Orson Wells – Pneumatics

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Lennard Poschmann may not be as famous as his artistic name sake, but as his first album for Live At Robert Johnson shows, he is keenly aware of electronic music’s cinematic power. This is audible on the lush ambience of “Welcome” and “Zerphyx”, while similarly emotive sounds are underpinned by a hyper-speed, Juan Atkins style rhythm on “Rise” and “A66”, where a warm, buzzing bass supports Poschmann’s sublime synths. At times, the album veers too close to other producer’s tropes – the delicate “Situation” is the most Aril Brikha track ever made – but like his enigmatic predecessor, Wells throws the futuristic electro of “Trianon” and the bleep-laden soundtrack of “Sincere” to keep his audience guessing, in Third Man style, right till the very end.