Home 2014

Recent posts:

Label/Cat#: Form – FORM44
Source: WEB
Release date: 2014-09-15
Format: mp3
Quality: 320 kbps
Size: 40 mb
Genre: Electronic
Style: Techno

Tracklist
1. 1825 (Original Mix)8:16
2. Blind Birds (Original Mix)9:09

320 kbps
rusfolder.com
turbobit.net
xerver.co
uploaded.net

29.09.2014 House TechnoARTIST:Form, N'To Read more

Trevino – Trevino EP01

LABEL: Birdie | BIRDIE001
GENRE: Techno
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320kbps / 44100kHz / Full Stereo
TRACKS: 4
SIZE: 64.71 megs

(more…)

29.09.2014 TechnoARTIST:Birdie, Trevino Read more

Artist: Gui Boratto
Title Of Album: Abaporu
Year Of Release: 2014
Label: Kompakt
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:14:12
Total Size: 161 mb

Tracklist:
1. Antropofagia 5:14
2. Joker 5:58
3. Please Don’t Take Me Home 6:08
4. Get The Party Started 5:15
5. Abaporu 5:00
6. 22 7:21
7. Take Control 4:52
8. Indigo 5:57
9. Manifesto 5:13
10. Wait For Me 6:18
11. Where I Belong 4:02
12. Too Late 4:16
13. Palin Dromo 3:29
14. Taxidermia 5:09

In what may be his best work to date, GUI BORATTO strings together various contemporary strands of pop-infused techno and house and translates them into his very own stream of groove consciousness – also an act of cultural appropriation, as both ABAPORU’s cover artwork and title suggest: putting an inspired twist on Brazil’s most famous modernist painting “Abaporu” from early 20th century artist Tarsilo Do Amaral, they draw from the rich history of Brazilian modern art, where European and indigenous influences would collide in the most exciting manner.

Elegantly swinging album opener ANTROPOFAGIA elaborates on this by directly referencing the “Manifesto Antropógafo” (translated as “Cannibal Manifesto”) from Oswald De Andrade in its title: Tarsila’s husband was also a main proponent of the so-called Anthropophagic Movement that intended to literally devour European culture and turn it into something genuinely Brazilian. In a dazzling display of sonic depth and subtextual ingenuity, GUI BORATTO arranges his lush synthscapes accordingly, painting in broad, neo-primitivist strokes and bright colors that – at a closer look – reveal an immense wealth of retro-modernist touches and textural detail.

Besides showing off its beautifully crafted melodic flourishes, the album’s extended sound palette also flexes its dance muscles on a regular basis – as eponymous minimal bouncer ABAPORU or prime time piano banger JOKER prove with ease: a well-versed dance producer and engineer like Gui knows perfectly well how to lay out a narrative arc for utmost floor impact. Meanwhile, cuts like PLEASE DON’T TAKE ME HOME, GET THE PARTY STARTED or 22 illustrate Gui’s growing preoccupation with expertly tailored vocals or finely tuned guitar interludes – updates to his sonic vocabulary that already lead to the fantastic summer singles TAKE CONTROL (KOMPAKT 302) and TOO LATE (285).

The extent of Gui’s muscial bravura becomes abundantly clear with INDIGO’s masterfully directed ascension from a deceptively simple, laid-back glockenspiel melody to full-blown string drama in just a handful of bars – an engrossing listening experience that primes the canvas for introspective, wistful groover MANIFESTO taking the album’s emotional trajectory full circle. One of the Brazilian mastermind’s most satisfying full-length efforts to date, ABAPORU finds Gui at the top of his game, rewiring the electronic circuits that connect European and US dance music to his own – and our – liking.

320 kbps
rusfolder.com
turbobit.net
xerver.co
uploaded.net

29.09.2014 Album House TechnoARTIST:Gui Boratto, Kompakt Read more

Folding Spaces III

Artist: VA
Title Of Album: Folding Spaces III
Year Of Release: 2014
Label: Folding Spaces
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:31:34
Total Size: 78 mb

Tracklist:
1. PeteBlas – oscillators 6:11
2. Roundhouse Kick – epm12 6:04
3. Osti M – workout 5:31
4. Mharia – perfect-sense 4:10
5. VOIRON – itineris 4:38
6. VOIRON – itineris (Legowelt remix) 5:00

“Joining the dots between Norwich UK, Paris, Oporto, Portimao, Lisbon and The Hague, the 3rd release on Photonz and Digital Tunes’ joint-venture label Folding Spaces keeps its focus on raw, uncompromised dance music, offering six tracks of organic, often improvised Techno and Detroit-style Electro. ~ info ~ Starting with Lisbon’s PeteBlas, a disciple both of Detroit House warmth and Berlin’s austere Dub Techno, he offers us one of his first experiments in using analogue equipment, ‘Oscillators’, building up from a stripped down machine funk pattern to reach ecstatic, almost psychedelic bursts of sound, carrying a palpably spontaneous sense of experimentation and improvisation in a dancefloor context. Hardware-obsessed couple hailing from the south of Portugal, Roundhouse Kick, take things fully into acidic territory with their track “EPM12”; a lush and spacious late-night tripper, enveloping over a 303 line that plays in hypnotic time signatures while warm and meditative pads float over raw, driving percussion patterns. Having been solely a DJ for 6 or 7 years, it was only recently that Osti M put his hand into production, prolifically crafting raw, improvised machine jams with soul and a rough, spontaneous approach that seems invested in what’s important: capturing the energy of the moment when inspiration hits. Workout is exactly this, a moment bigger than the sum of it’s parts, sparse but alive and flowing. Mharia is the semi-secret alias of one of last year’s most celebrated new artists operating within the fertile field of experimental Techno – an easy guess if we mention labels such as Ramp’s Fourth Wave or Opal Tapes. He’s usually known for his atmospheric and melancholic romanticizations of the early days of Rave culture, but here instead he takes things to stark, Dreciyan Electro territory in great style. Voiron’s music sits somewhere near early Warp releases and the stark, experimental machine funk released by Aphex Twin’s Rephlex imprint. His trademark sound is both basic – production is raw, with fairly untreated hardware synths and drum-machines – and musically complex, with baroque melody lines and dextrous compositional details. His track “Itineris” is a great example of this ethereal and atmospheric type of electron…”