Recent posts: Macro

LABEL: Macro | MACROM37
GENRE: Techno, Tech House, Electronic
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320kbps / 44100kHz / Full Stereo
TRACKS: 4
SIZE: 47.01 megs

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Artist: Elektro Guzzi
Title Of Album: Observatory
Year Of Release: 26 may 2014
Label: Macro Recordings / LC 18346
Genre: Techno, House
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:49:42
Total Size: 113 mb

Tracklist:
01. Rough Tide
02. Acid Camouflage
03. Alaska Flip
04. Trojan Robot
05. Undulata
06. Atlas
07. Threshold People
08. The Grist

The Austrian group have the machine-like sound of so much techno, but they arrive at it through the instrumentation of a rock band: guitar, bass and drum kit. Perhaps best known for their blistering live shows, they’ve released quite a lot of music over the last handful of years, mostly for Macro. Observatory, their third Macro studio album, finds the band inching ever closer to the drum machines and synths that inspire them; as the press release notes, the band have decided to forego instrument credits on the sleeve.

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Label: Macro
Catalog#: MACROM38CD
Release date: 12-09-2014
Source: CD
Format: MP3
Quality: 320 kbps
Size: 137 mb
Genre: Electronic
Style: Techno, Experimental, Ambient

Tracklist:
01. dama
02. summa technologiae
03. vodolaz
04. sintezator
05. source of uncertainty
06. kakavida
07. povreda
08. tok
09. teleport
10. melodia
11. tel
12. kokiche

KiNK’s technical prowess has long been a known trait of the Bulgarian producer’s music, and here on Marco he gets to stretch-out his intellectual, avant garde-self more than what he’s ever done for other labels like Burek, Ovum, Boe or liebe*detail. After a long career which, release-wise, dates back to 2005, he’s delivered for the most-part straight up house and techno. But here, after all these years, his debut LP sees KiNK twist his synths and contort his grooves to sound, well, very Macro. Take the confused bleeps and brash drums of “Summa Technologiae” and “Kakavida” or the interdimesional electronics and Hare Krishna chinqs of “Povreda” for example. But for some real dancefloor toughness it’s tracks like “Sintezator” and “Source OF Uncertainty” that do the trick, while for something a little more disco look out for the album’s penultimate track “Tel”. Go KiNK!

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Label/Cat#: Macro Recordings – MACROM36
Source: WEB
Release date: 2014-03-24
Format: mp3
Quality: 320 kbps
Size: 53 mb
Genre: Electronic
Style: Deep House

Tracklist
1. Minute Blaze (Original Mix)7:06
2. Peak Phosphorus (Original Mix)4:49
3. Beautiful Loot (Original Mix)6:37
4. Fat Tails (Original Mix)5:51

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Label: Macro
Catalog#: M35
Release date: feb 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 58 mb
Genre: Electronic
Style: Techno

Tracklist:
A1: Iscartioic Lips – Original
A2: Reverse & Repair (Stefan Goldmann Edit)
B1: Reverse & Repair – Original
B2: Iscariotic Lips – Acapella

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Label/Cat#: Macro Recordings – MACROM 34
Year: 18 November, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 150 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Feral (02:05)
2. Slowing Time (04:12)
3. African Wig (05:52)
4. Ruins (06:05)
5. Visitor (07:44)
6. Dusk (01:17)
7. Furniture (05:04)
8. Carcass (04:19)
9. Blood & Hair (03:25)
10. Missing In Action (04:38)
11. Floor (05:30)
12. Small Changes (08:04)
13. Fragments (01:11)
14. Summoning (05:52)

When Messiaen set out to transcribe birds’ songs and employ them as models for his compositions, he couldn’t have predicted that by the 1990s wild birds would have started to learn mobile phone ringtone patterns. For “A System of Objects”, RAUDIVE mirrors environments structured as by an invisible hand. He maps an obliquely constructed world through fictional field recordings in which you loose all certainty of what is nature and what is design. Raudive’s music celebrates dance and auditory scenes as rituals, employing our surroundings as sources of ahistorical found sound – primitive technologies used to reach magickal states.

If we can’t be sure any longer of distinctions between truth and manipulation, rituals guide our relations to all encounters. A drum machine and a wooden stick, a sawtooth-shaped electric current and a split rock, woven cloth and petroleum smear all turn into empirical objects of the same class, without a definite past or a predictable impact. We have become dependent on technology we don’t grasp beyond its display surface. Lost on reason, we are thrown back on the ritual to reveal the hidden relations of what surrounds us: the club as the emblematic center of the emancipated individual, longing to bond with equals, again.

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