Recent posts: Album

Label/Cat#: BPitch Control Germany – BPC285CD
Year: 28 March, 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 98 mb
Genre: Electronic
Style: Electronic

Tracklist:
01. The Unknown (3:51)
02. A Matter of Time (3:30)
03. You Cover Me (3:37)
04. Forward (4:20)
05. In Silence (3:09)
06. 4ever (3:49)
07. Evergreen (3:26)
08. Into the Deep (2:59)
09. Don’t Go (3:40)
10. Lightning Sparked (4:07)
11. Nowhere (3:24)
12. Currents Change (3:30)

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Label: Dust Science
Catalog#: dustv044
Release date: 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 183 mb
Genre: Electronic
Style: Techno

Tracklist:
01. Black Chamber Order
02. Bass Mantra
03. Heavy Industry
04. Greedy Gutter Guru
05. High Rise Choir Reprise
06. Dissident Bleep
07. Dissident Bleep (Remixed By Sandwell District)
08. Black Chamber Order (Remixed By Blawan)
09. High Rise Choir Reprise (Remixed By Sigha)
10. Heavy Industry (Remixed By Shifted)
11. Greedy Gutter Guru (Remixed By Richard H Kirk)
12. Bass Mantra (Remixed By Perc)

http://www.duststore.com/product/downloads/liber-collected

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Label: AM.mu
Release date: 28-03-2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 120 mb
Genre: Electronic
Style: Abient

Tracklist:
01. Mono No Aware (Opening)
02. Mesmerized
03. Nightfall
04. Luminescence
05. Solace
06. Faraway
07. Saudade
08. Some Kind of Sunrise
09. Breathe Out
10. Transience
11. Epilogue

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Label/Cat#: Bine Music Germany – BINE 031CD
Year: 24 March, 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 135 mb
Genre: Electronic
Style: Experimental, Ambient

Tracklist:
1. Muster (10:25)
2. Immaculate Air (06:14)
3. Lips Parted With Hope (01:07)
4. Backwood (07:48)
5. This Is The Dead Land (04:40)
6. The Nature Of Being (14:44)
7. Broken Stone (04:28)
8. Singing In Clay (05:46)
9. Singing Through Qualia (03:49)

Robin Rimbaud aka Scanner has been travelling the intergalactic pathways of music for over twenty years. Pathways which have taken him across the full spectrum: jazz, musique concrete, electronica, and everything in between. Electronic Garden is a fascinating and ultra rare chance to hear the man’s live sounds in action. Recorded at an outdoor event in Dresden, Germany, this recording truly display’s Scanner’s abilities and musical variety. It’s a sweet, effervescent blend of electronics, lo-fi and downtempo sounds. Recommended.

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Label/Cat#: Hybridity – HYB 011
Year: 21 February, 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 121 mb
Genre: Electronic
Style: Bass, Electronic

Tracklist:
1. Don’t Ask (05:09)
2. Cooking Shows (04:49)
3. Next Time (04:18)
4. Teacher (04:23)
5. Jeans (04:39)
6. Stumble (03:24)
7. Hi + Lo (03:42)
8. October (05:18)
9. Untitled (03:59)
10. I’m Not There (06:18)
11. Next Time (Grenier remix) (07:21)

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Label: Endless Flight
Catalog#: EFCD12
Release date: 17-02-2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 144 mb
Genre: Electronic
Style: Disco, House

Tracklist:
01. Vous Dansez
02. Schritte
03. Computerstimme
04. Taking It
05. Let’s Go
06. Want No Other
07. The Beginning
08. Two More
09. Fallin’
10. Le Troublant Acid

A self-professed vinyl junkie and one half of Force of Nature alongside DJ Kent, KZA (pictured above) has a strong affiliation with the Endless Flight offshoot of Mule Musiq. Four years ago saw the release of his debut album Dig & Edit on the label, and he’s also been responsible for a raft of 12?s on Endless Flight – including the classic Le Troublant Acid – as well as mixing two volumes of their showcase compilation series I’m Starting To Feel Okay. Now Dig & Edit 2 has arrived, and it’s a continuation of the approach the producer took with his debut set. Some ten tracks long, Dig & Edit Vol. 2 largely consists of new material that KZA sampled from his extensive record collection and subsequently arranged with the assistance of Mule Musiq boss Kuniyuki, though it does end on the aforementioned, previously released Paul Martin-sampling stunner “Le Troublant Acid”. All in all, essential.

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Label: UNKLE
Catalog#: UKL4604
Release date:2014
Source: CD
Format: MP3
Quality: 320 kbps
Size: 182 mb
Genre: Electronic
Style: Electronic, Trip-Hop, Alternative

Tracklist:
Disc: 1
1. Chemistry
2. Hold My Hand
3. Reign
4. Broken
5. Instrumental 1
6. Burn My Shadow
7. Lonely Soul
8. Instrumental 2
9. Lawless

Disc: 2
1. Mayday
2. Price You Pay
3. Restless
4. Keys To The Kingdom
5. Morning Rage
6. In A State
7. Rabbit In Your Headlights
8. Eye 4 An Eye

Fresh for 2014 is a live set from critically acclaimed production collective UNKLE. This 2008 recording at The Metro Theatre in Sydney, Australia showcases some of UNKLE’s best music and downtempo electronic classics. Special mint packaging complete with liner notes detailing a first-hand review of the concert makes this a collectors item for any fan of UNKLE.

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Label/Cat#: Selected Records – STD118
Source: WEB
Release date: 2014-03-17
Format: mp3
Quality: 320 kbps
Size: 181 mb
Genre: Electronic
Style: Techno

Tracklist
1. Gargola (Original Mix)7:14
2. Maudite (Original Mix)7:07
3. Bermuda’s Secret (Original Mix)7:16
4. Tekolage (Original Mix)7:17
5. Metrik Expansion (Original Mix)7:39
6. Carbon 12 (Original Mix)7:13
7. Real Diamond (Original Mix)6:55
8. Minotauro (Original Mix)7:13
9. Tijuana (Original Mix)7:16
10. Faccioso (Original Mix)7:32
11. Eloquenza (Original Mix)5:47

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Artist: Fatima Al Qadiri
Title Of Album: Asiatisch
Year Of Release: mar 2014
Label: Hyperdub / HDBCD024
Genre: Bass
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:37:48
Total Size: 87 mb

Tracklist:
01. Shanzhai (for Shanzhai Biennial) feat. Helen Feng
02. Szechuan
03. Wudang
04. Loading Beijing
05. Hainan Island
06. Shenzhen
07. Dragon Tattoo
08. Forbidden City
09. Shanghai Freeway
10. Jade Stars

Fatima Al Qadiri is a multidisciplinary artist and musician from Kuwait. In just a few years, she’s quickly built a reputation as a conceptual artist, exploring themes informed both by her own background and global pop culture, through a number of highly acclaimed EP’s, multimedia projects and writings. She’s also a founding member of the production team ‘Future Brown’. Fatima’s debut album is called ‘Asiatisch’, and as the track titles suggest, the record provides a simulated road trip through an imagined China. Musically, the album is a homage to that quietly influential sub-strain of grime, often loosely termed ‘sinogrime’, due to its preoccupation with Asian motifs and melodies, and pioneered by the likes of Wiley and Jammer at the beginning of the 2000s in East London.

‘Asiatisch’ is a provocation which asks more questions than it answers. The title is the German word for Asian. Unlike its title, however, the music on ‘Asiatisch’ revolves around the fantasies of east Asia as refracted through pulpy Western pop culture, in particular, Hollywood, literary fiction, music, cartoons and advertising. Fatima asks what is meant by the term ‘Asian’ in a digital age of viral interchange and the hi-speed trading of cultural bytes, the concept of ‘shanzhai’ proves pivotal, a term whose meaning stems from a wild, out of control zone of banditry, but which has come to be used to refer to the Chinese counterfeiting of Western brands and goods. While this ‘sinogrime’ has had many copyists over the last few years, ‘Asiatisch’ is really the first record that attempts to articulate this weird complex of sonic interchanges between the West and China. With the exception of the opening track, ‘Shanzhai’, a haunting cover of ‘Nothing Compares to You’ with nonsensical Mandarin lyrics, and the shimmering ‘Loading Beijing’, ‘Wudang’ and ‘Jade Stairs’ which sample and distort classical Chinese poetry staging an epic confrontation between China’s ancient soul and the onslaught of the industrial factory machine, most of the tracks blend mallets, bells, gongs, flutes, steel drums and choral atmospherics with the searing synth-brass and the skittering drums of grime, playing melodies that are inflected as much by classic R&B as to synthetic versions of traditional Chinese music. On “Dragon Tattoo” for example, stereotypical iconography of imagined China is slotted into a threatening, robotic R&B format. The carefree pirating of Western brands blurs into a soft-synth pirating of Chinese musical signs. ‘Asiatisch’ is lovingly wrapped in pristine artwork by Babak Radboy from Shanzhai Biennial, and the music was given a 3D sheen by in demand mixer Lexxx. Proclaiming both its love of both ancient and imagined China, ‘Asiatisch’ is a rare album that is both icily beautiful and conceptually layered.

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Artist: c.db.sn
Title Of Album: Terrestrial
Year Of Release: 4 mar 2014
Label: Component
Genre: IDM, Ambient, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:54:00
Total Size: 260 mb

Tracklist:
1.Of Tundras and Glaciers 07:13
2.Brim Liski – Fight (c.db.sn remix) 05:37
3.4amcatataq 07:17
4.Ghosts In the Clocktower – Ae1 Ghoeb (c.db.sn remix) 05:50
5.Motionless, by Harvest’s Moon Light We Lie 08:09
6.Anklebiter feat. c.db.sn – CO Recursion 05:46
7.Architect – Pure (c.db.sn remix) 04:55
8.A Silent Sea 05:51
9.Ghost of a Piano 02:03
10.athousandmiles 05:17
11.Furtherscape 06:42
12.Calm Amidst Turbulent Seas 10:08
13.Airport051610 04:07
14.Zyxt – T.O.W. (c.db.sn remix) 05:20
15.Lost Transmission 05:30
16.Waiting So Long 03:44
17.Snowday 06:15
18.Sun on My Face 05:20
19.The Singularity is Near 03:46
20.able~gen 05:06

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Label/Cat#: Diventa Music – DVM 176
Year: 14 March, 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 192 mb
Genre: Electronic
Style: Ambient, Downtempo

Tracklist:
1. Sylmar (05:08)
2. Roots (05:11)
3. Wise (03:33)
4. She Found Moments (04:24)
5. Color Dust (06:19)
6. Kingdom Of The Blind (04:36)
7. Modules (06:56)
8. Along The Way (06:00)
9. Heartbeat (05:53)
10. Green Storm (05:48)
11. Temple Monkey (04:46)
12. Talk To Me (05:08)
13. World Lift (06:29)
14. Treetop (07:01)
15. Ultimate Switch (06:44)

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Label: Ultimae Records
Catalog#: inre067 / Remastered
Release date: nar 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 124 mb
Genre: Electronic
Style: Ambient, Downtempo

Tracklist:
01 – Wooden Little People
02 – Spherical Harmonic
03 – Caucasus
04 – Euclidean Subspace
05 – Su Abir (Live At Glastonbury)
06 – Ada
07 – Oubliée Et Perdue

Ultimae is pleased to present the re-mastered version of Cygna’s first album [ Opus Ena ] with brand new artwork by photographer Tümer Genctürk. A must for all ambient / downtempo lovers, the acclaimed Maltese composer has the ability to transport the listener into wide and wild symphonic soundscapes.

Cygna, a leviathan in the waters of symphonic ambient presents [ Opus Eva ], the result of a wide spectrum of experiences. Seven years interweaving the alchemy of harmonic patterns, silenti, amethysts, oneiric symphonies, psychoacoustics, outer spaces and inner rhythm. Seven steps in the immemorial pilgrimage towards the multitudinous self.

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Artist Ryan Davis, Applescal
Title Creatures – Remixes
Genre Techno, Electronic
Label Back Home
Catalog# BH0027
Released 2014
MP3 Download Source WEB
Play Time 15:21 min
Total Tracks. 4
Bitrate 320 kbps

1. Creatures (Ajec Remix) ( 3:01)
2. Creatures (Despine Ambient Version) ( 2:49)
3. Creatures (Lmnskt Remix) ( 5:04)
4. Creatures (Martin Hooke Bouncy Remix) ( 4:27)

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Artist Kris Wadsworth
Title Popularity
Genre Tech House, Techno, Acid
Label Hypercolour
Catalog# HYPECD 001D
Released mar 2014
MP3 Download Source CD
Play Time 78:17 min
Total Tracks 10
Bitrate 320 kbps

1. Hypercolour Theme
2. Hot Karl
3. Cock Soup
4. Neo Nasty
5. Public Relations
6. Verhexen
7. Evolove
8. Mesmerist
9. Polularity
10. Common Knowledge

Kris Wadsworth is an increasingly rare breed of artist that flat refuses to play industry games and pander to current trends; focusing on the darker, more uncompromising (and more honest) realms of electronic music. Releases have steadily clocked up for such esteemed imprints as Boe Recordings, NRK Music, alphahouse, Get Physical and Morris/Audio, landing on Hypercolour for 2009 s impressive Deport This (and subsequent single Mainline ), and it is for the eclectic and forward thinking UK label that Wadsworth aims his second full length player at.

It s an album drawing upon many personal events and moods, as Wadsworth explains: The first part is more fun, maybe comical at times, but the first track is really special. It s something I made very thoughtfully for Alex, Ste and Jamie ( Hypercolour Theme Song ). These guys have been through it with me, for better or worse, and still continue to support me more than any other label I have ever worked with. 5 years and counting! It s basically the only other label aside from my own labels, which I would want to release stuff on anymore. A mutual friend of ours played the Theme Song in front of a bunch of naked guys in a very famous Berlin club. They went nuts for it. That s Hypercolour.

Big nasty 303 lines soon show up ( Hot Karl ), more blatant acid accompanies Kris while joking around with his girlfriend about chicken soup in Ibiza ( Cock Soup ), then some very impressive and detailed sounds from his modular system begin to show themselves ( Neo Nasty , Public Relations ).

The second part is stuff that I made sort of in contrast to the other stuff, says KW. His near cult-status bass lines naturally continue to make more appearances, perhaps in a bit more familiar way. While tracks like Verhexen, Evolove, Mesmerist and the title track Popularity are instantly identifiable Wadsworth, they are simultaneously completely new ground. Perhaps his self-imposed, artistic purification concept via his critically-acclaimed vinyl label named URANUS has played a role here?

The closing track of this album ( Common Knowledge ) is seemingly out of nowhere. Kris is already established as a very versatile producer, so it should be no surprise that there is a non-standard 4/4 track somewhere. Only because I love Jungle, it s a UK label and I think this is the purist form of terror I ve made to date, he says cheerfully. This is something for the true fans of the 29 year old, and perhaps something only the most skilled and daring DJs will play out. Never an artist seeking popularity in an industry that values it over talent; Kris Wadsworth very well might end up gaining some new followers with his new long player, which is of course, sarcastically of the same name. Cheers to irony.

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