Recent posts: Album

Label/Cat#: Delsin Holland – 102DSR/CFC-CD 2
Year: 25 nov, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 146 mb
Genre: Electronic
Style: Techno, IDM

Tracklist:
1. Excess Mortality (06:19)
2. Spatiotemporal (07:28)
3. Temporary Reversals (07:09)
4. Semantic Field (05:03)
5. Scientific Trajectory (06:12)
6. Underwater Settlers (06:33)
7. Formerly Programmed Decisions (06:08)
8. Abundance Of Selves (06:24)
9. Optimum Pace (06:30)
10. Anti-adaptive State (06:00)

Boris Bunnik has finished his third full-length album as Conforce. Entitled ‘Kinetic Image’, the ten-track album is to be released on Delsin in November following on from his standout offering, ‘Escapism’, back in 2011.

In the last few years, Dutchman Bunnik has established himself as one of the most prolific producers in many different sonic realms. From deep, stripped down explorations to raw and rugged techno via conceptual and cinematic sound design projects, he is a master craftsman who coaxes evocative sounds from both analogue and digital tools whether working as Versalife, Silent Harbour or any of his other monikers.

Kinetic Image, though, is the sound of Conforce producing without the dancefloor in mind. It’s the sound of him moving away from the past and into the present. The album has very much been designed to be heard in one sitting, as a complete experience that moves away from regimented 4/4 beats and into slower, more surreptitious tempos.

The result is an all consuming sonic journey of intriguing and inspiring sounds that range from full on cerebral excursions into vast open spaces that throb invitingly (Scientific Trajectory) to underwater daydreams that suspend you deep in an ocean as various mycobacterial details float by. There’s also more industrial sounding fair that depicts a desolate warehouse in perennial decay (Semantic Field) and mysterious echo chambers that spread out all around you as celestial light beams and haunting melodic ripples gently float by as per the excellent Temporary Reversals.

An aquatic vibe pervades – no doubt a side effect of recent projects under other monikers – and the title itself relates to the fact that Conforce wanted to make moving images and art that evolve and unfold like passing landscapes. He sure has done that, because Kinetic Images is like an imaginary soundtrack to the last days of Atlantis… it sucks you in, it churns you about and it makes for music that consumes your whole conscious and rewards it with very real sonic imagery.

As is always the case with this label, the album comes with bespoke artwork from Dutch designers Graphic Surgery who are inspired by “urban environments” and “experimental electronic music from the 1990’s”. Created using an analogue spray paint/stencil technique, each ‘box’ or ‘step’ is an original image on paper and gives rise to the aesthetic of minor failures. As such, the repetitive and monochromatic design they have come up with for Kinetic Images is both structured and architectural yet dynamic and fluid at the same time. Completed with crisp typography and luxurious amounts of negative space, it’s artwork as considered as the music it conceals.

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Label/Cat#: 13 – 002
Year: 22 October, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 87 mb
Genre: Electronic
Style: Downtempo, Dub, Latin, Electronic

Tracklist:
1. Somewhere Else (feat Melody Gardot) (03:16)
2. Profundas Aguas (03:21)
3. Luna 1 (02:48)
4. Laberinto De Ayer (03:09)
5. El Extrangero (03:56)
6. La Noche Lenta (feat Natalia Clavier) (03:16)
7. Cielo (02:48)
8. This Song (03:00)
9. Carrousel Sin Fin (feat Natalia Clavier) (03:57)
10. El Mago (feat Ilhan Ersahin) (03:09)
11. La Flor (02:36)
12. Tres Dias, Una Noche (02:30)

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Artist: Derek Carr
Title Of Album: Binary Son
Year Of Release: 18 nov 2013
Label: Psychonavigation Records – PSY080
Genre: Detroit Techno, Ambient
Quality: MP3, CD, Album
Bitrate: 320 kbps
Total Time: 00:56:54
Total Size: 132 mb

Tracklist:
1. Boom! (07:11)
2. Martian Lander (05:03)
3. Station To Station (05:01)
4. Helion (05:11)
5. Sources Of Light (05:38)
6. The Engineers (09:02)
7. Angels (06:35)
8. Starfield (05:07)
9. The Windmill (07:59)

Derek Carr is one of Ireland’s unsung heroes of soulful techno. Derek has been making music for almost 2 decades now (if you include his early experiments as a 14 year old with a Casio sampler).

Following the great success of his previous album ‘The Digital Space Race’ Psychonavigation are excited to release the artist’s new album ‘Binary Son’.

Derek worked closely with Psychonavigation’s Keith Downey to handpick his best nine tracks that work perfectly as a long player. Derek’s heart lies in Detroit and the influence of Juan Atkins & Derrick May can be heard throughout the album as he easily blends soulful Techno with Ambient & Electronica. There’s also a nod to the 90’s electronic sound of The Black Dog / B12 & As One.

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Label: Ayra
Catalog#: AYRA041
Release date: 01-12-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 87 mb
Genre: Electronic
Style: Breakbeat, Breaks, Electro

Tracklist:
01. Clockwork
02. Heartbeats
03. Lies
04. Spoiler
05. Breed
06. Live Forever
07. Out of Time
08. He Rises
09. Take Me Away
10. Controllin Me

Hyper – ‘Lies’ Emotional, Driving, uncompromising are all words to describe the latest (and probably greatest) album to leave the Hyper studio, Lies. Known for big production, a liberal use of live bass, guitars and uncompromising vocals, the last decade has seen Hyper go from tearing up clubs and festivals all over the world to scoring tracks for Hollywood trailers, TV and video games as well as remixing for some of the worlds biggest artists. Two and a half years have passed since Hatfields last outing under his Hyper moniker (the award winning cowrite Lights with Beatman & Ludmilla) and those years have not been easy ones. This, however, does not mean the album is introspective or self indulgent. Far from it! Personal difficulties have ensured that Lies has pushed the Hyper sound to new levels and helped Hatfield find a new focus for his material. From album opener Clockwork, which drifts from ethereal intro and metronomic ticking clock into a full force, relentless techno inspired, distortion filled juggernaut of a track to the epic, contemplative orchestral maneuverings of Take Me Away, this album is an outpouring of heart and soul. Once again, the album features a raft of talented vocalists. LA based Neil Ormandy adds depth and soul to the Hyper stylings of Out Of Time and Take Me Away and an almost Trent Rezner-esque energy to Controllin Me. NY rapper Shirt spits venom over the energetic punk electronica of Live Forever while Robert Shields adds a stunning top line for the albums most commercial track by far, Heartbeats. The album also sees Hyper successfully team up again with Beatman & Ludmilla for standout dancefloor cut, ‘Breed’, which has been wowing festival crowds when road tested over the summer! Lies is already making its mark where the Hyper sound always has To picture. The title track has just been broadcast on the final season of CSI:NY ,Live Forever features on the new Need For Speed game, Clockwork on the forthcoming Gran Tourismo release and Take Me Away has been requested for use on the trailer to massive new Fox US TV show Almost Human by JJ Abrahams and Bad Robot (Star Trek). To top this off, the completion of Lies and the direction of some of his other work has inspired a follow up album. This will see 8 of the 10 tracks reinterpreted with orchestration. Picking out sound design, String and key feature elements of the album tracks, collaborator and composer Chris White has teamed up with Hatfield to Remix them in an entirely new and innovative way adding beauty and even more depth to the material. Symphony Of Lies will surface in early 2014.

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Artist: Bluhm
Title Of Album: In the Vale of Tears
Year Of Release: 17-06-2013
Label: Fluid Audio / 016
Genre: Ambient, Neoclassical
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:50:19
Total Size: 114 mb

Tracklist:
1 The Mirror Of My Soul 4:35
2 Somewhere In The Infinite 4:20
3 Eventide 4:07
4 When We Cry 4:44
5 All Is Still As They Disappear 3:59
6 Oh 1:31
7 Meridian 4:23
8 Snowbound 6:08
9 The New Moon 4:10
10 As You Smiled And Passed Me By 3:48
11 Willow 4:06
12 Old Town Blues 4:28

Love is elusive; you can feel it, but you can’t touch the emotion, at least not in a physical way. Love is shy to show her face, preferring to stay out of sight for long periods. Her heavenly presence, guarded against the eyesight so as to be unseen, ensures that you can’t reach out a hand and embrace the emotion, but you can still feel the heat when she is there, surrounding all of you while lighting the match that will set your heart on fire. Like music, like romance, love can heal, change a heart and change a life; the touch of a loved one is found in an arc of a thousand smiles. In this vale of tears, sensual kisses are left to sustain, lovingly left lingering, staying a little longer on the skin in her long reaches of delay and reverb. Love is here.

Bluhm are a dream couple, comprising of Tim Diagram and vocalist Genoveva. A shared love for music has brought them together; one passion, one devotion. In The Vale Of Tears is the outcome, finding itself on the very pretty Fluid Audio. And it isn’t just pretty music, it’s gorgeous. Atmospherically alive, the music looks through rose-coloured windows onto what could be Heaven itself. Lyrically sure, Genoveva’s voice is a sweet perfume, a playful fragrance that caresses the ambient layers with a beautiful vocal freedom; the same kind of freedom found in love.

Opener “The Mirror Of My Soul” soars immediately away, her soulful, soaring voice a kiss in the breeze, arriving at Oriental-influenced tones that echo outwards. Her voice then splashes softly into pools of lighter tones, like rose petals floating in romantic, scented waters as bubbles drift through the air. In The Vale Of Tears will drape a loving arm around your shoulder, consoling you with the potential of renewal, encouraging you forward and extracting any strand of prolonged melancholia as if it were a protruding thorn continuing to wound the flesh and the spirit. “Eventide” longs to let go, to be set free, sent into the light with the heart-felt words “release me” tugging at the sky. Hope can be found in the lucid atmosphere, which successfully avoids any dark clouds that may try to approach and upset the positive vibe.

You can’t have a little rainbow without a little rain; Bluhm understand that experiences shape us, be they negative or positive. Learning takes place, we develop, strengthen, carry on. In The Vale Of Tears charts the flip side, too – but only to show us how hope is formed. Bluhm are opening their hands as well as their hearts – upsetting times can make us appreciate what we have, and this appreciation burns the fuel that enables us to endure the dark, when the satiated smiles vanish and the tears fill valleys.

In The Vale Of Tears flutters on the winds of rejuvenation. Everything flows together; the music is a fountain, gushing clear, clean waters of radiant optimism and liberty. At points, the ambient breeze feels tropical in tonality; the cute, chirpy birdsong instills an even deeper sense of peace, respite and renewal. “As You Smiled And Passed Me By” still returns to a disappearance, a period when you fell in love, and love retreated. She is here now, haunting the backstreets of melancholic thoughts. The music always returns to healthy gardens, a sanctuary for lost valentines injured on battlefields. The music doesn’t think twice about the past. She can forgive it, but she also knows she will never forget it. Bluhm take the unsteady, brave steps forward, and instead of ruminating over love’s existence, they have chosen to believe.

In The Vale Of Tears is both lucid and absorbing. The music doesn’t so much wash over you as it does soak your skin with some lush ambient imagery. In The Vale Of Tears is romantic music that returns once again to the optimistic promise of life, love and the chance for renewal; for hope, when you thought it had faded, lit by the fire of love, lit by a new dawn.

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Artist: Tomonari Nozaki
Title Of Album: Une Histoire de Bleu
Year Of Release: 2013
Label: Invisible Birds / oiseaux003
Genre: Ambient, Drone
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:07:18
Total Size: 144 mb

Tracklist:
01 – Introduction
02 – Chapter I
03 – Chapter II
04 – Chapter III
05 – Chapter IV

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Artist: Molly Berg & Stephen Vitiello
Title Of Album: Between You and the Shapes You Take
Year Of Release: 19 nov 2013
Label: 12k / 12k1078
Genre: Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:53:10
Total Size: 122 mb

Tracklist:
1. From Here (06:17)
2. Back Again (06:14)
3. Radio Flyby (04:48)
4. Voice L- (04:39)
5. Five (Was 5) (03:47)
6. Recap (with Violin) (05:33)
7. Baritone Final (02:48)
8. Clarinet Assembly (06:08)
9. Easy Travel (06:43)
10. Another End (06:10)

Between You And The Shapes You Take is the second collaborative album by Richmond based musician/sound artists Stephen Vitiello and Molly Berg. As with the duo’s previous release, The Gorilla Variations (12k2013, 2009), tracks are created out of improvisations and sculpted through editing. Molly Berg’s clarinet and vocalizations tend to cover the CD’s lyrical content while Vitiello’s guitar and processing covers a good deal of the textures. Two of the tracks on the CD feature violin by the multi-talented Hahn Rowe, once a member of the group Hugo Largo.

There’s an immediate air of melancholy and longing to a number of the tracks. An initial demo recording for the album was remarked on by a listener who said “I’ve fallen face first into a machine that erases the memories of an ended relationship as if it were a sound instead of a real life that fell in love with the girl again in the end.” A strange amount of truth exists in that statement and the entirety of it was momentarily considered as the album title. Instead, Between You And The Shapes You Take is a borrowed quote from Wallace Stevens’ poem The Blue Guitar.

As for the recording process, Vitiello writes: “Things tend to go best when Molly and I don’t speak beforehand or plan anything for the recording beyond a time to meet and to begin. We’ll play for as long as we can and generally find that the beginnings and endings are implied in the performance. Where the last album was recorded in my office at school with all of our equipment balanced precariously on my desk, this one was in a proper studio. It allowed for more isolation and let us take advantage of quieter instruments such as the acoustic guitar and Molly’s slide whistles and found pieces of percussion.” The final track on the CD is the only one that was recorded separately. It’s actually a re- construction of that fated recording that potentially contains the machine that erases memories.

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Artist: Raum
Title Of Album: Event of Your Leaving
Year Of Release: 15 nov 2013
Label: Glass, House / #003
Genre: Ambient, Drone, Experimental, Ambient
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:38:21
Total Size: 95 mb

Tracklist:
01 In Stellar Orbit
02 Blood Moon
03 Event of Your Leaving
04 In Held Company
05 Blood Loss

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Label/Cat#: Melting Pot Spain – DIGIPOT 57
Year: 27 November, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 140 mb
Genre: Electronic
Style: Drum & Bass

Tracklist:
1. Dreamer (05:33)
2. Ease Back (05:53)
3. Tripping Over Consciousness (05:59)
4. Chestplate (06:23)
5. Integrated Physics (06:22)
6. Rabbit Hole (06:19)
7. Stay (06:02)
8. Elevation (06:41)
9. Phasing Out (06:21)
10. Riches (05:39)

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Label: Atjazz
Catalog#: ARC 014CD
Release date: 14-11-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 130 mb
Genre: Electronic
Style: Deep House

Tracklist:
1. Poor Man
2. Philosophy (feat. Osunlade)
3. Overshadowed (Album Version)
4. Turn Back To You (feat. Robert Owens)
5. AWI
6. Here to Stay (feat. Zano)
7. White Rose
8. Agbara (feat. Wunmi)
9. Breathe the Light (feat. Clive Astin)
10. Grow (feat. John Agesilas)

The brand new album from UK house veteran ‘ATJAZZ’ and South Africa’s rising star ‘JULLiAN GOMES’ featuring the amzing vocal talents of – Osunlade, Clive Astin, Zano, Wunmi, Robert Owens, Zano & John Agesilas.

Martin Atjazz & Jullian Gomes have put together what is an incredible electronic dance album accompanied by some of the industries most sought after vocalists. An album born out of their love of music, this block of well-crafted work oozes honesty and forward thinking. Not being bogged down with industry demands. They have made an album that Martin describes as ‘us on a plate’. The styling behind this sonic masterpiece begins with an instrumental song entitled ‘Poor Man’, a song reflecting the hardships of surviving on making emotional and deep dance music. Then we’re straight into the vocal realm with ‘Philosophy’, this soulful slider with vocals performed by Osunlade outlines the difficulties in relationships within the music industry and further afield when people maybe not be sharing the same ‘Philosophy’. From soulful vocal drenched songs such as ‘Turn Back To You’ featuring house hero Robert Owens play through, we start to really get a grounded feel to what this album is about, ‘Two guys making music for the right reasons’. Dark and edgy songs like ‘White Rose’ & ‘Overshadowed’ seem to complete this technically polished album and whatever you like about house music, you’ll find something here for your taste. An incredible electronic body of work which tells an emotional story, of both Atjazz & Jullian Gomes’ lengthy journey through this musical jungle.

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Label/Cat#: Just Another Beat – JAB 08
Year: 29 November, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 153 mb
Genre: Electronic
Style: House, Deep House

Classy, timeless deep house done Berlin-style by Ji-Hun Kim and Julian Braun for the quietly consistent Just Another Beat label. ‘Somewhere Else It’s Going To Be Good’ is a lovely debut album, mingling new versions of tracks from their two 12″s with a brace of brand new recordings tracing similar connections between brake pedalling deep house and electronica/ambient home listening. The pace rarely trouble the 120bpm barrier, tending more to the Balearic tempos with warm, padded machine grooves and dusty but lucid melodies recalling early AFX and Global Communications.

Tracklist:
1. Ternevej (07:17)
2. Simple Cities (06:21)
3. Camera Moves (album version) (07:58)
4. Christabel (05:35)
5. Aldebaran (06:28)
6. Based On A True Story (album version) (08:47)
7. Nabi (05:32)
8. Pacific Pink (05:53)
9. I House You But I’ve Chosen Love (07:05)
10. We Have Been Here For Too Long (04:45)

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Label/Cat#: Nation – Nation 13
Country: US
Year: Sep 2013
Source: Vinyl, Album
Format: MP3
Quality: 320 kbps
Size: 108 mb
Genre: Electronic
Style: Techno, Disco, Electronic

Tracklist:
A1 – Sharp Killer
A2 – Czech Mississippi
A3 – Goldielocks Effect
B1 – Waitin 4 Electrocution
B2 – You Said
B3 – Octopus
C1 – A / B Infect
D1 – Wasps
D2 – Who Raised These People
D3 – Your Body

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Label/Cat#: Nang – NANG 119
Year: 14 October, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 123 mb
Genre: Electronic
Style: Nu Disco, House

Tracklist:
1. Drift (06:02)
2. Innerspaceman (06:27)
3. All The Time (07:09)
4. Surprise (02:52)
5. Maelstrom (07:39)
6. No Play (07:25)
7. Note To Self (02:41)
8. Call (06:51)
9. Norwegian Pine (06:41)

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Label: Dark Clover
Catalog#: DC011
Release date: 30-11-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 218 mb
Genre: Electronic
Style: Future Garage, UK Garage, Bass, Experimental, Electronic

A master of lovelorn emotional surrender, Volor Flex brings his narrative to an end with Sabo, his fourth and last album under this alias. The reasons are only his to know, but Volor Flex certainly won’t be this producer’s final musical persona. Parts of Sabo already hint at subtle changes in direction and style – natural consequences of artistically perfecting oneself – showcasing even more of Volor’s expert manipulation of samples and composer skills.

Volor Flex’s reputation and popularity have been steadily on the rise for the past two years; he has released 3 albums and 3 EPs, all representative of what it means to brilliantly adapt the specifics of a signature style while living up to the staple sound itself. The man who has been referred to as Burial 2.0, Alex Frolov of Syktyvkar, Komi Republic, Russia delivers us a complete, 20-track long, intensely introspective album, possibly his finest work to date.

Sabo is laden with familiar bittersweet moods made of crisp, dancy garage breaks paired with artfully constructed soundscapes as fragile as glass that Volor peels back until they break apart and fade away. All twenty tracks enclose the darnkess of the boreal forest, the harshness of the tundra, the anxiousness of isolation, the solace of being lost in thought and the memories of a loved one. Volor Flex adds a new expanse to the timeless comfort area that he’s been building and has now completed, a place of relief and daydreaming the listener will repeatedly want to come back to.

Tracklist:
1. Eternal Return
2. Trick or Treat
3. Wait
4. Spellbound
5. World Turns To Dust (feat. Lostlojic)
6. Sabo
7. Let Me Go
8. Secret Temple
9. Month Apart (feat. Sangam)
10. Viṣṇu
11. Hot Monday (feat. Incomer)
12. MSK
13. We Rise1. Eternal Return
14. Faint Outline (feat. Bulb)
15. Straight From My Heart
16. Outlaw
17. Blindness
18. Blackout
19. Stranded
20. White (feat. Incomer)

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Label/Cat#: Houndstooth – HTH 015D
Year: 22 November, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 124 mb
Genre: Electronic
Style: Bass, UK Garage

Tracklist:
1. Torr Vale (06:24)
2. Smoke Circle (04:07)
3. 3dOS (05:39)
4. Folded Edge (05:17)
5. Conveyor (07:02)
6. Hex_ad (05:57)
7. Channel Drift (05:25)
8. Navigate (05:12)
9. Rocendal (05:30)
10. Undertow (04:04)

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Label/Cat#: 20:20 Vision – VIS 249D
Year: 24 November, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 103 mb
Genre: Electronic
Style: Deep House

This debut album from Glasgow-based DJ, producer and vocalist Debukas feels like the start of something big. Debukas clearly has talent, and his trademark sound – a variant on smart electronic pop with clear influences from tech-house, deep house and leftfield electronic disco – is well thought out and immaculately produced. I Am Machinery is an impressive debut, all told, sounding not unlike Junior Boys jamming with Jamie Jones and Random Factor. It is atmospheric – particularly the likes of “Hold Back The Sea” and “I Am Machinery” – but bubbles with positive intent and more than a little dancefloor swing. He’s not the finished article just yet, but this is an excellent start.

Tracklist:
1. I Am Machinery (04:18)
2. Hold Back The Sea (05:02)
3. How Did You Find Me? (02:28)
4. Shake (04:35)
5. Love Plant (03:30)
6. Rings (05:39)
7. South (02:21)
8. Minus 24 (03:56)
9. Knowledge (03:43)
10. Some Days (04:54)
11. Tape Symphony (05:15)

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Label: Dakini
Release date: 01-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 101 mb
Genre: Electronic
Style: Ambient, Dub, Techno

Tracklist:
01 Transition
02 Evolution
03 Vibration (Part One)
04 Vibration (Part Two)

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Label: Opal Tapes
Catalog#: OPAL036
Release date: 27-11-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 95 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Inside Palace 05:42
2. Dusk 11:21
3. Shot Circle 04:03
4. Untitled 12:08
5. Fires 08:08

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Label: Mush
Catalog#: MH293
Release date: 29-11-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 105 mb
Genre: Electronic
Style: Chillwave, Downtempo, Dreampop

Tracklist:
1 When the Train Comes 4:22
2 Soft Breeze 3:04
3 I, You, We… Know 3:52
4 Three, Four Days 4:11
5 Closer to the Sun 3:54
6 Lonely Trip 4:16
7 Scattered into Light 4:37
8 Only You 3:19
9 And the Sun Goes Down 3:49
10 Feeling Young 4:49
11 Too Much to Lose (Acoustic Version) 3:05

Scattered Into Light is the Mush debut from the Luxembourg based electronic act, Sun Glitters. The eleven-track album remains true to the glitchy r&b and deep tech-house sound that has blasted Sun Glitters into the consciousness of electronic music fans over the last two years. Stuttering beats and wobbling synths are soft-focused through a sun-bleached lens in a way that will appeal to synth-pop, ambient, and dustup fans in equal measure. Scattered Into Light is the first Sun Glitters release to completely integrate a vocalist, as Italian ingenue Sara Cappai lends her talents to over half the tracks. The result is awash with star-gazing melodies, bubbly bass, and textured beats that give equal nod to house and hip-hop. Scattered Into Light is an wonderful release and makes a compelling case for Sun Glitters as an artist on the verge.

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