Recent posts: Techno

Label/Cat#: L.I.E.S. (Long Island Electrical Systems) – LIES035
Country: US
Year: sep 2013
Source: Vinyl, Album
Format: MP3
Quality: 320 kbps
Size: 121 mb
Genre: Electronic
Style: Techno, Experimental

Tracklist:
A1 – Iris
A2 – Galician Dream Sequence
B1 – Girl 613
B2 – Russulo’s Dream
C1 – Fluid Distortions
C2 – Jute
D1 – Devotion
D2 – Chrysanthemum (Coma)

Killer EBM/darkwave collab between NYC/Chicago’s 51717 and Svengalisghost for Ron Morelli’s L.I.E.S. Trust in Pain finds the duo side-stepping the dancefloor to a gloomier, more psychedelic headspace perhaps best consumed in dank basements and dingy bedsits. The combination of Lili Schulder aka 51717’s breathy incantations and Marquis Cooper’s slow-moving, sinuous sonic architectures hark back to classic SPK and Chris & Cosey as much as they remind us of recent exploits from HTRK or even Heinrich Mueller and co’s Zwishenwelt project—a magic union of seductive groove and atmospheric sensuality that begs us to crawl back into its blackened womb. Highly recommended!

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Label: Frucht
Catalog#: Frucht 061
Release date: -06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 77 mb
Genre: Electronic
Style: Deep/Tech House

Tracklist:
1 Dual Soul, Corradini – The Way (Original Mix) 6:24
2 Fanfarrosa – Mwhl (Original Mix) 5:41
3 Frankov – Trendy Motherfokas (Original Mix) 5:59
4 Intermittent – Sober Wasted (Original Mix) 7:36
5 Oscar Rocha, Ma.to – New Order (Original Mix) 8:34

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Label: Zulu
Catalog#: ZULU026
Release date: 18-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 31 mb
Genre: Electronic
Style: Tech House

Tracklist:
1 Hoxton Whores, Jerome Robins, DJ PP, Danielle Simeone – You Used To Hold Me (Original Mix)
2 Hoxton Whores, Jerome Robins, DJ PP, Danielle Simeone – You Used To Hold Me (Phunk Investigation Remix)

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Label/Cat#: Grizzly – GRIZZLY 025
Year: 9 September, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 49 mb
Genre: Electronic
Style: Tech House

Tracklist:
1. Whitelabel (original mix) (06:07)
2. Rolling On Sunday (05:05)
3. That Horn Track (04:31)
4. Whitelabel (Nautiluss remix) (06:02)

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Label: Shibiza
Catalog#: SHBZ026
Release date: 11-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 50 mb
Genre: Electronic
Style: Tech House

Tracklist:
1 Keep Calm and Move On
2 Raspberry
3 RumbleOriginal Mix

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Label: Unreleased Digital
Catalog#: UDR216
Release date: 18-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 55 mb
Genre: Electronic
Style: Tech House, Electro House

Tracklist:
1 Crusader
2 Appaloosa
3 Knightess
4 Into the Crusaders’ World

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Label/Cat#: Monkeeplatez – MPD 08
Year: 15 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 65 mb
Genre: Electronic
Style: Tech House

Tracklist:
1. Waiting (original mix) (07:05)
2. Waiting (Filtertypen remix) (07:09)
3. Waiting (David Keno remix) (07:41)
4. Waiting (Jakob Faber remix) (06:58)

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Artist: VA
Title Of Album: Tales Of Dub & Techno Vol 2
Year Of Release: 6 nov 2013
Label: Complex Textures – COMPLEX 014
Genre: Deep/Dub Techno, Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 03:16:04
Total Size: 444 mb

Tracklist:
1. Arhitekt – Sketch (10:10)
2. Volunteer – Waking Alone (13:34)
3. Mikrokristal – Rain Dub (remake) (05:24)
4. Mr Bizz – Natural Process (08:07)
5. Minimal Boffin – Surfacant (06:29)
6. Michal Ho – Don’t Rush (Jay Hazes Return Of The Pony mix) (08:32)
7. Audiokonstrukte – Credo (05:26)
8. Oliver Lieb – Collider (Matthias Springers & Dimbidub reshape) (07:34)
9. Klartraum – The Void (11:40)
10. Lars Leonhard – Supererde (06:45)
11. Corrugated Tunnel – Disintegration 1 1 (Mark O Sullivan remix) (05:50)
12. Jonas Saalbach – Confused Girl (Frank Hellmond remix) (06:26)
13. Brickman – Backward (05:47)
14. Audub – On The Other Side (13:26)
15. Volunteer – Paralysed Force (08:11)
16. Audio Sutra Sound – Time (07:31)
17. Mikrokristal – Simple Dub (06:54)
18. Nvelope – JB Dub (07:10)
19. Minimal Boffin – Jardin D’acclimation (07:45)
20. Mister Flic – Yola Dub House (part 1 – Bjorn Rohde remix) (06:35)
21. Dream Stalker – Diffusion Network (Dream Stalker dub mix) (06:23)
22. Model 1975 – Iration (dub mix) (07:28)
23. Dave Marian – Slow Feelings (07:56)
24. Urbano – Traumwelt (Thomas Hessler Afterhour dub) (07:38)
25. Matteo Pitton – Only 3 Hours Of Sleep (07:14)

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Label: Homebreakin Records
Catalog#: HBR024
Release date: 09-06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 67 mb
Genre: Electronic
Style: Techno, Acid

Tracklist:
01. Get Into Position (04:49)
02. Ten Four (04:49)
03. S.O.S (05:31)
04. Get Into Position [Tad Wily Remix] (07:15)
05. Get Into Position [Jimmy Edgar Remix] (06:30)

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Artist: Red Stars Over Tokyo
Title Of Album: Melody Attack
Year Of Release: nov 2013
Label: Testtoon Records / TTTB70
Genre: Experimental, Techno, Ambient
Quality: MP3, Vinyl, Album
Bitrate: 320 kbps
Total Time: 01:11:29
Total Size: 167 mb

Tracklist:
1. At the End of August (5:50)
2. Melody Attack (4:59)
3. The Night Shines on Your Face (8:19)
4. Girls from Pyongyang (11:19)
5. A Place Where People Hide (7:03)
6. Stretch the Distance (4:50)
7. Leutesdorf 4am (12:14)
8. Sign Language (8:19)
9. At Night at Home (8:18)

After releasing two highly acclaimed remix 12″s earlier this year, Red Stars Over Tokyo now delivers the hauntingly beautiful Melody Attack album. A double gatefold, mastered to subtle perfection by Dubplates & Mastering in Berlin, RSOT delves even further into his own unique mix of the subtly trancey, emotionally driven and understated forward motion of his previous productions. As always, his tracks have an undeniable song quality, the emotions within referencing the small and mundane, whilst the inspiration behind often references a so-called bigger picture. The whole album fades in and out of focus and attention, giving its different parts room to breathe and develop. Somewhere in there, there’s a a downsized cover version of Fra Lippo Lippi’s song ‘Sense of Doubt’—its stylistic minimalism a perfect counterpart to RSOT’s ambitions. ‘Melody Attack’ is RSOT’s own dark, elegiac version of what, for sake of simplicity, could be called 90’s IDM or Ambient Techno. His is an appealing darkness that does not forbid the sun to shine through. Its sense of isolation is filled with compassion for the one isolated. This is post-dancefloor music for post-dancefloor use. An ambitious, purposely ambiguous musical stream of consciousness that never cuts ties with its past, but offers a new and intricately organized perspective that makes it modern to a tee.

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Label/Cat#: Tartelet Records – TART026
Country: Germany
Year: 07 Oct 2013
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: 42 mb
Genre: Electronic
Style: House, Techno

Tracklist:
A1 – The Missouri Breaks
B1 – Mono 66
B2 – Sputnik I

If you like tape hiss, heavy beats and cheeky sampling this will make you go bang!

CTEPEO ’57 (STEREO ’57) are a newly formed duo. They’ ve been around for a while and you might know them under different aliases. Their obsession with 1950s culture brought them together and they own a massive collection of Marlon Brando memorabilia.
The 1950s were a decade of mystery and hoaxes, the cold war, the space race and the establishment of NASA. CTEPEO ’57 insists the cold war isn’t over and claim Russian astronauts landed on Mars in the late 90s to discover something truly amazing…
It all seems far-fetched but who cares, when they make music like this.

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Label: FLASH
Catalog#: FLASH087
Release date: 18-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 62 mb
Genre: Electronic
Style: Techno, Tech House

Tracklist:
1 Warehouse Dub
2 Why Do You Know
3 Spring Reverb
4 Warehouse 92Vazik Remix

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Label/Cat#: M Plant US – MPM 17
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 44 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Phobia (07:19)
2. Higher! (Ben Sims remix) (05:58)
3. Glory B (06:14)

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Label: Nuearth Kitchen
Catalog#: NEK10
Release date: 14-10-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 49 mb
Genre: Electronic
Style: House, Techno

Tracklist:
1. Arktika (Sprinkles’ Deeperama)
2. Movement (Juju & Jordash Remix)

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Label/Cat#: Circus Company France – CCCD 014
Year: 18 November, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 127 mb
Genre: Electronic
Style: Deep House, Tech House

Tracklist:
1. Intro (01:51)
2. Beyond (06:51)
3. Amanite (06:50)
4. A Quiet Storm (05:17)
5. Ethereal Thoughts (06:12)
6. CAVOK (06:57)
7. Anatomy Of A Shipwreck (06:41)
8. Lies (05:42)
9. Subterranean Rivers (05:51)
10. Ditching (03:34)

‘We have been proud to watch the rise of Oleg Poliakov after he first joined our ranks with Datcha Musik way back in 2007. Since first swearing allegiance to the Circus, he has continued to unfurl a refined approach to house and techno that carefully balances a respectful mastery of the classic tropes of the genre with his own instinct for seductive melodic content. Finally, after no less than eleven singles for labels such as Bass Culture and Eklo as well as us, the time has come for Oleg to embrace the album format and take us on a journey that stretches beyond the immediacy of a dancefloor 12” and captures perfectly where he is at right now.

As the preceding single C.A.V.O.K has revealed, there is a techno spirit roaming the circuitry of Oleg’s studio, tussling with the delay and reverb gates, firing off focused, intricate rhythms and unafraid of whipping up a mean-tempered kick or two. Across Random Is A Pattern you can hear such energy surging out of tracks like “Beyond” and “Anatomy Of A Shipwreck”, with the latter having an especially tough rhythm section. However, these cuts have just as much brain as they do brawn, and in between the driving drums sit haunting pads, ethereal dub textures and curious string harmonies.

This is not an album of functional club tracks though, far from it. Recognising the value of the long player as a vessel for exploration, Oleg turns his hand to some truly unexpected patterns and tones. “A Quiet Storm” comes from the school of classic ambient electronica and leftfield broken beat, while “Holy You” makes for one of the most startling moments on the album with a powerfully resonant vocal sample over plaintive piano and a fractured rhythm.

While some may be surprised to hear the styles that Oleg has turned his hand to, the ten tracks are undeniably his. In his choice of mysterious chords and moving key structures, he continues along the smooth creative arc he has been carrying us on since he first emerged. The drums might bite harder in places, or softer in others, but Random Is A Pattern makes perfect sense as the logical next step in the unfolding story of Oleg Poliakov.’

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Label/Cat#: BerMuDa – BERMUDA 004
Year: 18 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 369 mb
Genre: Electronic
Style: Deep/Tech House

Tracklist:
1. Sascha Braemer – You (Finnebassen remix) (06:53)
2. Herbert – It’s Only (DJ Koze remix) (07:43)
3. Lee Jones – A Perfect Kick (Matthias Meyer remix) (08:25)
4. Fritz Kalkbrenner – Hear Me Roar (original mix) (06:53)
5. Oliver Koletzki – Childhood Basslines (original mix) (06:39)
6. Mano Le Tough – Everything You’ve Done Before (Dixon remix) (06:28)
7. Ruede Hagelstein – Detuned (original mix) (06:39)
8. Black Rose – Sky (feat Luisa Gerstein – original mix) (06:06)
9. Subb an/Tom Trago/Seth Troxler – Time (original mix) (07:42)
10. Siriusmo – Itchy (original mix) (03:32)
11. Tale Of Us – Another Earth (original mix) (05:45)
12. Hot Since 82 – Like You (original mix) (07:18)
13. Ten Walls – Gotham (original mix) (09:11)
14. Mind Against – Atlant (original mix) (09:00)
15. Daniel Stefanik – Confidance (Adam Port remix) (07:57)
16. Francys – Memories (Marco Resmann remix) (05:59)
17. Ellen Allien – The Kiss (Jesse Perez remix) (06:59)
18. Sons Of Tiki – Moon Waltz (Mathias Kaden’s Tiki Taka remix) (07:00)
19. Pan Pot – White Fiction (original mix) (08:47)
20. Marcel Dettmann – Linux (original mix) (05:03)
21. Kink/Sierra Sam – My Space (Kink’s hardcore mix) (05:22)
22. La Fleur – Nightflow (Kenny Larkin drama mix) (14:59)

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Label/Cat#: Dark Face Recordings – DFR 062
Year: 28 October, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 66 mb
Genre: Electronic
Style: Tech House

Tracklist:
1. Bleed (original mix) (07:35)
2. Bleed (Doublewave remix) (08:14)
3. Bleed (Mateo! remix) (06:50)
4. Bleed (Mateo! slower remix) (06:32)

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Label/Cat#: ADRO – ADR 066
Year: 12 March, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 53 mb
Genre: Electronic
Style: Tech House, Techno

Tracklist:
1. Able The Future (08:00)
2. Able The Future (Kirill Zaretzki remix) (07:42)
3. Able The Future (Kapshul remix) (07:36)

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Label/Cat#: Resident Advisor – RA.389
Country: UK
Year: 11 Nov 2013
Source: WEB
Format: MP3
Quality: 256 kbps
Size: 136 mb
Genre: Electronic
Style: Techno, House

Tracklist:
1. Various – RA.389 (59:30)

Luke Slater has always enjoyed adopting aliases. Between 1989 and 1992 he used six different names across eight releases on Jelly Jam Records, the label he set up with Alan Sage. Throughout the ’90s, he added Krispy Krouton, Deputy Dawg and Clementine to his roster. These days he’s mostly using just two: Planetary Assault Systems and L.B. Dub Corp. The former is his oldest and his most widely known. As P.A.S., Slater has spent the last 20 years exploring pure forms of techno, releasing five albums and countless 12-inches. L.B. Dub Corp is a relatively newer alias, which Slater adopted in 2006 as a place for house-orientated material. Both names have found a loving home in Ostgut Ton. Outside of Slater’s own Mote-Evolver, the Berlin label has put out two P.A.S. LPs to date, and as of today have released Unknown Origin, the first L.B. Dub Corp album, which sees Slater stripping down his sound on ten sharply focussed house productions.

For his RA podcast, we asked Slater to capture the spirit of both L.B. Dub Corp and Planetary Assault Systems. He came back with a gradually evolving session, which begins with gently bubbling house and ends with full-bodied techno, all shot through with Slater’s singular sense of sound design.

What have you been up to recently?

Writing, playing, releasing and listening to music. Travelling, celebrating the unknown and randomness and being a bit of a spiritualist at heart.

How and where was the mix recorded?

I recorded it in the Mote-Evolver office late at night.

Can you tell us about the idea behind the mix?

It’s an L.B. Dub Corp to Planetary Assault Systems mix, and I guess it could have been much longer as this condensed story is celebrating diversity, blend and dynamics within that idea. Those were the inspirations to try and get a listener from L.B. Dub to P.A.S. in a cohesive and adhesive way.

You told us in regards to the L.B. Dub Corp record that it was “easier to pinpoint what I didn’t want in the music. On that basis I started to write.” Can you expand upon what you didn’t want in the music?

Needless synth rises, drum rolls; dry compressed, pin-accurate production; sticking a stab in for the sake of it. These are not negative observations, they all have their place in the big music spectrum, but I think I’ve been around long enough not to crave the easy plastic slippery path to self-loathing. I see music writing to some extent like writing a book: prep work needs to be done, ideas need discounting and throwing away until a few feel right and stick.

I wanted to describe the sound of L.B. Dub Corp with the record, and to do that I needed to work out what it was with L.B that makes it its own entity. I wanted to concentrate on the story in the tracks, the feeling. L.B. Dub Corp is not P.A.S. and I needed to get the musical story as pinpointed as possible, otherwise the album probably wouldn’t have been written. Artistically I’m pleased with the result.

You also mentioned that you’d dabbled in poetry down the years. Is this something you’d like to pursue more concretely at some point?

Maybe poetry’s something you age into or not. For me personally, listening to poetry is much better than reading it, and with the right poet I think it’s getting to wider audiences these days than in the past. I’ve always been a fan of Cooper Clarke, and especially Benjamin Zephaniah looking at modern street level poetry. Last year I actually started with an idea of making the whole album with poetry but didn’t have enough material I felt fitted with the music. So I only placed poetry where it felt right.

It was a dream using Benjamin Zephaniah’s inspiring vocals. That particular poem sums up a lot for me and with the humorous edge it’s made real. I might develop the idea around poetry more if it feels good. There’s a lot of poetry to wade through, and a lot seems rather pointless and rambling so hitting on something you like is a catch.

What are you up to next?

Some more L.B. sets coming up after putting together an L.B. Dub Corp experience set at ADE this year, which was a lot of fun. P.A.S. live is still on the road and works well at larger events and essentially feels at home there. We have some interesting releases planned on Mote-Evolver which will see the light of day in the new year. It seems that after all these years I’m on the road a lot as always, a man with no country. That is how it must be and how it is.

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