Recent posts: Rock
Florence + The Machine – How Big, How Blue, How Beautiful
30.05.2015 Album RockARTIST:Florence + The Machine Label Island Read more
Kitsuné America 4
26.05.2015 Disco Electronic RockARTIST:Dutch Party, Grace Mitchell, Twin Peaks Label Kitsune Read more
Imagine Dragons – Shots (The Remixes)
14.05.2015 Disco House RockARTIST:Astrolith, Imagine Dragons Label Interscope Read more
TURTLE – Colours
13.05.2015 Ambient / Downtempo Disco Electronic RockARTIST:TURTLE Label Beatnik Creative Read more
Celldweller – Transmissions: Vol. 02
11.05.2015 Album Dutch/Electro House Rock TechnoARTIST:Celldweller Label Fixt Read more
Nôze – Come With Us
28.04.2015 Album Deep House Disco RockARTIST:Noze Label Circus Company Read more
Rhodes – Turning Back Around EP
07.04.2015 Electronic RockARTIST:Rhodes Label Rhodes Read more
Darkness Falls – Dance And Cry
02.04.2015 Album Ambient / Downtempo Experimental RockARTIST:Darkness Falls Label HFN Read more
Karin Park – Apocalypse Pop
30.03.2015 Album Electro Electronic RockARTIST:Karin Park Label Oblivion Read more
Coasts – Modern Love Remixes EP
28.03.2015 Deep House Drum & Bass Dutch/Electro House RockARTIST:Coasts, Friction, Lost Kings, RAC Label Tidal Read more
Enter Shikari – Anaesthetist
23.03.2015 Drum & Bass RockARTIST:Enter Shikari, Koven Label Play It Again Sam Read more
Celldweller – End of an Empire (Chapter 03: Dreams)
18.03.2015 Electronic RockARTIST:Celldweller Label Fixt Read more
The Bug & Earth – Boa / Cold
13.12.2014 Electronic Rock TechnoARTIST:Earth, Ninja Tune, The Bug Read more
Tapping The Vein – Another Day Down
10.12.2014 Album RockARTIST:Dancing Ferret Discs, Tapping The Vein Read more
Alan Hampton – Origami for the Fire
Artist: Alan Hampton
Title Of Album: Origami for the Fire
Year Of Release: 2014
Label: Ash Productions
Genre: Indie, Alternative
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:39:41
Total Size: 92 mb
Tracklist:
1 Every Living Part
2 Leaf
3 Lie in It
4 It’s You
5 Won’t
6 Elevator Ride
7 Keep It in Your Dreams
8 Independent
9 Walk in the Rain
10 Someone Else’s Danger
11 Darker Things
320 kbps
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06.12.2014 Album RockARTIST:Alan Hampton, Ash Productions Read more
Clean Bandit – New Eyes (Special Edition)
05.12.2014 Album Deep Electronic House RockARTIST:Clean Bandit, Warner Read more
Bastille – Other People’s Heartache, Pt. III EP
05.12.2014 Deep Disco Electronic House RockARTIST:Angel Haze, Bastille, MNEK, Skunk Anansie, Virgin Read more
Young Turks 2014
02.12.2014 Bass Music Disco Electronic Experimental RockARTIST:Ezra Koenig, FKA Twigs, Jamie XX, Quirke, Sampha, SBTRKT, Young Turks Read more
Mogwai – Music Industry 3. Fitness Industry 1
30.11.2014 Electronic RockARTIST:Mogwai, Rock Action Read more
Coldplay – Ghost Stories Live 2014
21.11.2014 Album RockARTIST:Coldplay, Parlophone Read more
Depeche Mode – Live in Berlin
15.11.2014 Album Electronic RockARTIST:Columbia, Depeche Mode Read more
Khruangbin – The Infamous Bill EP
14.11.2014 RockARTIST:Khruangbin, Late Night Tales Read more
EZ3kiel – L.U.X
13.11.2014 Album Ambient / Downtempo Electronic RockARTIST:EZ3kiel, Kika Read more
Mono – Rays of Darkness
Artist: Mono
Title Of Album: Rays of Darkness
Year Of Release: 2014
Label: Pelagic
Genre: Post Rock, Instrumental
Quality: Flac (tracks+.cue)
Bitrate: Lossless
Total Time: 00:35:22
Total Size: 194 mb
Tracklist:
01. Recoil, Ignite
02. Surrender
03. The Hand That Holds the Truth
04. The Last Rays
When MONO began in 1999, they set out with a simple mission: From bliss to bludgeon, no matter how long or winding the path may be. Their debut album, Under The Pipal Tree, outlined that mission in twisted, psychedelic fury. Subsequent albums would see the band honing their craft, mastering their mission, and ultimately abandoning that path in favor of more grandiose pursuits. Flanked by increasingly larger orchestras, MONO performed live at some of the most prestigious venues in New York City, London, Tokyo, and Australia. MONO had become an orchestral rock band, a spectacle of extreme melancholy and melodrama. On 2012’s For My Parents, the band had finally reached the logical conclusion of that era; it was time to remember where they started, and to rethink where they were heading. Less strings? No strings? Louder?Quieter? Lighter? Darker? Yes.The Last Dawn and Rays of Darkness are a pair of new albums by MONO. Recorded simultaneously yet conceptually and creatively disparate, the two act as both opposing and complementary sides to a story. No strangers to narratives, the two albums explore familiar themes for the band: Hope and hopelessness, love and loss, immense joy and unspeakable pain. Those elemental parts of life and the complicated relationships they create have never been more resonant through MONO’s music than they are here.
The Last Dawn is the first of these two companion albums, and is the “lighter” of the two, thematically and melodically. It contains undoubtedly some of MONO’s strongest songs ever, drawing on an array of influences from minimalist film score to vintage shoegaze. It is MONO at their absolute purest, executing an uncanny, unspoken dialogue with each other without the dozens of stringed instruments that have been so prominent throughout their catalog. The songs are also noticeably more efficient – there hasn’t been a MONO full-length record to fit on a single slab of vinyl since 2003’s One Step More And You Die – and the album benefits immeasurably from this streamlined approach. MONO have always been masters of telling compelling stories without words. But now they’ve proven they can do it without frills, too.
Rays of Darkness is the first MONO album in 15 years to feature no orchestral instruments whatsoever. That fact alone is remarkable given the band’s reputation for sweeping, dramatic instrumentals that recall Oscar-worthy film scores. Instead, Rays of Darkness more closely resembles a jet engine taking off inside a small, crowded auditorium. It is MONO’s blackest album ever, a collection of scorched riffs, doom rhythms, and an unexpected contribution from post-hardcore pioneer Tetsu Fukagawa of Envy. The album ends with the smoldering wreckage of distorted guitars and ominous drones playing out a eulogy to the days when MONO shot blinding rays of light through seemingly endless darkness.
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