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Label: FLASH
Catalog#: FLASH087
Release date: 18-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 62 mb
Genre: Electronic
Style: Techno, Tech House

Tracklist:
1 Warehouse Dub
2 Why Do You Know
3 Spring Reverb
4 Warehouse 92Vazik Remix

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Label/Cat#: M Plant US – MPM 17
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 44 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Phobia (07:19)
2. Higher! (Ben Sims remix) (05:58)
3. Glory B (06:14)

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Label: Nuearth Kitchen
Catalog#: NEK10
Release date: 14-10-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 49 mb
Genre: Electronic
Style: House, Techno

Tracklist:
1. Arktika (Sprinkles’ Deeperama)
2. Movement (Juju & Jordash Remix)

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Label/Cat#: Houseworx Germany – HW 011
Year: 28 October, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 60 mb
Genre: Electronic
Style: Deep House

Tracklist:
1. And Dont You (06:46)
2. Things Are Gonna Get Better (06:46)
3. What Love Can Bring (07:52)
4. Yes Yes (07:37)

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Label/Cat#: Idle Hands UK – IDLE 022
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 78 mb
Genre: Electronic
Style: Deep House

Tracklist:
1. Cities & Desires (06:12)
2. Hearts & Lungs (05:56)
3. Nowhere! (07:06)
4. Lit (08:00)
5. The Rude Sea (08:12)

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Label/Cat#: Hyperboloid – HYPR 026
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 59 mb
Genre: Electronic
Style: Bass

Tracklist:
1. Bloom (05:41)
2. Pastel Spells (04:47)
3. Tetra Master (04:50)
4. Zantetsuken II (04:02)
5. Pyramid Dust (04:55)

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Label: MTA
Catalog#: MTA032
Release date: 27-10-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 38 mb
Genre: Electronic
Style: Hip-Hop, Beats, Soul

Tracklist:
01. War With Heaven (03:55)
02. Killing Me Differently (03:10)
03. God’s Help (03:42)
04. War With Heaven (Catching Flies Remix) (05:52)

Brighton born and raised, Louis M^ttrs is very much a product of his environment, his surroundings and those physical attributes that makeup his hometown influencing the narrative he threads through his tracks.

Louis first came to light in March this year with a mixtape surfacing on Youtube which caught the attention of label owners Chase & Status. Together they collaborated on the top 10 single ‘Lost & Not Found’, selling more than 150,000 copies and propelling Louis into the living rooms of the masses and onto the stages of Glastonbury, Reading & Leeds and a number of European festivals. In-fact his first gig ever was Radio 1 Big Weekend, a slightly back to front approach for any new artist but one that has set his aspirations appropriately.

Following this Louis dropped ‘War With Heaven’ – the first offering from his debut ‘Beachy Head’ EP. ‘War With Heaven’ was premiered as Zane Lowe’s ‘Next Hype’ on Radio 1 in mid September and was accompanied by a breath-taking video/short film which Louis collaborated on with multi-award winning photographer and video director Josh Cole (‘Best New Director’ Cannes Film Festival).

The second offering from Louis ‘Beachy Head’ EP is ‘Killing Me Differently’, produced by fellow Brighton resident Felix Joseph and featuring hometown neighbour Elli Ingram on backing vocals. ‘Killing Me Differently’ is a slice of smoked-out future R&B/soul and was premiered by MistaJam as his ‘Inbox fresh’ record on Radio 1Xtra. Other tracks on the EP include ‘God’s Help’ which was a result of a late night studio session with Paul Epworth & Dom Search plus a beautiful remix of ‘War With Heaven’ by Catching Flies.

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Label/Cat#: Terrorhythm – TERR 018
Year: 18 November, 2013
Source: WEB
Format: AAC
Quality: 256 kbps
Size: 24 mb
Genre: Electronic
Style: Glitch, Bass

Tracklist:
1. Get Ones (04:56)
2. Pvrple Forest (04:07)
3. Its All Good (03:39)

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Label/Cat#: Circus Company France – CCCD 014
Year: 18 November, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 127 mb
Genre: Electronic
Style: Deep House, Tech House

Tracklist:
1. Intro (01:51)
2. Beyond (06:51)
3. Amanite (06:50)
4. A Quiet Storm (05:17)
5. Ethereal Thoughts (06:12)
6. CAVOK (06:57)
7. Anatomy Of A Shipwreck (06:41)
8. Lies (05:42)
9. Subterranean Rivers (05:51)
10. Ditching (03:34)

‘We have been proud to watch the rise of Oleg Poliakov after he first joined our ranks with Datcha Musik way back in 2007. Since first swearing allegiance to the Circus, he has continued to unfurl a refined approach to house and techno that carefully balances a respectful mastery of the classic tropes of the genre with his own instinct for seductive melodic content. Finally, after no less than eleven singles for labels such as Bass Culture and Eklo as well as us, the time has come for Oleg to embrace the album format and take us on a journey that stretches beyond the immediacy of a dancefloor 12” and captures perfectly where he is at right now.

As the preceding single C.A.V.O.K has revealed, there is a techno spirit roaming the circuitry of Oleg’s studio, tussling with the delay and reverb gates, firing off focused, intricate rhythms and unafraid of whipping up a mean-tempered kick or two. Across Random Is A Pattern you can hear such energy surging out of tracks like “Beyond” and “Anatomy Of A Shipwreck”, with the latter having an especially tough rhythm section. However, these cuts have just as much brain as they do brawn, and in between the driving drums sit haunting pads, ethereal dub textures and curious string harmonies.

This is not an album of functional club tracks though, far from it. Recognising the value of the long player as a vessel for exploration, Oleg turns his hand to some truly unexpected patterns and tones. “A Quiet Storm” comes from the school of classic ambient electronica and leftfield broken beat, while “Holy You” makes for one of the most startling moments on the album with a powerfully resonant vocal sample over plaintive piano and a fractured rhythm.

While some may be surprised to hear the styles that Oleg has turned his hand to, the ten tracks are undeniably his. In his choice of mysterious chords and moving key structures, he continues along the smooth creative arc he has been carrying us on since he first emerged. The drums might bite harder in places, or softer in others, but Random Is A Pattern makes perfect sense as the logical next step in the unfolding story of Oleg Poliakov.’

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Label: Time Released
Release date: 16-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 145 mb
Genre: Electronic
Style: Ambient

Tracklist:
01. Talavera (03:37)
02. Bosque (05:20)
03. Valargo (06:09)
04. Ten Black Cards (04:06)
05. Kimura (Cadiz) (02:37)
06. A Bump In The Night (05:04)
07. 1895 (Moth Evolution) (07:36)
08. Batika (Rust) (02:58)
09. Moorish Star (06:16)
10. Locus (05:04)
11. Madrid (03:44)
12. At Home Again (05:22)
13. Yesterday (Feat. I Am Dive) (05:00)

Maps and Diagrams – the solo project of Tim Martin. To date an enviable back catalogue with releases for such respected sound houses as Static Caravan, Unlabel, Expanding, Smallfish, Awkward Silence and Handstitched* – the latter of which he runs.

One of the finest ambient alchemists in the sphere of modern electronic music, Maps and Diagrams blend delicately formed sound sculptures upon a minimalist ambient palette that are all at once shy, tender, fragile and beguiling.

The release – recorded earlier this year at the Circle Studio. In Circles is Maps and Diagrams second suite for Time Released Sound. Described by its author as his ‘most musical’ opus to date it features a guest appearance by Spain’s I am Dive on the parting Yesterday. Combining frosted hymnals, forlorn lullabies and celestial mirages; In Circles is richly textured and delicately spun.

In Circles will appear in two formats – a strictly limited edition cork digipak hand finished in antique wallpaper and a standard digipak issue. [Time Released Sound, October, 2013].

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Label: Popcultur
Release date: 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 75 mb
Genre: Electronic
Style: Disco, House

Tracklist:
01. The City
02. Icarus
03. Finale
04. For You
05. Shuriken
06. Technicolor
07. The City (The M Machine Remix)
08. Finale (Dillon Francis Remix)

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Label/Cat#: Recycled Plastics – MT1
Country: US
Year: 20 Jun 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 103 mb
Genre: Electronic
Style: Ambient

Tracklist:
1. Fjord The Water (08:34)
2. Waking Up (04:20)
3. Ticonderoga (06:24)
4. Finally Forgotten (13:05)
5. Aggregates (02:21)
6. The Door (09:56)
7. Interlude-28 (00:52)
8. Vitatha (02:38)
9. Balance (05:21)

An Expensive Vase is the first of several scheduled albums by Media Them at Recycled Plastics. The sound of Media Them is a unique blend of warm atmospherics and organic rhythms – electronic music reduced to the simplest of loops, repeating infinitely. It is both minimalist and maximalist at once, as Media Them’s composition lies not in the makeup of these loops, but rather, the size of the window we’re glimpsing them through. Small breaths of melody, heart flutters of bass, snare and hi hat and the coziest bedroom production give way to expanding universes of color and sonic exploration without end. Did that sound just repeat one more time than it did before? Was that other sound even playing since the start of the track? Media Them beckons you to refocus your ears and get lost in a beautiful hypnosis of music and mind.

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Label: Candle Nine
Release date: 01-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 115 mb
Genre: Electronic
Style: IDM, Glitch, Ambient

Tracklist:
01. Nowhere (5:17)
02. Ego Hunter (5:39)
03. Reach (5:31)
04. Hierarchy (3:35)
05. Nausea (4:42)
06. Persona (8:02)
07. Rapunzel (5:03)
08. Singularity (5:24)
09. Gone (5:54)

Following his acclaimed 2010 debut “The Muse in the Machine” [Tympanik Audio], Lost + Directionless is a project years in the making. A decisive continuation of the musician’s haunting body of work, Lost + Directionless is his most cerebral and ambitious project to date. An album which strikes the delicate balance between form and formlessness. Between nostalgia, and a crumbling, decaying vision of the not-too-distant future.

Through Candle Nine’s ever-evolving style, from his early performances as a singer-songwriter, to his bloom into electronic music, he has become adept at exploring the contrasts of beauty and dissonance. Candle Nine’s use of glitched-out synths, multi-layered guitar assaults and harsh, yet nimble, percussions creates an atmosphere which is both eerie and serene.

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Label: Ultramajic
Catalog#: LVX003
Release date: 18-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 49 mb
Genre: Electronic
Style: House, Funky, Garage

Tracklist:
1 Ultraviolet
2 Qlinda
3 Mercurio

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Label/Cat#: PMI Dance – PMID D 11170
Year: 22 July, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 325 mb
Genre: Electronic
Style: Nu DIsco, Disco, Funk

Tracklist:
1. Gladys Knight & The Pips – Bourgie Bourgie (03:31)
2. The O’ Jays – For The Love Of Money (07:15)
3. Funk Fusion Band – Can You Feel It (progressive version) (08:14)
4. The Ethiopians – The Whip (02:58)
5. Leroy Smart – Ballistic Affair (03:16)
6. Young MC – Know How (03:57)
7. Inner Life feat Jocelyn Brown – Ain’t No Mountain High Enough (Larry Levans garage mix) (10:26)
8. Nuyorican Soul feat Jocelyn Brown – It’s Alright I Feel It! (MAW alternative 12” mix) (09:17)
9. Bobby & Steve present Johnnie Fiori – You Will Survive (Zoo Groove stereo mix) (08:22)
10. Young Disciples – All I Have In Me (original musiquarium mix) (10:22)
11. Jean Carn – Time Waits For No One (04:16)
12. Wookie – Scrappy (05:37)
13. Nitin Sawhney – Breathing Light (04:28)
14. Tenth & Parker feat Mark Murphy – Kool Down (dark dub) (07:27)
15. Harold Melvin & The Blue Notes – The Love I Lost (06:21)
16. Milton Wright – Keep It Up (04:08)
17. The Flirtations – Nothing But A Heartache (02:40)
18. UMCs – One To Grow On (Growin’ Like Weeds) (04:39)
19. Labbi Sifre – The Vulture (03:40)
20. Side Effect – Always There (05:04)
21. Deep Sensation – Somehow Somewhere (There’s A Soul Heaven) (05:52)
22. Sylvester – Over & Over (09:29)
23. The Two Tones – Never Like This (04:54)
24. Rose Royce – Still In Love (05:40)

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Label/Cat#: BerMuDa – BERMUDA 004
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 369 mb
Genre: Electronic
Style: Deep/Tech House

Tracklist:
1. Sascha Braemer – You (Finnebassen remix) (06:53)
2. Herbert – It’s Only (DJ Koze remix) (07:43)
3. Lee Jones – A Perfect Kick (Matthias Meyer remix) (08:25)
4. Fritz Kalkbrenner – Hear Me Roar (original mix) (06:53)
5. Oliver Koletzki – Childhood Basslines (original mix) (06:39)
6. Mano Le Tough – Everything You’ve Done Before (Dixon remix) (06:28)
7. Ruede Hagelstein – Detuned (original mix) (06:39)
8. Black Rose – Sky (feat Luisa Gerstein – original mix) (06:06)
9. Subb an/Tom Trago/Seth Troxler – Time (original mix) (07:42)
10. Siriusmo – Itchy (original mix) (03:32)
11. Tale Of Us – Another Earth (original mix) (05:45)
12. Hot Since 82 – Like You (original mix) (07:18)
13. Ten Walls – Gotham (original mix) (09:11)
14. Mind Against – Atlant (original mix) (09:00)
15. Daniel Stefanik – Confidance (Adam Port remix) (07:57)
16. Francys – Memories (Marco Resmann remix) (05:59)
17. Ellen Allien – The Kiss (Jesse Perez remix) (06:59)
18. Sons Of Tiki – Moon Waltz (Mathias Kaden’s Tiki Taka remix) (07:00)
19. Pan Pot – White Fiction (original mix) (08:47)
20. Marcel Dettmann – Linux (original mix) (05:03)
21. Kink/Sierra Sam – My Space (Kink’s hardcore mix) (05:22)
22. La Fleur – Nightflow (Kenny Larkin drama mix) (14:59)

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Label/Cat#: Dark Face Recordings – DFR 062
Year: 28 October, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 66 mb
Genre: Electronic
Style: Tech House

Tracklist:
1. Bleed (original mix) (07:35)
2. Bleed (Doublewave remix) (08:14)
3. Bleed (Mateo! remix) (06:50)
4. Bleed (Mateo! slower remix) (06:32)

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Label/Cat#: ADRO – ADR 066
Year: 12 March, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 53 mb
Genre: Electronic
Style: Tech House, Techno

Tracklist:
1. Able The Future (08:00)
2. Able The Future (Kirill Zaretzki remix) (07:42)
3. Able The Future (Kapshul remix) (07:36)

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b]Label:[/b] Cosmonostro
Catalog#: CNDO52
Release date: 19-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 22 mb
Genre: Electronic
Style: Future Garage, Bass

Tracklist:
01 Rare Bird
02 Safe Often
03 Lemonade
04 BA03

Continuing their showcase of the cream of the European beatmaker crop, Cosmonostro presents Germany’s Persian Empire (@perserreich), delivering another mind-bending slice of the future in the form of his ‘Safe Often’ EP. Fusing found sounds and static crackles with pitch-bent vocals and pianos oozing with melancholy, this is a record that will really tug at your heartstrings.
Opener ‘Rare Bird’ instantly transports the listener to a barren rain-soaked landscape, where a lone voice cries out over gloomy Rhodes chord progressions, before dropping into a sparse and constantly mutating 2-step beat.
Title track ‘Safe Often’ begins with a cinematic and tragic piano melody that sounds like it’s playing out from a long-abandoned gramophone, until another ruthless & weaving beat kicks in again, snapping the listener right back into the present day.
Next up, ‘Lemonade’ lays off the melancholy for a minute, with a slowly building rhythm wrapped around a repeated mantra of ‘easy peasy lemon squeezy’, injecting a short but sweet slice of humour into the otherwise desolate soundscape of the EP.
Closing track ‘BA03’ brings the rainclouds sweeping back over again though, with a slow & churning industrial beat accompanying the pitch-bent plea of a heartbroken lover, begging for a chance to be heard, before a final thundering drumbeat rings out to signal the ominous end of the music.
It’s easy to listen to this EP and draw comparisons to other producers such as Burial, and so many have made desperate attempts to emulate this moody post-apocalyptic sound, but Persian Empire proves himself to be a true master of melancholy whilst keeping things truly innovative and exciting.

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Artist: Helpling & Jenkins
Title Of Album: Found
Year Of Release: 12 nov 2013
Label: Spotted Peccary – SPM-9074
Genre: Ambient, Downtempo
Quality: MP3, CD, Album
Bitrate: 320 kbps
Total Time: 01:12:39
Total Size: 162 mb

Tracklist:
1. The Opening (05:31)
2. Sun Racer (06:19)
3. Through And Through (06:39)
4. Almost Never (05:34)
5. Lost (06:55)
6. Only Ashes (13:11)
7. Through Tears (08:31)
8. Edge Of Tomorrow (07:04)
9. Found (Featuring Miriam Stockley) (07:24)
10. For The Ages (05:31)

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Artist: Opdot
Title Of Album: Opus One
Year Of Release:2 sep 2013
Label: Just Music – TAO 054
Genre: IDM, Experimental, Electronic
Quality: MP3, CD, Album
Bitrate: 320 kbps
Total Time: 00:56:10
Total Size: 129 mb

Tracklist:
1. Op 1 No 1 Suspire (06:31)
2. Op 1 No 2 Lament (06:02)
3. Op 1 No 3 (04:39)
4. Op 1 No 4 (05:13)
5. Op 1 No 5 Serenade (06:18)
6. Op 1 No 6 (05:05)
7. Op 1 No 7 (04:54)
8. Op 1 No 8 (04:27)
9. Op 1 No 9 (06:06)
10. Op 1 No 10 Obnubilate (06:51)

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Label: Cajual
Catalog#: CAJ350
Release date: 29-04-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 59 mb
Genre: Electronic
Style: Deep House

Tracklist:
1 It’s The Underground – Original Mix (6:19)
2 It’s The Underground – ReRub Dub (6:19)
3 Sometimes I Feel Like Larry Heard – Original Mix (7:03)
4 Good For Me – Original Mix (7:14)

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Label: Tympanik
Catalog#: TD017
Release date: -06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 100 mb
Genre: Electronic
Style: IDM, Noise

Tracklist:
01. No One Will Ever Touch You
02. False In Tongue (feat. BlueMayhem)
03. No One Will Ever Touch You (In The Anus remix by W.A.S.T.E.)
04. No One Will Ever Touch You (Iszoloscope remix)
05. This Is Not Love (iVardensphere remix)
06. Themes of Carnal Empowerment (Hezzel remix)
07. Themes of Carnal Empowerment (Asmodeus X remix)
08. This Is Not Love (Cloud Roots remix)

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Label/Cat#: Resident Advisor – RA.389
Country: UK
Year: 11 Nov 2013
Source: WEB
Format: MP3
Quality: 256 kbps
Size: 136 mb
Genre: Electronic
Style: Techno, House

Tracklist:
1. Various – RA.389 (59:30)

Luke Slater has always enjoyed adopting aliases. Between 1989 and 1992 he used six different names across eight releases on Jelly Jam Records, the label he set up with Alan Sage. Throughout the ’90s, he added Krispy Krouton, Deputy Dawg and Clementine to his roster. These days he’s mostly using just two: Planetary Assault Systems and L.B. Dub Corp. The former is his oldest and his most widely known. As P.A.S., Slater has spent the last 20 years exploring pure forms of techno, releasing five albums and countless 12-inches. L.B. Dub Corp is a relatively newer alias, which Slater adopted in 2006 as a place for house-orientated material. Both names have found a loving home in Ostgut Ton. Outside of Slater’s own Mote-Evolver, the Berlin label has put out two P.A.S. LPs to date, and as of today have released Unknown Origin, the first L.B. Dub Corp album, which sees Slater stripping down his sound on ten sharply focussed house productions.

For his RA podcast, we asked Slater to capture the spirit of both L.B. Dub Corp and Planetary Assault Systems. He came back with a gradually evolving session, which begins with gently bubbling house and ends with full-bodied techno, all shot through with Slater’s singular sense of sound design.

What have you been up to recently?

Writing, playing, releasing and listening to music. Travelling, celebrating the unknown and randomness and being a bit of a spiritualist at heart.

How and where was the mix recorded?

I recorded it in the Mote-Evolver office late at night.

Can you tell us about the idea behind the mix?

It’s an L.B. Dub Corp to Planetary Assault Systems mix, and I guess it could have been much longer as this condensed story is celebrating diversity, blend and dynamics within that idea. Those were the inspirations to try and get a listener from L.B. Dub to P.A.S. in a cohesive and adhesive way.

You told us in regards to the L.B. Dub Corp record that it was “easier to pinpoint what I didn’t want in the music. On that basis I started to write.” Can you expand upon what you didn’t want in the music?

Needless synth rises, drum rolls; dry compressed, pin-accurate production; sticking a stab in for the sake of it. These are not negative observations, they all have their place in the big music spectrum, but I think I’ve been around long enough not to crave the easy plastic slippery path to self-loathing. I see music writing to some extent like writing a book: prep work needs to be done, ideas need discounting and throwing away until a few feel right and stick.

I wanted to describe the sound of L.B. Dub Corp with the record, and to do that I needed to work out what it was with L.B that makes it its own entity. I wanted to concentrate on the story in the tracks, the feeling. L.B. Dub Corp is not P.A.S. and I needed to get the musical story as pinpointed as possible, otherwise the album probably wouldn’t have been written. Artistically I’m pleased with the result.

You also mentioned that you’d dabbled in poetry down the years. Is this something you’d like to pursue more concretely at some point?

Maybe poetry’s something you age into or not. For me personally, listening to poetry is much better than reading it, and with the right poet I think it’s getting to wider audiences these days than in the past. I’ve always been a fan of Cooper Clarke, and especially Benjamin Zephaniah looking at modern street level poetry. Last year I actually started with an idea of making the whole album with poetry but didn’t have enough material I felt fitted with the music. So I only placed poetry where it felt right.

It was a dream using Benjamin Zephaniah’s inspiring vocals. That particular poem sums up a lot for me and with the humorous edge it’s made real. I might develop the idea around poetry more if it feels good. There’s a lot of poetry to wade through, and a lot seems rather pointless and rambling so hitting on something you like is a catch.

What are you up to next?

Some more L.B. sets coming up after putting together an L.B. Dub Corp experience set at ADE this year, which was a lot of fun. P.A.S. live is still on the road and works well at larger events and essentially feels at home there. We have some interesting releases planned on Mote-Evolver which will see the light of day in the new year. It seems that after all these years I’m on the road a lot as always, a man with no country. That is how it must be and how it is.

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Label/Cat#: Origami Sound – FOLD_ 002
Year: 25 November, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 159 mb
Genre: Electronic
Style: Bass, Future Garage, IDM

Tracklist:
1. Dreamgun (00:18)
2. MollE (05:57)
3. Eye Blossom (02:57)
4. Foldfrost (05:16)
5. Pewter Sigh (05:23)
6. Crush (06:13)
7. Vapour Sword (04:04)
8. Lover (02:53)
9. Draft Moon (01:34)
10. Angelsmoke (04:17)
11. Cheeked (03:51)
12. Nightlong Language (06:16)
13. Snow Resin (03:41)
14. Streamsnare (05:27)
15. Curve 2 Curve (Reunite) (05:26)
16. Flickersalt (06:25)

For Jesse Somfay music has always been about communicating and sharing immense feelings which he finds impossible to convey in any other way. His Borealis alias was born as a twinned satellite to his work under his birth name. Much like conjoined twins, the two share the same heart and breathe with the same lungs, and even though they speak of similar things, they do it from two different vantage points. According to Jesse, it is better for something to be felt in whole than to be defined and reflected upon in approximation, and this album – his sixth to date and second under the Borealis handle – is a truly wholesome, boundless, gorgeous emotional experience on both the end of its creator and its listener.

Glittervoice is Somfay’s most energetically intense work to date. It is both euphoric and dysphoric and the music itself cannot be pigeonholed into any particular genre – hints of techno, oldschool trance or rave complement each other just to ultimately get lost in an artfully crafted trademark sound. It’s easy to allow this multifaceted, hyperlayered, continuously shapeshifting aural multiverse to deprive you of any form of reason, activate all senses and carry you where no music has before, regardless of where you listen to it. Glittervoice’s 16 tracks encompass everything from visceral warehouse techno to stylish ambient compositions via rapid hypnotic drum loops and trance synths of cosmic proportions, all filtered through his unique etherial aesthetic.

Having something equally introspective and weighty yet exceptionally club-friendly is a rare feat that could soundtrack any modern techno mecca – be it a big dark room or an open air festival.
The emergence of Borealis meant an unexpected turn for Somfay, but at the end of the day, much like its worthy genre-defying predecessor, Glittervoice is yet another album not of this reality – a sonic guide to entering “the flow”.

320 kbps
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Label/Cat#: Spectral Sound US – SPC- 114
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 46 mb
Genre: Electronic
Style: House, Techno

Tracklist:
1. Valley Road (We Are 1) (07:37)
2. Valley Road (We Are 1) (DJ Qu remix) (06:14)
3. Alpha Helix (05:33)

320 kbps
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Label/Cat#: Fields – FLDS 004A
Year: 28 October, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 56 mb
Genre: Electronic
Style: Experimental, Techno, Electronic

Tracklist:
1. Fragments of Self (05:15)
2. Quantet (05:43)
3. Fragments of Self (Petrels remix) (07:17)
4. Von Der Klippe Fallen (Beatport Exclusive Bonus Track) (06:21)

320 kbps
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