Recent posts: Album

Artist: Electric Breathing
Title Of Album: Sweet Violence
Year Of Release: 2014
Label: Juggernaut Music Group
Genre: Techno, Industrial, Electro
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:49:09
Total Size: 110 mb

Tracklist:
01. Blindfold (5:51)
02. Suck It Dry (5:00)
03. Sweet Violence (4:46)
04. No Sense, No Solution, No Way Out (4:48)
05. Brain Reset (4:43)
06. The Devils Whore (4:40)
07. Lords Prayer (4:26)
08. MK Ultra (4:57)
09. Psycho In Me (4:43)
10. Beautiful Sacrifice (4:54)

One of Dark Electro’s best kept secrets, “Sweet Violence” is the fourth full-length by German act “Electric Breathing”.

Popular for its unorthodox sequencing and un-compromising aggression, with “Sweet Violence”, Defcon One takes a swipe at the world and its political agenda, while retaining the aggressive and violent tropes that define this genre.

For the first time ever on CD, Electric Breathing bounce back with an opus to shock and rebel – Mind Control, Hacking, Conformity – all of these themes shape the album, marking a dual experimentation – as Defcon experiments with the aesthetic, he also experiments with a sound leaning towards Techno.

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Artist: Hoshina Anniversary
Title Of Album: Barcelona
Year Of Release: 2014
Label: Boysnoize Records / BNR124X
Genre: Techno, Electro, House
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:44:00
Total Size: 100 mb

Tracklist:
01. Let Your Guard Down (4:20)
02. So Far (5:15)
03. 156 to 128 (4:32)
04. Barcelona (4:15)
05. Jojo (4:00)
06. Push (5:32)
07. 80 Kiss (5:04)
08. Red Burrell (5:28)
09. Michael (5:33)

After four years of grafting at the vast techno coalface, Tokyo producer Hoshina Anniversary was finally given his dues on Fake Blood’s Blood Music in 2013. Ably snapped up by Boys Noize earlier this year, his profile has gone supernovae, exploding with this startlingly epic debut album. Flexing a muscular range from the off, we’re treated to myriad techno treatments from straight-up bleep magic (“So Far”) to booty-smoking 808 science (“156 to 128”) via industrial strength Surgeon-style slammery (“Jojo”) and twisted sample-shattering early ’90s New York homages (“80 Kiss”), Hoshina’s message is demonstratively dark, dramatic and designed strictly for peaktime dancefloors. Refreshingly uncompromising.

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Artist: Clock DVA
Title Of Album: Clock 2
Year Of Release: 2014
Label: Anterior Research / ARR 007
Genre: Experimental, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:06:49
Total Size: 149 mb

Tracklist:
1 The Konstructor
Programmed By – Adi Newton, Tez*
2 Rayonist
Programmed By – Adi Newton, Tez*
3 Kabaret 13

Programmed By – Adi Newton, Tez*
4 Re-Konstructor
Remix – Adi Newton, Tez*
5 De-Konstructor
Remix – Uwe Schmidt
6 Rayonist Refraction 1
Remix – Robin Rimbaud
7 Kabaret 13 .1
Remix – Frank Bretschneider
8 Rayonist Refraction 2
Remix – Robin Rimbaud

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Label/Cat#: Moira Audio Recordings – MOIRA 005
Year: 24 March, 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 299 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Negro Y Azul (recorded live session) (52:19)
2. Na01 (04:15)
3. Na02 (04:47)
4. Na03 (03:43)
5. Na04 (03:35)
6. Na05 (05:03)
7. Na06 (07:51)
8. Na07 (03:11)
9. Na08 (07:23)
10. Na09 (08:03)
11. Na10 (04:19)
12. Na 06 (Riccicomoto dub & Speed mix) (06:53)
13. Na06 (Riccicomoto’s Disco Futura dub) (09:32)
14. Na06 (Khristian K’s Dark Blue mix) (12:52)
15. Na06 (Miklos Vajda remix) (05:06)

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Label/Cat#: FLASH – FLASH095
Source: WEB
Release date: 2014-07-07
Format: mp3
Quality: 320 kbps
Size: 58 mb
Genre: Electronic
Style: Techno

Tracklist
1. Lost Acid Tape 1 (Original Mix)7:36
2. Lost Acid Tape 2 (Original Mix)6:31
3. Lost Acid Tape 3 (Original Mix)5:24
4. Lost Acid Tape 4 (Original Mix)6:16

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Artist: Simulacra
Title Of Album: Qualia
Year Of Release: 2014
Label: Sub / D23
Genre: Techno, Electro
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:56:21
Total Size: 135 mb

Tracklist:
01 Qualia
02 Enantiodromia
03 Syzygy
04 Exegesis
05 Shiver
06 Involuntary Memory
07 Geheimnis
08 Droste Effect
09 Fuzzy Logic

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Artist: Trdlx
Title Of Album: Dystopia
Year Of Release: 2014
Label: VoxxoV / VXVCD004
Genre: IDM, Ambient
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:58:06
Total Size: 137 mb

Tracklist:
1. No Hay Banda (3:52)
2. Harmoniak Balna (4:32)
3. Pancake Ice (6:05)
4. Lexomorray – Lost In Dub Jungle (4:44)
5. Omsk (6:35)
6. Hate It When Ambient People Do That (5:00)
7. Whore Car (2:58)
8. Mono Harshline (1:52)
9. Core War (4:42)
10. Bohemiath Is Going Down (5:41)

Glitchy textures swirl around the temples while addictive beats thump the temples. Soundscapes crawl beneath a barbed wire of dense and complex patterns. Dystopia is the first album of Paris based producers Boris Haladjian and Thibault Csukonyi. Within a constant state of flux and tension, the sound waves delve into incisive electronic and organic textures, ranging from IDM to sound-design or gorgeous ambient layers.

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Label: Die Schachtel
Catalog#: Zeit C11
Release date: 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 126 mb
Genre: Electronic
Style: Experimental, Electronic

Tracklist:
01 – Sculptures Musicales
02 – …in temple of Mercury….
03 – Setup 1.2.3
04 – Esperimento delle interazioni caotiche (part 1)
05 – LIES (distances-incidences) 1.3(estratto)

A sonic journey into John Cage and surroundings by renowned Italian composer Agostino di Scipio and his talented students. On December 9th, 2012, upon invitation from the Associazione Scarlatti, Agostino di Scipio and his students at the San Pietro a Majella Conservatory gave a performance of a very rare piece — John Cage’s Sculptures Musicales. The performance was planned out by Dario Sanfilippo, based on the few annotations left by Cage (which in turn followed an idea Cage took from Marcel Duchamp): the “musical sculptures” are sound blocks shaped by either electronic or acoustic instruments, sound blocks that should stay flat and stable in longer or shorter spans of time — “constant sounds in a single envelope” — as Cage wrote. The idea for this particular performance was to build prolonged sound textures separated by silent pauses, of duration roughly proportional to the loudness of the textures. The means to achieve that, however, were rather unstable and precarious in their sonic behavior: they included a self-built analog synth (Stefano Silvestri), a set of recycled mechanical objects and electronic circuits making up a kind of hybrid feedback network (Salvatore Carannante), an intricate computer patch of largely unpredictable — but not random — behavior (Dario Sanfilippo) and a “prepared cello” (Chiara Mallozzi). The sounds made with these means, as the piece was performed, are connoted by a tension due to the continuing attempt of the four performers to keep the sound level constant: not an easy task, given the idiosyncratic sound generation technologies involved, all of which remain critically sensitive to slight internal imperfections (e.g. Stefano’s synth) or to the events in the surrounding environment (e.g. Salvatore’s recycled feedback devices), and given that the four performers were sitting far from one another, at the four angles of a large cave (at the St. Elmo castle, in Naples). What is peculiar, upon listening, is this uncertain stasis, this insecure and dynamic balance among components, a local instability contrasting with the larger framework consisting of few monolithic elements. It’s always the case, with Cage’s work, that what seems to suggest a rather contemplative and ecstatic perspective, in actuality requires an incessant struggle, a demanding commitment and an enduring care for actions pursued in the moment. (die schachtel)

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Artist: Not Waving & Pye Corner Audio
Title Of Album: Intercepts
Year Of Release: 2014
Label: Ecstatic / ELP006
Genre: Experimental, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:40:59
Total Size: 94 mb

‘Intercepts’ is a declassified dispatch of industrial espionage and ambient adventures from the chambers of Pye Corner Audio and Alessio Natalizia aka Not Waving. Inspired by the arcane, furtive world of spy rings – from the Rosenburgs to the Cambridge Five and the Duquesne case – they present encrypted analog communiques resonating with the mystery and drama of those covert operations. Pye Corner Audio sets out a killer suite of signature, lustrous synth arpeggios and soft-soled but driving bass perfect for purring around European cities behind blacked out windows, whilst Not Waving presents a set of precipitous kosmicshe drones, pastoral cues and adrenalised but ice-cool sci-fi techno. Psst, one for those who know…!

Tracklist:
A1 Perfect Secrecy Forever
A2 Twisted Wire Pair
A3 Shared Secret Key
A4 One Time Pad
B1 Protect The Revolution
B2 Two-Way Mirror
B3 Enemies Of The People
B4 Like Shooting A Fish In A Barrel

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Label: Gold Robot
Release date: 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 142 mb
Genre: Electronic
Style: Ambient

Tracklist:
01. Conveyor – Theme I
02. Conveyor – Theme II
03. Conveyor – Theme III
04. Conveyor – Theme IV
05. Conveyor – Theme V
06. Conveyor – Theme VI
07. Conveyor – Theme VII
08. Conveyor – Theme VIII
09. Conveyor – Theme IX
10. Conveyor – Theme X
11. Conveyor – Theme XI
12. Conveyor – Theme XII
13. Conveyor – Theme XIII

2LP w/ DL. RIYL : Yo LaTengo, John Cage, Spacemen 3, Philip Glass. Prime is a long-playing record written and recorded by the band Conveyor. The music on this record was composed and performed alongside two midnight screenings of George Lucas’ THX 1138 in December 2013 at Nitehawk Cinema in Brooklyn, NY. The bulk of the recordings were subsequently captured live on the 3rd of January 2014 at the Silent Barn in Brooklyn, NY. Prime can be enjoyed separate from its point of reference – each theme explores one or more motifs – but the thirteen works are excellent subversions of Lucas’s film. Where the director intended to erase any trace of psychological imagery, Conveyor play Freud in coaxing out THX 1138’s (that’s the name of Robert Duvall’s character.) frantic mind as it faces freedom from drug-induced conformity.” – Tiny Mix Tapes // “It’s an interesting foray deeper into the world of electronics once more that the band manages to imbue with their unpredictable spirit.” – I Guess I’m Floating // “(A) haunting mesotropic loop caught between an esoteric meditative dance and the joyous bells of a Hare Krishna procession.” – Gold Flake Paint // “(B)ack and forth between being a grand, dispassionate epic and a more nuanced study of individuality and personhood.” – No Fear of Pop // “(A) frenzied krautrock surge that just keeps getting more and more extraordinarily vivid. As awesome as it would have been to witness this spectacle in person, the music is thrilling in its own right.” – Stereogum // “It’s a thrilling listen that builds into a hectic garage-rock assault…”- The 405

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Artist: Not Waving
Title Of Album: Human Capablities
Year Of Release: 2014
Label: Emotional Response / ERS010
Genre: Ambient, Experimental, Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:43:02
Total Size: 98 mb

Tracklist:
A1. Ability To Gain Access (4:39)
A2. Power Source Above Beam Line (3:50)
A3. Mathematical Man (4:05)
A4. Future Rain (5:53)
A5. Mental Means Alone (2:57)
B1. Defensive Function (3:38)
B2. Double Blind (5:58)
B3. Etosha Pan Aderci (7:04)
B4. Conscious/Subliminal (4:57)

2013 was a good year for Mr Natalizia. Breaking out of his musical (comfort) zone and touring schedule as one half of Kompakt Records stars Walls, a deeper side to his music oeuvre was shown on the excellent Not Waving debut, Umwelt, before then going on to compile the killer “Mutazione” compilation of Italian New Wave 1980-1988 for Strut Records. Spanning 9 tracks Human Capabilities takes the sound of Umwelt and the subsequent super limited cassette only “reinterpretations” of Redacted and mixes harder percussive tracks alongside explorations of melody through ambient pieces that close each side. On titles Mathematical Man, Double Blind and Defensive Function, industrial and kosmische percussion is pushed to the fore, while Power Source Above Beam Line is the closest thing to a club track Alessio has produced outside of Walls. However, it’s the more melodic Future Rain, Etosha Pan Aderci and the closing Satie homage, Conscious/Subliminal that a new side to the project can be heard. Having been named after a This Heat song, Not Waving is developing beyond that to go as far as the album title suggests. With a pressing of just 400 copies before more new music comes from Not Waving, plus material due from Walls and the planned return of guitar based side-project, Banjo Or Freakout, all coming later this year, 2014 looks to be a more exciting year for Mr Natalizia than ever before.

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Artist: Claude Speeed
Title Of Album: My Skeleton
Year Of Release: 2014
Label: LuckyMe – LM 022
Genre: Ambient, Drone
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:46:39
Total Size: 107 mb

Tracklist:
1. Washaa (04:31)
2. My Skeleton (03:40)
3. Some Other Guy (06:44)
4. Tiger Woods (03:09)
5. Taj Mahal (04:17)
6. Field (02:28)
7. Spectral Choir (03:34)
8. Viscount Stair (03:00)
9. An Imperial Message (04:27)
10. Prove You Exist (05:40)
11. Hold On (feat LW) (05:04)

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Artist: Ren Toudu
Title Of Album: Nemophilist
Year Of Release: 2014
Label: Ovnimoon Records / OVNICD082
Genre: Ambient, Chillout
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:17:44
Total Size: 178 mb

Tracklist:
1. Vesiunaus 14:11
2. Stationary 14:12
3. Orenda 9:33
4. Harmonia 8:09
5. Nelipot 9:47
6. Psithurism 8:43
7. Yugen 13:08

Ovnimoon Records presents the highly anticipated second full length ambient album of Ren Toudu called – Nemophilist! A Nemophilist is one who is fond of forests or forest scenery also a way of saying one is a hunter in the woods. Ren Toudu brings this magic music compelling you to relax, meditate and float across the lakes and forests of your imagination. The music is written to enjoy this one true ever-changing moment of the now and find harmony with the earth, the cosmos and your selves. Ren Toudu is the non-brainchild of Eki Jokisalo (aka Sienis / Eqhi) The project started out when he was in need of mediation music that was less shallow and hectic than what was available and decided to make his own. Soon enough, there was enough tracks for an EP and a full album release called “Intangible”, even if the music was never initially intended for release and solely for his own meditation purposes, it found its way to the world through Ovnimoon Records.

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Artist: Future Image
Title Of Album: Definite Complex
Year Of Release: 2014
Label: Future Image Records / FIRCDA015
Genre: IDM, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:51:01
Total Size: 118 mb

Tracklist:
01. Groovelette
02. Housing Fonk
03. Shire & Slack
04. Ibrox
05. Mutvachat
06. Arkenfeld
07. Wildridings
08. Hymn for Two Nuns
09. Snarestone
10. Three Point Projector

The long awaited follow-up to 2010’s “8 Characters”, “Definite Complex” is the truest vision of Future Image’s electronic music. From the frenzy of “Hymn for Two Nuns” and “Arkenfeld”, through the relentless crush of “Ibrox”, to the calm of “Three Point Projector” and “Snarestone”, “Definite Complex” is the most expansive and varied of Finlay Shakespeare’s output so far. Spanning five years of continuous work behind live albums such as “Jetlag” and “9v1”, this is also his highest achievement as Future Image so far.

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Artist: Motion Sickness of Time Travel
Title Of Album: Ballade For A Buck Moon
Year Of Release: 2014
Label: Self
Genre: Experimental, Ambient
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:52:04
Total Size: 120 mb

Tracklist:
01 Ballade For A Buck Moon

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