhinged, weaving a strange and dreamlike bricolage that’s at once completely new and unmistakably Deepchord.

What have you been up to recently?

Just back to Michigan from Amsterdam. Will be here for a few months, then back to Holland after the holidays. For the past three to four years I’ve been splitting my time between Amsterdam and Michigan. In the studio lately I’ve been more obsessed with sound design in lieu of making songs. The sound design aspect seems more important at the moment. I think sound design in electronic music is 25 years behind. Everyone’s obsession with old analog synths is perpetuating this. Instead of focusing on up-to-date options, everyone is hoping for yet another incarnation of classic gear from the 1970s synthesizer graveyard. It’s retarding music.

How and where was the mix recorded?

Recorded in Michigan with a pair of DJ CD players, DJ mixer and outboard filters / FX.

Can you tell us about the idea behind the mix?

Lately, I find myself drifting farther and farther away from techno / dub music in favor of the stuff I liked 15 years ago. I haven’t bought a techno record in three years. Around my home, I listen to old 1940s/50s music and field recordings. Electronic music overall seems to be stagnating. I can’t remember the last truly innovative record that I’ve heard. Naturally there may be a few exceptions, but they are (too) few and far between. This mix was done in the midst of rediscovering a few boxes of old CDs that I packed away several years ago. They were boxed up when I moved from my last home to the current one (and I’ve been here for about nine years). Wasn’t anything pre­contrived, just my top tunes for the moment. Since rediscovering some of these old favorites, it’s becoming difficult to return to the current glut of mediocre, formulaic grid music.

You said that your latest album is full of quick “audio sculptures.” Could you expand on this?

The music on 20 Electrostatic Soundfields was never made with the intention of having it released. Over the years, I found myself dabbling in video a little, and I made music for these video experiments. This is the music on 20 Electrostatic Soundfields. It’s a collection of soundtracks. Generally, they were assembled quickly to fit the video. The dance floor was never a consideration. They are sound designs to infuse the visuals with a particular intended emotional vibe. They feel organic because they are primarily un­sequenced. It was liberating to sit in a room with an ultra-basic setup—pair of studio monitors, keyboard, looper, FX unit—and record into a two­track recorder (Alesis Masterlink). No computer. No multitracking. Total flow-of-consciousness style without over­thinking or overdubs. Come up with an idea in my head, practice playing it a few times, then press record and do it for real. Much of 20 Electrostatic was done like this.

The picture disc version of the album features some of your photography. What sort of things do you tend to focus on?

My primary goal with photography is to record a certain space that I like so that I can go back there anytime I want. I’ve done this since I got my first camera at age five. I hate photographing people or objects. I guess I’m more of a landscape photographer, but not of pretty / pastoral scenes. I’d rather capture dirtier, unusual, or metaphysically­charged places at 3 AM. Night seems to be a recurring thread in my photography. I rarely photograph during the day. I like the places where tourists rarely venture. I feel most comfortable / relaxed in these places. The tourist areas are generally staged for show and not a true representation of a place’s real vibe. Like a movie set. The new picture disc features the Amsterdam red light district (near my apartment) on one side, and the beach next to my house in Michigan on the other. Basically the two places where most of my friends reside, and where I feel most comfortable.

What are you up to next?

Trying to come up with an interesting perspective for new music. I never want to revisit something I’ve already done. It’s pointless and gets an artist stuck in a rut. The whole objective is to progress and develop. It would be easy to make another Coldest Season or Lumin (etc) over and over. No challenge in that. I think it’s vital to develop a new algorithm. Every second spent working with an old formula is a second wasted. I recently disconnected my studio and stored some main / favorite pieces, then reassembled things with some old equipment that I feel less comfortable with. We’ll see how this affects things. I’m trying to break from the familiar, get out of my comfort zone, and make new music that sounds nothing like Deepchord or Echospace.

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Label: drug arts
Release date: 02-07-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 28 mb
Genre: Electronic
Style: Experimental, Ambient, Noise

Tracklist:
1. star city 2:52
2. slvr shdw 1:44
3. sense of where 3:04
4. misguided it’s ongoing (wound) 3:36

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Label/Cat#: Prolific Recordings – PROPH125
Year: 2013-08-19Source: WEB
Format: MP3
Quality: 320 kbps
Size: 60 mb
Genre: Electronic
Style: Bass, House, Experimental

Tracklist:
1. 39 Step (05:04)
2. Galibier (10:42)
3. Blood (05:29)
4. Geared Piano (05:26)

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Label/Cat#: Dropping Gems – DG 001
Year: 18 June, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 67 mb
Genre: Electronic
Style: Trip-Hop, Beats, Experimental, Electronic

Tracklist:
1. Crisis (02:36)
2. Idiot Proof (04:05)
3. Brushstrokes (03:07)
4. Last Time (03:47)
5. Morning Sex (02:22)
6. Take Out (04:02)
7. Vodka Diet (02:07)
8. Buried (02:01)
9. Deeply (03:18)
10. Prideless (03:02)

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Label: Biophon
Catalog#: BIO10
Release date: 04-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 129 mb
Genre: Electronic
Style: Spoken Word, Trip Hop, Beats

Tracklist:
01. Spøkelsessatelitten
02. Uten Tittel
03. Lomma Full Av Spenn
04. Lensmannen
05. Amerika
06. Det Gamle Huset
07. Konsentrasjon
08. Den Største Laksen I Elva
09. Hopp Hopp
10. Sov Godt
11. Oppvarming Med Klisne
12. Krigstid
13. Kilometerteller
14. Søndag
15. Lille Frøken
16. Det Gamle Naustet Står Og Gråter

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Label: Mister Saturday Night
Catalog#: MSN006
Release date: jule 2013
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: 33 mb
Genre: Electronic
Style: Techno, Experimental

Tracklist:
A1 – Deposit
B1 – Cole’s Lullaby
B2 – Shave

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Label/Cat#: Anticon US – ABR 0137
Year: 19 August, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 66 mb
Genre: Electronic
Style: Trip-Hop, Beats, Experimental, Electronic

Tracklist:
1. Late Pass (04:35)
2. Thnk4U (02:27)
3. Steady (03:29)
4. La Resolve (04:22)
5. Look Up (04:38)
6. Breathe (03:51)
7. Bubble (03:12)
8. Romantisch (03:39)

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Label/Cat#: Dropping Gems – DG 002
Year: 13 August, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 151 mb
Genre: Electronic
Style: Wonky, Beats, Experimental, Electronic

Tracklist:
1. Fronteras (03:22)
2. Taurus/Shorty (04:11)
3. Ghost (02:05)
4. Slices (03:08)
5. Wilts (03:21)
6. Reds/Blues (03:09)
7. Makinglists (01:39)
8. Pretendingtowalkslow (feat Zeroh) (02:43)
9. Radarrr (02:51)
10. Cabbages (feat Swarvy) (05:13)
11. Ghostpt2 (02:17)
12. Shine (feat Teeko) (03:42)
13. Gardeninginbed (01:28)

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Label: Modern Love
Catalog#: Love086
Release date: 17-07-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 33 mb
Genre: Electronic
Style: Experimental, Beats, Electronic

Tracklist:
1 Grows Without Bound 1
2 Primitive Equations 1

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Label/Cat#: Non Standard Productions – NSP10
Year: 2013-08-12
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 118 mb
Genre: Electronic
Style: Experimental, Ambient, Electronic

Tracklist:
1. Giant Hug (07:10)
2. Gamshag (03:13)
3. Slowrag (07:39)
4. Eleg (03:27)
5. Ssseq (06:01)
6. Jea (03:22)
7. Au (02:32)
8. Shelf (06:28)
9. Kontur (06:25)
10. Gebra [Digital Bonus Track] (08:00)

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Label/Cat#: Unsounds – 36U
Country: Netherlands
Year: 02 May 2013
Source: CD,
Format: MP3
Quality: 320 kbps
Size: 113 mb
Genre: Electronic
Style: Spoken Word, Experimental, Poetry

Tracklist:
1. Dernière Minute (4:18)
2. D’Ouest En Est (5:09)
3. Princess In A Mercedes Class S 280 (4:29)
4 – Princess In A Rover P6 3500S V8 (4:24)
5 – Une Histoire De L’aviation
6. Sul Volo (3:41)
7. Metro (4:21)
8. Not Guilty (4:23)
9. Journal D’un Naufrage (6:13)
10. Journal On The Péquod (5:27)
11. Metro USA version(4:19)

TRANSFER is a collection of poetry guitar music pieces originally released as a series of four seven inch singles based around the themes of transportation and transition; side A constructed from real or factual information and material, side B from fiction and fantasy. Themes were taken more or less directly from news items or literature and film history, from Jules Verne’s “Around the World in 80 Days”, the death of princess Diana and Grace Kelly, major plane crashes throughout history, Leonardo da Vinci’s musings on aerodynamics, to Agatha Christies “Murder on the Orient Express”.
Andy Moor and Anne-James Chaton first began performing together in 2004 when Chaton joined the Ex onstage to perform one of their songs. They later started to collaborate as a duo, building the music and text for one of Chaton’s portrait series; the journalist which later resulted in their first CD “Le Journaliste”, also released with Unsounds. Since then Moor and Chaton have toured widely in Europe, Canada and Japan, always building, reconstructing and adjusting their set and performance using improvisation as a creative source. In more recent months they have included video projections to the performances. They combine guitar riffs and loops, abstract noise, live sampling, dark beats and the unmistakable voice of Chaton, very present and rhythmic.

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Label: Rainy Treehouse
Catalog#: RTH 007
Release date: 17-06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 88 mb
Genre: Electronic
Style: Trip-Hop, Instrumental Hip-Hop, Downtempo, Experimental

Tracklist:
01. Crash [00:02:53]
02. Childhood Whisper [00:02:53]
03. Sea [00:02:03]
04. Last Night [00:01:57]
05. Adobe of Cosmic Dust [00:02:58]
06. Echoic Memory [00:04:24]
07. Crystalline [00:02:41]
08. Space Death [00:02:06]
09. First Date With Heaven [00:02:50]
10. Gulp of Freedom [00:03:33]
11. Unplanned Spring [00:02:46]
12. One Day [00:02:11]
13. The Sleep Train [00:02:49]
14. Warm Winds [00:01:50]

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Label: Ghostly International
Catalog#: GI-184
Release date: aug 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 112 mb
Genre: Electronic
Style: Glitch, Beats, IDM, Downtempo, Experimental, Electronic

Tracklist:
01. First Saturn Return [2:14]
02. Detroit Part 1 [4:52]
03. Ringleader [6:01]
04. Perfect Crime [5:15]
05. Olivia [3:08]
06. Miss U [5:42]
07. Ritual Howl [4:25]
08. Soul Searching [5:31]
09. Safe In Here [2:49]
10. No Better Time Than Now [4:46]
11. Silver Lining [3:23]
12. Tell a Tale [4:18]

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Artist: Mekha
Title Of Album: Immersion
Year Of Release: 9 aug 2013
Label: Cut / CUT016 /
Genre: Deep/Dub Techno, IDM, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:53:33
Total Size: 129 mb

Tracklist:
01. Mekha – Immersion
02. Mekha – Immersion (Reshape)
03. Mekha – Submersion (Featuring MegaZimze)
04. Mekha – Submersion (Dsve Hosx Remix Featuring MegaZimze)
05. Mekha – Mikrometeoroiden (Featuring MegaZimze)
06. Mekha – Mikrometeoroiden (The Raging Sea Remix Featuring MegaZimze)
07. Mekha – Coma (Featuring Snowflake)
08. Mekha – Coma (Emmerichk Remix Featuring Snowflake)
09. Mekha – Ekoladen
10. Mekha – Ekoladen (Plug Remix Featuring MegaZimze)
11. Mekha – Farewell

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Label: Not Not Fun
Catalog#: NNF281
Release date: 29-07-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 89 mb
Genre: Electronic
Style: Ambient, Experimental

Tracklist:
1 We Come Spinning Out Of Control
2 Walking Into The Light
3 The Night Air Burning
4 Blindfold Me
5 Into Nowhere Again
6 End Scene

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Label: Limalo
Release date: 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 92 mb
Genre: Electronic
Style: Ambient, Experimental

Tracklist:
01. Ode To The Spiracle 02:26
02. Clouds In My Puddle 03:12
03. Pink Sky Blush 02:50
04. Gamogy’s Creek 02:17
05. Mojo Kit 02:33
06. Cocooning 02:56
07. Magic Lantern 02:50
08. Honey Seed 03:25
09. Idyll Time 02:41
10. Blurry Mood 03:10
11. Tiwa 02:26
12. Bursting Season Blood 02:56
13. Boatfriend 03:00
14. Zoom Back Camera 01:32

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Label/Cat#: Studio Barnhus Sweden – BARN 015
Year: 29 July, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 48 mb
Genre: Electronic
Style: House, Experimental

Tracklist:
1. Formodligen (03:35)
2. Melodi (03:18)
3. Bra For Dig (02:20)
4. Gamla Skolan (04:17)
5. En Slags Popmusik (04:05)
6. Det Beror Pa (04:17)

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Label: Daylight Curfew
Release date: 11-06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 89 mb
Genre: Electronic
Style: Trp-Hop, Experimental

Tracklist:
01. The Beggars (03:39)
02. Feather Ton (05:00)
03. Spctrpn (03:36)
04. Emptiness Finds A Way (02:52)
05. Never Faded Away (04:20)
06. Dance Of The Witch (03:00)
07. Again The Night (02:20)
08. Draw (03:12)
09. San Francisco (03:24)
10. Moon Milkshake (03:07)
11. My Mind When She Told Me (04:22)
12. OK (03:04)

One of his new trilogy Helsinki Beat Tape is an assortment of raw Hip Hop inspired beats with dusty samples, unrefined drums, and an air of uncertainty as to where his beat tape trilogy is going to take us. What we get on Part One is reminiscent of Hip Hop icons Premo and Dilla; a reformation of sorts that brings us back into time. DFALT successfully explores the musical possibilities within his choice of dusty samples and melodic synth work, while adding a bit of funk to the concoction with grainy drums ultimately bringing the samples back to life. One must only take a look at ‘San Francisco’ to get a real taste of DFALT. It’s going back to the basics; minimalism and simplicity bring everything within this track back to life in a more invigorating way. Imagine the beatuiful San Francisco skyline as wonderful piano chords guide your ears across a laid back and airy synth. Part One spans over 10 instrumentals that each carry with them a solid weight. ‘The Beggars’ starts off the project with an ethereal vibe, causing you to delve deeper into the project. You automatically desire more as the warm textures of the analog instruments stops any belief of this project being comprised of normal Hip Hop instrumentals. Delicately sliced vocal chops adds to its graceful energy. Soon, we’re thrown into ‘Feather Ton’, a funky overriden beat that speaks to the allure of broken rhythms while bluesy and soulful chopped vocals keep us itchin for more. Then, as if on cue, we’re hit with the abrasive SPCTRPN: a beautifully crafted model of synth work on top of chalky and hard hitting drums. Space is important in music, and DFALT knows this better than anyone. SPCTRPN is a perfect example of how just a little bit less can mean a whole lot more in terms of bringing out a piece of art’s energy and vitality. The rest of the project complete with uplifting vocal work courtesy of CWL shows exactly why Jason Drake is one of the most talented musicians out there today. The man is constantly defining new boundaries in sound and pushing them to the limits.

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Label: Oktaf
Catalog#: OKTAF05
Release date: 01-07-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 122 mb
Genre: Electronic
Style: Ambient / Avant-garde Jazz / Modern Classical / Experimental

Tracklist:
1 Œillet Parfait / Œillet Sauvage (11:33)
2 Histoire De La Nuit (13:09)
3 Excalibur (4:09)
4 Maison En Vitre (9:52)
5 Éclipse (9:43)
6 Les Trains Stortent De La Gare (6:51)

German ambient-connaisseur and soundpoet Marsen Jules (aka Martin Juhls) is well known for his releases on City Center Offices, Kompakt or his own label Oktaf Records. On stage he often combines his atmospheric soundscapes with live musicians. A steady formation is the Marsen Jules Trio, which features the twin brothers Anwar Alam and Jan-Philipp Alam on piano and violins accompanied by Jules´ restrained live-sampling, bowed percussions and singing wine glasses.

For tours and festivals the Trio already played in the US as well as in Canada and all over Europe. With their debut-album „Présence Acousmatique“ on Oktaf Records the musicians bring their „acoustic presence“ to CD for the first time. It features six highly atmospheric soundsculptures between ambient, avantgarde-classic and modern jazz. Whereas the opening „OEillet Parfait / OEillet Sauvage“ is still a variation of a track from Jules´ „Les Fleurs“ album, all other tracks are composed for the Trio or developed out of the cooperation itself. Two tracks also feature saxophone player Roger Döring (Dictaphone) as a guest musician. The combination of dark scapes and saxophone on „Histoire de la nuit“ and „Éclipse“ makes one think of an ambient version of Bohren und der Club Ghore. The abstract „Excalibur“ and „Maison en Vitre“ remind of early avantgarde-classic and twelve-tone music and the closing „Les trains stortent de la gare“ brings a bittersweet composition for piano and violin hold together by sparkling percussions.

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Label: Camomille
Release date: 23-06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 102 mb
Genre: Electronic
Style: Ambient, Experimental

Tracklist:
01. You Are A Dead Television
02. Fragments A (Steady)
03. Fragments B (Adrift)
04. Sails
05. Blunt Simplicity
06. Succubus, Now
07. Sleep
08. Fragments C (beautiful)
09. Awake
10. The Internet

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