Recent posts: Electronic

Label: Secret Thirteen Journal
Catalog#: STJ 100
Release date: 16-12-2013
Source: WEB, Mixtape
Format: MP3
Quality: 320 kbps
Size: 237 mb
Genre: Electronic
Style: Techno, Experimental, IDM, Ambient, Electronic

Tracklist:
1. Luigi Russolo – Risveglio Di Una Città
2. Inner8 – Studio II su feedbacks & riverberi [Unreleased]
3. John Cage – Williams Mix (1952)
4. Technophonic Chamber Orchestra – Introphonic [Suite Inc.]
5. Vladimir Ussachevsky – Sonic Contours
6. Grün – Deep Green [Dromoscope]
7. Iannis Xenakis – Concret PH
8. Bretschneider & Steinbrüchel – Basis [12K]
9. Dadub – Unbroken Continuity [Stroboscopic Artefacts]
10. Retina.it – Zucchine Alla Scapece [Hefty Rec]
11. TCO – Prune [We Play! Records]
12. Brian Eno – Signals [Virgin]
13. Dadub – Vibration [Stroboscopic Artefacts]
14. Demdike Stare – Kommunion (Alternate Version) [Modern Love]
15. Grün – Fioritura [Dromoscope]
16. Dadub – Soundscape 1 (Atonal Festival 2013 Liveset) [Unreleased]
17. Ina Ynoki – Kosmos [Dromoscope]
18. Dadub – Arrival (Atonal Festival 2013 Liveset) [Unreleased]
19. Ina Ynoki – Mutant [Dromoscope]
20. Barry Truax – Basilica
21. Fabio Perletta – Field: Atom(s) Entropy [Farmacia 901]
22. Resina – [Track 12, from Disco Compatto Numero Uno / Idroscalo d’Autore]
23. The Bug – Skeng (Autechre Remix) [Ninja Tune]
24. William Basinski – Melancholia I [2062]
25. Arovane – Evlecc [DIN]
26. Resina – Muschià [Mousike Lab]
27. Alva Noto – Prototyp P [Raster-Noton]
28. Jan Jelinek – Moiré (Piano & Organ) [~scape]
29. Julien Neto – Voy [Type]
30. Deru – Spread Your Arms [Merck]
31. Arve henriksen – Opening Image [Rune Grammofon]
32. Pan•American – Inside Elevation [Kranky]
33. Lullaby From Itsuki Village (Flute & Sitar)
34. Ceephax – Nordic House [Firstcask Records]
35. Mogwai – A Cheery Wave From Stranded Youngsters [Chemikal Underground]
36. Japanese Traditional Vocal And Instrumental Music
37. Marsen Jules – Œillet En Delta [City Centre Offices]
38. Marsen Jules – Œillet Sauvage [City Centre Offices]
39. Lula Pena – Rosa [Calouste Gulbenkian Foundation]
40. Colleen – I’ll Read You A Story [Leaf]
41. King Midas Sound – Surround Me [Soul Jazz Records]
42. Chris Clark – Indigo Optimus [Warp Records]
43. Rechenzentrum – Ahab [Kitty-Yo]
44. Icarus – Fijaka [Recordings Of Substance]
45. Shuttle358 – Frame [12k]
46. Julien Neto – III [Type]
47. DeepChord Presents Echospace – First Point Of Aries [Modern Love]
48. Rhythm & Sound – Aerial [Rhythm & Sound]

The authors of the mix are Daniele Antezza and Giovanni Conti, also known as Dadub, an Italian electronic music duo and mastering engineers based in Berlin, Germany. Dadub used to be a solo project started by sound designer and musician Antezza in 2008. However, soon he was joined by Conti who was working on the interactive digital art projects at that time. Conti has brought a vast baggage of knowledge about hardware and software and duo immersed into producing. Both members are working in Artefacts Mastering studio and are highly connected to Stroboscopic Artefacts label where they have released 4 EPs and recent critically acclaimed debut album “You Are Eternity”. Influenced by King Tubby and fascinated by Lee Scratch Perry’s mix board experiments, Dadub is looking for innovative ways to merge old production formulas, new technical possibilities and sound constructing modules. “We care a lot of low frequencies and deep hypnotic atmospheres, and we both were drummers, so we guess the beats are important for us, both the patterns and the sounds,” Dadub says about their music characteristics in the interview for Electric Deluxe. While combining embossed techno rhythms and music related to dub and ambient sound textures, Dadub extracts carefully measured audio structures that could be described as moving colossal monuments. Their dynamic and powerful live performances were showcased internationally at Sonar festival in Barcelona, Melt! festival in Germany and in clubs from Berlin to Moscow and New York. So there is no doubt that the audience will hear a lot from this prominent duo in the nearest future.

By following Dadub’s recent recordings for Boiler Room, Resident Advisor and Electronic Explorations Secret Thirteen is happy to present their latest influential selection together with the celebration of the 100th mix of ours. Dadub’s selection indirectly reflects our previous mixes because it carries a lot of different stylistic motives ranging from techno, IDM, experimental to ambient, world and contemporary music. “The selection encompasses different historical moments of electronic music evolution, from the first futurist experiments (Russolo’s composition was composed in 1914) ’till the contemporary approaches,” says Dadub. The duo has connected 48 lasting records to form the sustained almost 2 hours complex mix where they have used tracks as tools to express their emotions through them. Even though the selection is deliberately eclectic Dadub wisely finds alternative ways to connect the most capricious tracks and to mask the tension between pieces that sometimes resonate. Spectral content of recorded material is always changing and smoothly reshaping its trajectory, it balances between formless compositions and rhythmical sound architecture. Dadub uses diverse audio layers to form completely new structures, new harmonies and constantly expanding sound constructions. They have dubbed and overdubbed this mix by using their new effect set up, a feedback system made by using analog vintage mixer and a couple of dirty delays. It is important to mention that this mix includes many diverse records that were evolved from dub music or could be strongly related to this genre. Among the sublime works by such respectable talents as John Cage, William Basinski, Demdike Stare, Jan Jelinek, Rhythm and Sound, Retina.it the listener will hear 4 pieces from Dadub catalog too. 2 of Dadub’s unpublished experimentations were cut from their performance at Atonal Festival 2013. All in all, “Secret Thirteen Mix 100” is a picturesque and attentively planned audio expedition through depths of emotional horizons and peaks of timeless electronic music.

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Artist: VA
Title Of Album: Young Turks 2013
Year Of Release: 2013
Label: Young Turks / YT2013
Genre: Electronic, Beats, Bass
Quality: MP3, CD
Bitrate: 320 kbps
Total Time: 00:38:44
Total Size: 90 mb

Tracklist:
01 – Lost Scripts – I ll Be Watching You : 05:54
02 – Koreless – Sun : 06:38
03 – The Xx – Reconsider : 03:47
04 – Sampha – Without : 03:50
05 – Short Stories – On The Way : 05:04
06 – Pional – Invisible Amenza(ExtDub 12″Mix) : 07:33
07 – Fka Twigs – Water Me : 03:26
08 – Sbtrkt – Imo : 02:32

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Artist: XZICD
Title Of Album: ПLVXV⅃П
Year Of Release: 13 dec 2013
Label: Self
Genre: IDM, Glitch, Experimental
Quality: Flac
Bitrate: Lossless
Total Time: 00:21:56
Total Size: 135 mb

Tracklist:
1. MkTuxsh6.-Qç (03:38)
2. Tasccnull Malvery (04:01)
3. Volyop Conrtarek (04:27)
4. R_0BhXbl_KJ73 (05:00)
5. Dadllgho (04:47)

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Artist: Drexciya
Title Of Album: Journey Of The Deep Sea Dweller IV
Year Of Release: 3 dec 2013
Label: Clone Classic Cuts / CCC025
Genre: Techno, Electro, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:50:47
Total Size: 116 mb

Tracklist:
1 Intro (The Unknown Aquazone) 0:55
2 Depressurization 5:04
3 Water Walker 3:39
4 Mantaray 3:10
5 Unknown Journey VI 2:26
6 Unknown Journey VII 4:19
7 Unknown Journey VIII 2:08
8 Living On The Edge 3:34
9 Hydro Cubes 7:11
10 Unknown Journey IX 2:22
11 Unknown Journey X 1:40
12 Aquatic Bata Particles 3:16
13 (Unknown Interlude) 0:32
14 Black Sea 6:22
15 Sighting In The Abyss 2:07
16 The Last Transmission 2:02

The journey continues… Clone Records continue with the re-issue series of the early catalogue of one of the most groundbreaking and influential techno acts ever… Raw, uncompromising music made with soul and creativity that has always been the trademark of Drexciya. This is the 4th release in the series and contains arguably some of their rarest and most astonishing tracks such as Black Sea, Mantaray, Hydro Cubes and Depressurization.

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Artist: David Van Tieghem X Ten
Title Of Album: FRKWYS Vol. 10: Fits & Starts
Year Of Release: 12 nov 2013
Label: Rvng Intl. / FRKWYS10
Genre: Experimental, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:43:52
Total Size: 99 mb

Tracklist:
01 Slippery Slope
02 Cooler Heads Prevail
03 Fits & Starts (Maxmillion Dunbar Remix)

For the tenth volume of FRKWYS, composer, percussionist and sound designer David Van Tieghem alongside ten younger artists from across the avant spectrum become a bulletin of Fits & Starts.

In July of 2012, RVNG Intl. was invited to participate in Bulletin Boards, a group exhibition at Venus Over Manhattan curated by White Columns’ gallery director Matthew Higgs. An extension of an ongoing project which resides in the entrance of White Columns’ downtown New York gallery, Bulletin Boards featured 24 artists / entities, each given a new bulletin board as an inspirational starting point.

In 1981, David Van Tieghem produced the experimental music video Ear To The Ground. The film features Van Tieghem “playing” downtown New York City, a world in which Van Tieghem established his rhythmic roots as a member of the Love Of Life Orchestra, a frequent collaborator with Laurie Anderson, and a player on Steve Reich’s Music For 18 Musicians, Robert Ashley’s Perfect Lives (Private Parts) / Perfect Lives and David Byrne and Brian Eno’s My Life in the Bush With Ghosts among other seminal recordings including his own.

In Ear To The Ground, all city surfaces become communications – or bulletins – under Van Tieghem’s twiddling, thwacking and thumping thumbs. Partially inspired by this and by our blank but physically limited canvas space, Van Tieghem agreed to take part in a sequence of improvised performances and creative editing to become part of our FRKWYS series.

We also invited ten younger musicians to post objects to the board. A cross section of present day New York artists were represented by way of Sam Hillmer as Diamond Terrifier (with the aid of Max Alper), Future Shuttle, Georgia, Roberto Carlos Lange as Helado Negro, Darren Ho, Eli Keszler, Hiro Kone and Megafortress, alongside the regionally sympathetic Blanche Blanche Blanche and Maxmillion Dunbar.

In place of business cards, broadsheets, and flyers, the objects / communications contributed were broken toasters, firecrackers, 2x4s, thunder drums and customized electronics, each intended as a percussive device. On opening night, the bulletin board, disguised as assemblage, welcomed David’s dialogue.

In the spirit of Ear To The Ground’s infinite conversation, Van Tieghem returned to Venus Over Manhattan to “play” the bulletin board without an audience. The process of Van Tieghem discovering and responding to the objects / bulletins again was multi-tracked in high definition.

These recordings were then presented to the ten contributing musicians for further translation, “remix” and interpretation. For the final sequence, the unique pieces were delivered to Van Tieghem to edit and embellish as the sound collages presented across two album length sides of our tenth volume in the FRKWYS series.

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Artist: Steven R. Smith & Ulaan Khol
Title Of Album:Steven Ending-Returning
Year Of Release: 14 nov 2013
Label: Immune / IMMUNE022
Genre: Experimental, Psychedelic, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:10:39
Total Size: 148 mb

Tracklist:
1.Motes (Steven R. Smith version) 05:01
2.In Tar (Steven R. Smith version) 05:29
3.Last Town on Earth (Steven R. Smith version) 05:08
4.On Paper (Steven R. Smith version) 05:18
5.Goat Walking (Steven R. Smith version) 04:22
6.The News is They’re Coming (Steven R. Smith version) 05:06
7.The Known World (Steven R. Smith version) 04:11
8.Motes (Ulaan Khol version) 04:36
9.In Tar (Ulaan Khol version) 04:27
10.Last Town on Earth (Ulaan Khol version) 05:17
11.On Paper (Ulaan Khol version) 05:10
12.Goat Walking (Ulaan Khol version) 05:05
13.The News is They’re Coming (Ulaan Khol version) 05:06
14.The Known World (Ulaan Khol version) 06:11

On Ending/Returning Steven R. Smith has recorded the same set of songs first as Steven R. Smith and then as Ulaan Khol. Ending is a quiet, minimal record as Steven R. Smith while Returning is a blown-out, maximal record asUlaan Khol.
Ending/Returning was mastered by Patrick Klem and cut to vinyl by Paul Gold at Salt Mastering. The double LP is pressed on high quality virgin vinyl and packaged in a lavish gatefold jacket. The front and back panels of the jacket are printed in silver metallic ink on a white background while the inside gatefold is a beautiful full color aerial photograph of lava fields from world-renowned German photographer Bernhard Edmaier

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Label: Wedidit
Release date: dec2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 28 mb
Genre: Electronic
Style: Bass

Tracklist:
1. The Club (Shlohmo Remix) – 04:43
2. Feel Alone (Jim-E Stack Remix) – 03:44
3. Supreme (IVVVO Remix) – 03:53

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Artist: Hedia
Title Of Album: Wool
Year Of Release: 16 nov 2013
Label: Unknown Tone
Genre: Ambient, Experimental, Folk, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:40:23
Total Size: 110 mb

Tracklist:
1. WAKING BLIND 03:32
2. FAINTLY, IF AT ALL 01:02
3. WHITETREES 08:52
4. CHANDALIER (DREAM) 09:17
5. WET WOOL 04:14
6. A MIRROR OF FADED COLOURS 03:48
7. WATER BECOMING ICE 01:22
8. BREATH ON AIR 08:16

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Label: Warner Music UK Limited
Release date: 02-12-2013
Source: WEB
Format: AAC
Quality: 256 kbps
Size: 22 mb
Genre: Electronic
Style: House, Electronic

Tracklist:
01. SuperLove (Yeasayer Remix)
02. SuperLove (Canblaster Remix)
03. SuperLove (Mike Mago Remix)

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Artist: Dorian
Title Of Album: Midori
Year Of Release: 6 nov 2013
Label: felicity / PECF-1079
Genre: House, J-Pop, Funk, Electronic
Quality: AAC
Bitrate: m4a 256 kbps
Total Time: 00:44:50
Total Size: 87 mb

Tracklist:
1. Lost Seasons
2. Escape From The City
3. Onsen Holiday
4. River
5. Pieces Of Time
6. Night In Horai
7. Bird Eye Freedom
8. Legendary Pond
9. Silent Hill
10. Beyond The Horizon

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Artist: Espectrostatic
Title Of Album: Espectrostatic
Year Of Release: 19 nov 2013
Label: Trouble in Mind / TIM061
Genre: Experimental, Electropunk, Giallowave, Horrorwave, Psychedelic, Ambient, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:38:43
Total Size: 136 mb

Tracklist:
1. Smokeface Appears
2. Doomed Lovers In A Gathering Storm
3. The Haunted Doll Factory
4. The Killing Touch
5. Searching The Museum
6. The Wrong Side Of The Portal
7. The Procession
8. It’s Raining Knives (Love Is Doomed)
9. Lost In The Catacombs
10. Consulting The Necronauts
11. Phantom Swarm
12. The Infernal Elevator
13. Please Be Careful As You Exit

Alex Cuervo has been rattling skulls for years in punk & garage bands like The Hex Dispensers, Blacktop, This Damn Town & Feast of Snakes. 2011 saw the release of two solo EPs under his own name, exploring his interest in darker, synth-oriented punk music. Since then, the Texan native has not only honed his skills on the synthesizer, but constructed this 13-song suite of instrumentals that owe a serious debt to the pioneers of late-seventies horror soundtracks like John Carpenter, Italo-prog masters Goblin & the work of German pioneers Tangerine Dream.

“Espectrostatic” unfolds like the soundtrack to a lost horror classic, with it’s pulsing synths & ominous passages inferring the unleashing of an ancient, horror creating a Lovecraft-ian musical journey. The tracks range from near ambient clouds of dread (”Consulting The Necronauts”) to throbbing tunes that could almost be mistaken for the goth-club floor-fillers created by Skinny Puppy & Soft Cell (”Phantom Swarm”). This is music made for the night & all things that reside therein. The LP edition of “Espectrostatic” is pressed on 150gm black vinyl & includes a download code. Features sleeve design from reknowned designer/illustrator Jason Willis.

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Artist: Aaron Martin & Orla Wren
Title Of Album: The Blizzard That Birthed Her
Year Of Release: 01 dec 2013
Label: FACTURE
Genre: Ambient, Experimental, Modern Classical
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:53:45
Total Size: 123 mb

Tracklist:
1. Five Acre Ladder 06:24
2. Five Acre Ladder (with Aaron Martin) 06:52
3. Five Acre Ladder (with Isnaj Dui) 06:12
4. Five Acre Ladder (Reprise) 04:20
5. Mountains And Wishbones 07:52
6. Mountains And Wishbones (with Aaron Martin) 06:36
7. Mountains And Wishbones (with Isnaj Dui) 04:52
8. Mountians And Wishbones (Reprise) 03:46
9. The Cup of Remembered Things (with Aaron Martin) [bonus track] 06:50

Offered as metaphor and delivered as analogy…
The Blizzard That Birthed Her is the continuing echo of this year’s Home Normal success, Book Of The Folded Forest. Birthed as two original Orla Wren tracks ‘Five Acre Ladder’ and ‘Mountains And Wishbones’ which were recorded in the same session, Tui then worked the cello, bass and vocals of Aaron Martin into two alternative versions of each track, making up the 4 tracks on the 10” vinyl for Facture.
He then offered the same to Isnaj Dui who contributed some flute for him to then create the two versions with her as guest. To complete the companion 8 track letter pressed CD version the two “reprise” versions were created by Tui utilizing parts from the other tracks.

The Blizzard That Birthed Her cannot be called an album in the strictest sense. It consists of two original tracks, each one of which has been recorded four times including two separate takes of each with different collaborators. At their most basic – the opening, unaccompanied blueprint of Five Acre Ladder – they build and swirl on the sparest of electronic melodies over a plateau of drone, creating worlds that are at once misty and earthy. Orla Wren’s individual pieces are each like a single exhalation drawn out and slowed so that every particle of air, every bit of woodland mist, every icy molecule of breath is discernible. And like breaths that are given personality by external forces – tiredness, passion, fear – each of these pieces is markedly different, whilst retaining the overarching character of the species. The atonal bells and wordless vocals on the Aaron Martin take of Five Acre Ladder give the tune a processional, pagan quality, while the flute of Isnaj Dui suggests a subtler, more lithe form of movement. Martin’s cello takes centre stage on his version of the second track, Mountains And Wishbones, which has the most discernible build and fade (or inhalation and exhalation) of anything here.

When a musician’s artistic vision is as singular as that of Orla Wren – the collaborative arm of electro-acoustic soundscaper Tui – it serves little purpose to compare it with other performers. Indeed, The Blizzard That Birthed Her appears to owe as much to sound art, field recording and sculpture as it does to folk, or electronic popular music. In particular, the variety of land art as practiced by Robert Smithson or Richard Long comes to mind. The circular or cyclical nature of these tracks mirrors the use of circles as archetypal shapes in much of Long’s work. And of course the organic side of this music, the idea of growth within nature as a basic constituent of performance or sculpture, is something that Long has been doing throughout his career.

In addition to these eight intriguing and surprisingly filmic compositions we get a bonus track, another recording with Aaron Martin called The Cup Of Remembered Things. Relying on eerie found sounds and the occasional supernatural vocal sample it serves as a delicate coda to an impressive record that wears the ambition of its concept lightly.

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Artist: Jan St. Werner
Title Of Album:Transcendental Animal Numbers
Year Of Release: 12 nov 2013
Label: Thrill Jockey / Thrill 356
Genre: Experimental, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:40:09
Total Size: 95 mb

Transcendental Animal Numbers is the second entry in Jan St. Werner’s Fiepblatter Catalogue. The work is comprised of carefully edited sounds derived from computer algorithms. There are no intentional references to traditional ideas of tuning, meter or spectrum. Rather, there are unexpected shifts of sonic scales, sudden frequency modulations andextreme panoramic shifts that produce an unconventional chunk of condensed acoustic information. Still the resulting compositions are arranged seamlessly and unpredictably as if they were field recordings of animals in the wilderness. The work is a representation of an acoustic organism where no sound is derived from any living creature or acoustic source, instead it is artificiality incorporating the irrational and unpredictable into a logical mathematical system to create a black box in which sound can scatter. Werner likens Transcendental Animal Numbers to Schrödinger’s “cat in a box” experiment that proves that quantum physics is the unpredictability of one particle simultaneously existing in various states.

Tracklist:
1. Transcendental Animal Music (20:00)
2. Parrodisia (20:08)

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Label: Strictly Rhythm
Release date: jan 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 74 mb
Genre: Electronic
Style: House, Electronic

Tracklist:
01 Ray Foxx feat. J Warner – Fireworks (Bang Bang) (Original Mix)
02 Ray Foxx feat. J Warner – Fireworks (Bang Bang) (Dj Q Mix)
03 Ray Foxx feat. J Warner – Fireworks (Bang Bang) (Kry Wolf Mix)
04 Ray Foxx feat. J Warner – Fireworks (Bang Bang) (Ben Mono Mix)
05 Ray Foxx feat. J Warner – Fireworks (Bang Bang) (Dj Q Dancefloor Mix)
06 Ray Foxx feat. J Warner – Fireworks (Bang Bang) (Steve Smart Westfunk Mix)

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Label: Domino
Catalog#: RUG562D1
Release date: 09-12-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 16 mb
Genre: Electronic
Style: Techno, Electronic

Tracklist:
1 Collider (Pangaea Remix)

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Label: Ninja Tune
Catalog#: ZENDNLS381
Release date: 09-12-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 32 mb
Genre: Electronic
Style: Bass, Electronic

Tracklist:
01. Sleeprunner (3:17)
02. Sleeprunner (Zed Bias Remix) (5:27)
03. Sleeprunner (Illum Sphere’s re-run) (5:14)

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Label: The Gods Planet
Catalog#: TGP004
Release date: -06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 30 mb
Genre: Electronic
Style: Techno, Electronic

Tracklist:
1.Days 07:12
2.Days (Donato Dozzy Remix) 06:24

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Label/Cat#: Atomnation – ATM 015
Year: 9 December, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 77 mb
Genre: Electronic
Style: Techno, Experimental, Electronic

Dug out from the nearly lost files of an “old, forgotten computer” are the nine tracks which make up the forthcoming mini-album from Applescal, From A to Sea. One of the tunes crafted by the Dutch producer between 2008 and 2012, “Screams” is a particularly lush and sprawling cut which would have felt right at home on Dreaming in Key, Applescal’s most recent full-length effort released via his own Atomnation imprint earlier this year. The production presents its grainy textures, smoldering melodies, and other rich sonic layers atop an IDM-indebted shuffle, landing the track somewhere along the lines of a more stoney Clark or a subterranean M83 (during his instrumental days, of course). “Screams” and eight other recently recovered tracks from Applescal’s archives can be found on From A to Sea when it drops on December 9.

Tracklist:
1. The Winning Theme (03:14)
2. Stars (05:12)
3. Your English Song (02:26)
4. Flush Or Die (00:57)
5. Screams (02:47)
6. A New Fellowship (03:18)
7. Groj – Nail Song (Applescal remix) (05:43)
8. Hello You (02:58)
9. Thunderstorms (06:58)

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Artist: Chari Chari
Title Of Album: Snaker 002
Year Of Release: 27 mar 2013
Label: Snaker – SNAKER 002
Genre: Downtempo, Tropical, Experimental, Electronic, Leftfield
Quality: MP3, Album, Vinyl
Bitrate: 320 kbps
Total Time: 00:33:13
Total Size: 77 mb

Tracklist:
A1 – Tiki (01:35)
A2 – Changi Airport (02:34)
A3 – Tranquilizer (05:32)
A4 – Calling Spirit (05:53)
A5 – Blue Reef (02:32)
B1 – Rainforest Interlude (00:41)
B2 – Urin (06:03)
B3 – Night Of Warriors (05:01)
B4 – Uzume (02:07)
B5 – Capoeira Breaks (02:36)

Snaker. Snaker’s party featured influential DJs like Kenji Takimi (Crue-L), Chida (Ene), Crystal, Dr.Nishimura, Hiroshi Kawanabe, Moodman – key person of Japanese underground dance music scene – with DK Sound sound system. The label features “new school of library music”, and releasing eclectic sound on album format. 2nd release of Snaker features Chari Chari well known as a top DJ/Producer in Japan and you should know his releasing like 99′s album “Spring To Summer”, “In Time” and remix works for many label from 90′s like Frikyiwa, Nuphonic, Yellow Production, Sunshine Ent etc. Chari Chari is also well known under the name of Kaoru Inoue?Aurora Acoustic. And under the name of Chari Chari,he delivers fantastic mixture of his World Music Roots (Asia, Africa, Dub etc) and dance music production (House, Techno, Breakbeats, Downtempo). And Here Chari Chari drop the fantastic kaleidoscope sounds of Down Tempo/Chill Out/Afro/Brasil/Latin/Asia/Oriental etc. “Tranquilizer” reminds us futuristic approach of Martin Deny or Les Baxter’s exotica sounds. “Calling Spirit” take us trip from primitive tribal world to space jazz sounds, so nice! “Blue Reef” show us organic minimal trip world by using Gamran sounds.”Urin” is the huge Chari Chari’s classic warm and dubby trip downtempo track. “Night Of Warriors” take us danceable desert blues groove. “Capoeira Breaks” show us primitive brazilian rhythm and sound. This must be big stuff for fans of world music and glocal beats lover like Soundway or underground dance music lover like ESP Institute. LTD 300 pcs pressing

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Artist: VA
Title Of Album: New German Ethnic Music – Immigrant’s Songs From Germany Electronically Reworked
Year Of Release: 15 nov 2013
Label: Karaoke Kalk / Karaoke Kalk 76
Genre: Experimental, Tribal, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:02:26
Total Size: 142 mb

Tracklist:
1. BTMK – Ensemble Und Chor remixed by Murat Tepeli – Adalardan Bir Yar Gelir Bizlere (Nafile Gitmiyor Hasreti Remix) (04:30)
2. La Caravane Du Maghreb remixed by Thomas Mahmoud – Saadi Belouali Jani (Arab Disco Dub Remix) (03:49)
3. Trio Fado remixed by Guido Möbius – Milho Verde (Blood And Bone Remix) (04:12)
4. Spotkanie remixed by Margaret Dygas – Czemuzes Mnie, Matulenko (Impulse Remix) (06:16)
5. Polyphonia – Karavai, Karavaki (Can “Khan” Oral Remix) (03:55)
6. Sandra Stupar & Dusica Gacic – Cije Je Ono Devojce (Natalie Beridze Remix) (04:40)
7. Klapa-Berlin remixed by Gudrun Gut – Projden Kroz Pasike (Blüten Rmx) (06:00)
8. The MahuGang remixed by Mark Ernestus – Moca Cala Te (Groove 26 Remix) (05:08)
9. Amigas Cantan – Ay Linda Amiga (Matias Aguayo Remix) (06:12)
10. Donni Sò – La Pagliarella (Ulrich Schnauss Remix) (05:25)
11. Koreanischer Chor Berlin – Go Hyang Yui Bom (Symbiz Sound Remix) (03:46)
12. Quan Ho Chor Berlin – Ba Quan Moi Trau (Niobe Rmx) (04:33)
13. Rafael Martinez, Ricardo Moreno Y Pedro Abreu remixed by Eric D Clark – La Mateodora (Sr. Sapo’s R. U. M. Punch Remix) (03:54)

In the 1970s the American composer Henry Flynt started a series of pieces under the title „New American Ethnic Music“. In so doing he worked together native styles of music such as blues, Country or Hillbilly with electronic production methods to make something altogether new. So far in Germany it has never been attempted to rework folklore electronically for a compilation. However, this picture changes if one redefines the idea of who the population is. Incomers have brought new „national anthems“ to Germany, which means: even the Portuguese Fado, the African Gnawa, the Croatian Klapa or the Vietnamese Quan ho are these days at home in Germany.
With the cultural project „Heimatlieder aus Deutschland“ (“Native songs from Germany”) founded by former Spex editor Mark Terkessidis and label manager Jochen Kühling all the various styles of traditional folk music now found in Germany has been collected. Thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a „New German Ethnic Music“. But why remixes? For one thing electronic music has recently focused a lot on the past (Ghost Music, Hypnagogic Pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the „imaginary national anthems“ has created. Furthermore the project’s instigators were curious how „electronic musicians“ would handle folk music and folk songs which is a hugely difficult task. To this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. The results are as varied as the music styles and Djs involved. Some melodies remain completely intact while others are abstracted beyond recognition.
Margaret Dygas’ associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. With his remix of the Marrabenta of Mozambique Mark Ernestus has continued the rhythmic experiments he is known for with Jeri Jeri. Thomas Mahmoud translated Gnawa into dub and finally Ulrich Schnauss turned the song of the Italian Chorus of „Donni So“ into a hymn for the horizon-expanding power of migration.
Hopefully this compilation will also expand some horizons.

320 kbps
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