Recent posts: Vladislav Delay

Vladislav Delay – Hide Behind The Silence EP 3

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04.07.2023 Ambient / Downtempo Electronic ExperimentalARTIST:Lossless, Vladislav Delay Label Rajaton Read more

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22.01.2023 Ambient / DowntempoARTIST:Lossless, Vladislav Delay Label Rajaton Read more

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Vladislav Delay – Rakka II

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14.04.2021 Album Ambient / Downtempo Electronic ExperimentalARTIST:Lossless, Vladislav Delay Label Cosmo Rhythmatic Read more

Vladislav Delay, Sly Dunbar, Robbie Shakespeare ‎– 500-Push-Up

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18.08.2020 Album ElectronicARTIST:Lossless, Robbie Shakespeare ‎, Sly Dunbar, Vladislav Delay Label Sub Rosa Read more

VLADISLAV DELAY – Multila (2020 Remaster)

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19.03.2020 Album Electronic TechnoARTIST:Lossless, Vladislav Delay Label Keplar Read more

Vladislav Delay – Rakka

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26.02.2020 Album Ambient / DowntempoARTIST:Lossless, Vladislav Delay Label Cosmo Rhythmatic Read more

Vladislav Delay – untitled – circa 2014

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29.10.2018 Album Ambient / Downtempo Electronic Experimental MinimalARTIST:Lossless, Vladislav Delay Label Self Read more

Artist: Vladislav Delay
Title Of Album: Visa
Year Of Release: 2014
Label: Ripatti / Ripatti 09
Genre: Ambient, Experimental
Quality: Flac (tracks+.cue)
Bitrate: Lossless
Total Time: 00:53:36
Total Size: 270 mb

Tracklist:
1. Visaton
2. Viaton
3. Viisari
4. Vihollinen
5. Viimeinen

Following the frenetic, rhythmic experiments of the Ripatti 12” series, Vladislav Delay returns with his first ambient album in over a decade. ‘Visa’ is a thing of immense, absorbing beauty – harking back to his classic albums for Chain reaction and Mille Plateaux, extending 6 longform pieces over an hour of heady dub reductions. And in the fine tradition of some of the best albums, ‘Visa’ was borne out of serendipity – Ripatti was denied entry to the United States and was forced to cancel an entire tour. Suddenly left with unhindered time and a surplus of creative energy, he produced this material in a span of just two weeks. As he explains: “a valve broke open… and I collected what came out the pipes.” ‘Visa’ is complex yet immersive – never fading into the background, instead building layered soundscapes that shift and build before switching direction, changing focus. It’s a technique that Ripatti has crafted and honed over the years – almost 20 years in fact since his shocking ‘The Kind Of Blue’ debut for his own Huume imprint, and here once again subtly augmented via industrial noises and dream-like melodic loops. Made almost entirely with analog hardware, the album was designed to be listened to at high volume and in full detail – and is perhaps the most substantial and rewarding Delay release since ‘Demo(n) Tracks’ over a decade ago…