Recent posts: Electronic

Hello dear TMF users!
You are welcome to vote for the best albums released in 2013. We hope for your active & responsible participation. We provide 10 categories, each of them contains ~30 albums to choose.
You can pick 3 albums in each of genres.
Feel free to comment if a wanted album is not in the list:)
Thanks for attention, TMF Team.

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Artist: Material Object
Title Of Album: Hentai. Exhibition Design 01
Year Of Release: 13 mar 2014
Label: Semantica / ED01
Genre: Techno, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:45:30
Total Size: 104 mb

Tracklist:
1. Material Object-Hentai.ED01 11:14
2. Material Object-Oppai.ED01 10:30
3. Material Object-Seijin.ED01 08:28
4. Material Object-ZenZen.ED01 12:03
5. Material Object-xxxx.ED01 03:12

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Label: Fabric Records / fabric148
Release date: 17-03-2014
Source: CD
Format: MP3
Quality: 320 kbps
Size: 159 mb
Genre: Electronic
Style: House, Tech House, Electronic

Tracklist:
01 Jack Beats – Beatbox (FABRICLIVE Version)
02 Ten Walls – Requiem
03 Duke Dumont – Street Walker
04 Sure Thing – Holding You Tight (GotSome Bump-In-The-Trunk Remix)
05 Dusky – Careless
06 A-Trak – Landline feat. GTA (Jack Beats Remix)
07 UZ – Trap Shit V13 (Justin Martin Remix)
08 Lxury – J.A.W.S.
09 Talki & Nulight – Doing It feat. AC Slater
10 P Money – Round The Clock (Cause & Affect Remix)
11 GTA – Booty Bounce feat. DJ Funk
12 Jack Beats – Knock You Down (Major Lazer vs Jack Beats Remix)
13 Jack Beats – The Ill Shit (FABRICLIVE Version)
14 Will Sparks – Ah Yeah (TJR Edit)
15 Panteros666 – Hyper Reality
16 Breach – Let’s Get Hot
17 Jack Beats – Just A Beat
18 Rudimental – Free feat. Emeli Sandé (Jack Beats Remix)
19 Destructo – Higher (Tommy Trash Remix)
20 Flux Pavilion – Daydreamer feat. Example (Jack Beats Remix)
21 Feed Me – Dazed
22 BASECAMP – Emmanuel

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Artist: SPIEDKIKS
Title Of Album: Little Smartphone People
Year Of Release: 12 mar 2014
Label: rec72
Genre: Bif Beat, Hip-Hop, Funl, Breaks
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:56:31
Total Size: 132 mb

On their second album Little Smartphone People, the German duo gathered Big Beat, Breaks, Funk and Hip Hop. The variety in genres is due to the many guest musicians that met on Spiedkiks present album. It’s the great mix of analogue and electronic music (i.e. Moog, Trombone, Violin, Turntables) plus heavy vocals and drums that Spiedkiks combined alongside with Johannes Hehrmann , Justus Heher, Dominik Berlin, Mr. Goodbar, Kurt from Suso, Shazalakazoo and Jero Castella

Tracklist:
01. Disco Bunny
02. Move The Head
03. Watch Ur Behavior
04. Sundowner
05. One Hot Finger Lickin Minute
06. Little Smartphone People
07. A Man Is Just A Man
08. Selfie @ The Zoo
09. Until They Kick Us Outside
10. Who Is Bill Carson
11. Say It!
12. Freckles & Hairslides
13. I Know U Know Why
14. Helicopter
15. Granted
16. Mos Eisley Cantina

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Label: Acker
Catalog#: ACKER LP002
Release date: 3 mar 2014
Source: CD, Album
Format: MP3 | Flac (tracks+.cue)
Quality: 320 kbps | Lossless
Size: 124 mb | 323 mb
Genre: Electronic
Style: IDM, Techno, Glitch, Electronic

Ist es seine Liebe zum Detail, die ihm den Namen The Micronaut eingebracht hat? Zumindest wird die Stimmung seiner Kompositionen von zahllosen kleinen Einzelheiten bestimmt. In harmonischer Verschiedenartigkeit ergänzen sie sich zum großen Ganzen, zum Panorama einer einzigartigen Klanglandschaft. Die musikalischen Momentaufnahmen des Micronaut schöpfen ihre Ausdrucksstärke und Lebhaftigkeit aus dem Spiel mit Kontrasten: Zwischen 2-Step, gebrochen Bass Music Rhythmen und stampfender Gradlinigkeit, zwischen eingängigen Melodien und hintergründiger Dramatik, zwischen elektronischer Soundsynthese und menschlichem Stimmeinsatz. Sorgsam aneinandergereiht bilden sie ein gewaltiges Panorama, das bisher ungehörte neue Perspektiven auf Musikgenres eröffnet und ihre vermeintlichen Grenzen spielerisch in Frage stellt. In voller Breite entfaltet es sich auf CD, in voller Klangtiefe auf Vinyl.

Is it his love for details that made him known as The Micronaut? At least the atmosphere of his productions evolves from a multitude of intricate elements. These little bits and pieces might be of very different nature but together they complement each other in perfect harmony, creating the big picture, the Panorama of a soundscape that is one of a kind. The musical snapshots of The Micronaut draw their expressive power and liveliness from a play of contrasts: Between 2-Step, broken Bass Music rhythms and stomping straightness, between catchy melodies and subliminal drama, between electronic sound synthesis and human vocals. Carefully arranged the single tracks create a majestic Panorama that reveals yet unheard new perspectives on music genres, crushing their boundaries in a very playful way. The full width of this Panorama unfolds on CD, its full acoustic depth on vinyl.

Tracklist:
01. Widelens 05:20
02. Modulation Transfer Function 03:16
03. Monochrome 04:52
04. Zoom In 01:17
05. Low Shutter 05:03
06. Flashlight 03:42
07. Luminance 05:12
08. Viewfinder 04:16
09. Parallax 04:19
10. Stop Motion Monster 03:13
11. Exposure 06:35
12. Light In The Scene 05:17
13. Out Of Focus 04:06

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Label: Atomnation
Catalog#: ATM016
Release date: 27-01-2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 46 mb
Genre: Electronic
Style: House, Bass

Tracklist:
01. Higher (3:37)
02. Higher (Weval Remix) (5:54)
03. Higher (Mattheis Remix) (5:51)
04. Higher (Throwing Snow Remix) (4:58)

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Label: Russian Torrent Versions
Catalog#: CCCP 07
Release date: 10-03-2014
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: 54 mb
Genre: Electronic
Style: House, Electronic

Tracklist:
A1 – 5674
A2 – 76675
B1 – Misterious Jazz From Hell
B2 – H592s

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Label/Cat#: Believe France – ET 140101
Year: 6 February, 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 48 mb
Genre: Electronic
Style: Experimental, techno

Tracklist:
1. Elapsed Time (Sinnerman mix) (04:36)
2. Variation (07:44)
3. Cloud (Cumul De Mandats) (08:10)

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Label: Hypercolour
Catalog#: HYPECD 002
Release date: 17-03-2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 120 mb
Genre: Electronic
Style: Tech House, Electronic

Tracklist:
01 – Ridmik
02 – Stabs Of Regret
03 – Six Eight
04 – Acid Jacker
05 – Acrobot
06 – Acage
07 – Overstand Me
08 – cs303
09 – Proper Gander
10 – Double Dipped Acid
11 – Vortek

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Label/Cat#: Amadeus Records – AMA013
Source: WEB
Release date: 2014-03-03
Format: mp3
Quality: 320 kbps
Size: 55 mb
Genre: Electronic
Style: Deep House

Tracklist
1. Flow featuring Fault Lines (Original Mix)6:28
2. Flow featuring Fault Lines (Zoo Look Remix)6:48
3. Herman’s House (Original Mix)6:52
4. Clouds Collide (Original Mix)4:08

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Label/Cat#: KI Germany – KICD 05
Year: 10 March, 2014
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 95 mb
Genre: Electronic
Style: Electronic, House

It almost came to the point that a new release on Ki didn’t happen as Nick and Ben, the guys behind Colo, lost their laptop in the heyday of the album production. Backups? Unfortunately none! Their debut album was almost done: ten tracks with about 150 to 200 single audio tracks, many hours of fine detailed work just gone. But fortunately not the whole world is bad and the finder returned the laptop to the hands of their owners and Colo’s debut album by the name of “UR” got pressed on vinyl. The name “UR” is a word play and not a reminiscence to the legendary Detroit label Underground Resistance. The bands name and the title of the album form the word “colo-ur”. All ten tracks on “UR” were recorded live and arranged on the computer afterwards. Except of some drum sounds no samples were used. For the London based duo producing music is pure teamwork: both throw in ideas and play around with their hardware instruments. Besides vintage synthesizers they also use a lot of analog delay, or an 8-track recorder to give their tracks a certain layered and deep sound structure. The fragile vocals sung by Nick Smith underline this in a mystical way. Most tracks are created intuitively and directly recorded, to save the idea and not to lose its feel for the moment. One take, one track you could say. Although not every detail of the initial idea makes it to the final track. But if you listen closely, “Doorframe” for example has the room sound of their studio underneath the vocals that gives the song a rough and fading note. The vocals on “Holidays” were also made on the fly, recorded with a cheap Mic that came with a game console. Nick just felt he should record this melodic idea he had, not to forget it. What turned out was so good and unique sounding that it was kept for the final version. The single “Holidays” was released beforehand featuring a remix by Christian Löffler.

Tracklist:
1. Holidays (04:07)
2. Take Mine (04:33)
3. Aubade (02:56)
4. Doorframe (02:54)
5. The View From Nowhere (04:14)
6. A Reluctant Man (02:14)
7. Survivability Inside The Bubble (05:30)
8. UR (04:16)
9. To Retrace (04:40)
10. New Machine Sales (06:23)

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Artist: Doctor Flake
Title Of Album: Acchordance
Year Of Release: 24 feb 2014
Label: New Deal / Nwdcd005
Genre: Abstract Hp-Hop, Trip-Hop, Alternative
Quality: MP3 | Flac (tracks+.cue)
Bitrate: 320 kbps | Lossless
Total Time: 00:49:23
Total Size: 109 mb | 284 mb

Tracklist:
1 Leitmotiv 4:51
2 Lonely Road 4:38
3 Women In Dub 4:15
4 Dischord 5:06
5 Rock On 3:13
6 Sunday Afternoon 4:22
7 Beatiful Ghosts 5:18
8 Japanese Porn 3:32
9 Southern Lakes 3:23
10 Divagation 4:23
11 No Ends 4:32
12 To Be Continued 1:50

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Label: ESL Music
Catalog#: ESL220
Release date: mar 2014
Source: CD, Album
Format: Flac (tracks+.cue)
Quality: Lossless
Size: 265 mb
Genre: Electronic
Style: Downtempo, Chillout, Acid Jazz, Trip-Hop, Dub, Ambient, Electronic

Tracklist:
01 Décollage (Feat. Lou Lou Ghelichkhani)
02 Meu Négo (Feat. Karina Zaviani)
03 Quem Me Leva (Feat. Elin Melgarejo)
04 Firelight (Feat. Lou Lou Ghelichkhani)
05 Sola In Citta (Feat. Elin Melgarejo)
06 No More Disguise (Feat. Lou Lou Ghelichkhani)
07 Saudade
08 Claridad (Feat. Natalia Clavier)
09 Nós Dois (Feat. Karina Zaviani)
10 Le Coeur (Feat. Lou Lou Ghelichkhani)
11 Para Sempre (Feat. Elin Melgarejo)
12 Bateau Rouge (Feat. Lou Lou Ghelichkhani)
13 Depth Of My Soul (Feat. Shana Halligan)

Though their sound blends everything from dub to reggae to Middle Eastern folk, Washington, DC’s own Thievery Corporation developed in the tradition of Bossa Nova. They’ll return to those roots with the release of their seventh studio album, Saudade, due out April 1st their own ESL Music label.

Reacquainting themselves with Brazilian legends like Antonio Carlos Jobim, Gal Costa, and Luis Bonfá, the core duo of DJs Rob Garza and Eric Hilton sought to create a “delicate yet deeply sensuous sound”, according to a press release. (“Saudade” is the Portuguese word for “contented melancholy” or “the presence of absence.”) Like 2011′s Culture of Fear, the album is packed with guest contributors, including U.N.K.L.E., Argentine singer Federico Aubele, Brazilian percussionist Roberto Santos, and longtime Thievery cohort LouLou Ghelichkhani.

“We always try to progress into something different and stretch our musical chops, and taking a whole album to dive into this one sound seemed like a really great way to do that,” said Eric Hilton in an issued statement. Added Rob Garza, “It’s a bit of a departure for us, but at the same time these are our roots, this is what brought us together. It’s us coming full circle from electronic music back to something organic before we move on to our next chapter.”

Our first taste of the “very feminine record” comes with “Depth Of My Soul”, a rich and dramatic jazz-tune. Feeling at home in an old movie or a cocktail lounge, guest vocalist Shana Halligan passionately croons over luxuriant strings and vibrant orchestration. In an interview with the Wall Street Journal, Garza said the song has lots of “hidden meanings, adding, “It’s kind of inspired by love, but it’s also inspired by psychedelic moments musically from all types of soundtracks. I appreciate a lot of films from that era, just the look, the stylings, the locations, everything.”

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Artist: Rumpistol
Title Of Album: Away
Year Of Release: 17 feb 2014
Label: Rump – RUMPLP015
Genre: IDM / Experimental / Ambient / Dub
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:01:56
Total Size: 138 mb

Tracklist:
01 A Dream
02 A Town
03 Away
04 Amnesia
05 Asleep
06 Awake
07 A Glance
08 Amar
09 A Fall
10 Adrift
11 Allahabad
12 Atacama
13 Asleep (Kelpe Remix)

Rumpistol’s 5th full album is called “Away” and references, among other things, the isolation, absence and loss that comes with the creative process, but also the privilege of being able to disappear into another world and be 100% present in the music.

After Rumpistol’s recent collaborations with vocalists Red Baron (The album “Floating” released on Project Mooncircle in 2012) and John LaMonica (the It’s Everywhere EP from 2013), he now returns with another step forward in the outgoing direction while acknowledging the finest moments of his earlier instrumental releases too. This is especially heard in the strong focus on detail and the choice of acoustic instruments as a fixed companion to the electronic machinery.
The album features American singer/songwriter John LaMonica, LA-residing Red Baron and Katerine Mills-Rymer of OOFJ.

The title “Away” was chosen because many of the tracks on the album obviously deals with absence and the many ways to get lost or to disappear into something else. Whether existentially or in the escapist sense – to be on the run from something or to be heading somewhere unknown – a driving force that Rumpistol has often mentioned in relation to his creative process.

“Everyone knows what it means to be absent, or the unpleasant and almost humiliating feeling it can be to be around absent minded people. Paradoxically, absence usually springs from a total presence. So when you’re 100% absorbed in one thing then you tend to forget everything else around you. This is the zone I enter when I work alone with my music ” Rumpistol explains.

Like most electronic musicians and composers Rumpistol has always worked alone, so the isolation is a basic condition requiring a certain personality, which some might perceive as introverted or even nerdy.
Rumpistol’s great devotion to analogue sounds shows a passion which some might find kooky too. A passion for deliberately squashed cassette tapes, reel-to-reels, crackling vinyl and vintage synthesizers from before the digital age, where sounds were designed from scratch – slowly with patience and good craftsmanship.
This analogue element mixed with Rumpistols bitter-sweet compositions and subtle use of children’s voices evokes a feeling of nostalgia, where washed-out memories of childhood comes alive. Like on the first single “Asleep” which features elements of an old Danish childrens song or “Adrift” where Rumpistol samples a recording of himself as a child.

The title track (a duet between Red Baron & Katherine Mills Rymer of OOFJ) as well as the track “A Fall” brings the subject of struggling relationships to the table, while the majestic closer “Atacama” feat. John LaMonica sees absence in a much larger universal perspective, taking inspiration from Guzmans documentary ”Nostalgia For The Light”.

With elements from juke, ambient, house, IDM & drum’n’bass, “Away” elegantly summarizes Rumpistol ability to produce highly elaborate and genre crossing electronic music, that still bears a human face, while integrating sonic details with microscopic precision, that can only be made possible by many hours – days – even months of strenuous work in the studio.

It’s an ability that has gained love from critics & DJs alike, from BBC’s legendary John Peel to French techno star Laurent Garnier and Om Unit, and has brought him to venues like Boiler Room UK and MUTEK Montreal.

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Label/Cat#: Palette Recordings – PALDG11
Source: WEB
Release date: 2014-02-25
Format: mp3
Quality: 320 kbps
Size: 58 mb
Genre: Electronic
Style: Tech House

Tracklist
1. Bolivia (Original Mix)7:54
2. M3ltfac3 (Original Mix)4:03
3. The Biggest Thing I Have Ever Seen (Original Mix)6:30
4. Bolivia (John Tejada Remix)6:55

Palette Recordings is proud to welcome Daniel Troberg. Troberg, born on the Aaland Islands in Finland 1977, started dabbling in computers 30 years ago and was automatically dragged into the electronic music culture that was happening in Europe around the end of the ’80s and beginning of the ’90s. Growing up on equal doses of Chicago house music, German prototype techno, Finnish minimalism, and an upbringing on desolate islands fueled his creative drive and mindset a bit off the beaten path. Dj, producer, radio show host, promoter and technical savvy, Daniel’s vision has today manifested in a leading role at Elektron Music Machines, creators of fine electronic musical instruments. The title track “Bolivia” was conceived after traveling around in the marvelous country and taking in its extremes, something that reflects in the boldness and longevity of the music and sounds. It has been floating around within the innards of internet, surfacing only briefly up until now as it’s getting a proper release on Palette. “m3ltfac3” was made one gloomy Scandinavian winter as an experiment to get the Elektron Monomachine synthesizer to talk in a more human way than ever before. Although the lyrics are buried deep in the track, it warns of machines influencing the daily life of humans. A known theme by now but nonetheless always in question. “TBTIHES” was originally formed for a short film by Swedish video maker Sarah Schmidt in 2008, but has now taken a form of its own, creating a visual representation of itself in the rhythms, textures and sounds of the music. The title of the track really says it all. Rounding out the EP, is a special John Tejada remix of the title track.

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Label: Xtraplex
Catalog#: xpl018
Release date: 11-02-2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 79 mb
Genre: Electronic
Style: IDM, Ambient, Electronic

Tracklist:
1.Atraplex v2 05:29
2.Clocks Of Exiplosis 06:38
3.Coloss Prack 05:16
4.Orpiclem 04:08
5.Helicoprion 00:46
6.Azrael 03:44
7.Klankabells 04:36
8.Audionaut Preject 05:11

This month is something special: On the 11th of february 2011, exactly three years ago, we released our very first release called ’Sounds For The Geniculate Ganglion’. It was a raw but precious sketch of the future (still available at the bottom of our digital discography btw 😉 ) with a small and fairly totally unknown selection of Belgian digital dream producers. One of the leading figures gathered on that compilation was Gauthier ’Sk’p’ de Hemptinne with ’Altraplex’.

Today we witness the result of three years of work, precious time spent to carefully construct this brilliant album for us.
Lets listen, put on those audio helmets, close those peepers and immerse yourself…

He kicks off where he left it with a new version of the previously featured ‘Atraplex’ track afterwich we meet ‘Clocks Of Exiplosis’, a tender uptempo floating device boosting us higher and higher into the stratosphere.
As the voyage takes us beyond we pass ‘Coloss Prack’, a giant piece of texture dozing in the dark and exploding in our face while passing into the title piece ‘Orpiclem’.
An ocean of wellness sloshing against rough but perfect crafted rythmic textures, a highlight in the sound that we all love and know as Sk’p, one to repeat and play for your grandchildren.
After the title track it is time for a little rest wich we can find in the short but intens intermezzo ‘Helicoprion’. We then have a rolling emotion coming at us with high definition. Twisting and climbing around while being hypnotised, we know we have arrived in awe, we close our eyes and relax.
Untill we hear some ‘Klankabells’ announcing a memory of a storm and who make us want to move things omni-dimensional. It is way too early that we wake up and find peace in what has come to be the 4th version of ‘Audionaut Preject’, a happy goodbye track in a blue 8bit Megaman suit.

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Label: Self
Release date: 2014
Source: WEB
Format: Flac
Quality: Lossless
Size: 171 mb
Genre: Electronic
Style: Experimental, Electronic

Tracklist:
01. Pyramid (Atoms For Peace Remix)
02. Jupiters (Happa Remix)
03. Lion (Jamie xx Remix)
04. 128 Harps (Anthony Naples Remix)

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Label/Cat#: Blitz Club – BZCR015
Source: WEB
Release date: 2014-02-24
Format: mp3
Quality: 320 kbps
Size: 94 mb
Genre: Electronic
Style: Electronica / Deep House / Nu Disco

Tracklist
1. Never Enough (Young Parisians Remix)5:19
2. Never Enough (Jon Pleased Wimmin Mix)6:59
3. Never Enough (B.G. Baarregaard + Space Coast Dub)7:00
4. Never Enough (Bottin Dub)6:04
5. Never Enough (Radio Edit)3:19
6. Never Enough (John Bryan Widescreen Instrumental)8:21
7. Never Enough (Bottin Extended Vocal)7:15

Founding fathers of the New Romantics and pioneers of the 80s sound Visage, are pleased to add a few remixes to their 3rd single from new album ‘Hearts And Knives’. ‘Never Enough’ is the album opening track has been given the remix treatment and a vinyl release. First up with the remixes are the Young Parisians who strip things down to the core electronic and synthy elements but keep Steve Stranges driving lyric. The result is Synthpop 2014 but with a dancefloor twist. Next we are pleased to include a remix from house legend Jon of The Pleased Wimmin. Best known for his peak time 90’s house remixes and releases, we can now add Visage to his illustrious list of collaborators (including Divine, Erasure, Cerone and even Chris Rea). Keeping things with a house flavour, next Icelandic based B.G. Baarregaard teams up with Sleazy McQueen/Space Coast for some deeper action. Italian based Bottin is next to remix with his laid back slo-mo Italo disco versions (both in dub and vocal flavors). To round off the package we include the Radio Edit of the original, ‘all guns blazing’ version, it merges thundering Moroder-esque basslines with layers of Robin Simon’s effected guitars. Real drums Moroder bass and big keyboard riffs. Some Visage History: In 1980 Visage released their breakthrough track “Fade To Grey”. It became a European hit and reached number 1 in eight countries in 1980. The band then enjoyed a series of hit singles “Mind Of A Toy”, “Night Train” and “The Anvil” coming from a pair genre defying albums, the eponymous “Visage” in 1980 and “The Anvil” in 1982. In 1981 In 1984 Visage made their 3rd album “Beatboy”. As the public face of the band Steve Strange shot to stardom throughout Europe he continued to be active in hosting club nights (The Camden Palace, Club For Heroes) and in the fashion world.

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