Recent posts: Experimental

Label: Constellation Tatsu
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 41 MB
Genre: Electronic
Style: Experimental, IDM

Tracklist:
1.Midday Dream 01:31
2.Favorite Road Through The Summer 02:18
3.ReadingBooks and ReadingJune 02:05
4.AndAlwaysAndSunnyAndDrunkALL 03:23
5.TvLazy – WebBoring 03:46
6.August Morning In My City 02:38
7.Actually I Really Hate Summer 02:35
8.I Lost My Brains In Summer 00:58

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Artist: Gajek
Title Of Album: Restless Shapes
Year Of Release: 2014
Label: MonkeyTown
Genre: Techno, IDM, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:33:54
Total Size: 80 mb

Tracklist:
1. Curved Engines (part 1) (3:07)
2. Curved Engines (part 2) (1:22)
3. Curved Engines (part 3) (0:29)
4. Curved Engines (part 4) (0:59)
5. Curved Engines (part 5) (0:30)
6. Curved Engines (part 6) (1:12)
7. Restless Water Shapes (part 1) (0:53)
8. Restless Water Shapes (part 2) (2:47)
9. Restless Water Shapes (part 3) (2:01)
10. Restless Water Shapes (part 4) (1:16)
11. Restless Water Shapes (part 5) (0:45)
12. Restless Water Shapes (part 6) (3:25)
13. Restless Water Shapes (part 7) (1:31)
14. Restless Water Shapes (part 8) (1:36)
15. Moving Glasses (part 1) (2:17)
16. Moving Glasses (part 2) (1:49)
17. Moving Glasses (part 3) (1:49)
18. Moving Glasses (part 4) (1:01)
19. Moving Glasses (part 5) (0:54)
20. Moving Glasses (part 6) (1:22)
21. Moving Glasses (part 7) (2:49)

Concept albums are a rare species. They seem to have a tendency to show up late on revered artists timelines. Post teenage angst and the sheer unlimited energy of the early stages of the human condition, they convey a strategy that’s often been shaped by matured ideas coming together over the years. It is seldom that these are debut records. Gajek’s compositions however have grown quietly under the radar, heard only by those in his inner circle. In a way this is not a debut – as this music has ripened over the course of many years. But whilst his visual oeuvre has been out there for a while, accompanying the music of Warp’s Clark, Gajeks own audio is only now seeing the light of the public.

After Chris Clark had passed some of Gajeks sheer endless output over to Modeselektor, quite a few listening sessions followed. Ranging from post-rocky electronica to complex and moody renderings of intricate introverted beat structures to a mutant dance music, a whole audioscape had to be discovered. There were songs and tracks and experiments there, morphed vocals and reverberated non human instruments, complex percussion patterns and sweet athmospheres, but in all these different paths and moods, a penchant for working with a leitmotif could be traced.

As an introduction to expose his particular working method, a concept mini-album was carefully crafted. Filled with 21 short tracks circling around 3 main motifs this record lays bare one of Monkeytown’s new artists main strenghts. The creation of a soundscape that explores a notion of something athmospheric hidden away under the material of the zeitgeist. Working with variations of rythmic elements it seems like the 3 parts of this album tell very short but intricately entwined stories equal to the miniature worlds contained in snow globes. They contain references to their larger musical counterparts in Gajeks other works, but shaken and stirred and sometimes snowed under. One is quickly drawn into this music, challenged to find the thread and follow it into its different outfits and scenarios.

The first complex entitled „Curved Engines“ evolves around a major scale played over two octaves with the exclusion of a few notes. Its friendly and simple melody is examined in every possible direction almost like a classical minimalist piano piece. The second one „Restless Water Shapes“ explores a repetitive rythmic pattern, which is evolving over the course of its 8 parts, sometimes reminiscent of early Autechre, but combined with a more jazz based approach. On its course, the pattern morphs from being played on actual percussions, to drony pads and sirens synthesized from vocals until it breaks into actual composed pieces on track 9, 12 and 14. Here, various of the afore-heard elements come together and form moments of extreme beauty and calmness while challenging the listener to come closer, hear more, better, finer.

Complex 3 „Moving Glasses“ starts like an overture to a digital „Zarathrustra“. Synthezised arpeggios sounding like a muted bamboo – harpsichord are interrupted by a syncopated beat swinging in an upside down gesture like an exclamation mark. Some of the elements of the former complexes appear, culminating in a more orchestrated apparel. Where the other parts explore a musical structure this one is devoted to (a) form. This form could be called „electronic dance music“, if this expression wasnt already taken for the cheap mainstream rendering of autotuned four to the floor. In a different speak one could also say „almost techno“. „Moving Glasses“ offers the most apparent references to club – music in its various forms ranging from hip hop to techno but also finding its way back to ambient and electronica.

You can consume this album without paying attention to the „concept“ part of it, no worries, it is a masterfully crafted piece of intelligent electronica that is as pleasant to listen to, as it is thought though. But you can also dig deep and let yourself be amazed by the mindgames of this young producer, who is by the way also just gaining his „Meisterschüler“ in the visual arts. His idiosyncratic mastery of music however was obtained autodidactically. And that makes the beauty of it.”

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*A new sublabel from Blackest Ever Black, edition of 300 copies for the world* Blackest Ever Black initiate the ‘floor-stalking Original Street Techno series with two original joints by December. As previewed on the label’s Berlin Community Radio show, they reveal a fine mixture of gothic lust and louche contempt for the ‘floor: ‘In Advance Of The Broken Arm’ hems to the shadows with suggestive, half-heard mutters and the silhouettes of writhing, druggy rhythms illuminated by flashes of Carpenter-style synth and splashed with salty guitar distortion; the flipside turns to a darker corner of the club with ‘Collapse’, playing out a darkroom drama of Giallo-esque synth-organ motifs and a lugubrious, knackered pound somewhere between Nate Young and Raime. Definitely one for the club creeps – you know who you are.

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Label/Catalog#: Blackest Ever Black—A14 / A 1401
Release date: 2014
Source: VINYL
Format: mp3
Quality: 320 kbps
Size: 26 MB
Genre: Electronic
Style: Techno, Experimental

Tracklist:
A In Advance Of Broken Arm
B Collapse

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Artist: Barnt
Title Of Album:Magazine 13
Year Of Release: 2014
Label: Magazine
Genre: Techno, House
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:52:39
Total Size: 121 mb

Tracklist:
1. Wiggett: So we know that hexog****
2. 22:25
3. Blame A Hill
4. Cherry Red
5. 0221 51025Xx
6. How Do I Know What Solutions X Form?
7. 1/1
8. All the alts I’mm holding are hurting.

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Label/Catalog#: The Bunker New York / BK 008
Release date: 02014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 50 MB
Genre: Electronic
Style: Techno, Ambient, Experimental

Tracklist:
01. Ground Loop 1
02. Ground Loop 2

Uwe Schmidt is one of the most prolific contemporary electronic musicians of our era, with over 200 releases produced under a dizzying array of aliases. Perhaps his most well known and celebrated project is Señor Coconut, of “Cha cha cha” Kraftwerk cover fame. We’ve heard many dozens of Uwe’s releases and consider more than a few of them to be Bunker classics that are in constant rotation at both our house and on our dancefloor.

When we first heard his compilation of tunes organized as a satirical history of acid house released under the Atom™ moniker – “Acid Evolution 1988-2003”, we started hounding Uwe about performing this material live at The Bunker. We eventually got him to perform an improvised live hardware set with Tobias, then were lucky enough to have him perform his A/V set for us, and most recently were treated to a solo techno set of the Ground Loop material just last year.

We asked Uwe to flesh out a few of the clips he’d put online of Ground Loop material with a view to releasing a record for The Bunker and two days later these two monsters landed in our inbox. Two brand new Atom™ dancefloor acid explosions that stand alongside the best of his work. Enjoy!

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Artist: Saint Leidal The 2nd
Title Of Album: Future Tiberian Baths
Year Of Release: 2014
Label: Farbwechsel / FARB010
Genre: House, Downtempo, Experimental
Quality: Flac
Bitrate: Lossless
Total Time: 00:39:28
Total Size: 202 mb

Tracklist:
01 – Body Bubble 1 4:18
02 – Body Bubble 2 3:29
03 – Bad 5:12
04 – Afterparty 2:11
05 – My First Car 4:28
06 – Over Me 1:46
07 – A Long Way To Renata (And Back) 4:49
08 – The Speaking Piano 2:18
09 – My First Car (Route 8’s 808 Soundtrack Mix) 5:53
10 – Body Bubble 2 (Norwell’s Popdream Mix) 5:04

If there was a Top Of The Pops for DIY electronics, then St Leidal the 2nd‘s slice of sun-kissed exotica heaven would probably be number one for months to come. Up and coming Hungarian producer, András Leidal had explored practically everything between shoegaze and acid before starting his solo project, St Leidal the 2nd in 2009 – he is part of Wedding Acid Group’s trio, whose anthology was released on Farbwechsel this past spring.

Following a couple of self-released EPs and a refined release on 8ounce records, Future Tiberian Baths is András’s most accomplished work to date. Similarly to St Leidal’s previous works, it is a collection of sample laden, beat driven songs that sound like listening to an octopus jamming to a sleazy 80s teenage movie theme from the inside of an aquarium. These eight originals are all built from an almost transparent fabric that melts both your mind and your body, recalling the best moments of vaporwave. What makes St Leidal the 2nd stand out though is his effortless, almost minimalistic approach that lets him fuse hopeful melancholy and nostalgia with an array of influences with suave ease and confidence.

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Artist: Monolog X
Title Of Album: Seven Trumpets
Year Of Release: 2014
Label: Occult Research / OR007
Genre: Acid, Techno, Experimental
Quality: Flac
Bitrate: Lossless
Total Time: 00:29:29
Total Size: 155 mb

Tracklist:
1. First Trumpet 05:12
2. Second Trumpet 04:44
3. Third Trumpet 04:56
4. Fourth Trumpet 04:36
5. 5th Trumpet 03:16
6. 6th Trumpet 03:39
7. Seventh Trumpet 03:05

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Artist: Amen Tma
Title Of Album: Insect Phonetics Research
Year Of Release: 2014
Label: LOM
Genre: IDM, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:30:12
Total Size: 217 mb

Tracklist:
1. Suboesophageal Ganglion 02:13
2. The Shapeshifting Trickster Mantis 10:50
3. Insect Phonetics Research I 02:04
4. Antennae 00:39
5. The Rules of Dung Beetle Traffic 06:28
6. Phantom Powder Mimicry 02:55
7. Insect Phonetics Research II 06:29
8. The Moulting 05:57
9. As The Nyght Falls 06:22
10. Amblypygid’s Final Démarche 01:09
11. Plage Live 06:36
12. Sion Orgon – Mind Forg’d Manacles 05:34
13. Loyu – Trickster Mantis Remix 07:03
14. Drakh – As The Night Arises 07:11
15. Makkatu – The Rules of Ant Traffic 04:53
16. Insect Phonetics Research III 00:59
17. Rentip – Wrecking Activities 03:05
18. &pos – Unknown Species 02:42
19. Oculolinctus 02:23
20. RBNX + Urbanfailure – Incomplete Metamorphosis 04:28

about
Amen Tma is a project of ::.: and acidmilk. Spiritually a successor to Angakkut, but musically a completely different entity, it was conceived in late 2011 for the purpose of experimentation with combining composition techniques of electroacoustic music, balinese gamelan and polymetric techno.

Spanning nearly three years of work, their debut album Insect Phonetics Research yields a study in sibilant stridulation sounds, interwoven with messages preaching an ever approaching Eschaton. This material is complete with a bonus live recording alongside remixes by Sion Orgon, Loyu, Drakh, Makkatu, Rentip, &apos, RBNX and Urbanfailure, resulting in a total 90 minutes of music.

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Artist: Broken Bone
Title Of Album: Willowbrook
Year Of Release: 2014
Label: Aperture – AP 007LP
Genre: Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:16:08
Total Size: 175 mb

Tracklist:
1. The Echoes They Left Behind (5:58)
2. Blood On Your Hands (6:41)
3. Building 6 (6:05)
4. Sub Clinical (7:38)
5. Coercion (7:33)
6. Regress (5:31)
7. A Home For Phthisis (5:42)
8. Sense Distortion (4:32)
9. Coma (5:23)
10. Catharsis (10:47)
11. Unethical Research (4:48)
12. Raw (5:40)

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Artist: PMM & Tuff Sherm
Title Of Album: Gracefully Force Consensus
Year Of Release: 2014
Label: Reckno
Genre: Techno, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:59:24
Total Size: 134 mb

Tracklist:
1.PMM – Heed Every Warning 02:56
2.Tuff Sherm – Midnight Marauders 05:02
3.PMM – No Technical Hangups 07:38
4.Tuff Sherm – Personal Mountains 03:02
5.PMM – Media Training 02:52
6.Tuff Sherm – Nature’s Revenge 01:07
7.PMM – Invest in Pressureforming 00:24
8.Tuff Sherm – Bone Machine 06:55
9.PMM – Push Timing 01:19
10.Tuff Sherm – East Coasting 05:00
11.PMM – Cosigns 04:12
12.Tuff Sherm – The Chronic 05:45
13.PMM – Virality 04:00
14.Tuff Sherm – Monk’s Dream 01:06
15.PMM – Deal Season 02:18
16.Tuff Sherm – Future Days 02:48
17.PMM – Gracefully Force Consensus 02:54

Gracefully Force Consensus is an hour long split tape between PMM and Tuff Sherm. Two halves of the same whole or two independent artists? Or perhaps one works while the other sleeps?

On this cassette the artists trade tracks instead of the usual side each, PMM’s track titles appear to be lifted from a book on becoming a star while Tuff Sherm’s titles are all named after existing albums. Just how much is in the Tuff Sherm vault?

This tape is staggering in it’s breadth of sound, mood and approach: moments sound like disco 45’s having been given a sandpaper rubdown, other drumless works provide instant enlightenment. Tuff Sherm produces some of his most raw and rugged material so far taking the futuristic primitive approach to new levels of intensity by setting up huge mechanical automatons, lubricated with rain and sweat, that follow their own relentless path until a rainbow appears in the room. PMM resides in the chasm between music and non-music: gnarled tone poetry, metallic clangs and overblown keys.

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Artist: Consumer Electronics
Title Of Album: Estuary English
Year Of Release: 2014
Label: Dirter / DPROMDLP108
Genre: Techno, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:21:30
Total Size: 50 mb

Tracklist:
1) Teknon
2) Affirmation
3) Sex Offender Boyfriend
4) Come Clean
5) Co-Opted By Cunts
6) Estuary English
7) Air Lock

First Edition Gatefold 2LP includes a copy of the CD inside – Vinyl & CD separately mastered for “maximum sonic perfection”. Produced by Russell Haswell** Russell Haswell joins Philip Best’s Consumer Electronics for the face-melting force of ‘Estuary Electronics’. Following on from the Mattin-produced ‘Crowd Pleaser’ (2009), it finds the pioneering duo at their most virile and vital across seven tracks rife with sputtering tech-n0!se and, of course, Best’s spray it, don’t say it delivery. It’s a cruel, vicious f**ker and therein lies its charm in showing up most of their field as dilettantes. Between the flatulent jag of ‘Teknon’ to the staggering, ‘floor bleaching force of ‘Co-opted’ or the ‘Air Lock’ monologue that seals the final side, it delivers visceral thrills in a way most others can’t compete with. And it’s all the more powerful for its reduced and optimised palette – vocals, spatter drums and eviscerated electronics stoically delivered with real venom where it matters. For adventurous DJs, proper wrong ‘uns, and the noise brigade, it’s stone cold essential.

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