Recent posts: Album

Artist: Drumcomplex & Roel Salemink
Title Of Album: Crossing Borders
Year Of Release: 2014
Label: Intec – ID064
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:24:12
Total Size: 192 mb

Tracklist:
1. Crossing Borders (Original Mix)7:05
2. AMF (Original Mix)7:32
3. Friday (Original Mix)6:26
4. Attitude (Original Mix)7:15
5. Inside The Cocoon (Original Mix)6:58
6. Roaring (Original Mix)7:16
7. Glue (Original Mix)7:45
8. Suffering Soul (Original Mix)7:02
9. Overflow (Original Mix)6:32
10. Clockwork (Original Mix)6:57
11. Bullet In My Head (Original Mix)6:36
12. The Force (Original Mix)6:48

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LABEL: Dolly | DOLLY20
GENRE: Deep House
RELEASED: 2014
mp3 DOWNLOAD SOURCE: VINYL
BITRATE:320 / 44100kHz / Full Stereo
TRACKS: 8
SIZE: 112.45 megs

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Artist: Mono
Title Of Album: Rays of Darkness
Year Of Release: 2014
Label: Pelagic
Genre: Post Rock, Instrumental
Quality: Flac (tracks+.cue)
Bitrate: Lossless
Total Time: 00:35:22
Total Size: 194 mb

Tracklist:
01. Recoil, Ignite
02. Surrender
03. The Hand That Holds the Truth
04. The Last Rays

When MONO began in 1999, they set out with a simple mission: From bliss to bludgeon, no matter how long or winding the path may be. Their debut album, Under The Pipal Tree, outlined that mission in twisted, psychedelic fury. Subsequent albums would see the band honing their craft, mastering their mission, and ultimately abandoning that path in favor of more grandiose pursuits. Flanked by increasingly larger orchestras, MONO performed live at some of the most prestigious venues in New York City, London, Tokyo, and Australia. MONO had become an orchestral rock band, a spectacle of extreme melancholy and melodrama. On 2012’s For My Parents, the band had finally reached the logical conclusion of that era; it was time to remember where they started, and to rethink where they were heading. Less strings? No strings? Louder?Quieter? Lighter? Darker? Yes.

The Last Dawn and Rays of Darkness are a pair of new albums by MONO. Recorded simultaneously yet conceptually and creatively disparate, the two act as both opposing and complementary sides to a story. No strangers to narratives, the two albums explore familiar themes for the band: Hope and hopelessness, love and loss, immense joy and unspeakable pain. Those elemental parts of life and the complicated relationships they create have never been more resonant through MONO’s music than they are here.

The Last Dawn is the first of these two companion albums, and is the “lighter” of the two, thematically and melodically. It contains undoubtedly some of MONO’s strongest songs ever, drawing on an array of influences from minimalist film score to vintage shoegaze. It is MONO at their absolute purest, executing an uncanny, unspoken dialogue with each other without the dozens of stringed instruments that have been so prominent throughout their catalog. The songs are also noticeably more efficient – there hasn’t been a MONO full-length record to fit on a single slab of vinyl since 2003’s One Step More And You Die – and the album benefits immeasurably from this streamlined approach. MONO have always been masters of telling compelling stories without words. But now they’ve proven they can do it without frills, too.

Rays of Darkness is the first MONO album in 15 years to feature no orchestral instruments whatsoever. That fact alone is remarkable given the band’s reputation for sweeping, dramatic instrumentals that recall Oscar-worthy film scores. Instead, Rays of Darkness more closely resembles a jet engine taking off inside a small, crowded auditorium. It is MONO’s blackest album ever, a collection of scorched riffs, doom rhythms, and an unexpected contribution from post-hardcore pioneer Tetsu Fukagawa of Envy. The album ends with the smoldering wreckage of distorted guitars and ominous drones playing out a eulogy to the days when MONO shot blinding rays of light through seemingly endless darkness.

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Artist: DMX Krew
Title Of Album: 100 Tears
Year Of Release: 2014
Label: Fundamental Records – FR005
Genre: Electro
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:45:57
Total Size: 103 mb

Tracklist:
1 100 Tears
2 Unexpected Spring
3 Transubstantiation
4 Inverted World
5 Time Enough For Love
6 Hyperion
7 Output Data
8 Why
9 Tone Splice
10 Akai Lament
11 Hexagone
12 Not Noticing

Fundamental Records presents ‘100 tears’ a brand new album from DMX Krew.

This is a one off exclusive Bleep edition of 100 copies pressed on deluxe double white vinyl and housed inside a metallic cardboard jacket screen printed by hand by designer Alek Stark. Below are a few words from Ed DMX about the making of the album.

These are nearly all tracks that were written at the end of 2013 and the beginning of 2014 when I was in the process of moving house, which meant I couldn’t have my studio set up.

Instead I made these tracks using one or two synths and one drum machine, recording into a laptop without a mixing desk. I guess this is the way a lot of people make music but it’s new to me. Having the restriction of only a few pieces of equipment on each track helped me to focus on musical ideas. When I felt too restricted by the machines in use, I would put a couple away and get a couple of different ones out of storage.

So the whole thing has a slightly different production vibe than some of my stuff, and a slightly different thought process, but the inspiration is the same: science fact and fiction mixed with the emotions of daily life.

Ed DMX

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Artist: Irradiation
Title Of Album: Quantum Oscillations
Year Of Release: 2014
Label: Temp
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:21:38
Total Size: 187 mb

Tracklist:
1. Ground State 3:15
2. Angular Momentum 6:28
3. Vacuum Fluctuations 7:36
4. Quantum Foam 6:34
5. Superposition 7:05
6. Entanglement 2:50
7. Microstate 6:38
8. Supersymmetry 6:41
9. Neutrino Oscillations 3:57
10. Wave Function 6:24
11. Magnetic Monopole 8:22
12. Singularity 6:46
13. Gravitational Waves 5:41
14. Entropy 3:21

The work of Viennese artist Patricia Enigl, Quantum Oscillations draws on a range of influences from electro-acoustic and dark ambient to minimal techno. It results in a work that is both daring and demanding, but despite its many influences, also cohesive. From the eerie, layered textures of “Ground State” and the menacing, enveloping soundscapes of “Entanglement” through the death march drums and shadowy moods on “Magnetic Monopole” and the chilling effects and broken beats of “Vacuum Fluctuations”, Enigl is clearly comfortable working away from the confines of the dance floor. At the same time, she is also able to bring that unpredictable, twitchy sensibility to techno arranging, most impressively on the detuned, cold bleeps of “Microstate”.

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