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Artist: PMM & Tuff Sherm
Title Of Album: Gracefully Force Consensus
Year Of Release: 2014
Label: Reckno
Genre: Techno, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:59:24
Total Size: 134 mb

Tracklist:
1.PMM – Heed Every Warning 02:56
2.Tuff Sherm – Midnight Marauders 05:02
3.PMM – No Technical Hangups 07:38
4.Tuff Sherm – Personal Mountains 03:02
5.PMM – Media Training 02:52
6.Tuff Sherm – Nature’s Revenge 01:07
7.PMM – Invest in Pressureforming 00:24
8.Tuff Sherm – Bone Machine 06:55
9.PMM – Push Timing 01:19
10.Tuff Sherm – East Coasting 05:00
11.PMM – Cosigns 04:12
12.Tuff Sherm – The Chronic 05:45
13.PMM – Virality 04:00
14.Tuff Sherm – Monk’s Dream 01:06
15.PMM – Deal Season 02:18
16.Tuff Sherm – Future Days 02:48
17.PMM – Gracefully Force Consensus 02:54

Gracefully Force Consensus is an hour long split tape between PMM and Tuff Sherm. Two halves of the same whole or two independent artists? Or perhaps one works while the other sleeps?

On this cassette the artists trade tracks instead of the usual side each, PMM’s track titles appear to be lifted from a book on becoming a star while Tuff Sherm’s titles are all named after existing albums. Just how much is in the Tuff Sherm vault?

This tape is staggering in it’s breadth of sound, mood and approach: moments sound like disco 45’s having been given a sandpaper rubdown, other drumless works provide instant enlightenment. Tuff Sherm produces some of his most raw and rugged material so far taking the futuristic primitive approach to new levels of intensity by setting up huge mechanical automatons, lubricated with rain and sweat, that follow their own relentless path until a rainbow appears in the room. PMM resides in the chasm between music and non-music: gnarled tone poetry, metallic clangs and overblown keys.

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Artist: Consumer Electronics
Title Of Album: Estuary English
Year Of Release: 2014
Label: Dirter / DPROMDLP108
Genre: Techno, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:21:30
Total Size: 50 mb

Tracklist:
1) Teknon
2) Affirmation
3) Sex Offender Boyfriend
4) Come Clean
5) Co-Opted By Cunts
6) Estuary English
7) Air Lock

First Edition Gatefold 2LP includes a copy of the CD inside – Vinyl & CD separately mastered for “maximum sonic perfection”. Produced by Russell Haswell** Russell Haswell joins Philip Best’s Consumer Electronics for the face-melting force of ‘Estuary Electronics’. Following on from the Mattin-produced ‘Crowd Pleaser’ (2009), it finds the pioneering duo at their most virile and vital across seven tracks rife with sputtering tech-n0!se and, of course, Best’s spray it, don’t say it delivery. It’s a cruel, vicious f**ker and therein lies its charm in showing up most of their field as dilettantes. Between the flatulent jag of ‘Teknon’ to the staggering, ‘floor bleaching force of ‘Co-opted’ or the ‘Air Lock’ monologue that seals the final side, it delivers visceral thrills in a way most others can’t compete with. And it’s all the more powerful for its reduced and optimised palette – vocals, spatter drums and eviscerated electronics stoically delivered with real venom where it matters. For adventurous DJs, proper wrong ‘uns, and the noise brigade, it’s stone cold essential.

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Artist: Paranoia Department
Title Of Album: Metaphysical Hinterland Akt.3 – The Thing In Itself
Year Of Release: 2014
Label: Entropy Records / EG.05
Genre: Dub Techno, Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:18:30
Total Size: 181 mb

Tracklist:
1. I Salute You, Ancient Ocean! (30:20)
2. Incorporeality (19:20)
3. Apperception (6:45)
4. The Comprehension Of Totality (22:05)

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Artist: Paranoia Department
Title Of Album: Metaphysical Hinterland Akt.2 – Ov Maya
Year Of Release: 2014
Label: Entropy Records / EG.051
Genre: Techno, Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:13:03
Total Size: 168 mb

Tracklist:
1. Noluntas (8:12)
2. Mere Representation (5:37)
3. Endless Flux (6:06)
4. Kernel (6:25)
5. Kayamanu (8:36)
6. Concatenation Of Causes And Effects (11:54)
7. El Manar De La Nada (8:33)
8. Nothing Is Permanent (2:58)
9. Eternal Forms (6:48)
10. Through The Lens Of Unconscious (7:54)

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Artist: Paranoia Department
Title Of Album: Metaphysical Hinterland Akt.1 – All Is Mind
Year Of Release: 2014
Label: Entropy Records / EG.050
Genre: Dub Techno, Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:18:21
Total Size: 182 mb

Tracklist:
1. Henosis (8:28)
2. Asclepius (5:39)
3. The Grand Cycle Of Aeons (6:25)
4. Mental Creation (6:28)
5. Three Great Planes (9:54)
6. Hexagram (5:20)
7. L’Escalier De Vertige (7:37)
8. Possession Of Knowledge (1:55)
9. Life And Motion In The Universe (4:19)
10. I Hoped To Transcend The Mundane World (5:38)
11. The Only Master Key (6:29)
12. Polarization (1:10)
13. Kybalion (9:00)

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Label/Cat#: Phantasy Sound – PH 39D
Year: 27 October, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 52 MB
Genre: Electronic
Style: Experimental

Tracklist:
1. The Kids Will Take Care Of Themselves (4:30)
2. Monogamy (5:01)
3. Shame (4:28)
4. Pilgrimage (8:33)

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Artist: Oren Ambarchi
Title Of Album: Quixotism
Year Of Release: 2014
Label: Editions Mego / EMEGO 202
Genre: Experimental, Electronic
Quality: Flac
Bitrate: Lossless
Total Time: 00:46:49
Total Size: 211 mb

Tracklist:
1. Quixotism Part 1 (17:58)
2. Quixotism Part 2 (4:09)
3. Quixotism Part 3 (6:58)
4. Quixotism Part 4 (2:59)
5. Quixotism Part 5 (14:44)

Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Ambarchi’s work in recent years has evinced an increasing fascination with the possibilities of combining abstract sonic textures with rhythm and pulse, whether in his drumming with Keiji Haino, the subtly driving ride cymbals provided by drummer Joe Talia in their work together, or the motorik grooves of Sagittarian Domain (Editions Mego, 2012). Quixotism takes this aspect of Ambarchi’s recent work to the next level: the entirety of this long-form work is built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, being joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful, passages.
The pulse acts as thread leading the listener though a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of Crys Cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede, appear and reappear, in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Eliane Radigue, and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, so that they are often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.
Anyone who follows Ambarchi’s work knows that it has many facets: explorations of the outer limits of rock with Keiji Haino, psychoacoustic interference and sizzling harmonics in his solo performances, delicate improvisations with Keith Rowe or John Tilbury. To all these projects, Ambarchi brings his particular sensibility, patiently allowing sounds to develop on their own terms without forsaking their intrinsic physical and emotional power. Similarly, although Quixotism is shaped by its many contributors, the resulting sound world is unmistakably Ambarchi’s own. His most substantial solo release since Audience of One (Touch, 2012), Quixotism represents the summation of Ambarchi’s work over the last few years while also pointing to the future.

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Label/Catalog#: Not Not Fun / NNF304
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 92 MB
Genre: Electronic
Style: Ambient, Downtempo, Abstract, Experimental

Tracklist:
01. Birds Near River (3:36)
02. Opal (4:15)
03. Your Arms (3:12)
04. The Passenger (4:01)
05. Kiss by the Sea (4:19)
06. Whispering Wind (2:04)
07. Redemption (4:00)
08. Transparent Shadows (5:16)
09. Flight over Steppes (4:57)
10. Orphan Song (4:13)

Ambient pot-pourri from St, Petersburg via LA** ““…our music goes to ambient, and sometimes atmosphere, of disturbance and worry, sometimes meditation. But it doesn’t lie.” So sayeth singer/soothsayer of Saint-Petersburg haunted romance duo Delicate Features, Radmila Nikogosian. We’re fully of the mind to concur. Nikogosian and bandmate/beau Pavel Diakov-Astvatsaturian have been lurking in the off-grid steppes for roughly two years, scotch-taping microphones to fragile percussive objects and folk flutes amidst glowing grey electric swells of depressive sensuality. The Passenger blurs morose misty synth-jazz with windswept new age memory pop into a love-blind stalk along an ice-scarred river – an experience befitting “two misanthropic dreamers who just like to listen to beautiful music.” The original intention apparently skewed more in a dancewardly direction but their grey northern home gravitated the mood into displaced, pensive nocturnal rhythms, often ditching drum forms entirely, like in the keening, cracked classical drift of “Orphan Song” or “Whispering Wind.” The sequencing spills out a story of devotion and dissolve, tracking the whole heavy soul waveform – poetic faith (“Birds Near River”), Sunday morning (“Opal”), body rapture (“Kiss By The Sea”), escape/evolution (“Transparent Shadows”), etc. 10 twilit and tactile songs for staring through stained glass to. Mastered by Alex Nagle. Artwork by Britt Brown.”

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Artist: Alterphase
Title Of Album: Vurnian Niuth
Year Of Release: 2014
Label: Mozyk.net – MOZYK011
Genre: Ambient, Abstract, Glitch, IDM
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:00:34
Total Size: 147 mb

Tracklist:
1. Phutherm Sighnse (03:42)
2. Moud Thrulz (02:54)
3. Disform Bnips (02:55)
4. Lounderm (04:22)
5. Nithxvieps Biosp (05:14)
6. Thouthgresvie (05:42)
7. Sithsooud Flouds (02:18)
8. Novimbloe Tgerbun (04:49)
9. Phous Sidd (07:52)
10. Nuthfyer Yhurgf (03:44)
11. Voruth Dry (06:35)
12. Theryre Sueiemse Gefrdresree (03:51)
13. Uhrexedth (06:30)

His first LP on MOZYK.NET will take you on a journey you won’t forget. Acid bleeps, eerie keyboards, and nervous breaks come from every direction, you might wonder where they are taking you but, don’t be afraid, this magician knows what he’s doing. He’s been producing electronic music since 1997 and can easily be compared to Aphex Twin’s Analord Series (with his own personal touch, of course). This one hour odyssey is a definite buy and suits perfectly the MOZYK catalog. Have a nice trip!

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Artist: Swarm Intelligence
Title Of Album: Faction
Year Of Release: 2014
Label: Ad Noiseam / adn183
Genre: IDM< Experimental [b]Quality[/b]: MP3 [b]Bitrate[/b]: 320 kbps [b]Total Time[/b]: 00:55:54 [b]Total Size[/b]: 127 mb [b]Tracklist[/b]: 1. False Flag 2. Antenna 3. Motionless Sky 4. Outpost 5. Run Interference 6. The Sinners Lie In The Forest 7. Infiltration 8. Destroyer 9. Resurface 10. Departure [quote]Swarm Intelligence's first album for Ad Noiseam is the densest and most interesting piece of beat-driven industrial music that has been sent our way in the recent times. Drawing from a past in IDM and techno as well as his involvement in Berlin's current new noise scene, Swarm Intelligence marries here some of the heaviest basses around with an uncompromising level of distortion and astute beats. Heavy, enthralling, modern, dark: an impressive new step by a musician to watch (and listen to) very closely. Dark, menacing, oppressive: Swarm Intelligence's first album appears at first as a monolithic work of aggressive distortion. But stopping there wouldn't do justice to this musician, whose début album is a carefully crafted ensemble. From the heavy bass-drums of the opening "False Flag" to the glitchy atmospheres of "Run Interference", Swarm Intelligence's album is at the meeting point of many genres, all of them torn and twisted into an over-driven and bleak new form. The cliché goes that music moves in circle. It is interesting to hear with "Faction" (or the works of like-minded young noise artists with which Swarm Intelligence had shared the stage) a return to the heavy industrial noise of the early 2000s. A new generation of noise artists have emerged out of the techno, IDM and dubstep scene, producing a raw and uncompromising sound which takes some core elements from their original styles and mixes them with uncompromising, dark and heavy industrial sound. Swarm Intelligence lies right at the center of this new movement, alongside such acts as Oyaarss, Fausten, Dead Fader, Emptyset, or Ancient Methods. Each of them comes from a distinct genre, but all meet in a burgeoning, heavily distorted new take at the rhythmic noise fury of the early 2000's. Drawing from his rich IDM and techno culture as well as his years of productions, both solo or together with his labelmate and long-time collaborator Monolog, Simon Hayes unveils with “Faction” is first full-length album, following releases on highly regarded digital labels such as Acroplane or Acre Recordings. This Irish musician, now relocated to Berlin and, as a sizable part of Ad Noiseam's roster there, is working for one of the world's leading music software company, takes us here on a trip which is at the same time massive, distorted and dark, but which is also obviously a highly musical and varied work. It is time to let waves of overdrive wash over us again. Sometimes club compatible, sometimes intended for the headphones, “Faction” is without a doubt one of the most interesting piece of beat-driven industrial music we have come across recently, and obviously a very enthralling swarm.[/quote]

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Artist: Logreybeam
Title Of Album: False Start (Remixed)
Year Of Release: 2014
Label: touched
Genre: IDM, Experimental, Downtempo
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:18:17
Total Size: 182 mb

Tracklist:
1. Autumnal Tints (Ruxpin Remix) (04:16)
2. Joon Glume (Mssngsns Rmx) (04:11)
3. Marinetti Vs The Golem (Roel Funcken Rmx) (03:30)
4. Scales Of Vociferation (Ben Milstein’s Mercovacs Mix) (03:42)
5. Marinetti vs. The Golem (Exercise One’s Burn Slow And Dance Mix) (09:12)
6. Scales Of Vociferation (Twerk Remix) (05:38)
7. Joon Glume (Mikael Stravostrand Remix) (08:26)
8. Autumnal Tints (RoyEgamble Mix) (04:33)
9. Technological Forgery (Ignatius Remix) (05:41)
10. Reminder (Vibrane Mix) (05:09)
11. Technological Forgery (Cyance Remix) (05:02)
12. Reminder (Shiro Fujioka Remix) (02:57)
13. Scales Of Vociferation (Thomas Wulfe Remix) (06:03)
14. Reminder (Tom Roberts Remix) (09:50)

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Artist: 2562
Title Of Album: The New Today
Year Of Release: 2014
Label: When In Doubt – DOUBT 003
Genre: Bass, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:51:03
Total Size: 115 mb

Tracklist:
1. Arrival (5:36)
2. Terraforming (9:47)
3. Cosmic Bounce (6:03)
4. Vibedoctor (6:04)
5. Utopia (7:05)
6. Drumroll (4:18)
7. Cauldron (5:09)
8. New Life (7:01)

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Label/Catalog#: Houndstooth / HTH018
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 39 MB
Genre: Electronic
Style: Bass, Esperimental

Tracklist:
1. Maera VIP (feat. Adda Kaleh)
2. Linguis VIP
3. The Tempest VIP (feat. Adda Kaleh)

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Label/Cat#: Kinnego – KGO 006
Year: 13 October, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 18 MB
Genre: Electronic
Style: Experimental

Tracklist:
1. Retina Grains (4:06)
2. Travel By Dragonfly (4:06)

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