Recent posts: Album

Artist: Carbo Flex
Title Of Album: Trifolium
Year Of Release: 2014
Label: CPU
Genre: Electro, IDM, Techno, Experimental, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:44:28
Total Size: 100 mb

Tracklist:
1. Amme Dot
2. Flirty Fox
3. Marjod
4. Quelque
5. Sqiggly
6. The Flex
7. Tim
8. Trifolium
9. Xenithol

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Artist: Anushka
Title Of Album: Broken Circuit
Year Of Release: 2014
Label: Brownswood UK – BWOOD 0124D
Genre: UK Garage, House
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:53:27
Total Size: 120 mb

Tracklist:
1. Impatient (02:45)
2. Never Can Decide (04:34)
3. Echo (04:39)
4. Atom Bombs (04:48)
5. Kisses (03:30)
6. Broken Circuit (04:37)
7. Down In Flames (03:46)
8. I Have Love 4 You (05:03)
9. These Things (04:58)
10. This Time (04:44)
11. Mansions (04:17)
12. Fire To Me (05:39)

Following on from the Distant Air EP, bright young things Anushka come back to Brownswood to deliver their debut album, showing off a distinctive twist on R&B that worms subtle flecks of minimal electronics, house music and more into a melancholic, richly melodic soulful whole. “Never Can Decide” is loaded with crossover appeal with its bombastic chorus sweeps while keeping a delicacy in the production that keeps the music on the right path. Really though it’s Victoria Port’s vocals that shape out the identity of Anushka, charged with just the right kind of energy to worm into many an ear as the Brighton-based duo spread their wings.

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Artist: Franck Kartell
Title Of Album: Afterlife
Year Of Release: 2014
Label: Bass Agenda
Genre: Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:31:25
Total Size: 64 mb

Tracklist:
01 State Of Inconsciousness
02 Floating Through The Tunnel
03 Near Death Experience
04 Brain Dead
05 Afterlife
06 Palingenesis
07 Renaissance
08 Metempsychosis

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Artist DJ Dodger Stadium
Title Friend of Mine
Genre House, Techno
Label Body High
Catalog# BH018
Released 2014
mp3 Download Source WEB
Play Time 44:30 min
Total Tracks. 10
Bitrate 320 kbps

01. The Bottom Is as Low as You Go (2:48)
02. Love Songs (6:44)
03. One Who Lost (4:32)
04. Memory Lane (5:07)
05. Never Win (4:31)
06. Trouble (4:28)
07. By Your Side (5:01)
08. Sit Down, Satan (2:33)
09. The Dust (5:27)
10. Friend of Mine (3:11)

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Artist: Ntogn
Title Of Album: Grimoire Demons & Sorcery
Year Of Release: 2014
Label: Subsist
Genre: Techno, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:06:05
Total Size: 150 mb

Tracklist:
1. Oracle ( 6:43)
2. Nagual ( 8:05)
3. Mana ( 5:28)
4. Skeleton ( 6:41)
5. Wyrm ( 7:40)
6. Conflagration ( 7:04)
7. Maenad ( 6:34)
8. Cosmic Serpent ( 7:59)
9. Bloodline ( 9:51)

For 40’000 years, man has performed sacred rituals in order to commune with the ruling forces of life and motion. In pace with rapid beats and under the influence of entheogenic sacraments, we have been dancing and raving in the smoke of sacred fires in order to travel inwards to the undergrounds of bordering dimensions and beyond to the distant fringe of the universe.

Ntogn wants to embody these holy flames and visionary clouds of smoke. To act as a sonic magician, not only fusing the five elements of the pentagram with spells evoked in swirling, dark and psychedelic techno rituals, but also to create a mythological and occult narrative.

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Artist: VA
Title Of Album: 14 Tracks Summer Melt
Year Of Release: 2014
Label: Bommkat
Genre: Electronic, Ambient, House
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:22:40
Total Size: 189 mb

Tracklist:
1. Throwing Shade – Odc ( 3:48)
2. Noleian Reusse – A3 ( 5:31)
3. Fatima – Ridin Round (Sky High) ( 4:34)
4. Kyle Hall – Take Me Away ( 5:31)
5. Maria Minerva – Spirit Of The Underground ( 3:53)
6. Maxmillion Dunbar – Polo (Extended Mix) ( 9:34)
7. Kassem Mosse – Untitled A3 ( 5:03)
8. Heatsick – Clear Chanel ( 5:56)
9. Max Mara – Rest In War ( 5:30)
10. Islaja – See No Sun ( 3:56)
11. Suzanne Kraft – 4:46 ( 4:45)
12. Fay – Coda ( 3:41)
13. Georgia – A Loving Grit ( 7:43)
14. Hands – Beelitz Heilstaetten, Pt. 11 (13:07)

Here’s a selection primed for long summer evenings, covering a spectrum of sticky, trippy pop and spaced-out dance music. They range from avant-pop diamonds by Islaja and Maria Minerva to sweeter soul mutations by London’s Throwing Shade and Fatima, thru breezy drum machine sways by Max Mara, Suzanne Kraft, and Noleian Reusse. There’s deepest house deviations by Heatsick, Kassem Mosse and Maxmillion Dunbar, and unusual ambient and dub excursions by Kyle Hall and Axel Willner’s (The Field) new project, Hands, plus off-road riddims from FAY and Georgia, all adding up to a dusky soundtrack ideal for those hours when hot days turn into hot nights.

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Artist Freaks
Title Psych
Genre Deep/Tech House
Label Rebirth
Catalog# REB029CD
Released 2014
MP3 Download Source CD (LP)
Play Time 61:21 min
Total Tracks. 12
Bitrate 320 kbps

1. Freaks – Misfit ( 4:55)
2. Freaks with 012 – Conscious Of My Conscience ( 5:51)
3. Freaks with Stella Attar – We Move ( 5:56)
4. Freaks – What’s Your Name? ( 4:43)
5. Freaks with Robert Owens – Right Now ( 5:29)
6. Freaks – Wake Up ( 5:48)
7. Freaks – Getting Down (Album Version) ( 3:51)
8. Freaks – A Short Fuse ( 5:03)
9. Freaks – Situations ( 4:33)
10. Freaks – Are You A Freak? ( 3:37)
11. Freaks – No Way Back (Live Version) ( 8:11)
12. Freaks – Black Shoes (Beatless Version) ( 3:24)

Freaks are on the cusp of releasing ‘Psych’ a long-awaited follow-up to 2003’s heralded ‘The Man Who Lived Underground’. The album is a much-awaited gathering of material from the late 00s onwards into one coherent form, from post-‘Man Who’ sessions right up to their singles featuring Robert Owens and Diz Washington, recently released on the likes of Hot Creations and Rebirth. It was the success of these recent singles that finally crystallised the idea for Luke Solomon and Justin Harris to release a new album. Parachuted into an era of Spotify and iTunes, the album as an entity may almost be a faded thing of the past, but to them Psych is “like the conclusion of something unique and special” between the two, the pair’s chance to retire the long format on their terms, with a collection of tracks that highlight the strange alchemy of two of the UK scene’s most enduring house music artists. Freaks are a musical partnership that’s spanned twenty years and includes the Music For Freaks label, four albums, and an avalanche of singles across everywhere from Playhouse and Hot Creations to Crosstown Rebels, News and International Deejay Gigolos. It also spawned ‘The Creeps’, a single ensnared by the hype machine and consequently a worldwide smash which brought major pressure for an inevitable successor but only caused them to push back against the grain. The only way to retain sanity is to do what feels right, and whatever sales they forsook, Freaks retained what brought them together in that warehouse 20 years ago: a kindred spirit and a sense of their own destiny. In their own words ‘the highs outweigh the lows, one hundred percent’. Bona fide electronic music acts that have had their music played on a John Peel session can probably be counted on one hand, and Freaks are exactly that, an unaffected survivor in a digital world that simply make music with personality.

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Artist: Carnage & Cluster
Title Of Album: The Manhattan Project
Year Of Release: 2014
Label: Noisj – 10071060
Genre: Techno, Hardcore
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:43:37
Total Size: 100 mb

Tracklist:
1. Democracy is Autocracy (Original Mix)4:31
2. Worldwide Corruption (Original Mix)3:40
3. Puppet Masters (Original Mix)4:21
4. Oppressed Masses (Original Mix)4:26
5. World Riot (Original Mix)4:30
6. Battlefield (Carnage & Cluster Remix)4:12
7. Rude Mechanicals (Original Mix)5:07
8. A-Bomb (Original Mix)5:08
9. No World Order (Dismantling the Machinery of Oppression) (Original Mix)3:38
10. Marching Out (Original Mix)3:59

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Artist: Peter Christopherson
Title Of Album: Time Machines II
Year Of Release: 2014
Label: Threshold House / TM2
Genre: Experimental, Drone
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:12:40
Total Size: 166 mb

Tracklist:
1. 1
2. 2
3. 3
4. 4
5. 5
6. 6
7. 7

Peter Marks wrote:

Yet another spectral issuance comes out of the ether and into our ears. This release had been in the planning phases as far back as when COIL still existed so it’s somewhat strange to only get it now that both of them have departed the terrestrial realm, but regardless, ‘Time Machines II’ represents something I’d always wanted to hear: a solo record from Peter Christopherson. Now, some may quibble and say that The Choir was him on his own and there’s something to that; it was still a project name and not his own. For those who own the Amulet edition, what’s going on here won’t come across as being quite so aberrant…everyone else might do well to prepare themselves. Those three ELpH tracks from the ‘Born Again Pagans’ EP were a harbinger of things to come.

I can feel the layers of my mind being gently compressed and re-aligned by this album, just as they were by the first Time Machines record. The difference is that the chaotic aggression present in the debut has been replaced by pitch black darkness. No beginning. No end. One just drifts along with the current directing both thought and action in a very subversive manner. I don’t have the same sense of something violent being done to my synapses but I somehow become more and more aware of my own mortality listening to this thing, perhaps that is what Christopherson was after given that this material was done close to the end of his own life. The shuffling off of that mortal coil, so to speak.

What is most present in these recordings would be the same kind of marauding, disorienting sound field experimentation he did so well along with Jhonn Balance. The weight of these compositions is immense, a density reading would no doubt come away broken. There just isn’t any kind of method or test to define the parameters of the elements at play on here, and even if there were, who’d want the mystery dispelled. The slight of hand card tricks which others happily bandy about as avant-garde just fall down upon themselves and are revealed to be nothing but a faulty house of cards. Sleazy never really got into discussing how he made the music he did… no matter how many interviewers probed and prodded, he would not give anything up.

As with SoiSong, there’s a fabulous design element to what he’s given up here. And, naturally, a highly limited aspect is present as well. Those who want this thing are prepared to pay dearly to obtain it, and who can fault them? Christopherson was, without doubt, a master manipulator of acoustical space, one who could bend choirs out of inert objects and who also had a director’s eye. Remember, quite a few videos were authored by him and many may surprise you. His range was one of personal settings, an arrangement of tastes which made sense to no one else. I’ve read how he constructed the machines used to make this record himself which, if true, would take us right back to the beginnings when Chris Carter built electronic creations for him in Throbbing Gristle.

So it all has come full circle. I suspect I’m going to be hearing more of these kinds of things as I grow older and to tell you the truth, I’ve been waiting for them since my 20s. The end-of-life auditory journals of artists and the machines which are all they have left, stripped of the banality of youth and the trappings of social surroundings… all that remains are those sounds. Long after their creators are no more, the fruit of their imagination lingers on. Flickering, like the wings of myriad butterflies anchoring the rudder of fate.

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Label: Ultimae
Catalog#: inre070
Release date: 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 149 mb
Genre: Electronic
Style: Ambient

Tracklist:
01: Lunokhod (13:34)
02: Selenic Light (05:34)
03: Theory Of Tides (12:10)
04: Ashlands (06:03)
05: 3 Moons (06:23)
06: Imbrium (Featuring Aes Dana) (05:09)
07: Synchronous (08:32)
08: Meteorites (08:08)

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