Recent posts: Electronic

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Label: The Death Of Rave
Catalog#: RAVE006
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 54 MB
Genre: Electronic
Style: Experimental, Electronic

Tracklist:
1. “EP 1”
2. “EP 2”
3. “EP 3”
4. “EP 4”
5. “EP 5”
6. “EP 6”

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LABEL: Vlek | VLEK16
GENRE: Techno, Electronic
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320kbps / 44100kHz / Full Stereo
TRACKS: 4
SIZE: 53.57 megs

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Artist: Mnemonic
Title Of Album: Result No. 7
Year Of Release: 2014
Label: Halbsicht Tonträger / hs013
Genre: IDM, Electro
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:54:15
Total Size: 124 mb

Tracklist:
01. Small Matter
02. Monument
03. Grotesque
04. Mutual Assured Destruction
05. Bleiglanz
06. Facsimile
07. Simple Man
08. Manipulation Maneuver
09. Opaque Meal
10. All Is Lost
11. Skepticism
12. Tact
13. Catharsis

The 7th album “Result No. 7” is based on an abstract and analogue idea of sound. Fragments of emotional sound patterns appear only rarely in this overall rough sounding work. Unlike the typical style of Mnemonic, themes are focused on their essentials. Even if the amount of melodies and variations are reduced significantly, every track is full of enthusiasm and drive. “Result No. 7” is characterized by simplicity and clearness, but it is far away from being a minimalistic or monotone album. Overall, the new album combines a wide array of carefully constructed experimental soundscapes and leaves a powerful impression on its listener.

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Label/Cat#: Experimentalist – 10078441
Source: WEB
Release date: 2014-10-04
Format: mp3
Quality: 320 kbps
Size: 38 mb
Genre: Electronic
Style: Electronica

Tracklist
1. Sinister Comb (Original Mix)4:25
2. Fix Me (Original Mix)7:26
3. Bastardf—— (Original Mix)4:56

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LABEL: Boomkat
GENRE: Electronic
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320 kbps
TRACKS: 14
SIZE: 187.39 megs

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Label: Mexican Summer
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 100 MB
Genre: Electronic
Style: Experimental, Downtempo

Tracklist:
01. I’m Flexible
02. She Happens
03. Afterprom
04. Return to The Pec Deck
05. Acceptance Speech
06. Because of M.A.S.K.
07. Under Wolf Rule
08. There Was a Time

Torn Hawk is the audio project of producer and video artist Luke Wyatt. Over the past couple of years, Wyatt has unfurled a serial tapestry of content arguing for a reconciliation of aesthetic irony with compositional sincerity and emotional vulnerability. Let’s Cry And Do Pushups At The Same Time is Wyatt’s most recent full-length statement as Torn Hawk, and marks the onset of a more emotionally manipulative and sonically confident direction.

It’s difficult to neatly categorize Wyatt’s genre-refracting productions, which formerly have found a home on L.I.E.S., Not Not Fun, Rush Hour’s “No Label”, 1080p, and several other labels, including his own imprint Valcrond Video. The nuts & bolts of Let’s Cry’s eight tracks are built from live guitar, drum machines, junky synths, and layers of acid-washed samples. Wyatt smears the disparate elements of each track into a cohesive whole that transcends the (banality) (thrift-store dustiness) of each: the result is a series of heart-tuggingly confessional watercolors, framed with cinderblocks and distressed leather.

In the foreground of each track, Wyatt’s guitar moves between the shag carpet meditations of Manuel Göttsching, the digital delay jangle-grid of The Chameleons, the sunstroke saturation of Medicine, and the modal wankery of Tom Verlaine. Throw in the unabashed melodrama of something a sax might do on a Don Henley hit, and you get a better idea of Torn Hawk’s sensibility.

Movies and television also leave an undeniable impression on this album, which should come as no surprise to anyone who has followed Wyatt’s parallel video efforts, which he calls “Video Mulch”. The influence of film scores comes through in the inspirational mood cues of tracks like “Afterprom”, which presents a bouquet of guitar scrawls wrapped in a black garbage bag, and “Because of M.A.S.K.”, which would sit perfectly over the end credits of a rom-com set within the subculture of identity theft.

Elsewhere, “She Happens” takes the precarious tenderness of a brand new love affair and holds it over the edge of an audio cliff by the scruff of its neck; “Acceptance Speech” evokes the feel-good podium glow of awards-show public masturbation; and “Under Wolf Rule” balances threat with inspirational thrust: it’s the ideal soundtrack to decapitate to, and then thoughtfully consider the floral arrangements that are to be placed around the heads. Closing out the album, “There Was A Time” hovers in the strip mall of emotions between the storefronts of regret and expectation, expertly evoking the temporal hang-ups that feed or defeat our day-to-day happiness.

As its title suggests, Let’s Cry grapples with the duality of internal conflict and persona construction. It’s a theme that also ties in with Wyatt’s aesthetic interest in “parodying toughness”. In his visual presentation, Wyatt often presents a South Florida machismo in tandem with a vulnerable, self-help softness. It’s this kind of playfully sincere doubling that Wyatt thrives on; he is committed to making music that pumps you up and tugs at your heart stuff – he is making music for you to work out and weep to.

Let’s Cry And Do Pushups At The Same Time will be released November 10 (UK/EU) and November 11 (US) on LP, CD and digital formats.

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Label/Cat#: MFR Records – MFR020
Source: WEB
Release date: 2014-10-03
Format: mp3
Quality: 320 kbps
Size: 37 mb
Genre: Electronic
Style: Electronica

Tracklist
1. You Got It (Original Mix)5:26
2. Clouds (Original Mix)5:14
3. Hold You (Original Mix)5:45

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Label/Cat#: Zoo Digital – ZD432
Source: WEB
Release date: 2014-10-03
Format: mp3
Quality: 320 kbps
Size: 33 mb
Genre: Electronic
Style: Electronica

Tracklist
1. Feuer Frei (Radio Edit)2:50
2. Feuer Frei (Club Radio Edit)3:10
3. Feuer Frei (Extended Mix)4:06
4. Feuer Frei (Club Mix)4:14

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Artist: Andy Stott
Title Of Album: Faith in Strangers
Year Of Release: 2014
Label: Modern Love / LOVE098
Genre: Experimental, Techno, Ambient, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:53:55
Total Size: 123 mb

Tracklist:
01. Time Away
02. Violence
03. On Oath
04. Science & Industry
05. No Surrender
06. How It Was
07. Damage
08. Faith in Strangers
09. Missing

‘Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ – three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

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Artist: Second Storey
Title Of Album: Double Divide
Year Of Release: 2014
Label: Houndstooth | HTH031D
Genre: Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:57:29
Total Size: 138 mb

Tracklist:
1. North Facing 3:33
2. Reserved 5:51
3. Combustion Hallmark 6:07
4. Shaman Champagne 8:48
5. One Sound 5:55
6. Devotion Notion 5:57
7. Protozoan Milkshake 2:24
8. Trope 3:53
9. The Overview Effect, Pt. 1 & 2 9:31
10. Chordelia 5:30

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Artist: Mike Simonetti
Title Of Album: At The Juncture Of Dark and Light Vol. 3
Year Of Release: 2014
Label: Opal tapes
Genre: Ambient, House, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:56:56
Total Size: 136 mb

Tracklist:
1. Dark Light 28:48
2. Light Dark 28:08

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Label/Cat#: Something Happening Somewhere – SOHASO004
Source: WEB
Release date: 2014-09-15
Format: mp3
Quality: 320 kbps
Size: 71 mb
Genre: Electronic
Style: Electronica

Tracklist
1. Black Mambo (Original Mix)6:57
2. Black Mambo (Simon Garcia Remix)7:11
3. MX86 (Scott Fraser Dark Matter Reconstruction)11:24
4. MX86 (Original Mix)5:54

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Artist: Bonobo
Title Of Album: The North Borders Tour. — Live.
Year Of Release: 2014
Label: Ninja Tune / ZENDNL202
Genre: Downtempo, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:03:40
Total Size: 136 mb

Tracklist:
1. Cirrus (Live) (5:48)
2. Stay the Same (feat. Andreya Triana) [Live] (4:57)
3. Heaven for the Sinner (feat. Szjerdene) [Live] (4:25)
4. Prelude/Kiara/Ten Tigers (Live) (8:09)
5. Kong/Ketto (Live) (8:08)
6. Emkay (Live) (3:57)
7. Towers (feat. Szjerdene) [Live] (6:05)
8. Recurring/We Could Forever (Live) (7:59)
9. Transits (feat. Szjerdene) [Live] (4:17)
10. Know You (Live) (5:20)
11. Pieces (feat. Cornelia) [Live] (4:29)

By the time Bonobo plays London’s legendary Alexandra Palace on 28th November 2014, the epic career-defining tour around his latest album The North Borders, the band will have travelled 180,000 miles, taken in 175 shows in 30 countries across 3 continents over 18 months in front of 2 million people.

This live album will be released in deluxe packaging with a CD, a 70 page hardback book of photographs and stories from members of the band, as well as a bonus DVD featuring glimpses of hi-speed photography. There will be standalone CD and 2LP edition too, it’s an exhaustive, beautifully captured record of the show.

The audio and video were recorded and filmed at The Roundhouse in London and in the incredible Pula Arena, a genuine Roman Amphitheatre. In addition, some of the tracks on CD are handpicked from breathtaking live radio sessions that happened whilst on tour. Packaged with the DVD will be moments of documentary footage filmed as the tour reached California.

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Artist: Kiasmos
Title Of Album: K Kiasmos
Year Of Release: 2014
Label: erased tapes records / ERATP062
Genre: Electronic, Classical, House/Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:50:56
Total Size: 116 mb

Tracklist:
01 Lit
02 Held
03 Looped
04 Swayed
05 Thrown
06 Dragged
07 Bent
08 Burnt

After dropping several tracks and performing at select festivals throughout the years, Ólafur Arnalds and Janus Rasmussen dedicated the year 2014 to explore the area in-between Ólafur’s more acoustic, piano-based solo work and Janus’s synth-heavy electro pop, with their collaborative electronic project Kiasmos.

By focusing solely on their self-titled debut album, Ólafur and Janus have been able to combine and further develop their unique sound aesthetics to complete an album driven by their mutual love for electronic music. Made in Ólafur’s newly build studio in Reykjavík, Iceland, a majority of the album was recorded using acoustic instruments next to a variety of synthesisers, drum machines and tape delays. It features a live drummer, string quartet and Ólafur performing on the grand piano, producing an ambient, textured sound, which makes it a perfect home listen and equally danceable record. If you listen closely, you can spot them record the thumb piano, finger snapping and even the sound of the metal grinder of a lighter slowly to replace the usual electronic hi-hat sounds, giving the album a far more intimate and unique atmosphere.

“We decided to start almost completely over with this record, so most of the material is written this year with the idea of making a record that can stand as one piece rather than a collection of songs. I am very excited to get a proper record out exploring a different territory than I am used to. I touch a lot on electronic genres in my own music but never have the opportunity to go full out electronic like we do here.” – Ólafur Arnalds

“The Kiasmos project has been around since 2009, but because of all our other projects we never really got the time to sit down and write all the tracks we always wanted to. So when we early this year finally found the time to sit down and make a full length album there was so much we wanted to try out. The result surprised us a bit, it’s deeper and more emotional than we imagined it to be, but that’s the beauty of being able to make an album.” – Janus Rasmussen

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