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Label/Cat#: Music Man Belgium – MMCD 041D
Year: 6 October, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 512 MB
Genre: Electronic
Style: Techno

Tracklist:
1. Various Artists – I Love Techno 2014 (Brodinski continuous DJ mix) (1:18:25)
2. Joe – Slope (5:41)
3. Randomer – Bring (4:54)
4. Appleblim & Peverelist – Over Here (Brendon Moeller remix) (6:43)
5. Acid Arab – Sidi Gouja (6:33)
6. Jimmy Edgar – Frequency (7:04)
7. Marcelus – 24/7 (5:34)
8. Jon Convex – Feel Nothing (7:36)
9. Planetary Assault Systems – No Exit (6:44)
10. Marquis Hawkes – Outta This Hood (6:17)
11. Woo York – I Am Against (6:32)
12. Robert Hood – Protein Valve (edit 1) (5:13)
13. Claro Intelecto – Tone (4:48)
14. Alden Tyrell – Wurk It (6:22)
15. J Tijn – Floorward (5:40)
16. Bobmo – It Is Happening Again (5:10)
17. Djedjotronic – Signal (4:32)
18. MXM – Nirvana (5:11)
19. Tinfoil – Foil 1 (5:06)
20. JoeFarr – The Projectionist (5:37)
21. Ateph Elidja – Vision (4:10)
22. J Tijn – Kanon (4:16)
23. Maelstrom – Adversarial Design (5:35)
24. Adam Beyer – Crispy Bits A2 (4:38)
25. Zadig – Panic (8:36)
26. Speedy J & George Issakidis – Sculpture (7:24)

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Label/Cat#: Presto!? – P 022
Year: 24 March, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 88 MB
Genre: Electronic
Style: Techno

Tracklist:
1. ILS.1 (3:25)
2. ILS.2 (3:14)
3. ILS.3 (4:12)
4. ILS.4 (3:54)
5. ILS.5 (2:38)
6. ILS.6 (4:27)
7. ILS.7 (2:34)
8. ILS.8 (4:32)
9. ILS.9 (3:31)
10. ILS.10 (3:32)
11. ILS.11 (3:07)

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Artist: Mnemonic
Title Of Album: Result No. 7
Year Of Release: 2014
Label: Halbsicht Tonträger / hs013
Genre: IDM, Electro
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:54:15
Total Size: 124 mb

Tracklist:
01. Small Matter
02. Monument
03. Grotesque
04. Mutual Assured Destruction
05. Bleiglanz
06. Facsimile
07. Simple Man
08. Manipulation Maneuver
09. Opaque Meal
10. All Is Lost
11. Skepticism
12. Tact
13. Catharsis

The 7th album “Result No. 7” is based on an abstract and analogue idea of sound. Fragments of emotional sound patterns appear only rarely in this overall rough sounding work. Unlike the typical style of Mnemonic, themes are focused on their essentials. Even if the amount of melodies and variations are reduced significantly, every track is full of enthusiasm and drive. “Result No. 7” is characterized by simplicity and clearness, but it is far away from being a minimalistic or monotone album. Overall, the new album combines a wide array of carefully constructed experimental soundscapes and leaves a powerful impression on its listener.

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Artist: Johnny Aemkel
Title Of Album: In Darkness
Year Of Release: 2014
Label: Divided
Genre: Minimal
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:25:23
Total Size: 193 mb

Tracklist:
1. Behind The Door (Original Mix) 6:59
2. Dark Side The Mind (Re-edit Mix) 9:28
3. From the Depths of Darkness (Original Mix) 9:06
4. Hybrid 27 (Original Mix) 9:01
5. Hybrid 87 (Original Mix) 9:12
6. In The Maze Of Mirrors (Original Mix) 8:37
7. Parasite (Original Mix) 8:30
8. Surreal World (Original Mix) 7:40
9. Then I Saw (Original Mix) 8:38
10. WHSTDOPF feat Romport (Original Mix) 8:41

Since he was a child Johnny has always been a keen lover of electronic music. At the young age of 7 he began collecting Techno and Trance records, while at the same time researching information on the history of the genres. At only 9 years old he started experimenting with turntables and learnt the art of DJ’ing thanks to the teaching of his elder brother. Despite only being a child, Johnny snuck into a nightclub to attend one of his brother’s performances and instantly knew that DJ’ing is what he wanted to do. When he was still only 11 years old he began to develop an interest in production. Without anybody’s help to show him the basics, Johnny started to dabble with simple programs creating various musical genres from House to Hard Techno & Trance. Johnny made his first public performance at the age of 16 playing in famous clubs in Italy and in 2006 he launched his own project called “Minimal Stars Project ” Hosting events in his hometown of Verona, he played alongside his favourite local acts such as Andy Smile, Stephan Barnem & Caddy JD. In 2008 he began to publish his productions under the alias “Johnny Dj”. In 2010 He began to produce Dark Minimal Techno. His productions have been on the top charts for several times, either on Beatport ,Juno Download and the other music download platforms. Johnny has been around Europe playing his sets in Berlin, Athens, Paris, Czech Republic and many more places. Renowned djs such as Richie Hawtin, Troy Pierce, Alan Fitzpatrick, Stephan Bodzin, Oliver Huntemann, Dubfire and an ongoing list have supported and played Johnny Aemkels tracks in front of the biggest crowds.

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LABEL: Boomkat
GENRE: Electronic
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320 kbps
TRACKS: 14
SIZE: 187.39 megs

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Label/Catalog#: Dronarivm / DR-25
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 120 MB
Genre: Electronic
Style: Ambient, Experimental

Tracklist:
1. Intermittent Musical Box 04:30
2. Lampara 05:28
3. Sleep With Noise 06:38
4. Filo Di Voce 07:38
5. 1001011011 x 2 05:07
6. In Mare 04:39
7. Fieno 09:10
8. Intermittent Musical Box (Ghost and Tape remix) – digital bonus track 05:36
9. In Mare (Porya Hatami remix) – digital bonus track 04:52

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Label: Mexican Summer
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 100 MB
Genre: Electronic
Style: Experimental, Downtempo

Tracklist:
01. I’m Flexible
02. She Happens
03. Afterprom
04. Return to The Pec Deck
05. Acceptance Speech
06. Because of M.A.S.K.
07. Under Wolf Rule
08. There Was a Time

Torn Hawk is the audio project of producer and video artist Luke Wyatt. Over the past couple of years, Wyatt has unfurled a serial tapestry of content arguing for a reconciliation of aesthetic irony with compositional sincerity and emotional vulnerability. Let’s Cry And Do Pushups At The Same Time is Wyatt’s most recent full-length statement as Torn Hawk, and marks the onset of a more emotionally manipulative and sonically confident direction.

It’s difficult to neatly categorize Wyatt’s genre-refracting productions, which formerly have found a home on L.I.E.S., Not Not Fun, Rush Hour’s “No Label”, 1080p, and several other labels, including his own imprint Valcrond Video. The nuts & bolts of Let’s Cry’s eight tracks are built from live guitar, drum machines, junky synths, and layers of acid-washed samples. Wyatt smears the disparate elements of each track into a cohesive whole that transcends the (banality) (thrift-store dustiness) of each: the result is a series of heart-tuggingly confessional watercolors, framed with cinderblocks and distressed leather.

In the foreground of each track, Wyatt’s guitar moves between the shag carpet meditations of Manuel Göttsching, the digital delay jangle-grid of The Chameleons, the sunstroke saturation of Medicine, and the modal wankery of Tom Verlaine. Throw in the unabashed melodrama of something a sax might do on a Don Henley hit, and you get a better idea of Torn Hawk’s sensibility.

Movies and television also leave an undeniable impression on this album, which should come as no surprise to anyone who has followed Wyatt’s parallel video efforts, which he calls “Video Mulch”. The influence of film scores comes through in the inspirational mood cues of tracks like “Afterprom”, which presents a bouquet of guitar scrawls wrapped in a black garbage bag, and “Because of M.A.S.K.”, which would sit perfectly over the end credits of a rom-com set within the subculture of identity theft.

Elsewhere, “She Happens” takes the precarious tenderness of a brand new love affair and holds it over the edge of an audio cliff by the scruff of its neck; “Acceptance Speech” evokes the feel-good podium glow of awards-show public masturbation; and “Under Wolf Rule” balances threat with inspirational thrust: it’s the ideal soundtrack to decapitate to, and then thoughtfully consider the floral arrangements that are to be placed around the heads. Closing out the album, “There Was A Time” hovers in the strip mall of emotions between the storefronts of regret and expectation, expertly evoking the temporal hang-ups that feed or defeat our day-to-day happiness.

As its title suggests, Let’s Cry grapples with the duality of internal conflict and persona construction. It’s a theme that also ties in with Wyatt’s aesthetic interest in “parodying toughness”. In his visual presentation, Wyatt often presents a South Florida machismo in tandem with a vulnerable, self-help softness. It’s this kind of playfully sincere doubling that Wyatt thrives on; he is committed to making music that pumps you up and tugs at your heart stuff – he is making music for you to work out and weep to.

Let’s Cry And Do Pushups At The Same Time will be released November 10 (UK/EU) and November 11 (US) on LP, CD and digital formats.

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Label/Catalog#: New Amsterdam / NWAM059
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 106 MB
Genre: Electronic
Style: Modern Classical

Tracklist:
1. Balance Problems (Nico Muhly)
2. Bladed Stance (Marcos Balter)
3. Music in Circles – Part 1 (Andrew Norman)
4. Music in Circles – Part 2 (Andrew Norman)
5. The Bear and the Squirrel (Jeremy Turner)
6. Safe Travels (Timo Andres)
7. Everness (Mark Dancigers)
8. The Human Plague (Sufjan Stevens)

yMusic:
Rob Moose – violin, guitars
Nadia Sirota – viola
Clarice Jensen – cello
Hideaki Aomori – clarinet
Alex Sopp – flutes
CJ Camerieri – trumpet, horn

New Amsterdam, NWAM059

Balance Problems is the sophomore release from yMusic — a group of six New York City instrumentalists (Rob Moose, CJ Camerieri, Clarice Jensen, Alex Sopp, Hideaki Aomori, and Nadia Sirota) flourishing in the overlap between the pop and classical worlds. The much-anticipated follow-up to 2011’s Beautiful Mechanical (Time Out New York’s #1 Classical Record of the Year) features stunning new compositions from Nico Muhly, Sufjan Stevens, Andrew Norman, Mark Dancigers, Jeremy Turner, Marcos Balter, and Timo Andres, all realized through the ensemble’s striking performances. The album was produced by Son Lux.

Since their inception in 2008, yMusic has sought to bring a classical chamber music aesthetic to venues outside the traditional concert hall. Their unique configuration (string trio, flute, clarinet, and trumpet) has attracted the attention of high profile collaborators-from Dirty Projectors to My Brightest Diamond-and more recently inspired an expanding repertoire of original works by some of today’s foremost composers. With this new release, world-class composition and peerless performances share the center-stage, as the group continues to develop their own intense, nuanced style around a host of new works.

Balance Problems operates in a different realm than traditional chamber music. The album’s intricate sonic landscape is heavily impacted by genre-defying luminary Son Lux, who, after composing the title track to the group’s debut, was brought on as producer and mixing engineer for Balance Problems. With his diverse background in electronic and experimental music, Lott helped push the project to new heights: the limits of the ensemble’s six acoustic instruments are expanded to create a sonic tapestry of enormous depth and subtlety, all while maintaining the integrity of the musicians’ original performances. What results is a sweeping, full-bodied listen that will entice fans of indie rock, baroque pop, and classical music alike.

yMusic’s members have toured and recorded with top artists across genre lines such as Bon Iver, Paul Simon, Bjork, The National, Meredith Monk, Antony & the Johnsons, David Byrne, The New York Philharmonic, and Sufjan Stevens.

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Artist: Synthek & Audiolouis
Title Of Album: Unwise
Year Of Release: 2014
Label: Natch Ltd – NTCLP 01
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:04:06
Total Size: 147 mb

Tracklist:
1. Miasma (1:53)
2. Introspection (4:43)
3. Overcast (4:25)
4. Broken Pad (3:57)
5. Spiral Path (6:47)
6. Over The Edge (5:55)
7. Thread Between Us (6:04)
8. Unwise (6:02)
9. Lie To God (6:11)
10. Something Else (5:57)
11. Counterbalance (6:10)
12. Headroom (5:59)

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Label: EDJ
Catalog#: EDJ 005
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 119 MB
Genre: Electronic
Style: Deep House

Tracklist:
01. Old World
02. Sexy Mate
03. Love Bubbles Change
04. Coming Home To You
05. Love It Or Leave It
06. Oil & Vinegar
07. Mom & Pops Jam
08. Rainbow

It’s been three years since husband-and-wife team Jus’ Ed and Jenifa Mayanja released their collaborative debut album, Let’s Groove. Since then, both have been busy with solo projects, delivering a large volume of releases in their distinctive warm, melodious and loose deep house style. Love It Or Leave It, then, is something of a rare treat for those who dig their wholeheartedly positive and spontaneous take on deep house. It’s perhaps a little breezier than either producer’s solo work, with less immersive pads (though they are present, particularly on the chiming “Love Bubbles Change”). It’s still deep, though, with cascading melodies, picturesque chords and occasional soul-flecked vocals riding a range of deep, sinewy house grooves.

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Label/Cat#: Sonar Kollektiv Germany – SK 286D
Year: 6 October, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 205 MB
Genre: Electronic
Style: Deep House

Tracklist:
1. Doubter (feat Jonatan Backelie – Ada remix) (8:55)
2. Move Slowly (feat Bea Anubis – Vindahl remix) (4:18)
3. We Get High (feat Jonatan Backelie – Kalabrese remix) (6:06)
4. Re-set (feat Pete Josef – Marlow remix) (7:04)
5. Oh Africa (feat Christine Salem – full Crate remix) (5:12)
6. Like A Drug (feat Stee Downes – Luis Leon remix) (8:13)
7. Spinning Around (feat Pete Josef – Chopstick/Johnjon remix) (7:51)
8. Oh Africa (feat Christine Salem – Frank Wiedemann remix) (7:57)
9. Doubter (feat Jonatan Backelie – Mao remix) (7:15)
10. Like A Drug (feat Stee Downes – ComixXx remix) (4:15)
11. Oh Africa (feat Christine Salem – Osunlade remix) (5:59)
12. Re-set (feat Pete Josef – Hannes Fischer remix) (6:14)
13. Doubter (feat Jonatan Backelie – Alex Patchwork remix) (5:58)
14. Atmosphere (VECT remix) (5:20)

Alex Barck’s rise to world wide fame was as a member of Jazzanova in the late 90’s. Also as the A&R manager at Berlin based label, Sonar Kollektiv, he was, and still is, responsible for some of the finest ever releases, spanning the horizons from soulful pop and witty dance music. There is, however, no need to elaborate on the mighty Jazzanova and Sonar Kollektiv’s output here. We are here purely to pay homage to Alex Barck’s own illustrious career.

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Artist: Egokind & Ozean
Title Of Album: Transition
Year Of Release: 2014
Label: Traum
Genre: Tech House
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:05:15
Total Size: 148 mb

Tracklist:
1. Mega 5:31
2. Flying Sparks 1:42
3. Everytime You Smile 5:28
4. Mute Memories 5:17
5. Faint Light 1:46
6. We Float Around (And Hang Out 3:47
7. Light Realms 1:07
8. Silverbird Wake Me Up 6:22
9. Everything Around You Is Reson 1:58
10. Future Fireflies 6:17
11. Eclipse 1:49
12. Everybody Dance Now 6:11
13. Euphoria 3:19
14. Diamond Days 9:35
15. Sinus 5:04

After releasing his amazing debut “Diamond Days” on Traum and the follow up “Nothingness EP” Egokind told us he had the idea for an album already sitting in the back of his head.
To be able to convert all of his ideas he asked his long time friend and collaborator Ozean to work with him.
The album shows that Egokind and Ozean both draw ideas from multiple genres resulting in eccentric club tracks, interludes which are based on improvisation and composition and mesmerizing downbeat trax.
Nevertheless Egokind & Ozean’s long player feels personal rather than patchwork and a lot is due to their individual approach of not paying attention to establishing formulas but to develop their own.
The whole album does not feature one synth sound instead all is recorded and transformed using: Guitar, Rhodes, Piano and manipulated voice.

Egokind and Ozean are trained musicians who play in bands and study at the school of arts in Berlin. The idea for the album was to come up with a composition which is harmonic and can be played also on the piano itself.
Although both of them like melancholic and dark music as they state it was their intention to create a “friendly album” which is capable of embracing the listener and the clubber.
For their album they both say Terry Riley was one big influence.
Egokind and Ozean have been working together for years, but have not released much as a duo. One of their first tracks produced together (“Sinus”) was released on Traum in February 2014 , you can find the track as one of the two bonus tracks on this album.

The Berlin based duo keeps a low profile, reflective of both their refusal to attach themselves to any linear narrative of what it means to be an artist in the digital age and a vast talent for creating their own language and sound design.
With their music Egokind & Ozean show a new generation of listeners and clubbers how to embody music without having to know the rules. In a way they give you permission to discover music.
The album starts with “Mega” a track which illustrates their approach to touch many grounds resulting in something gigantic. The track itself begins rather acoustic inviting you to the private world of Egokind & Ozean, before it becomes a joyous balearic tune that despite its wealth keeps slight dissonances coming and going. …More

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Artist: Hieroglyphic Being and The Configurative Or Modular Me Trio
Title Of Album: The Seer Of Cosmic Visions
Year Of Release: 2014
Label: Planet Mu | 505530 0382788
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:57:21
Total Size: 139 mb

Tracklist:
1. The Seer Of Cosmic Visions 5:22
2. How Wet Is Ur Box 4:18
3. Space Is The Place 8:40
4. Letters From The Edge 6:27
5. A Genre Sonique 9:38
6. The Human Experience 4:30
7. 134340 Pluto 5:53
8. Calling Planet Earth 8:53
9. Strange Signs In The Sky 3:40

After appearing on Planet Mu last year alongside Ital as Interplanetary Prophets, Jamal Moss is back on the long-standing electronica label with a new release that gives him full free rein to head into his most cosmic, wild styles without reproach. From the off it’s clear there won’t be any holding back as “The Seer Of Cosmic Visions” finds delirious arpeggios of glassy synths meeting with creative washes of distortion, but it’s not all overdriven naughtiness as “Space Is The Place” reveals with its playful and delicate chimes and tones. For the most of course this is abrasive and challenging material, utterly peerless in its inventiveness.

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Artist: Mantis
Title Of Album: Collapsizm
Year Of Release: 2014
Label: Black Smoker Records / BSWT0024
Genre: Dub Techno
Quality: Flac
Bitrate: lossless
Total Time: 00:35:03
Total Size: 140 mb

Tracklist:
1. Tropic (feat. Paul St. Hilaire)
2. Decomposition
3. Wreckage (feat. Paul St. Hilaire)
4. Crisis (feat. San)
5. Pulverization
6. Wreck Version
7. Collapsizm

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Artist: Cuticle
Title Of Album: Mind Holding Pattern
Year Of Release: 2014
Label: Not Not Fun / NNF 293
Genre: House, Disco
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:41:19
Total Size: 94 mb

Tracklist:
01. Pidgin Tongue (5:51)
02. Antigogglin (5:23)
03. Gobba (2:59)
04. God Still Cannot (4:49)
05. Geometric Narrative (6:02)
06. Pageant (1:09)
07. Provocateur of Water (3:52)
08. Feberge Tear (5:28)
09. Beg to Exist (5:42)

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Artist: Andy Stott
Title Of Album: Faith in Strangers
Year Of Release: 2014
Label: Modern Love / LOVE098
Genre: Experimental, Techno, Ambient, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:53:55
Total Size: 123 mb

Tracklist:
01. Time Away
02. Violence
03. On Oath
04. Science & Industry
05. No Surrender
06. How It Was
07. Damage
08. Faith in Strangers
09. Missing

‘Faith In Strangers’ was written and produced between January 2013 and June 2014, and was edited and sequenced in late July this year. Making use of on an array of instruments, field recordings, found sounds and vocal treatments, it’s a largely analogue variant of hi-tech production styles arcing from the dissonant to the sublime. The first two tracks recorded during these early sessions bookend the release, the opener ‘Time Away’ featuring Euphonium played by Kim Holly Thorpe and last track ‘Missing’ a contribution by Stott’s occasional vocal collaborator Alison Skidmore who also appeared on 2012’s ‘Luxury Problems’. Between these two points ‘Faith In Strangers’ heads off from the sparse and infected ‘Violence’ to the broken, downcast pop of ‘On Oath’ and the motorik, driving melancholy of ‘Science & Industry’ – three vocal tracks built around that angular production style that imbues proceedings with both a pioneering spirit and a resonating sense of familiarity. Things take a sharp turn with ‘No Surrender’- a sparkling analogue jam making way for a tough, smudged rhythmic assault, while ‘How It Was’ refracts sweaty Warehouse signatures and ‘Damage’ finds the sweet spot between RZA’s classic ‘Ghost Dog’ and Terror Danjah at his most brutal. ‘Faith in Strangers’ is next and offers perhaps the most beautiful and open track here, its vocal hook and chiming melody bound to the rest of the album via the almost inaudible hum of Stott’s mixing desk. It provides a haze of warmth and nostalgia that ties the nine loose joints that make up the LP into the most memorable and oddly cohesive of Stott’s career to date, built and rendered in the spirit of those rare albums that straddle innovation and tradition through darkness and light.

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