Recent posts: Electronic

Label: Wil-Ru
Catalog#: WR041
Release date: 31-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 102 mb
Genre: Electronic
Style: Electronic, Acid, Dub, Techno, IDM

Tracklist:
1. Rfp Acid! [04:06]
2. Clocks Counting Backwards [07:43]
3. Acid Thunderdome [04:35]
4. Soar More [02:30]
5. Digital Wine Glass [03:22]
6. Digital Wine Glass Dub [01:46]
7. Microtonal Acid Dub Part I [05:13]
8. Microtonal Acid Dub Part Ii [02:51]
9. Microtonal Acid Dub Part Iii [03:36]
10. Microtonal Acid Dub Part Iv [06:24]

The Red Falcon Projects debut on WR with a digital reissue of RFP’s long lost classic “Microtonal Acid Dub”. Originally released as a limited edition cassette tape which is now completely out of print, WR has managed to secure the last copy of this cassette on earth and transfer it to digital format, thus saving humanity from the pain a suffering it would have endured from the lack of this wonderful album. Microtonal Acid Dub is composed of 10 stream-of-conciousness cosmic acid jams that were recorded live a long long time ago in a studio far far away.

Musically we find RFP exercising a tasteful restraint behind the knobs and keys, creating a very hypnotic and atmospheric listen filled with crisp electronic rhythms and vividly colorful synthesizer hooks all bathed in comforting analog warmth. Trippy cosmic listening for the ones who know…

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Label: Pets Recordings Germany
Catalog#: PETSCD 002
Release date: 03-06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 119 mb
Genre: Electronic
Style: Experimental, House, Electronic

Tracklist:
1. Shiny Pennies (feat Cari Golden) (03:57)
2. Can’t Figure Me Out (feat Ben Westbeech) (04:59)
3. Into The Night (feat Mama) (04:02)
4. To Be Without Me (feat Glimpse) (05:34)
5. Lavender Lady (feat Paul Randolph) (05:28)
6. Motor Stepper (feat James Yuill) (05:36)
7. Lonely In My Room (04:57)
8. We Are Young (feat Tanya Horo) (03:31)
9. If You Ask Me (feat Voitek Taranczuk) (06:20)
10. Ula (04:06)
11. You Help Me (feat Nnaji) (03:48)

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Artist: Quinoline Yellow
Title Of Album: Palisade Mount EP
Year Of Release: 20 may 2013
Label: Touchin Bass / TB 041
Genre: Abstract / IDM / Experimental / Electro / Leftfield
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:25:59
Total Size: 58 mb

Tracklist:
A1 Dinas Hide (4:48)
A2 Lags Domotags (3:51)
A3 The Recital Of Dolwen Fields (4:10)
B1 Congregation (4:47)
B2 T6 AX (3:22)
B3 Argon Of August (5:00)

Andrea Parker’s Touching Bass is back! And for its comeback release they present Luke Walker’s Quinoline Yellow. Experimental, entertaining and full of character, at points he sounds like Squarepusher underwater (“The Recital Of Dolwen Fields”). At others he comes across more like Radioactiveman on sedatives (“Congregation”). Other headbendingly delightful highlights come in the form of the church-acid of “Argon Of August” and the menacing, slo-mo stomp of “Dinas Hide”. An ace return for a consistently forward-thinking label. More please!

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Label: Planet Mu
Catalog#: ZIQ328
Release date: 04-04-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 88 mb
Genre: Electronic
Style: House, Downtempo, Synthpop, Techno

Tracklist:
1. Bliss (06:05)
2. Blue Lights (feat Gravenhurst) (04:53)
3. Wartime (feat Gravenhurst) (05:07)
4. Robo Corp (02:26)
5. Devotion (feat Gravenhurst) (06:10)
6. Knell (04:02)
7. Slumber (feat Gravenhurst) (07:10)
8. Fanfare (03:00)

Mike Paradinas and his missus, Lara Rix-Martin are joined by Nick Talbot of Gravenhurst for their lovely debut album as Heterotic. Summoning influence from classic house, late ’80s electronic dream pop, they squarely hit upon a sound somewhere between classic New Order and early µ-Ziq, mixing breezy vocals with multi-tiered electro basslines and lushest synths to often gorgeous effect.

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Label: Life And Death
Catalog#: LAD009CD
Release date: 15-04-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 150 mb
Genre: Electronic
Style: Deep House, Deep/Dub Techno, Electronic

Tracklist:
1. Clockwork – First Floor (5:21)
2. Clockwork – Places (3:00)
3. Clockwork & Chasing Kurt – Running Searching (5:26)
4. Clockwork – Subterfuge (5:26)
5. Clockwork & Avatism – The Quiet Hour (6:25)
6. Clockwork – Prisms (4:42)
7. Clockwork – Second Floor (7:21)
8. Clockwork & Clarian – This World Is Not Designed For Us (5:09)
9. Clockwork – Oblique (5:27)
10. Clockwork – Hidden Spectator (3:29)
11. Clockwork – False Matters (5:31)
12. Clockwork & Tale Of Us – Lost Keys (5:02)
13. Clockwork – One Way Ticket (3:44)

Releaseinfo: Opening up with the gentle yet solidly throbbing First Floor, the story begins in what could easily be the early hours of the Berghain. Or perhaps it’s an industrial landscape of the not so distant future. Either way, the cinematic tone of the story begins here as the Italian duo move forward on their journey… Next stop is Places, a space filled with shuffled breakbeats and emotional synths, peppered with vocals that hint at a nostalgia for another time and place. Somewhere we’ve been before? Somewhere we might be going? Like a literary foreshadowing of things to come. And in an instant, the pace quickens. As Running Searching begins so do we shoot directly into the heart of things. Here Chasing Kurt joins the crew, his vocals coming in like a soulful rallying cry bolstered by deep bass and arepeggiated synths that urge us all ever ahead. Onward. Upward. A truly standout moment. Now energized, Subterfuge seems to move the journey downwards and upwards simultaneously. As we step into a dreamy underground place where the beat moves us forward but the space between the synths keeps us looking all around in wonder. Voices surround us, subtly hinting at a story we might now slowly begin to piece together… But before we can get our footing and our heads around what is happening the dreamscape seems to shift and The Quiet Hour begins. With help from talented Italian producer, Avatism, the journey takes a dramatic and animated turn into slow driving techno. This is a textured soundscape energized by drums that might sound inspired from the influences of the past but are clearly crafted with sounds pulled from the future. From here we arrive at Prisms, an interlude that at first seems relaxed until you realize that with just a combination of arpeggiated synths, percussive elements and noises plucked from the ether you are smack in the middle of a piece of music that somehow wraps it’s emotion around a moving image that moves you with it. Doing it all without the standard straightforward push of the 4/4 kick and yet always propelling us ahead. Moving up another level to the Second Floor, the four to the floor kick returns and we’ve stepped back into the club without ever leaving the story behind. The emotion remains but the beat reemerges with a sythesized tonal percussion that sets the stage for a modern tale of tribal warfare. The urban jungle is its landscape and the dancefloor is the domain where it reigns over all. The perfect counterpoint comes next as Clarian joins the team with his fervent announcement, This World Is Not Designed For Us. Beautiful vocals, melodies and synths are accompanied by disjointed beats that still somehow stay in lockstop with its narrative. A distress call from the youth of today looking to find their place in an ever confusing world. Oblique, which follows, answers this call like a shot fired into the night. A forceful piece of dancefloor material that works well both in a room full of a thousand or a room of only one. It showcases solid beats that rest firmly in your body while the airy high end of plucky synths and melody that arrive like the blowing of Gabriel’s trumpet across the airwaves of the heavens to land directly in the listener’s lap, creating a mood that is oblique perhaps but certainly anything but inaccessible. After the blunt energy of its predecessor, Hidden Spectator seems at first to flip the mood but then takes us slowly back up with a soundscape that builds from an ambience to a dull roar, keeping the emotional level high as we take just a slight pause from the beats before heading back into the fray… Then we’re back as False Matters launches us even higher into the techno stratosphere. The hardest hitting track of the trip, we’re at full force here with a nod to Detroit and its Underground Resistance but never losing the unique sonic footprint that Clockwork have created throughout the voyage. A solid groove that build and builds and builds and builds and never lets us down. How to follow such raw energy? With beauty it seems, as Lost Keys brings label mates Tale of Us onboard to begin to wrap up the chronicle. The beats stay strong but here become more shuffled and emotive as they are accompanied by keys that are not so much lost as pleading. Brimming with feeling as this pairing of friends and artistic peers shine through with an emotional maturity that seems only appropriate as one reaches the end of this kind of journey. A real achievement. And then, like all good stories, the end must come. But if it’s not a disappointment that’s a testament to the forlorn beauty of One Way Ticket. The best kind of send off, its haunting guitar strikes a deep emotional chord that keeps ringing in our minds long after the last of the melody has faded away. The story may be over but it still remains living somewhere deep inside of us. Just as we remain eager to hear it retold once again…

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Label: Noptical Audion
Release date: 28-01-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 82 mb
Genre: Electronic
Style: Psychedelic, Trip Hop, Ambient, Chill, Electronic

Tracklist:
01. Noptical Audion 04:18
02. Z-DNA 02:13
03. (620) Alaxka 03:36
04. Arctic Stars 01:27
05. Weefie’s Eyelets 05:00
06. Thermal View 01:20
07. Polyommatus Icarus 04:22
08. Access Interlode 02:33

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Label: Apollo/R&S Belgium
Catalog#: AMB 1312D
Release date: 12-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 60 mb
Genre: Electronic
Style: Experimental, Downtempo, Electronic

Tracklist:
1. Jan Mayen (08:00)
2. Kodiak (05:41)
3. Stufen-Spitzbergen (06:52)
4. Stronsay (05:58)

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Label: Anticon
Catalog#: abr0138
Release date: 28-05-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 101 mb
Genre: Electronic
Style: Downtempo, Glitch, Beats, Electronic

Tracklist:
01 Worsening
02 Miasma Sky
03 Ironworks
04 Ossuary
05 Incompatible
06 No Eyes
07 Phaedra
08 No Past Lives
09 Earth Death
10 Inter

Three years ago, Baths dropped his startlingly beautiful debut, Cerulean. Released on Anticon, the record blurred the line between post-modern pop and the LA beat scene with devastating emotional clarity. Its tone was as celestial as its album title, taken from a shade of blue typically used to describe the sky.

Cerulean earned year-end “Best Of” recognition from Pitchfork and The Onion’s A.V. Club and established Chatsworth-raised Will Wiesenfeld as one of the finest young composers (and falsettos) in Los Angeles. His sophomore album, Obsidian finds him emerging as one of the most complete artists of his generation. As you might expect, the name hints at darker overtones. The mood is shimmering and pitch-black, the lovely blood flow has turned into lava.

“I’ve always been inspired by really dark material and from the beginning I knew I wanted the songs to be much darker, both musically and lyrically,” Baths says.

Following the success of his first album, Baths spent much of the next year touring to progressively larger audiences. He also released an ethereal ambient project under the Geotic name. When he returned home in July of 2011 to record his sophomore effort, he was bedridden for months because of an E. Coli bacterial infection, barely able to digest solid food and bereft of creative energy.

Obsidian understandably has these scars etched into its imprint. The first song is called “Worsening,” subsequent cuts include “Ossuary,” “No Past Lives” and “Earth Death.” While the mood is often bleak, it’s never bloated. “Miasma Sky” balances being “swallowed alive by the sky” with a gorgeous piano groove and levitative croon that could detonate a disco club night. The album is unusually cohesive, suffused with heavenly choirs, head-nodding percussion, sexually-charged lyrics, and wry humor.

“The songs and lyrics all came out of a pretty fucked and arduous process of trial and error,” Baths says. ”But I hope people understand that I’m not the depressed, suicidal, and death-obsessed person the record may paint me as being. These are just darker areas that I wanted to explore.”

The areas of exploration include reading and research into the Dark Ages and the black plague, different versions of Hell as spied through Dante’s Inferno, the Bible, and old world illuminated manuscripts and paintings. These noirish fascinations met the virtuosic chops of a 24-year old who has been playing piano for 20 years.

“Anything I found that felt like a unique vision of darker emotions or atmospheres, I tried to absorb,” Baths says. “Being a positive and outgoing guy made it that much more difficult getting into that mindset. It was a matter of tapping into that and returning with songs that felt genuine and somehow from my own personal experience.”

This is the power of Obsidian. It combines universal questions with personal pain. On just his second album, Baths exhibits what only a few artists are capable of: painting in any shade they desire.

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Label: SLL
Release date: 27-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 101 mb
Genre: Electronic
Style: Experimental, IDM, Post Rock, Ambient, Electronic

Tracklist:
01. Cafe 04:28
02. A Gift of Silence (Feat. Unradiant) 05:29
03. Who 04:00
04. Depression (Feat. Thostey) 03:14
05. Up Late 03:30
06. The Darkness (Feat. Phyrius) 02:55
07. Falling Out 02:42
08. Bridges 02:44
09. Time Changes (Feat. Phyrius) 05:18
10. To a Firefly (Feat. Dryze) 03:16
11. Horizons (Feat. Silent Letters) 03:28

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Label: Divorce US
Catalog#: D 40LP
Release date: 27-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 81 mb
Genre: Electronic
Style: Experimental, Electronic

Tracklist:
1. Druid in Ruins 03:46
2. Bunt 02:16
3. New Breath 03:07
4. Ezy2luv 03:21
5. (Swallow Your Own) Shadow 02:32
6. Treasure Trail Mix Up 01:18
7. Lava Love 02:07
8. Nomad 03:35
9. Gaasyendietha Slips into the Laurentian Abyss 02:12
10. Felix 02:29
11. Everything Has Changed 02:18
12. How Many Hearts Do You Hold 02:18
13. Frozen Frisbee 01:38
14. Bye 02:36

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Label: Metropolis
Catalog#: MET 870
Release date: 28-05-2013
Source: Vinyl, Album
Format: MP3
Quality: 320 kbps
Size: 97 mb
Genre: Electronic
Style: Industrial, Experimental, Electro, EBM

Tracklist:
01. wornin’
02. illisiT
03. saLvo
04. gLowbeL
05. solvent
06. paragUn
07. survivalisto
08. tsudanama
09. plastiCage
10. terminal

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Label: !K7
Catalog#:
Release date: 28-05-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps / lossless
Size: 110 mb / 250 mb
Genre: Electronic
Style: Downtempo, Trip-Hop, Electronic

Tracklist:
01 Somebody’s Sins
02 Nothing Matters
03 Valentine
04 Bonnie & Clyde
05 Parenthesis
06 Nothing’s Changed
07 If Only I Knew
08 Is That Your Life
09 Tribal Drums
10 We Don’t Die
11 Chinese Interlude
12 Does It
13 I’m Ready
14 Hey Love
15 Passion of the Christ

Tricky is set to release new album ‘False Idols’ on May 28th.

One of the finest, most individual MCs to emerge from these Isles, Tricky’s ever unpredictable path has just taken a new turn. The Bristol rapper has signalled his intentions to release a new album, with ‘False Idols’ set to be released on May 28th.

Continuing his independent streak, Tricky has confirmed that the new album will be released on !k7 Records. Typically introspective, the rapper recently revealed that ‘False Idols’ is an attempt to re-focus.

“I was lost for ages,” he said. “I was trying to prove something to people, trying to do something to please other people and also myself at the same time, which is never going to work. To be honest with you, I’ve been floating around since Chris Blackwell and Island. My last two albums, I thought they were good, but I realize now they weren’t. This album is about me finding myself again.”

Continuing, Tricky compared the album to his classic debut LP. “Of all my records, the majority of people are into ‘Maxinequaye’… That’s because it was a time and a place. Maxinquaye was a part of their life. Some people say it was the soundtrack to their youth. You can’t challenge that. But musically this is a better album” he said, before adding: “Of course I know that people might not agree with that.”

The album is a promo containing occasional voiceovers, although they aren’t too prominent. It is a decent taster well in advance of the album’s official release.

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Label: Night Slugs
Catalog#: NSCC004
Country: UK
Release date: 27-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 62 mb
Genre: Electronic
Style: Rhythmic Noise, Tribal House, Ghetto House

Tracklist:
A1 – Whoosh (Ice Dispenser)
A2 – Track Titled 1
A3 – Linn Jam
B1 – Linn Jam W/ Synth
B2 – Damnson

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Label: HFN Music
Catalog#: HFN 27
Release date: 06-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 198 mb
Genre: Electronic
Style: Deep House, Electronic

Tracklist:
1. Fear (Slow Hands remix) (04:46)
2. Black Swan Born White (Terranova remix) (06:22)
3. Speeddance (Smash TV remix) (07:28)
4. Fear (Kasper Bjorke version) (06:45)
5. Be My Yoko Ono (Peaking Lights remix) (04:33)
6. Fear (Broke Party Anthem remix) (08:29)
7. Black Swan Born White (Mark E remix) (07:27)
8. Speeddance (Antonio Gram remix) (07:28)
9. It’s Easy To Lose Yourself (Diana remix) (07:32)
10. Be My Yoko Ono (Francis Harris & Gry remix) (05:39)
11. Speeddance (My Favorite Robot remix) (06:25)
12. Black Swan Born White (SCUM remix) (05:10)
13. Black Swan Born White (Keep Shelly In Athens remix – extended version) (03:33)

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Label: Black Acre Records
Catalog#: ACRE042
Release date: 20-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 18 mb
Genre: Electronic
Style: Experimental, Electronic

Tracklist:
1. Koma (3:15)
2. Goldair (4:19)

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Label: Acido Records
Catalog#: Acido 13
Release date: apr 2013
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: mb
Genre: Electronic
Style: Techno, Electronic

Tracklist:
A1 – Untitled
B1 – Untitled

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Label: Gorby
Catalog#: 003
Release date: 21-05-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 105 mb
Genre: Electronic
Style: Nu Disco, Synthpop, Electronic

Tracklist:
01. Tesla Boy – Dream Machine
02. Tesla Boy – M.C.H.T.E.
03. Tesla Boy – Invisible
04. Tesla Boy – Broken Doll (feat.Tyson)
05. Tesla Boy – Split
06. Tesla Boy – Fantasy
07. Tesla Boy – Saturn (interlude)
08. Tesla Boy – Undetected
09. Tesla Boy – Stars
10. Tesla Boy – Something Deep Inside (Interlude)
11. Tesla Boy – Paraffin (feat. Fritz Helder)
12. Tesla Boy – 1991 (Original Mix)

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Label: Rinse
Catalog#: RINSECD 031D
Release date: 20-05-2013
Source: WEB, Compilation, Mixed
Format: MP3
Quality: 320 kbps
Size: 150 mb
Genre: Electronic
Style: Bass Music, UK Garage, Electronic

Tracklist:
01 Burial – Truant 04:11
02 Theo Parrish – Kites on Pluto 01:20
03 Morgan Zarate – Pusher Taker 02:01
04 Titonton – Spread 02:40
05 Alex Parkinson & Chris Lorenzo – What Must I Prove 2 U 02:03
06 Joy O – Big Room Tech House DJ Tool – TIP! 01:27
07 Funkystepz – Vice Versa 02:28
08 Terror Danjah & Champion – Stone Island 00:51
09 DVA – Chilli Burrito 01:27
10 Champion – Friday 13th 01:27
11 Jam City – Her 01:33
12 Kode9 – Uh 02:57
13 Kuedo – Mirtazapine 01:25
14 Visionist – Something Old Something New 01:00
15 Dexplicit – Change Formation 01:24
16 Faze Miyake – Burciaga 01:56
17 The Bug – Dirty 01:18
18 Dexplicit – Wave Machine 01:51
19 Cashmere Cat – Aurora 02:12
20 Rustie – Triadzz 02:01
21 Terror Danjah – Sam Cro 01:36
22 S-Type – Flyp City 01:57
23 Kode9 – Xingfu Lu 00:52
24 RP Boo – Steamidity 02:05
25 RP Boo – Red Hot 01:22
26 DJ Manny – Work That Body 01:26
27 Kode9 – Kan 01:50
28 DJ Rashad – Rollin 02:02
29 Uncon Sci – 8 Shots Up (Bleep Bloop Remix) 01:49
30 DJ Rashad – Freshtek 01:07
31 DJ Rashad – Brighter Days 02:02
32 Sam Binga & Addison Groove – 11th (Dub) 01:25
33 DJ Rashad & DJ Spinn – Last Winter 01:38
34 DJ Rashad & Freshmoon – Everybody 01:37
35 DJ Rashad & DJ Manny – Way I Feel 01:07
36 DJ Rashad & Phil – Everyday of My Life 01:13
37 DJ Rashad – Let It Go 03:03

Various Production twyst-up with future junglist torque on this one-off bomb. Flighty quick-step rhythms are subject to a tonne of high pressure atmospheric disturbance, churning up far-away chants, disembodied duppies and splintered breakbeats in its cyclonic force. We never know where Various are going next, but we always wanna go there. Tipped! Visionary DJ/selector and sonic theorist Steve Goodman aka Kode 9 mans what is inarguably Rinse’s most crucial mix CD to date. With
mercurial sleight of hand he blends 37 tracks spanning the rhizome of techy, contemporary, bass-rooted funk and leaves most other selectors for dust. Bridging tempos, styles and patterns from myriad sub-strains of house, garage, hip hop, grime and footwork, he sums his intentions thusly; “This style has emerged out of me trying to fit all the stuff I want to play in a set Generally these sets start relatively simple rhythmically and then get more f*cked-up as the mix goes on. So I
suppose there’s an element of ultimately just trying to seduce people into dancing to footwork by [gradually] taking them out of their comfort zone!». Breathlessly flowing from Burial’s ‘Truant’ at one end to Rashad’s footwork junglism ‘Let It Go’ at the other, he incisively encodes connections between the Northern Jackin’ sound of Alex Parkinson and Chris Lorenzo with Joy O’s big room hit and
Funkystepz flip out ‘Vice Versa’, before finding the sympathetic geometries between Jam City’s ‘Her’, his double-timing ‘Uh’ and Kuedo’s gyroscopic ‘Mirtazapine’, or seguing grimy Afro-futurisms from Visionist, Dexplicit and The Bug with Flow Dan. But, like he said, it’s all building to his footwork selection, a stunning run from his wryly dissonant slow/fast weapon, ‘Xingfu Lu’ thru the body-baffling torque of RP Boo’s ‘Steamidity’ and ‘Red Hot’, to his own PE-snatching killer
‘Kan’ and the liquid funk flux of Bleep Bloop’s remix for Uncon Sci’s ’8 Shots Up’ and ramping up to the zero-gravity jungle/footwork and R&B fusions of DJs Rashad, Spinn and Manny. Ultimately it’s an accelerationist’s dream come tru, and one of the most impressive mix CDs we’ve heard in years. The bar has just been reset.

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Label: Young Turks
Catalog#: 880319 610714
Release date: 20-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 53 mb
Genre: Electronic
Style: IDM, Electronic

Tracklist:
1. Ivana (03:21)
2. Sun (06:36)
3. Last Remnants (04:20)
4. Nosun (05:05)
5. Never (04:48)

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Label: Creme Organization Holland
Catalog#: CREME LP-10
Release date: 20-05-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 116 mb
Genre: Electronic
Style: Techno, House, Electronic

Tracklist:
1. Dark Star (03:26)
2. Songs To Elevate Pure Hearts (05:48)
3. The Girl From Kowloon Tong (02:17)
4. Against The Tide (03:43)
5. Rough Side (04:32)
6. Everything I Know About House (I Learned On Facebook) (05:25)
7. Axiomatic (04:47)
8. Son Of House (06:29)
9. The Only Path (06:01)
10. A Better Life (03:31)
11. Never Alone (05:33)

‘Songs To Elevate Pure Hearts’ is Neville Watson’s sublime debut album in tribute to the mystique of classic Detroit and Chicago house. Deeply influenced by the romance of vintage Carl Craig and Larry Heard, his mood swings between the twinkle-eyed ambient bliss of ‘Dark Star’ and ‘The Girl From Kowloon Tong’ to the driving techno-soul emotions of the title track or the hilariously titled ‘Everything I Know About House (I Learned On Facebook)’, thru to progressive tribal visions such as ‘Axiomatic’ and the vintage class of ‘Son Of House’ and the sumptuous lush-out ‘A Better Life’, maintaining and sustaining a sweetly balanced rhetoric of new age positivity and futurist melancholy throughout. Warm recommendations to lovers of Legowelt, Dream 2 Science, Larry Heard, C2.

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