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Artist: Ñaka Ñaka
Title Of Album: Mundo Harsh
Year Of Release: 2014
Label: Opal Tapes / BOP003
Genre: Techno/House
Quality: Flac
Bitrate: Lossless
Total Time: 00:40:00
Total Size: 248 mb

Tracklist:
1.dardos 09:52
2.dioges 04:03
3.def def 07:39
4.jAaz 05:26
5.sec2 06:18
6.vibrocalyx 06:40

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Label/Cat#: W – WCD 02
Year: 20 October, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 371 MB
Genre: Electronic
Style: Deep House, Techno

Tracklist:
1. Intro (0:36)
2. Sweet Like Your Pussy (8:10)
3. Breathe (7:35)
4. Love Every Day (8:33)
5. Totally Fucked (8:59)
6. Pool Party (8:01)
7. End Of My Summer (8:14)
8. Rue De Paradis (8:02)
9. Sunshine (8:34)
10. Lucky (8:33)
11. Si Si (1:18)
12. Quand Tu Te Touches (7:49)
13. Dans Ta Main (2:12)
14. Blurred (0:56)
15. Au Bout Du Tunnel (5:01)
16. Havre-Caumartin (0:44)
17. Come To Me (8:21)
18. Creamy (6:51)
19. Alarm (7:53)
20. Humide (8:26)
21. Ac!dmat!k (6:48)
22. If You Are (10:53)
23. Ou Est-il (1:21)
24. Get Busy (9:47)
25. When You Feel Me (album version) (8:03)
26. Trop Vite (1:07)
27. Wind Summer (0:56)

Deep, dark, acid, sexy house music has always been closest to the heart of DJ W!LD. For many, the recent rise of DJ W!LD – the Circo Loco residency, the WMC and Sonar debuts, the joining of Cocoon’s world-renowned roster – has him pegged as one of the most exciting new talents on the scene. To those in the know, the accolades are simply long-overdue recognition for one of France’s long-serving underground house heroes. No matter your perspective, the truth is undeniable: DJ W!LD is one of the most deserving breakthrough acts of recent years.

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Artist: Joris Voorn
Title Of Album: Nobody Knows
Year Of Release: 2014
Label: Green
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:00:55
Total Size: 143 mb

Tracklist:
1. The Monk 3:55
2. A House (feat. Kid A) 5:14
3. Homeland (feat. Matthew Dear) 6:23
4. The Wild 5:25
5. Sweets For Piano 4:06
6. So Long (feat Kid A) 4:15
7. Ringo 5:22
8. Mugged 5:22
9. MoMo 3:36
10. Fall 5:29
11. Left 5:34
12. Dust (feat. Bram Stadhouders) 6:14

Nobody Knows will come out via Green, the label Voorn has run with Edwin Oosterwal since 2005. It’s his third album, following 2004’s Future History and 2007’s From A Deep Place. There are a few collaborations, most notably with Matthew Dear, who features on “Homeland.” Other guest appearances come from Ninja Tune affiliate Kid A (on “A House” and “So Long”) and Bram Stadhouders. Voorn also wrote one track (“MoMo”) with his father, Joop Voorn.

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Artist: Vitor Munhoz
Title Of Album: IMU
Year Of Release: 2014
Label: Frucht – FRUCHT078
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:28:31
Total Size: 200 mb

Tracklist:
1. Entity By My Side (Original Mix)4:43
2. Cuz You Love It (Original Mix)6:43
3. A Perfect Storm (Original Mix)8:29
4. Haluci Nation (Original Mix)7:16
5. The Quest (Original Mix)6:09
6. Lasting (Album Version)6:37
7. 3rd (Album Version)3:24
8. Right On (Original Mix)7:04
9. Night Ride (Original Mix)5:38
10. Mondo (Original Mix)6:55
11. Interference Pattern (Original Mix)5:54
12. Codex Giga (Original Mix)6:31
13. Do Not Think (Original Mix)6:30
14. The Old Times (Original Mix)6:32

Vitor Munhoz from São Paulo is today one of the biggest talents that Brazil and the world in general can offer, a futuristic sound where techno, house and sound design collide all them together in a really sexy and electric way. It’s all our pleasure to present his first album; IMU, which is a complete musical journey surrounded by surreal sounds and diverse inhuman beats but also reflecting high emotions. to put it in a few words, this is what we call as Real Music.

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Artist: Swarm Intelligence
Title Of Album: Faction
Year Of Release: 2014
Label: Ad Noiseam / adn183
Genre: IDM< Experimental [b]Quality[/b]: MP3 [b]Bitrate[/b]: 320 kbps [b]Total Time[/b]: 00:55:54 [b]Total Size[/b]: 127 mb [b]Tracklist[/b]: 1. False Flag 2. Antenna 3. Motionless Sky 4. Outpost 5. Run Interference 6. The Sinners Lie In The Forest 7. Infiltration 8. Destroyer 9. Resurface 10. Departure [quote]Swarm Intelligence's first album for Ad Noiseam is the densest and most interesting piece of beat-driven industrial music that has been sent our way in the recent times. Drawing from a past in IDM and techno as well as his involvement in Berlin's current new noise scene, Swarm Intelligence marries here some of the heaviest basses around with an uncompromising level of distortion and astute beats. Heavy, enthralling, modern, dark: an impressive new step by a musician to watch (and listen to) very closely. Dark, menacing, oppressive: Swarm Intelligence's first album appears at first as a monolithic work of aggressive distortion. But stopping there wouldn't do justice to this musician, whose début album is a carefully crafted ensemble. From the heavy bass-drums of the opening "False Flag" to the glitchy atmospheres of "Run Interference", Swarm Intelligence's album is at the meeting point of many genres, all of them torn and twisted into an over-driven and bleak new form. The cliché goes that music moves in circle. It is interesting to hear with "Faction" (or the works of like-minded young noise artists with which Swarm Intelligence had shared the stage) a return to the heavy industrial noise of the early 2000s. A new generation of noise artists have emerged out of the techno, IDM and dubstep scene, producing a raw and uncompromising sound which takes some core elements from their original styles and mixes them with uncompromising, dark and heavy industrial sound. Swarm Intelligence lies right at the center of this new movement, alongside such acts as Oyaarss, Fausten, Dead Fader, Emptyset, or Ancient Methods. Each of them comes from a distinct genre, but all meet in a burgeoning, heavily distorted new take at the rhythmic noise fury of the early 2000's. Drawing from his rich IDM and techno culture as well as his years of productions, both solo or together with his labelmate and long-time collaborator Monolog, Simon Hayes unveils with “Faction” is first full-length album, following releases on highly regarded digital labels such as Acroplane or Acre Recordings. This Irish musician, now relocated to Berlin and, as a sizable part of Ad Noiseam's roster there, is working for one of the world's leading music software company, takes us here on a trip which is at the same time massive, distorted and dark, but which is also obviously a highly musical and varied work. It is time to let waves of overdrive wash over us again. Sometimes club compatible, sometimes intended for the headphones, “Faction” is without a doubt one of the most interesting piece of beat-driven industrial music we have come across recently, and obviously a very enthralling swarm.[/quote]

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Artist: Logreybeam
Title Of Album: False Start (Remixed)
Year Of Release: 2014
Label: touched
Genre: IDM, Experimental, Downtempo
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:18:17
Total Size: 182 mb

Tracklist:
1. Autumnal Tints (Ruxpin Remix) (04:16)
2. Joon Glume (Mssngsns Rmx) (04:11)
3. Marinetti Vs The Golem (Roel Funcken Rmx) (03:30)
4. Scales Of Vociferation (Ben Milstein’s Mercovacs Mix) (03:42)
5. Marinetti vs. The Golem (Exercise One’s Burn Slow And Dance Mix) (09:12)
6. Scales Of Vociferation (Twerk Remix) (05:38)
7. Joon Glume (Mikael Stravostrand Remix) (08:26)
8. Autumnal Tints (RoyEgamble Mix) (04:33)
9. Technological Forgery (Ignatius Remix) (05:41)
10. Reminder (Vibrane Mix) (05:09)
11. Technological Forgery (Cyance Remix) (05:02)
12. Reminder (Shiro Fujioka Remix) (02:57)
13. Scales Of Vociferation (Thomas Wulfe Remix) (06:03)
14. Reminder (Tom Roberts Remix) (09:50)

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Artist: Dusk & Blackdown
Title Of Album: Back 2 Go FWD EP
Year Of Release: 2014
Label: Keysound – LDN 049
Genre: Bass
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:53:15
Total Size: 259 mb

Tracklist:
1. Dusk/Blackdown – Back 2 Go FWD>> (3:57)
2. Blackdown – Timeless (2:59)
3. Dusk/Blackdown – Peng One Two (5:24)
4. Dusk/Blackdown – Epic Jam (3:15)
5. Dusk/Blackdown – Back 2 Go FWD>> (Sweet 2 Go Sour mix) (4:28)
6. Epoch – The Steppenwolf (Blackdown remix) (5:07)
7. Blackdown – Wicked Vibez (Horsepower OG remix) (5:28)
8. Dusk/Blackdown – Drenched (Facta remix) (5:25)
9. Dusk/Blackdown – BWD>> (The Outlook Boat Party Keysound Bangers mix) (51:50)
10. Dusk/Blackdown – FWD>> (mix) (25:22)

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Artist: Adam X
Title Of Album: Irreformable
Year Of Release: 2014
Label: Sonic Groove | SGLPD 01
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:59:55
Total Size: 133 mb

Tracklist:
1. Interchanges 5:14
2. Catenary 5:34
3. Binary Possession 7:26
4. On The Verge Of Decimation 6:22
5. Sheer Insanity 6:17
6. Irreformable 6:17
7. In A Race Against Time 5:19
8. Tornado Warning 5:53
9. It’s All Relative 5:47
10. Small Black Object 5:46

Techno legend Adam X at his industrial-strength best on his fifth album in this guise. With minimal airs or graces, ‘Irreformable’ is a seductive, straight-faced invitation to the dancefloor’s dark side, exploring 10 tightly bound strains of techno informed by industrial EBM and noirish sci-fi atmospheres. Whilst this stuff may be in vogue within certain sectors, Adam proves his instinctive commitment to the sound with physically attuned rhythmic prompts – no funkless stidgy loops here – and heavy atmospheric pressure at best in the skulking, electroid opener ‘Interchanges (Enter & Exit)’, the infectious roil of ‘Binary Possesion’, and the radioactive bounce of ‘Sheer Insanity’, thru to the Muslimgauze/Vatican Shadow-esque militancy of ‘Tornado Warning’.

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When MONO began in 1999, they set out with a simple mission: From bliss to bludgeon, no matter how long or winding the path may be. Their debut album, Under The Pipal Tree, outlined that mission in twisted, psychedelic fury. Subsequent albums would see the band honing their craft, mastering their mission, and ultimately abandoning that path in favor of more grandiose pursuits. Flanked by increasingly larger orchestras, MONO performed live at some of the most prestigious venues in New York City, London, Tokyo, and Australia. MONO had become an orchestral rock band, a spectacle of extreme melancholy and melodrama. On 2012’s For My Parents, the band had finally reached the logical conclusion of that era; it was time to remember where they started, and to rethink where they were heading. Less strings? No strings? Louder?Quieter? Lighter? Darker? Yes.

The Last Dawn and Rays of Darkness are a pair of new albums by MONO. Recorded simultaneously yet conceptually and creatively disparate, the two act as both opposing and complementary sides to a story. No strangers to narratives, the two albums explore familiar themes for the band: Hope and hopelessness, love and loss, immense joy and unspeakable pain. Those elemental parts of life and the complicated relationships they create have never been more resonant through MONO’s music than they are here.

The Last Dawn is the first of these two companion albums, and is the “lighter” of the two, thematically and melodically. It contains undoubtedly some of MONO’s strongest songs ever, drawing on an array of influences from minimalist film score to vintage shoegaze. It is MONO at their absolute purest, executing an uncanny, unspoken dialogue with each other without the dozens of stringed instruments that have been so prominent throughout their catalog. The songs are also noticeably more efficient – there hasn’t been a MONO full-length record to fit on a single slab of vinyl since 2003’s One Step More And You Die – and the album benefits immeasurably from this streamlined approach. MONO have always been masters of telling compelling stories without words. But now they’ve proven they can do it without frills, too.

Rays of Darkness is the first MONO album in 15 years to feature no orchestral instruments whatsoever. That fact alone is remarkable given the band’s reputation for sweeping, dramatic instrumentals that recall Oscar-worthy film scores. Instead, Rays of Darkness more closely resembles a jet engine taking off inside a small, crowded auditorium. It is MONO’s blackest album ever, a collection of scorched riffs, doom rhythms, and an unexpected contribution from post-hardcore pioneer Tetsu Fukagawa of Envy. The album ends with the smoldering wreckage of distorted guitars and ominous drones playing out a eulogy to the days when MONO shot blinding rays of light through seemingly endless darkness.

Tracklist:
01. The Land Between Tides / Glory
02. Katana
03. Cyclone
04. Elysian Castles
05. Where We Begin
06. The Last Dawn

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Artist: Huxley
Title Of Album: Blurred
Year Of Release: 2014
Label: Aus
Genre: Deep House
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:52:47
Total Size: 120 mb

Tracklist:
1. I Want You (4:27)
2. Barne Dance (4:11)
3. Give 2 U (feat Femme) (4:32)
4. MXR (2:26)
5. Road Runner (feat Obenewa) (5:21)
6. Reassign (6:57)
7. Say My Name (feat Yasmin) (3:33)
8. Wayfairer (4:31)
9. Broken Dreams (3:48)
10. Cakewalk (5:30)
11. Callin (feat S-Man) (3:38)
12. Never Easy (feat Thomas Gandey) (3:53)

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Artist: 2562
Title Of Album: The New Today
Year Of Release: 2014
Label: When In Doubt – DOUBT 003
Genre: Bass, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:51:03
Total Size: 115 mb

Tracklist:
1. Arrival (5:36)
2. Terraforming (9:47)
3. Cosmic Bounce (6:03)
4. Vibedoctor (6:04)
5. Utopia (7:05)
6. Drumroll (4:18)
7. Cauldron (5:09)
8. New Life (7:01)

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Artist: Cooptrol
Title Of Album: Octaedrone
Year Of Release: 2014
Label: Tiredbeat – TB 003
Genre: Techno, IDM, Electronic
Quality: Flac
Bitrate: Lossless
Total Time: 00:43:10
Total Size: 222 mb

Tracklist:
1. Vectron (5:00)
2. Depletion (5:04)
3. Echelon=Prism (5:06)
4. Cyclotheme (5:42)
5. Living Devices (5:53)
6. Vosjod (6:11)
7. Astrodisk (7:19)
8. Tetrachrome (2:55)

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Artist: Machine Code
Title Of Album: Samurai
Year Of Release: 2014
Label: Ad Noiseam / adn181
Genre: Drum & Bass
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:01:44
Total Size: 161 mb

Tracklist:
01 It’s Time
02 Wires
03 Urban Drum (Featuring MC Coppa)
04 Gatling
05 Seraphic
06 Labyrinth (Featuring Balkansky)
07 Samurai
08 Red Nova
09 Headphone Eden
10 Mining
11 City Lights
12 Requiem (Remix by Huron)

Machinecode’s fourth full length album is the one in which Current Value and Dean Rodell let their creativity flow wild. Stylistically diverse, daring in its experiments and rich of their production expertise, this is an album which includes dancefloor-packing tracks but also goes further. “Samurai” is as much the product of technical mastery as it is a work of soulful beauty: crystal-clear drum’n’bass, deep low-frequencies, innovative beat-work and evocative soundscapes form a coherent whole of the kind which is too rare in this genre.

“Samurai” is the fourth full-length album by Machinecode, the boundary-pushing project of Tim Elliot (Current Value) and Dean Rodell. Probably their more daring work to date, this album does not stick to the accepted rules of drum’n’bass, but takes instead their experiments several steps further. After two albums by their Underhill “super-band”, the two of them present today their first Machinecode release for Ad Noiseam.

Decades of production and concerts have made of the producers behind Machinecode some of the most acclaimed purveyors of forward-thinking (and forward-sounding) drum’n’bass. Their taste for innovation, demonstrated since their earliest EPs, was the key to their first album (“Environments”) and fully unfolds in “Samurai”. Machinecode’s most daring – some will say experimental – work is the one in which they allow their ideas to express themselves in the most personal way, something essential to Ad Noiseam.

The universally recognized common thread of all Machinecode tracks is their impressive, masterful production. This is proven again in “Samurai”: Current Value’s low frequencies dive deeper than ever (case in point being the aptly name “Headphone Eden”), whereas Dean Rodell’s knife-yielding beats take us for daring rides (“Gatling”). The duo steps out of the neuroid sound it helped create, opting for science-fiction-like sounscapes (“Wires”), dubstep tempos (“Labyrinth”, with Balkansky), bold back-flips (“It’s Time”), headbang-inducing guitar riffs (“Red Nova”) or the masterful vocals of MC Coppa (also a member of Underhill, this time featured on “Urban Drum”). Topping the whole thing is a remix by Huron, Berlin’s glichtronica best kept secret.

“Samurai” is what comes out when two highly experienced producers give free reign to their ideas without being bound by the limitations of a style. Heavy, original, evocative, driven, powerful, sexy, fresh, deep, fun, sharp, bold: there is a lot to discover in this album. We strongly encourage long and repeated headphone-listening sessions in the company of this futuristic, robotic samurai.

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LABEL: Suol | SUOLCD011
GENRE: Deep House
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320kbps / 44100kHz / Full Stereo
TRACKS: 13
SIZE: 174.28 megs

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Artist: Dorian Concept
Title Of Album: Joined Ends
Year Of Release: 2014
Label: Ninja Tune | ZENDNL 214
Genre: Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:44:51
Total Size: 97 mb

Tracklist:
1. The Sky Opposite 2:32
2. Ann River, Mn 4:07
3. Mint 5:27
4. Clap Track 4 3:18
5. Draft Culture 4:59
6. Schadentrauer 1:13
7. Nest Nest 4:14
8. The Few 4:41
9. Trophies 4:25
10. Do, Undo, Redo 0:54
11. 11.04.2012 3:56
12. Tried (Now Tired) 5:01

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Label/Catalog#: Smalltown Supersound / STS206DX
Release date: sep 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 80 MB
Genre: Electronic
Style: Experimental

Tracklist:
1 Träbit
2 Det Oläskiga Rummet
3 Hands
4 You Are Song
5 Klockan
6 Pirate
7 Allt Är Skit
8 The Woods
9 Fun
10 Men Jag Sov I Stället
11 Wrong

On his previous output, Kim Hiorthøy has mixed everything from folk, free-jazz, lo-fi electronics, acid, instrumental hip-hop and field recordings. On his third full-length album, Dogs, out September 23rd via Smalltown Supersound, Hiorthøy has stripped everything down to a minimum, and gone to the core of his characteristic sound. The album consists of mostly just piano and ambience with some beats, and on some tracks the occasional synth. Dogs is his purest and most beautiful album. Hiorthøy cites Jan Johansson as an inspiration, but says the music is still anchored in early hip-hop, sample-based music (though there are no samples on Dogs), and even the simple, cheesy melodies of some 90s rave tracks. That said, Dogs probably owes just as much to the roots of ambient music — the minimalist beauty of Harold Budd or even Eric Satie.
Extraordinarily talented and expressive, Hiorthøy operates in many different fields in addition to music. A monograph of his graphic design work, Tree Weekend, was published by Die Gestalten Verlag in 2001. Since then, he has designed countless record covers for Smalltown Supersound and Rune Grammofon, as well as posters, books and book jackets. He is also a visual artist (check out www.standardoslo.no for more information about his art) and has worked as a cinematographer for documentaries and feature films. In addition to his albums, singles and EPs, Hiorthøy has written music for contemporary dance work in Sweden, Denmark and Belgium.

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Cuthead got known to the wider public via his releases on Uncanny Valley but his roots reach way back before the label’s start. There was a time when Cuthead and his brothers from another mother threw wild parties at abandoned industrial locations or in the woods around Dresden. The crew, which was known as Kunst:stoff Breakz, also established a label where Cuthead released two albums and one EP as free downloads between 2006 and 2010. Over the years the calls for vinyl versions of those early joints were getting louder and so Uncanny Valley decided to give the best tracks from that era a new life on physical sound carriers and start the “Total Sellout”.

Through refinement and rearrangement 51 tracks were boiled down to a selection of 18 and ended up as an album full of catchy bass lines, heavy beats and sampling excesses. Among the tracks are party starters like the strings-infiltrated “Scissorhands”, “The Poncho” or the ever devastating “Iron Lung” which still kicks like Dubstep has never faded. Since Cuthead has always been heavily influenced by Rap music, there are of course lots of great Hip Hop beats on “Total Sellout”. Either in the form of funky sample studies like “Painquilizer” and “VibraSkit” or in true fashion with Raps by crew member Alibi on “Hidden Track”. Also included on the album are “Rock My Soul” and “All Night Long”, some early examples of Cuthead’s knack for well tempered and super catchy House tracks, while the double-bass driven “Rythmus ’78” shows another jazzy side of him.

Label/Cat#: Uncanny Valley Germany – UVLP 02
Year: 13 October, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 149 MB
Genre: Electronic
Style: Downtempo, Hip-Hop, Deep House

Tracklist:
1. Lona (4:17)
2. The Poncho (3:35)
3. Painquilizer (5:04)
4. Scissorhands (2:54)
5. Jacques Cousteau (4:34)
6. Rock My Soul (6:13)
7. Rhythmus ’78 (4:29)
8. City Slicker (3:39)
9. Hidden Track (feat Alibi) (2:05)
10. VibraSkit (0:45)
11. Karma Vision (4:24)
12. Dallisan (2:20)
13. Kingston Loudness War Champion 2009 (3:42)
14. No Logic (3:49)
15. All Night Long (4:48)
16. Iron Lung (4:02)
17. Skit (1:03)
18. 3 Chinesen Mitm Kontrabass (4:16)

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Label/Cat#: Audio Science Productions – ASP 001RMX
Year: 13 October, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 152 MB
Genre: Electronic
Style: Breaks

Tracklist:
1. The Hunted (Blazer remix) (5:22)
2. Rattlesnake (feat Mechanical Pressure – Yreaneas aPaina remix) (6:04)
3. Rat Race (feat Mojo – Kid Digital remix) (5:45)
4. Tactics (feat Wrexx – BETA remix) (6:25)
5. Darker Days (Hyper remix) (4:59)
6. Nine Errors (Mr No Hands remix) (5:38)
7. Monologue (feat Karl Sav – Lee Coombs & Kostas G remix) (5:22)
8. Soundwaves (Sketias Drums Of Wara remix) (4:47)
9. Cold Matter (feat Refracture – Lawgiverz remix) (6:51)
10. Disease (feat Slighter – Eshericks remix) (5:45)
11. Past Tense (Future Funk Squad AcidMash remix) (5:28)
12. The Colony (Evil Nine remix) (5:12)

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Label/Cat#: Leaving – LR 037
Year: 30 September, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 79 MB
Genre: Electronic
Style: Ambient

Tracklist:
01. Rivn [1:21]
02. Tromeo [3:54]
03. Matta [4:15]
04. Canyon [2:46]
05. Orbiter [6:44]
06. Map And Territory [2:18]
07. Sstress [2:50]
08. Xr21 [2:01]
09. Until Death As A Memory [3:56]
10. Virtue [2:09]
11. Circuit Fade [3:01]

Ssaliva (aka Cupp Cave) returns to Matthewdavid’s Leaving Records with his charming first new material since 2012’s excellent ‘RZA’ and ‘Sync Thrills’ sessions. If you’ve been holding your breath, it was worth the wait. ‘Pantani’ is a sublime sashay through eleven crystalline chamber electronica pieces each as etheric, heavy-hearted and elegantly moody as the next, and constructed with the sort of filigree, succinct attention to detail that draws us to music from T C F or Dynooo, but perhaps with a more elegiac, late-night appeal.

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Artist: (Ghost)
Title Of Album: A Vast and Decaying Appearance
Year Of Release: 2014
Label: N5Md / MD235
Genre: Ambient, IDM, Glitch, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:49:02
Total Size: 110 mb

Tracklist:
01. 780.03
02. A Vast and Decaying Appearance
03. 4blend
04. Those Words I Spoke
05. In Repair
06. Transmit
07. Invisible Handcuffs
08. Finding Elas
09. Vessel
10. Dreaming is Enough

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Artist: Skanfrom
Title Of Album: Postcards
Year Of Release: 2014
Label: Suction Records / suction028
Genre: Electro, IDM, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:43:12
Total Size: 102 mb

Tracklist:
01. Trains and Lines
02. Perseids Over Greenwich
03. No, Thank You
04. I Am Not Feeling Well
05. Aught
06. Seven
07. Postcards
08. Lost and Lonesome
09. British Cottages
10. Six
11. Degrees Of Frost
12. Tar
13. I Will Miss You 1
14. I Will Miss You 2
15. Are You Alone?

320 kbps
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