Recent posts: Lusine
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Lusine – Retrace
11.07.2019 Ambient / Downtempo IDM TechnoARTIST:Lossless, Lusine Label Ghostly International Read more
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14.02.2017 Album Ambient / Downtempo IDMARTIST:Lusine Label Ghostly International Read more
Lusine – Arterial Reworks
06.04.2015 Electronic IDMARTIST:Lossless, Lusine Label Ghostly International Read more
Lusine – Arterial
04.08.2014 Ambient / Downtempo ElectronicARTIST:Ghostly International, Lusine Read more
Lusine – Lucky
Label: Ghostly International
Catalog#: GI177
Release date: 25-06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 49 mb
Genre: Electronic
Style: House, Electronic
Tracklist:
1. Lucky [Original] (4:47)
2. Lucky [Jeremy Greenspan Remix] (5:44)
3. Lucky [Steve Hauschildt Remix] (4:52)
4. Lucky [Lake People Remix] (6:30)
320 kbps
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26.06.2013 Electronic HouseARTIST:Ghostly International, Lusine Read more
Lusine – The Waiting Room
Label: Ghostly International
Catalog#: GI-172
Release date: 19-02-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 119 mb
Genre: Electronic
Style: IDM, Techno, Electronic
Seattle-based producer Jeff McIlwain’s work has long inhabited the fertile border zone between electronic pop and experimental electronic music — it’s a place that’s home to music that has both a brain and a heart, and McIlwain’s been exploring its boundaries for the best part of a decade now.The Waiting Room is his third full-length release for Ghostly International under the moniker Lusine, and his first album since 2009’s A Certain Distance. As with all McIlwain’s work as Lusine, this is a record that’s characterized by both diversity and coherency. Its tracks traverse a variety of sonic landscapes, from the widescreen atmospherics of appropriately-titled opening track “Panoramic” through the digital soul arrangement of Electronic’s “Get the Message” and the club-friendly bounce of “First Call” to the slow-building Detroit-inflected closer “February”.
But for all The Waiting Room’s eclecticism, it’s also notable that it plays out as a coherent whole, with McIlwain’s deft production creating the sense of a single, logical journey — an album, rather than a simple collection of tracks. It also continues the excursions into vocal-led tracks that characterized A Certain Distance — exactly half of The Waiting Room’s ten tracks employ vocalists, most notably the aforementioned “Get the Message,” wherein guest vocalist and wife Sarah McIlwain makes Bernard Sumner’s words her own: “I don’t know where to begin / Living in sin,” she sings calmly, “How can you talk? / Look where you’ve been.”
As a whole, this is an album that’s both cerebral and visceral, a record that’s both rewarding of a serious headphone session and also warm and melodic enough to make listening as engaging in an emotional sense as it is in an intellectual one. Many artists flirt with these two extremities of electronic music; few tie them together as well as McIlwain does.
Tracklist:
1. Panoramic
2. Get The Message
3. Lucky
4. On Telegraph
5. Another Tomorrow
6. Without A Plan
7. First Call
8. By This Sound
9. Stratus
10. February
320 kbps
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18.02.2013 Album Electronic IDM TechnoARTIST:Ghostly, Lusine Read more
Lusine – Another Tomorrow
21.01.2013 Electronic House TechnoARTIST:Ghostly International, Lusine Read more
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