Recent posts: Electronic

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Label: Technicolour
Catalog#: TCLR002
Release date: 25-03-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 49 mb
Genre: Electronic
Style: IDM, Bass, Electronic

Tracklist:
1 – Our Number
2 – Pull Me In
3 – It’s Sexy Outside
4 – Misteria
5 – Classic Is Over (feat. 18andCounting)

‘Dolor takes solo flight on Technicolour following the acclaimed ‘DRUGS’ mixtape with his champion and spar, Lorn. ‘Misteria’ presents a confident and fully fledged sound absorbing and reframing elements of classic UK rave and ’90s techno with a slow/fast hip hop bounce and hi-tech electronic processing, glyding from the lush rave pads and neck-snap nod of ‘Our Number’ thru the bewitching, Tri Angle-esque roll of ‘Pull Me In’ and the skittish ether dream scapes of ‘It’s Sexy Outside’ to skudgy darkside hip hop lurch on ‘Misteria’ and Shadowhuntaz-style hip hop on ‘Classic Is Over’ with vocals from 18andcounting. Fans of Slugabed, Lorn, Vessel, Evian Christ should check this out.’

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Label: Awesome Tapes From Africa7
Catalog#: ATFA 007
Release date: 01-10-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 57 mb
Genre: Electronic
Style: Experimebtal, Electronic

Tracklist:
01. Wegene
02. Prins Thomas Diskomiks
03. Wegene (Protect U remix)
04. Ambasel (El Guincho club alize edit)

320 kbps
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Label: Ghostly International
Catalog#: GI197
Release date: nov 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 10 mb
Genre: Electronic
Style: Beats, Glitch, Electronic

Tracklist:
Shigeto – Olivia (Seams Remix)

320 kbps
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Label: PAN
Catalog#: PAN45
Release date: 27-11-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 98 mb
Genre: Electronic
Style: Experimental, Glitch Electroacoustic, Electronic

Tracklist:
01. Venpin
02. Noscrlu
03. Viochlm
04. Out_Kutzk
05. Ciaradh
06. Donsfe
07. Seit Nuin
08. Sclunt
09. Mothlitz
10. Oidhche

The story of Chris Douglas has a few holes in it. He’s been making music since the late ’80s, with his first record appearing in 1992. Since then he’s released and performed under names like O.S.T., Harry Rod, Wooli Bodin and Scald Rougish. We know he’s lived in Detroit and has worked with Mike Banks and the late James Stinson, and that he threw ambient techno parties as a teenager in San Francisco. These days, he lives in Berlin. Interviews with him aren’t exactly illuminating. All we’ve really got to go on is the music.

Niaiw Ot Vile is Douglas’s fourth release as Dalglish, and it’s a world unto itself. Just look at the title, or try to pronounce it. Track names like “Ciaradh” and “Oidhche” are Scots Gaelic, while “Noscriu” seems to pop up in Catalan, French and Italian texts. Urban Dictionary tells me “Sclunt” has a very aggressive meaning (you could even say demeaning), while “Donsfe” seems to have no meaning at all. As with Autechre or Aphex Twin, the words used to title these pieces of abstract music are themselves abstract. Non-words that sound like real words, mash-ups of half-forgotten languages, phonetic spelling, dropped vowels—it all challenges any straight-forward interpretation, pulling instead on instinct and memory without forcing any conclusion.

The tracks on Niaiw Ot Vile embody the same idea. Musically, they all fall into one of two loose camps. On one hand, you’ve got the dissonant, more rhythmically adventurous tracks (“Venpin,” “Noscriu”), where layers of noisy percussion coalesce into overwhelming wholes. Others, like “Set Nuin” and “Oidhche,” are far more minimal and ambient, floating along like Eleh or Stars Of The Lid. “Ciaradh,” which arrives half way through the album, sees both sides meet in the middle to beautiful effect. On all of them, Douglas leaves his stamp, a particular type of chord progression that he’s repeatedly drawn to, sometimes covered over by frantic percussion or synthesiser bleeps, sometimes left to stand alone, delicate and exposed.

It seems foolish to draw any kind of conclusion about an album as self-consciously open-ended as this. In a way, it’s like the aural equivalent of Ad Reinhart’s black “ultimate” paintings—a purely aesthetic exercise, shorn of all subject matter. We have no choice but to take it as we find it.

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Label/Cat#: Warp – WAP 358D
Year: 25 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 49 mb
Genre: Electronic
Style: Experimental, Electronic

Tracklist:
1. Aviary (03:58)
2. Towards Infinite Shores (03:23)
3. Oea/Catalogue (06:32)
4. Obsidian Alms (Mid-Saccade) (03:59)
5. Sixth Seven (04:12)

320 kbps
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Artist: bEEdEEgEE
Title Of Album: SUM/ONE
Year Of Release: nov 2013
Label: 4AD – EAD 3341A
Genre: Experimental, Beats, Downtempo, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:44:08
Total Size: 94 mb

Tracklist:
1. Helium Anchor (04:56)
2. Like Rain Man (feat Lizzi Bougatsos) (04:44)
3. Empty Vases (feat Douglas Armour) (07:48)
4. Overlook (03:12)
5. (F.U.T.D.) Time Of Waste (feat Alexis Taylor & Lovefoxxx) (07:01)
6. Bricks (04:06)
7. Flowers (feat Lovefoxxx) (06:22)
8. (intellectual Property) (01:02)
9. Quantum Poet Riddim (04:51)

320 kbps
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Label/Cat#: Berceuse Heroique – BH 004
Country: UK
Year: 24 Oct 2013
Source: Vinyl, 12″, 33 ⅓ RPM, Limited Edition, 180 Gram
Format: Flac
Quality: Lossless
Size: 159 mb
Genre: Electronic
Style: Techno, Acid, Rhythmic Noise

Tracklist:
A – Kingdom For A Kiss
B – Kingdom For A Kiss (Unit Moebius Anonymous vs. Shitcluster Rmx)

Lossless
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Label: Blackest Ever Black
Catalog#: BLACKEST022
Release date: 2013
Source: Vinyl
Format: Flac
Quality: Lossless
Size: 87 mb
Genre: Electronic
Style: Experimental, Tribal, Electronic

Tracklist:
A1. Damballah 58
B1. Mamba Muntu
B2. Belladonna Theme
B3. Immersion

lossless
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Label/Cat#: Grossstadtvogel – 425064 4855696
Year: 15 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 131 mb
Genre: Electronic
Style: Tech House, Electronic

Tracklist:
1. A Rainy Day (06:46)
2. Oh My Glassmoon (07:08)
3. Black Wood (05:32)
4. Mindless Cases (09:45)
5. The Bird Could Not Fly (07:21)
6. Secret Of Elements – Oh My Glassmoon (Nico Pusch remix) (06:53)
7. Secret Of Elements – Oh My Glassmoon (Djulien Ferrantes remix) (07:47)
8. Secret Of Elements – Oh My Glassmoon (Stefko Kruse remix) (07:17)

320 kbps
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Label: Digitalis
Catalog#: digiv062
Release date: 24-10-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 60 mb
Genre: Electronic
Style: Experimental, Electronic

Over the past five years, Ricardo Donoso has continually sharpened his vision and craft into a diamond point. Beginning with Progress Chance then into Assimilating the Shadow, and now As Iron Sharpens Iron, One Verse Sharpens Another, Donoso has pushed further and further into grid-like, trance-infused tracks. This new offering simultaneously closes the cycle Progress Chance began with perfection, and blows the possibilities for the future wide open. Split over two parts, As Iron Sharpens Iron, One Verse Sharpens Another is a treatise on duality and Donoso’s strongest statement to date.

Pressed on separate 45 RPM 12″ records, this album most heavily embraces the dancefloor undercurrents that past efforts only hinted at. Donoso’s ability to juggle multiple rhythms and plot them all together cohesively is in top form. As his darkest work to date, it’s hard to still consider this ‘morning music’ even if vague similarities still exist. With each subsequent album, he has further explored connections between the external and internal self. Ideas shrouded in shadow on the first two records finally become poignantly clear. In the end, everything here is uniquely his own.

Opener “Affirmation” creates the link to Assimilating the Shadow while still pulling the listener deeper into the darkened pyramid that Iron/Verse occupies. Donoso’s composition and production techniques have grown immensely since Progress Chance, and the pacing over the course of these 12″s is impeccable. Bleeding into “The Sphinx,” the focus is further dialed in. As the geometry that’s graced the covers of each album has become more acute, so has the music contained therein. “Diagonal Environment” is a nonstop pummeling of heady bass sequences and subtle leads while the “The Old Straight Track” mixes elements of blackened dub and burnt-out goa into something new and addictive. It’s as if Donoso is continually rubbing off the dullness and ambiguity of past efforts to create something sharper and more refined.

Ricardo Donoso has led listeners on an incredible journey through the sunkissed, post-rave morning in Rio through the black shadows of the pysche. With As Iron Sharpens Iron, One Verse Sharpens Another that entrancement ends. Next time the limits will be destroyed.

Tracklist:
1. The Redeemer (07:15)
2. Open Drawer, Full of Masks (05:50)
3. The Child Primitive (07:16)
4. The Master Game (06:18)

320 kbps
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Artist: Alvin Curran
Title Of Album: Shofar Rags
Year Of Release: nov 2013
Label: Tzadik / TZA 8176
Genre: Ambient, Experimental, Avant Garde
Quality: MP3, Album
Bitrate: 320 kbps
Total Time: 01:00:53
Total Size: 131 mb

Active since the mid-’60s, Alvin Curran is one of America’s most courageous and outrageous musical mavericks. A true forefather to the Downtown scene, his music embraces the dialectics of composition/improvisation, tonality/atonality, minimalism/maximalism, electronic/acoustic and more. Alvin’s use of the Shofar in experimental music making goes as far back as 1988, and this long awaited release features several compositions for Shofar and electronics, ranging from meditative Ambient environments to flamboyant, fast moving collage.

Tracklist:
1. Shofar Puro Alap (06:28)
2. Shofar X 17 (13:09)
3. Shofar T Tam (10:49)
4. Alef Bet Gimel Shofar (04:41)
5. Shin Far Shofar 1 (11:22)
6. Shofar Der Zeit (04:00)
7. Shin Far Shofar 2 (10:20)

320 kbps
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Artist: Amentia
Title Of Album: Caliope
Year Of Release: 5 nov 2013
Label: Merkaba
Genre: IDM / Glitch Hop / Broken Beat / Ambient / Psychedelic
Quality: MP3, Album
Bitrate: 320 kbps
Total Time: 01:15:09
Total Size: 163 mb

Tracklist:
01 Octa Via 07:19
02 Roses 09:16
03 Collective 08:14
04 Caliope 08:07
05 Sonic Hue 07:34
06 Then Do It 09:52
07 Curves326 07:39
08 Worship 09:26
09 Four Day Mist 07:38

320 kbps
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Artist: John Zorn
Title Of Album: On the Torment of Saints, The Casting of Spells and the Evocation of Spirits
Year Of Release: 2013
Label: Tzadik / 9003
Genre: Avant-Garde / Experimental / Modern Classical
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:35:23
Total Size: 97 mb

Tracklist:
1. The Tempest: a masque
2. All Hallow’s Eve:
i. matins
ii. lauds
iii. vespers
3. The Temptations of St. Anthony

Three pieces of magic and religious mysticism performed by a new generation of musical masters! Written as a companion piece to “Walpurgisnacht” (2004), “All Hallows’ Eve” is a tour de force in three movements for string trio—satanic counterpoint for the Witches’ Sabbath. Written as a gift to the ICE ensemble, Zorn wrote “The Tempest” as a musical reading of Shakespeare’s mystical and enigmatic last play. Finally, the virtuosic Chicago-based Fifth House Ensemble performs Zorn’s mini piano concerto in the form of a philosophical dialogue between St. Anthony and his tormentors.

320 kbps
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Artist: Secret Boyfriend
Title Of Album: This Is Always Where You’ve Lived
Year Of Release: nov 2013
Label: Blackest Ever Black / BLACKEST023LP
Genre: Experimental, Folk, Noise, Electronic
Quality: MP3, Album
Bitrate: 320 kbps
Total Time: 00:43:09
Total Size: 98 mb

Tracklist:
01. Summer Wheels
02. Silvering the Wing
03. Form Me
04. Flashback
05. Remarkable Fluids
06. Beyond the Darkness
07. Dream Scrape
08. Glint and Glow
09. Have You Heard About This House?
10. Last Town
11. Deleted Hill
12. This Is Always Where You’ve Lived

Secret Boyfriend is the solo project of North Carolina’s Ryan Martin, who is also one half of Boyzone (not that Boyzone, unfortunately) and founder of the Hot Releases label – a catholic endeavour that has seen him release records from the cream of the contemporary N.C. underground as well as reissuing classic sides by the likes of Maurizio Bianchi, Ghedalia Tazartes and Ashrae Fax.

To date, Secret Boyfriend’s presence has been felt largely in the shape of live performances and short-run cassette releases (including Carved At Birth, Furnishing The Void and Skin On The Clock), as well as vinyl splits with Russian Tsarlag and Horaflora. This Is Always Where You’ve Lived is SB’s first LP release and unquestionably his most potent, fully realised work to date.

Twelve songs from under the floorboards: a heart-rending but hard-edged synthesis of downer folk, tape experiments, noise etudes and basement-mildewed pop for edgeland fuck-ups, loners and wanderers; recommended if you like Peter Jeffries, Flaming Tunes, Storm Bugs, etc. Arguably comes closer than any previous BEB release to articulating the “mesmerised suburban daydreams of our youth”.

320 kbps
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