Recent posts: Experimental

Artist: Espectrostatic
Title Of Album: Espectrostatic
Year Of Release: 19 nov 2013
Label: Trouble in Mind / TIM061
Genre: Experimental, Electropunk, Giallowave, Horrorwave, Psychedelic, Ambient, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:38:43
Total Size: 136 mb

Tracklist:
1. Smokeface Appears
2. Doomed Lovers In A Gathering Storm
3. The Haunted Doll Factory
4. The Killing Touch
5. Searching The Museum
6. The Wrong Side Of The Portal
7. The Procession
8. It’s Raining Knives (Love Is Doomed)
9. Lost In The Catacombs
10. Consulting The Necronauts
11. Phantom Swarm
12. The Infernal Elevator
13. Please Be Careful As You Exit

Alex Cuervo has been rattling skulls for years in punk & garage bands like The Hex Dispensers, Blacktop, This Damn Town & Feast of Snakes. 2011 saw the release of two solo EPs under his own name, exploring his interest in darker, synth-oriented punk music. Since then, the Texan native has not only honed his skills on the synthesizer, but constructed this 13-song suite of instrumentals that owe a serious debt to the pioneers of late-seventies horror soundtracks like John Carpenter, Italo-prog masters Goblin & the work of German pioneers Tangerine Dream.

“Espectrostatic” unfolds like the soundtrack to a lost horror classic, with it’s pulsing synths & ominous passages inferring the unleashing of an ancient, horror creating a Lovecraft-ian musical journey. The tracks range from near ambient clouds of dread (”Consulting The Necronauts”) to throbbing tunes that could almost be mistaken for the goth-club floor-fillers created by Skinny Puppy & Soft Cell (”Phantom Swarm”). This is music made for the night & all things that reside therein. The LP edition of “Espectrostatic” is pressed on 150gm black vinyl & includes a download code. Features sleeve design from reknowned designer/illustrator Jason Willis.

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Artist: Aaron Martin & Orla Wren
Title Of Album: The Blizzard That Birthed Her
Year Of Release: 01 dec 2013
Label: FACTURE
Genre: Ambient, Experimental, Modern Classical
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:53:45
Total Size: 123 mb

Tracklist:
1. Five Acre Ladder 06:24
2. Five Acre Ladder (with Aaron Martin) 06:52
3. Five Acre Ladder (with Isnaj Dui) 06:12
4. Five Acre Ladder (Reprise) 04:20
5. Mountains And Wishbones 07:52
6. Mountains And Wishbones (with Aaron Martin) 06:36
7. Mountains And Wishbones (with Isnaj Dui) 04:52
8. Mountians And Wishbones (Reprise) 03:46
9. The Cup of Remembered Things (with Aaron Martin) [bonus track] 06:50

Offered as metaphor and delivered as analogy…
The Blizzard That Birthed Her is the continuing echo of this year’s Home Normal success, Book Of The Folded Forest. Birthed as two original Orla Wren tracks ‘Five Acre Ladder’ and ‘Mountains And Wishbones’ which were recorded in the same session, Tui then worked the cello, bass and vocals of Aaron Martin into two alternative versions of each track, making up the 4 tracks on the 10” vinyl for Facture.
He then offered the same to Isnaj Dui who contributed some flute for him to then create the two versions with her as guest. To complete the companion 8 track letter pressed CD version the two “reprise” versions were created by Tui utilizing parts from the other tracks.

The Blizzard That Birthed Her cannot be called an album in the strictest sense. It consists of two original tracks, each one of which has been recorded four times including two separate takes of each with different collaborators. At their most basic – the opening, unaccompanied blueprint of Five Acre Ladder – they build and swirl on the sparest of electronic melodies over a plateau of drone, creating worlds that are at once misty and earthy. Orla Wren’s individual pieces are each like a single exhalation drawn out and slowed so that every particle of air, every bit of woodland mist, every icy molecule of breath is discernible. And like breaths that are given personality by external forces – tiredness, passion, fear – each of these pieces is markedly different, whilst retaining the overarching character of the species. The atonal bells and wordless vocals on the Aaron Martin take of Five Acre Ladder give the tune a processional, pagan quality, while the flute of Isnaj Dui suggests a subtler, more lithe form of movement. Martin’s cello takes centre stage on his version of the second track, Mountains And Wishbones, which has the most discernible build and fade (or inhalation and exhalation) of anything here.

When a musician’s artistic vision is as singular as that of Orla Wren – the collaborative arm of electro-acoustic soundscaper Tui – it serves little purpose to compare it with other performers. Indeed, The Blizzard That Birthed Her appears to owe as much to sound art, field recording and sculpture as it does to folk, or electronic popular music. In particular, the variety of land art as practiced by Robert Smithson or Richard Long comes to mind. The circular or cyclical nature of these tracks mirrors the use of circles as archetypal shapes in much of Long’s work. And of course the organic side of this music, the idea of growth within nature as a basic constituent of performance or sculpture, is something that Long has been doing throughout his career.

In addition to these eight intriguing and surprisingly filmic compositions we get a bonus track, another recording with Aaron Martin called The Cup Of Remembered Things. Relying on eerie found sounds and the occasional supernatural vocal sample it serves as a delicate coda to an impressive record that wears the ambition of its concept lightly.

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Artist: Jan St. Werner
Title Of Album:Transcendental Animal Numbers
Year Of Release: 12 nov 2013
Label: Thrill Jockey / Thrill 356
Genre: Experimental, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:40:09
Total Size: 95 mb

Transcendental Animal Numbers is the second entry in Jan St. Werner’s Fiepblatter Catalogue. The work is comprised of carefully edited sounds derived from computer algorithms. There are no intentional references to traditional ideas of tuning, meter or spectrum. Rather, there are unexpected shifts of sonic scales, sudden frequency modulations andextreme panoramic shifts that produce an unconventional chunk of condensed acoustic information. Still the resulting compositions are arranged seamlessly and unpredictably as if they were field recordings of animals in the wilderness. The work is a representation of an acoustic organism where no sound is derived from any living creature or acoustic source, instead it is artificiality incorporating the irrational and unpredictable into a logical mathematical system to create a black box in which sound can scatter. Werner likens Transcendental Animal Numbers to Schrödinger’s “cat in a box” experiment that proves that quantum physics is the unpredictability of one particle simultaneously existing in various states.

Tracklist:
1. Transcendental Animal Music (20:00)
2. Parrodisia (20:08)

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Label/Cat#: Atomnation – ATM 015
Year: 9 December, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 77 mb
Genre: Electronic
Style: Techno, Experimental, Electronic

Dug out from the nearly lost files of an “old, forgotten computer” are the nine tracks which make up the forthcoming mini-album from Applescal, From A to Sea. One of the tunes crafted by the Dutch producer between 2008 and 2012, “Screams” is a particularly lush and sprawling cut which would have felt right at home on Dreaming in Key, Applescal’s most recent full-length effort released via his own Atomnation imprint earlier this year. The production presents its grainy textures, smoldering melodies, and other rich sonic layers atop an IDM-indebted shuffle, landing the track somewhere along the lines of a more stoney Clark or a subterranean M83 (during his instrumental days, of course). “Screams” and eight other recently recovered tracks from Applescal’s archives can be found on From A to Sea when it drops on December 9.

Tracklist:
1. The Winning Theme (03:14)
2. Stars (05:12)
3. Your English Song (02:26)
4. Flush Or Die (00:57)
5. Screams (02:47)
6. A New Fellowship (03:18)
7. Groj – Nail Song (Applescal remix) (05:43)
8. Hello You (02:58)
9. Thunderstorms (06:58)

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Label/Cat#: EnpegDigital – EN 61
Year: 3 December, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 119 mb
Genre: Electronic
Style: IDM, Experimental

Tracklist:
1. Ferrumones (04:44)
2. Edges & Slices (05:49)
3. Magic Sandbox (03:41)
4. Central Park (05:51)
5. Illusions (05:10)
6. Pied Blizzard (05:46)
7. Saturn (05:56)
8. Prism (04:32)
9. Kite’s Farewell Tune (05:37)
10. Saturn (Bad Loop remix) (05:30)

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Artist: Chari Chari
Title Of Album: Snaker 002
Year Of Release: 27 mar 2013
Label: Snaker – SNAKER 002
Genre: Downtempo, Tropical, Experimental, Electronic, Leftfield
Quality: MP3, Album, Vinyl
Bitrate: 320 kbps
Total Time: 00:33:13
Total Size: 77 mb

Tracklist:
A1 – Tiki (01:35)
A2 – Changi Airport (02:34)
A3 – Tranquilizer (05:32)
A4 – Calling Spirit (05:53)
A5 – Blue Reef (02:32)
B1 – Rainforest Interlude (00:41)
B2 – Urin (06:03)
B3 – Night Of Warriors (05:01)
B4 – Uzume (02:07)
B5 – Capoeira Breaks (02:36)

Snaker. Snaker’s party featured influential DJs like Kenji Takimi (Crue-L), Chida (Ene), Crystal, Dr.Nishimura, Hiroshi Kawanabe, Moodman – key person of Japanese underground dance music scene – with DK Sound sound system. The label features “new school of library music”, and releasing eclectic sound on album format. 2nd release of Snaker features Chari Chari well known as a top DJ/Producer in Japan and you should know his releasing like 99′s album “Spring To Summer”, “In Time” and remix works for many label from 90′s like Frikyiwa, Nuphonic, Yellow Production, Sunshine Ent etc. Chari Chari is also well known under the name of Kaoru Inoue?Aurora Acoustic. And under the name of Chari Chari,he delivers fantastic mixture of his World Music Roots (Asia, Africa, Dub etc) and dance music production (House, Techno, Breakbeats, Downtempo). And Here Chari Chari drop the fantastic kaleidoscope sounds of Down Tempo/Chill Out/Afro/Brasil/Latin/Asia/Oriental etc. “Tranquilizer” reminds us futuristic approach of Martin Deny or Les Baxter’s exotica sounds. “Calling Spirit” take us trip from primitive tribal world to space jazz sounds, so nice! “Blue Reef” show us organic minimal trip world by using Gamran sounds.”Urin” is the huge Chari Chari’s classic warm and dubby trip downtempo track. “Night Of Warriors” take us danceable desert blues groove. “Capoeira Breaks” show us primitive brazilian rhythm and sound. This must be big stuff for fans of world music and glocal beats lover like Soundway or underground dance music lover like ESP Institute. LTD 300 pcs pressing

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Artist: VA
Title Of Album: New German Ethnic Music – Immigrant’s Songs From Germany Electronically Reworked
Year Of Release: 15 nov 2013
Label: Karaoke Kalk / Karaoke Kalk 76
Genre: Experimental, Tribal, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:02:26
Total Size: 142 mb

Tracklist:
1. BTMK – Ensemble Und Chor remixed by Murat Tepeli – Adalardan Bir Yar Gelir Bizlere (Nafile Gitmiyor Hasreti Remix) (04:30)
2. La Caravane Du Maghreb remixed by Thomas Mahmoud – Saadi Belouali Jani (Arab Disco Dub Remix) (03:49)
3. Trio Fado remixed by Guido Möbius – Milho Verde (Blood And Bone Remix) (04:12)
4. Spotkanie remixed by Margaret Dygas – Czemuzes Mnie, Matulenko (Impulse Remix) (06:16)
5. Polyphonia – Karavai, Karavaki (Can “Khan” Oral Remix) (03:55)
6. Sandra Stupar & Dusica Gacic – Cije Je Ono Devojce (Natalie Beridze Remix) (04:40)
7. Klapa-Berlin remixed by Gudrun Gut – Projden Kroz Pasike (Blüten Rmx) (06:00)
8. The MahuGang remixed by Mark Ernestus – Moca Cala Te (Groove 26 Remix) (05:08)
9. Amigas Cantan – Ay Linda Amiga (Matias Aguayo Remix) (06:12)
10. Donni Sò – La Pagliarella (Ulrich Schnauss Remix) (05:25)
11. Koreanischer Chor Berlin – Go Hyang Yui Bom (Symbiz Sound Remix) (03:46)
12. Quan Ho Chor Berlin – Ba Quan Moi Trau (Niobe Rmx) (04:33)
13. Rafael Martinez, Ricardo Moreno Y Pedro Abreu remixed by Eric D Clark – La Mateodora (Sr. Sapo’s R. U. M. Punch Remix) (03:54)

In the 1970s the American composer Henry Flynt started a series of pieces under the title „New American Ethnic Music“. In so doing he worked together native styles of music such as blues, Country or Hillbilly with electronic production methods to make something altogether new. So far in Germany it has never been attempted to rework folklore electronically for a compilation. However, this picture changes if one redefines the idea of who the population is. Incomers have brought new „national anthems“ to Germany, which means: even the Portuguese Fado, the African Gnawa, the Croatian Klapa or the Vietnamese Quan ho are these days at home in Germany.
With the cultural project „Heimatlieder aus Deutschland“ (“Native songs from Germany”) founded by former Spex editor Mark Terkessidis and label manager Jochen Kühling all the various styles of traditional folk music now found in Germany has been collected. Thirteen of the songs recorded for the project have now been transformed by contemporary electronic producers to present a „New German Ethnic Music“. But why remixes? For one thing electronic music has recently focused a lot on the past (Ghost Music, Hypnagogic Pop etc.) – electronic editing is well suited to follow the effects of the immigrant music which the „imaginary national anthems“ has created. Furthermore the project’s instigators were curious how „electronic musicians“ would handle folk music and folk songs which is a hugely difficult task. To this end artists were sought out who could get along with the idea of each music style and who are known to already have experimented with the human voice. The results are as varied as the music styles and Djs involved. Some melodies remain completely intact while others are abstracted beyond recognition.
Margaret Dygas’ associative approach ensured that she presents a polish song about a girls arranged marriage with a claustrophobic feeling. With his remix of the Marrabenta of Mozambique Mark Ernestus has continued the rhythmic experiments he is known for with Jeri Jeri. Thomas Mahmoud translated Gnawa into dub and finally Ulrich Schnauss turned the song of the Italian Chorus of „Donni So“ into a hymn for the horizon-expanding power of migration.
Hopefully this compilation will also expand some horizons.

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Label: ZCKR
Catalog#: ZCKR08
Release date:18-11-2013
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: 67 mb
Genre: Electronic
Style: Experimental, Noise, Ambient

Tracklist:
A1. Untitled
B1. Untitled
B2. Untitled

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Label: Demdike Stare
Release date: 29-11-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 130 mb
Genre: Electronic
Style: Ambient, Experimental

Sean Canty and Miles Whittaker are busy fellows. Putting their individual solo projects aside, as Demdike Stare they’ve released three EPs in 2013—the acclaimed Testpressing series of breakbeat-inspired material—and the Weight Of Culture cassette. There’s also, reportedly, a fourth Testpressing on the way in the immediate future. As with their last foray into the cassette market, Post Collapse is a mix of experimental and abstract music with no tracklist, though a press release promises everything from weird pop to jazz over the course of the tape’s 70 minutes

Tracklist:
A Untitled
B Untitled

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Artist: Lauren Bousfield
Title Of Album:Avalon Vales
Year Of Release: 19 oct 2013
Label: Vale
Genre: IDM / Glitch / Experimental
Quality: MP3, Album
Bitrate: 320 kbps
Total Time: 00:52:28
Total Size: 130 mb

Tracklist:
01 Fire Sale
02 Riverrun Humbling Allegory
03 Avalon Sliding Down The Cliff
04 Archangel Glycon
05 No More Worlds Like This, No More Days Like That
06 Ascending Hands
07 Cracknight
08 Pulling Down Palm Trees
09 Valed
10 Lipstick Smeared Over The Amaretto
11 Cascading Retail Spaces
12 Empty Relationships
13 Audkyrie
14 Somerset Blather On and On
15 Automatic Warlock RFID Stratford Upon Avon
16 Heavening
17 Our Trauma

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Label: Civil
Catalog#: CIV056D
Release date: 18-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 72 mb
Genre: Electronic
Style: Electropop, House, Experimental, Electronic

Hayat Zor is a beautiful blend of rave-nostalgia, 80s electro-pop and Italo, all shot through with a melancholic, wistful air. Working with analog synths, vintage drum machines, live instrumentation, and the help of a few friends and collaborators along the way.

Encompassing four original productions and two remixes from Gavin Russom and Petrels, ‘Hayat Zor’ is a collection on which emotional resonance and technical expertise sit side by side. Dancefloor nous, enabled through a love of Italo Disco and Balearic convention, is a strong presence on the EP, with Wright pairing this quality with his enduring spiritual kinship with the music of British new wave artists such as New Order, Cabaret Voltaire and Devo. Although such reference points can be clearly grasped by the listener it is, as ever, to Wright’s immense credit that he employs them with such deftness he could be considered every bit an equal. Released 11th Novemeber 2013

Tracklist:
1. Everything
2. At Least I Know Why
3. Smoulders
4. Ancient Mariner
5. Everything (Gavin Russom Remix) (Digi Only)
6. Everything (Petrels Remix) (Digi Only)

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Artist: Selaxon Lutberg
Title Of Album: Simboli Accidentali
Year Of Release: 15 nov 2013
Label: Denovali
Genre: Ambient, Modern Classical, Experimental
Quality: MP3, Album
Bitrate: 320 kbps
Total Time: 00:37:05
Total Size: 93 mb

Tracklist:
1. Untitled 1 (04:02)
2. Untitled 2 (02:45)
3. Untitled 3 (05:28)
4. Untitled 4 (03:20)
5. Untitled 5 (04:28)
6. Untitled 6 (04:30)
7. Untitled 7 (07:02)
8. Untitled 8 (05:29)

Selaxon Lutberg is the ambient project of the secluded Italian artist Andrea Penso. After two albums, a collaboration record with Subinterior and various EPs, ‘Simboli Accidentali’ (‘Accidental Symbols’) constitutes his third full length record and third release on Denovali Records.

As most of his works, the new album is strongly linked to Andrea’s biography. Indeed, he states: “In a long video-interview by Donatella Baglivo, the Russian filmmaker Andrej Tarkovsky says that childhood ‘is the moment in human life that determines all his future, especially if future will be linked to art, inner life and psychological problems. In other words, childhood feeds all the creativity of the adult
period.’ Composing this album I tried to focus on accidental symbols mostly born during my childhood, tried to study them not in detail but in their essence. The ‘subjective sounds’ of this album were born from these thoughts and considerations.” To support this motive, the album artwork contains an impressionistic story from Andrea’s childhood.

“Simboli Accidentali” is composed of 8 tracks, which have been recorded at Andrea’s home between 2010 and 2012 and mastered by Miles Whittaker (Demdike Stare). The typically warm and encasing songs are mostly made with processed and unrecognizable guitars, an old and cheap organ and loops from ruined tapes and vinyls. The resulting sound can be found somewhere in the vast landscape spanned by the ambient/postrock of Labradford and SSlowdive’s Pygmalion era, the analogue and decayed loops of Philip Jeck and William Basinski and the cinematic feelings of Stars of the lid and David Lynch’s drones. Time to explore.

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Label/Cat#: This Is Music – THISIM 045
Year: 24 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 31 mb
Genre: Electronic
Style: Bass, Experimental

Tracklist:
1. Nun (03:58)
2. Eric (04:13)
3. Platinum (02:40)
4. Nun Beat (02:43)

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Label: LNUK Rec.
Catalog#: LNUKEXCURS002
Release date: july 2013
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: 27 mb
Genre: Electronic
Style: Bass, Experimental

Tracklist:
01. Dimens [05:56]
02. Dharma [05:44]

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Artist: Heatsick
Title Of Album: Re-Engineering
Year Of Release: 29 nov 2013
Label: PAN – PAN 48
Genre: Experimental, Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:43:19
Total Size: 101 mb

Tracklist:
1. Re-Engineering (03:51)
2. E-Scape (04:21)
3. Mimosa (06:17)
4. Watermark (01:30)
5. Clear Chanel (05:56)
6. U1 (00:24)
7. Speculative (05:22)
8. Apres Moi Le Deluge! (04:27)
9. Dial Again (02:59)
10. Emerge (05:13)
11. Accelerationista (02:55)

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Label: 1080p
Catalog#: 1080P 08
Release date: 03-12-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 69 mb
Genre: Electronic
Style: Techno, Experimental

Tracklist:
1. Elegant Vector (06:04)
2. Juice Cleanse 1 (06:13)
3. Juice Cleanse 2 (03:02)
4. EcoLogo (03:55)
5. Praise Hi (04:44)
6. Origoa-Tech (06:04)

Don’t be fooled by the corporate lustre of their titles, it’s all part of Mind Dynamics‘ desire to subvert the hi-tech, faster-better-stronger mindset of twenty-first century living. Foregoing the clean lines and HD-quality modern software has bestowed, The Brooklyn duo Daniel Freshwater and Brian Whateverer create decayed, feric-scarred techno. While their cover art and titles certainly the same obsession with branding and capitalist semiotics as vaporwave artists, the duo approach their music with far less ambiguity as to whose side they’re really on, and it ain’t the side of corporate muzak-making. Recorded live, these scrambled signals possess a twisted vitality—the rhythmic snap of “Juice Cleanse 2″ feels like a Night Slugs cut buried beneath a dense crust of flotsam—which clatters and dissipates as if caught between long-lost AM bandwidths. This is music at its most deliberately abstruse, mussed up, and, somehow, vital

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Artist: C L N K
Title Of Album: Black Ecstasy
Year Of Release: 2 dec 2013
Label: Error Broadcast – EBC 024
Genre: Techno, Experimental
Quality: MP3, Album
Bitrate: 320 kbps
Total Time: 00:39:28
Total Size: 92 mb

Tracklist:
1. Shave & Haircut (02:26)
2. Dristor (04:18)
3. Tears For Fears (07:04)
4. Sceptic (05:46)
5. Home (02:00)
6. July Tense (04:16)
7. Black Ecstasy (04:49)
8. Webd (05:10)
9. CPR (03:36)

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Artist: Guerilla Toss
Title Of Album: Gay Disco
Year Of Release: dec 2013
Label: NNA Tapes – NNA 069
Genre: Experimental, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:29:28
Total Size: 63 mb

Tracklist:
1. Trash Bed (04:42)
2. Pink Elephant (04:40)
3. Operate (06:07)
4. Sugar Better (04:48)
5. Club Kids (05:10)
6. Gay Disco (03:58)

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Artist: Simon Fisher Turner
Title Of Album: The Epic Of Everest
Year Of Release: 18 oct 2013
Label: Mute / STUMM357
Genre: Abstract, Experimental, Modern Classical, Soundtrack
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:12:49
Total Size: 167 mb

Tracklist:
1. Chomolungma (08:11)
2. Makalu (04:20)
3. Lhotse (02:49)
4. Cho Oyu (06:12)
5. Dhaulagiri (02:42)
6. Manaslu (03:12)
7. Nanga Parbat (04:36)
8. Annapurna (04:51)
9. Gasherbrum (04:03)
10. Broad Peak (03:28)
11. Ama Dablam (03:42)
12. Shishapangma (02:43)
13. Gyachung Kang (02:05)
14. Nanda Devi (03:17)
15. Rakaposhi (03:42)
16. Tirich Mir (02:43)

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Artist: VA
Title Of Album: Feral Grind
Year Of Release: dec 2013
Label: Submit – SUBMIT 002CD
Genre: Techno, Noise, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:15:28
Total Size: 168 mb

Tracklist:
1. Housefire – Electric Bathwater – Beachboyswhenyoudie (07:18)
2. Prostitutes – Braces On My Fangs (04:02)
3. Bleaching Agent – Yellow Corduroy Wall (06:52)
4. Pete Swanson – Pleasure Averse (06:36)
5. Trogpite – Trogdog (TV) (07:38)
6. Profligate – Swarm (06:33)
7. Henry & Hazel Slaughter – Breather Fat – Take Four (03:39)
8. Burial Hex – Final Love (Feral Love Dub) (06:15)
9. Mincemeat Or Tenspeed – Drooman (05:18)
10. The David Russell Snake – Face It Fast (05:09)
11. Hive Mind – Ux I (09:12)
12. Indignant Senility – Lowest Temptation (06:35)

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Artist: Manse
Title Of Album: Lying In Wait
Year Of Release: 27 nov 2013
Label: Opal Tapes
Genre: Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:36:24
Total Size: 98 mb

Tracklist:
01 – Lying In Wait
02 – Dentist
03 – Under
04 – Hypoderm
05 – Counter
06 – 999999999

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Artist: Lumisokea
Title Of Album: Contrapasso
Year Of Release: 27 nov 2013
Label: Opal Tapes
Genre: Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:24:19
Total Size: 55 mb

Tracklist:
01 – Contrapasso

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Artist: Raum
Title Of Album: Event of Your Leaving
Year Of Release: 15 nov 2013
Label: Glass, House / #003
Genre: Ambient, Drone, Experimental, Ambient
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:38:21
Total Size: 95 mb

Tracklist:
01 In Stellar Orbit
02 Blood Moon
03 Event of Your Leaving
04 In Held Company
05 Blood Loss

320 kbps
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Label: Dark Clover
Catalog#: DC011
Release date: 30-11-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 218 mb
Genre: Electronic
Style: Future Garage, UK Garage, Bass, Experimental, Electronic

A master of lovelorn emotional surrender, Volor Flex brings his narrative to an end with Sabo, his fourth and last album under this alias. The reasons are only his to know, but Volor Flex certainly won’t be this producer’s final musical persona. Parts of Sabo already hint at subtle changes in direction and style – natural consequences of artistically perfecting oneself – showcasing even more of Volor’s expert manipulation of samples and composer skills.

Volor Flex’s reputation and popularity have been steadily on the rise for the past two years; he has released 3 albums and 3 EPs, all representative of what it means to brilliantly adapt the specifics of a signature style while living up to the staple sound itself. The man who has been referred to as Burial 2.0, Alex Frolov of Syktyvkar, Komi Republic, Russia delivers us a complete, 20-track long, intensely introspective album, possibly his finest work to date.

Sabo is laden with familiar bittersweet moods made of crisp, dancy garage breaks paired with artfully constructed soundscapes as fragile as glass that Volor peels back until they break apart and fade away. All twenty tracks enclose the darnkess of the boreal forest, the harshness of the tundra, the anxiousness of isolation, the solace of being lost in thought and the memories of a loved one. Volor Flex adds a new expanse to the timeless comfort area that he’s been building and has now completed, a place of relief and daydreaming the listener will repeatedly want to come back to.

Tracklist:
1. Eternal Return
2. Trick or Treat
3. Wait
4. Spellbound
5. World Turns To Dust (feat. Lostlojic)
6. Sabo
7. Let Me Go
8. Secret Temple
9. Month Apart (feat. Sangam)
10. Viṣṇu
11. Hot Monday (feat. Incomer)
12. MSK
13. We Rise1. Eternal Return
14. Faint Outline (feat. Bulb)
15. Straight From My Heart
16. Outlaw
17. Blindness
18. Blackout
19. Stranded
20. White (feat. Incomer)

320 kbps
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Label/Cat#: Alter – ALT 13
Year: 11 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 60 mb
Genre: Electronic
Style: Techno, Experimental

Tracklist:
1. Perception (part 1) (14:55)
2. Perception (part 2) (13:50)

320 kbps
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Label: Awesome Tapes From Africa7
Catalog#: ATFA 007
Release date: 01-10-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 57 mb
Genre: Electronic
Style: Experimebtal, Electronic

Tracklist:
01. Wegene
02. Prins Thomas Diskomiks
03. Wegene (Protect U remix)
04. Ambasel (El Guincho club alize edit)

320 kbps
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Artist: Migrations In Rust
Title Of Album: Two Shadows
Year Of Release: 5 nov 2013
Label: NNA Tapes – NNA 065
Genre: Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:32:44
Total Size: 87 mb

Tracklist:
1. Had We Left / Doors Between (03:42)
2. Two Shadows Cast (05:22)
3. Canticle For Melting Gold (04:03)
4. Cradled Under Fern (04:03)
5. Behind My Skin (04:45)
6. You’re Near (04:56)
7. Drawing Down The Moon (05:50)

320 kbps
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Label: PAN
Catalog#: PAN45
Release date: 27-11-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 98 mb
Genre: Electronic
Style: Experimental, Glitch Electroacoustic, Electronic

Tracklist:
01. Venpin
02. Noscrlu
03. Viochlm
04. Out_Kutzk
05. Ciaradh
06. Donsfe
07. Seit Nuin
08. Sclunt
09. Mothlitz
10. Oidhche

The story of Chris Douglas has a few holes in it. He’s been making music since the late ’80s, with his first record appearing in 1992. Since then he’s released and performed under names like O.S.T., Harry Rod, Wooli Bodin and Scald Rougish. We know he’s lived in Detroit and has worked with Mike Banks and the late James Stinson, and that he threw ambient techno parties as a teenager in San Francisco. These days, he lives in Berlin. Interviews with him aren’t exactly illuminating. All we’ve really got to go on is the music.

Niaiw Ot Vile is Douglas’s fourth release as Dalglish, and it’s a world unto itself. Just look at the title, or try to pronounce it. Track names like “Ciaradh” and “Oidhche” are Scots Gaelic, while “Noscriu” seems to pop up in Catalan, French and Italian texts. Urban Dictionary tells me “Sclunt” has a very aggressive meaning (you could even say demeaning), while “Donsfe” seems to have no meaning at all. As with Autechre or Aphex Twin, the words used to title these pieces of abstract music are themselves abstract. Non-words that sound like real words, mash-ups of half-forgotten languages, phonetic spelling, dropped vowels—it all challenges any straight-forward interpretation, pulling instead on instinct and memory without forcing any conclusion.

The tracks on Niaiw Ot Vile embody the same idea. Musically, they all fall into one of two loose camps. On one hand, you’ve got the dissonant, more rhythmically adventurous tracks (“Venpin,” “Noscriu”), where layers of noisy percussion coalesce into overwhelming wholes. Others, like “Set Nuin” and “Oidhche,” are far more minimal and ambient, floating along like Eleh or Stars Of The Lid. “Ciaradh,” which arrives half way through the album, sees both sides meet in the middle to beautiful effect. On all of them, Douglas leaves his stamp, a particular type of chord progression that he’s repeatedly drawn to, sometimes covered over by frantic percussion or synthesiser bleeps, sometimes left to stand alone, delicate and exposed.

It seems foolish to draw any kind of conclusion about an album as self-consciously open-ended as this. In a way, it’s like the aural equivalent of Ad Reinhart’s black “ultimate” paintings—a purely aesthetic exercise, shorn of all subject matter. We have no choice but to take it as we find it.

320 kbps
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