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Label/Cat#: Nineteen89 – EIGHTYNINE 004
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 51 mb
Genre: Electronic
Style: Bass, House

Tracklist:
1. Shtun (06:21)
2. Shtun (Llesca remix) (04:27)
3. Kase 2 (05:33)
4. Kase 2 (Viers remix) (05:54)

320 kbps
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Label/Cat#: Tzinah – TZH 043
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 71 mb
Genre: Electronic
Style: Tech House, Minimal

Tracklist:
1. Sunday Mood (original mix) (08:36)
2. Sunday Mood (Ferro remix) (07:12)
3. Azi E Marti Si Cam Atat (original mix) (07:24)
4. Azi E Marti Si Cam Atat (Lumieux Interpretation) (09:36)

320 kbps
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Label/Cat#: Grow – GROW 004
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 102 mb
Genre: Electronic
Style: Tech House, Minimal

Tracklist:
1. Sakuran (07:56)
2. Something Comes (07:41)
3. Kibitzer (Easy Changes remix – digital cut) (08:56)
4. Something Comes (Ana+one remix) (07:54)
5. Sakuran (SeQ remix) (07:00)
6. Gezets (Sander Cast remix) (07:34)

320 kbps
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Label/Cat#: International DJ Gigolo – GIGOLO 296D
Year: 11 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 40 mb
Genre: Electronic
Style: Tech House

Tracklist:
1. House Music Love Music (08:35)
2. Instant Disko (08:47)

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Label/Cat#: Structur Analogic – SA 001
Year: 4 December, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 40 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Scavenge (original mix) (05:20)
2. Soul (original mix) (06:06)
3. Soul (Merino remix) (06:01)

320 kbps
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Label/Cat#: Dust – DR 004
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 53 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Genome (original mix) (06:12)
2. Genome (Kostnic remix) (06:15)
3. Black Cromosome (original mix) (05:19)
4. Black Cromosome (Jose Pouj remix) (05:18)

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Label: Fact
Catalog#: 411
Release date: 18-11-2013
Source: WEB, Mix
Format: MP3
Quality: 192 kbps
Size: 74 mb
Genre: Electronic
Style: House, Techno, Electronic

Tracklist:
Actress – Maze (Long Version)
Osborne – Bout Ready To Jak (Ryan Elliot Remix)
The Mole – Like The Way
Plastikman – Risk Assessment (Original Mix)
Aphex Twin – Actium
Ben Klock – Subzero (Function & Regis / Sandwell District Remix)
Duplex – P.O.M. (Heinrich Mueller Remix)
Philip Gorbachev – Where Is Rony Douglas?
Black Asteroid – Black Acid (Alva Noto Rmx)
O/V/R – Descending The Left Corner (Original Mix)
Isaac Johan – Sally Wants Silver
Myler – Blue Madams
Acid Arab – Sidi Gouja
Forward Strategy Group – Elegant Mistakes
Tiga Vs Audion – Let’s Go Dancing (JoeFarr remix)
Donato Dozzy – Destination: Eskimo pt 1
Gesaffelstein – Nameless
The Velvet Underground – I’ll Be Your Mirror

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Label: LIMITED.G.
Catalog#: LIMITEDG001
Release date: oct-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 52 mb
Genre: Electronic
Style: Techno

Tracklist:
01. Uncut – A1 Original mix
02. Jesse Jakob – A2 Original mix
03. RPM33 – B1 Original mix
04. Get serious – B2 Original mix

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Label: Krad
Catalog#: KRD100
Release date: 19-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 95 mb
Genre: Electronic
Style: Techno

Tracklist:
01. Amor de Crystal
02. Aun Asi
03. Black Tootsies
04. Desnudandome Ante Vos
05. Indirectamente Expresandome
06. Mia (Original Mix)

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Label/Cat#: Macro Recordings – MACROM 34
Year: 18 November, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 150 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Feral (02:05)
2. Slowing Time (04:12)
3. African Wig (05:52)
4. Ruins (06:05)
5. Visitor (07:44)
6. Dusk (01:17)
7. Furniture (05:04)
8. Carcass (04:19)
9. Blood & Hair (03:25)
10. Missing In Action (04:38)
11. Floor (05:30)
12. Small Changes (08:04)
13. Fragments (01:11)
14. Summoning (05:52)

When Messiaen set out to transcribe birds’ songs and employ them as models for his compositions, he couldn’t have predicted that by the 1990s wild birds would have started to learn mobile phone ringtone patterns. For “A System of Objects”, RAUDIVE mirrors environments structured as by an invisible hand. He maps an obliquely constructed world through fictional field recordings in which you loose all certainty of what is nature and what is design. Raudive’s music celebrates dance and auditory scenes as rituals, employing our surroundings as sources of ahistorical found sound – primitive technologies used to reach magickal states.

If we can’t be sure any longer of distinctions between truth and manipulation, rituals guide our relations to all encounters. A drum machine and a wooden stick, a sawtooth-shaped electric current and a split rock, woven cloth and petroleum smear all turn into empirical objects of the same class, without a definite past or a predictable impact. We have become dependent on technology we don’t grasp beyond its display surface. Lost on reason, we are thrown back on the ritual to reveal the hidden relations of what surrounds us: the club as the emblematic center of the emancipated individual, longing to bond with equals, again.

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Artist: Vytis
Title Of Album: Underground Movement
Year Of Release:15-07-2013
Label: Silverfield Records / sfr-001
Genre: Techno, Ambient
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:56:04
Total Size: 128 mb

Tracklist:
1 Planetesimal 10:33
2 Metropolis 05:44
3 Factory 05:52
4 Tyrant 09:21
5 Ghost Rider 04:33
6 Train 19:58

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Artist: VA
Title Of Album: Litovs Trend 018
Year Of Release: 14 oct 2013
Label: Litovs Limited – LLVA 0018
Genre: Glitch, Electro, House, Bass
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:47:06
Total Size: 113 mb

Tracklist:
1. 13 Floor – Underground (06:52)
2. Ander DUB – Optimist (04:26)
3. DjBonya – Waiting For The Summer (05:00)
4. Shader (UA) – Powerslave (04:10)
5. Unkind Small – 23-9 (03:12)
6. Rain – Freedom (04:00)
7. Mit ia & InDust – Summer (05:14)
8. Kauz Liesten – Esthetics (03:54)
9. Space Breakers – Dirty Dreams (03:09)
10. Sound Pakii – Rhythm Streets (07:06)

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Label: Petit
Catalog#: PET002
Release date: 22-07-2013
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: 24 mb
Genre: Electronic
Style: Deep House

Tracklist:
1. “Pyramids”
2. “Feel Something”

Newest signing and Brooklyn young gun, Fenbred (aka Benjamin Gardner), follows up a sizzling re-edit of Soulsearcher with his sophomore 12” release, Pyramids. A brilliant dancefloor interpretation of Frank Ocean’s electro soul epic.

The searing vocal harmonies of Detroit songster Jay Alexzander are weaved into a hypnotic slice of hot New York house, as Fenbred takes us straight to the terrace for five glorious minutes of swinging cosmic vibes, nu-wave bleeps, whiplash drums and heavenly vocal loops. Climaxing in a glorious drop, this punchy peak time gem is perfect for sunrise or sunset.

On the flip, Feel Something is a homage to vintage piano house and late 90’s UK garage. This euphoric workout of beefy, hybrid-house is strictly for the floor as pitched up vocals pulse against a backdrop of heavyweight percussion and groovy vocal ticks.

Major support from the likes of El_Txef_A; jozif; Andrei Droog; Justin Martin; Audiojack; Tensnake; Groove Armada; Dimitri From Paris; Tony Humphries; Dubfire; Luke Solomon; Damian Lazarus; Diskjokke; Shadow Child; Mighty Mouse; Cosmonauts and X-Press 2

320 kbps
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Label: Beer On The Rug
Catalog#: BOTR020
Release date: 03-09-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 50 mb
Genre: Electronic
Style: Experimental, Ambient, Techno

Tracklist:
1. ’96 Galant 04:35
2. Pretend to be a Cop 02:33
3. Take Off Your Glasses 02:08
4. Gags and Broken Fingers 08:24
5. Two Winter Graves 03:55

320 kbps
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Label: Left Wing
Catalog#: LEFTWING006
Release date: 11-10-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 66 mb
Genre: Electronic
Style: Deep House

Tracklist:
1. Island (Original Mix) 6:50
2. Island (Spieltape Remix) 6:18
3. Beacon (Original Mix) 7:17
4. Beacon (Martijn Remix) 8:13

Park Hill joins the ever growing Left Wing roster with two tracks that twist and churn amidst the solid tech-house groove, laden across both original tracks.

On remix duties Russia’s Spieltape re-hauls the title track into a wonderfully hypnotic and deeply textured cut fresh from his recent work with the highly acclaimed Mood Music, Save Room and Highway Record labels.

In Haus wax & Deep Edition boss Martijn also steps up to the plate following his brilliant ‘No Way Out’ EP earlier in the year and finishes the package off with a beautifully deep remix of Park Hill’s second track: ‘Beacon’.

Early Support from Bushwacka!, Manuel Moreno, Claudio Coccoluto, Da Funk, George P, Jonny Cruz, Nadja Lind, Noah Pred, Patrick Zigon, Laurent Ganier, Richie Hawtin, Slam Mode, Sophie Nixdorf, Werner Niedermeier & many more…

320 kbps
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Label: The Love Below
Catalog#: TLB 002
Release date: 29-07-2013
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: 37 mb
Genre: Electronic
Style: House, Deep House

Tracklist:
1. “Shakara” (Ossie Bump edit)
2. “HER” (Photomachine Raw edit)
3. “Oops” (Palace Raw version)

After the well-received edit turns by Cyril Hahn on the first of The Love Below’s 12″s, the label pulls together a powerful cast of modern beatsmiths to turn their attention to some old but unspecified jams with some unpredictable results. Ossie is on absolute fire with the “Bump Edit” of “Shakara”, which seems to lift from an afro beat sound source and creates a perfectly pitched shaker of a house cut that could ignite the dullest of parties without ever having to showboat. Meanwhile Photomachine gets into a strung out R&B tip, reworking “HER” into a slow-burning jam steeped in Detroit beatdown soul perfect for long, dusty evenings. Palace is in a more crisp, modernist mood compared to the contemporaries, bringing a stout tech-house flavour to the “Oops” re-edit that should slip nicely into an up to the minute set.

320 kbps
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Label/Cat#: Morris Audio Switzerland – MORRIS 087
Year: 25 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 63 mb
Genre: Electronic
Style: Deep House

Tracklist:
1. The Hardcore Track (07:51)
2. Livin Large (06:42)
3. No More (06:49)
4. The Hardcore Track (Brame remix) (06:14)

320 kbps
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Label: WNCL
Catalog#: WNCL017
Release date: 11-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 52 mb
Genre: Electronic
Style: House, Bass

Tracklist:
A1: I Got It
A2: Holdin’ On
B1: Mint Imperial
B2: Body Form

320 kbps
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Label/Cat#: Glasgow Underground – GU 2027
Year: 25 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 44 mb
Genre: Electronic
Style: Deep House

Tracklist:
1. Eyesdown (06:41)
2. Another Love (05:48)
3. What I Do (07:01)

320 kbps
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Label: Deep-X
Catalog#: deepx229
Release date: 17-03-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 89 mb
Genre: Electronic
Style: Tech House

Tracklist:
01 – Parrallel (Short) (7:30)
02 – Rythmo (Edit & Extended) (6:37)
03 – Parrallel (X) (9:30)
04 – Tshelebiworld (6:37)
05 – Tshelebiconfusion (5:33)
06 – Risperdal (6:48)

320 kbps
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Label: Hidden Hawaii Sub
Catalog#: HHD SUB 004
Release date: nov 2013
Source: Vinyl
Format: MP3
Quality: VBR V0
Size: 27 mb
Genre: Electronic
Style: Bass

Tracklist:
A1 – Untitled
A2 – Untitled
B – Untitled

320 kbps
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Label: Cheap Thrills
Catalog#: CHEAP088
Release date: 13-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 32 mb
Genre: Electronic
Style: House, Funky, Bass

Tracklist:
01. Lion (Drop It)
02. Be On Your Way
03. Gorilla

320 kbps
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Label/Cat#: Resident Advisor – RA.390
Country: UK
Year: 18 Nov 2013
Source: WEB, Mixed
Format: MP3
Quality: 320 kbps
Size: 208 mb
Genre: Electronic
Style: Ambient, Dub Techno, Experimental

Tracklist:
b]1.[/b] Various – RA.390 (90:35)

The dub techno artist goes off-piste.

Rod Modell is an artist very firmly associated with a particular style, namely dub techno. Since the late ’90s, the Detroit native has mined this murky and atmospheric sound, whether on his own or with Steven Hitchell as Echospace and cv313. Though clearly inspired by Basic Channel and its related projects, Modell has always been committed to moving beyond dub techno’s old testament, creating something fresh and modern with each new release. These days Modell is moving faster than ever before. He splits his time between Amsterdam and Detroit, and seems completely uninterested in the past, especially when it comes to his own music. Deepchord’s latest album, the almost beatless 20 Electrostatic Soundfields, is his most experimental yet.

On RA.390 we see him at his most unhinged, weaving a strange and dreamlike bricolage that’s at once completely new and unmistakably Deepchord.

What have you been up to recently?

Just back to Michigan from Amsterdam. Will be here for a few months, then back to Holland after the holidays. For the past three to four years I’ve been splitting my time between Amsterdam and Michigan. In the studio lately I’ve been more obsessed with sound design in lieu of making songs. The sound design aspect seems more important at the moment. I think sound design in electronic music is 25 years behind. Everyone’s obsession with old analog synths is perpetuating this. Instead of focusing on up-to-date options, everyone is hoping for yet another incarnation of classic gear from the 1970s synthesizer graveyard. It’s retarding music.

How and where was the mix recorded?

Recorded in Michigan with a pair of DJ CD players, DJ mixer and outboard filters / FX.

Can you tell us about the idea behind the mix?

Lately, I find myself drifting farther and farther away from techno / dub music in favor of the stuff I liked 15 years ago. I haven’t bought a techno record in three years. Around my home, I listen to old 1940s/50s music and field recordings. Electronic music overall seems to be stagnating. I can’t remember the last truly innovative record that I’ve heard. Naturally there may be a few exceptions, but they are (too) few and far between. This mix was done in the midst of rediscovering a few boxes of old CDs that I packed away several years ago. They were boxed up when I moved from my last home to the current one (and I’ve been here for about nine years). Wasn’t anything pre­contrived, just my top tunes for the moment. Since rediscovering some of these old favorites, it’s becoming difficult to return to the current glut of mediocre, formulaic grid music.

You said that your latest album is full of quick “audio sculptures.” Could you expand on this?

The music on 20 Electrostatic Soundfields was never made with the intention of having it released. Over the years, I found myself dabbling in video a little, and I made music for these video experiments. This is the music on 20 Electrostatic Soundfields. It’s a collection of soundtracks. Generally, they were assembled quickly to fit the video. The dance floor was never a consideration. They are sound designs to infuse the visuals with a particular intended emotional vibe. They feel organic because they are primarily un­sequenced. It was liberating to sit in a room with an ultra-basic setup—pair of studio monitors, keyboard, looper, FX unit—and record into a two­track recorder (Alesis Masterlink). No computer. No multitracking. Total flow-of-consciousness style without over­thinking or overdubs. Come up with an idea in my head, practice playing it a few times, then press record and do it for real. Much of 20 Electrostatic was done like this.

The picture disc version of the album features some of your photography. What sort of things do you tend to focus on?

My primary goal with photography is to record a certain space that I like so that I can go back there anytime I want. I’ve done this since I got my first camera at age five. I hate photographing people or objects. I guess I’m more of a landscape photographer, but not of pretty / pastoral scenes. I’d rather capture dirtier, unusual, or metaphysically­charged places at 3 AM. Night seems to be a recurring thread in my photography. I rarely photograph during the day. I like the places where tourists rarely venture. I feel most comfortable / relaxed in these places. The tourist areas are generally staged for show and not a true representation of a place’s real vibe. Like a movie set. The new picture disc features the Amsterdam red light district (near my apartment) on one side, and the beach next to my house in Michigan on the other. Basically the two places where most of my friends reside, and where I feel most comfortable.

What are you up to next?

Trying to come up with an interesting perspective for new music. I never want to revisit something I’ve already done. It’s pointless and gets an artist stuck in a rut. The whole objective is to progress and develop. It would be easy to make another Coldest Season or Lumin (etc) over and over. No challenge in that. I think it’s vital to develop a new algorithm. Every second spent working with an old formula is a second wasted. I recently disconnected my studio and stored some main / favorite pieces, then reassembled things with some old equipment that I feel less comfortable with. We’ll see how this affects things. I’m trying to break from the familiar, get out of my comfort zone, and make new music that sounds nothing like Deepchord or Echospace.

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