Recent posts: Infinite Machine

LABEL: Infinite Machine | IM026
GENRE: Tech House
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320kbps / 44100kHz / Full Stereo
TRACKS: 4
SIZE: 58.78 megs

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Label/Cat#: Infinite Machine – IM 025
Year: 18 August, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 78 MB
Genre: Electronic
Style: Bass

Tracklist:
1. Hyper-Ego (04:04)
2. Key Party (06:12)
3. Club Medz (03:45)
4. Ha-REM (04:36)
5. Ha-REM VIP (03:40)
6. Key Party (Foba remix) (04:19)
7. Key Party (Spurz Key Bump edit) (04:30)
8. The Ballad Of Scorpio (03:33)

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Label/Cat#: Infinite Machine – IMSL 20
Year: 14 July, 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 54 mb
Genre: Electronic
Style: Bass

Tracklist:
1. The 361 (04:00)
2. Massive Reactor (04:40)
3. Mad Techno Invasion (03:35)
4. Tonatiuh Dance (07:08)
5. Keep Going (04:03)

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Label/Cat#: Infinite Machine – IM 023
Year: 12 May, 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 68 mb
Genre: Electronic
Style: Bass

Tracklist:
1. Erumpo Ortus (04:33)
2. Cybertime (05:14)
3. Hekatonkheir (06:58)
4. Mutagen (04:21)
5. Phalanx (03:47)
6. Reforestry (06:30)

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Label/Cat#: Infinite Machine – IM022
Source: WEB
Release date: 2014-02-03
Format: mp3
Quality: 320 kbps
Size: 57 mb
Genre: Electronic
Style: Tech House

Tracklist
1. In Disguise (Original Mix)5:47
2. Killjoy (Original Mix)6:10
3. Subconscious (Original Mix)6:14
4. Timelapse (Original Mix)6:09

UK’s Oli Brand, aka Beaka,does not pull any punches for his Infinite Machine debut. With 4 trax of ruffhouse antics, the self-titled “Beaka” EP is an exercise in coaxing out the multilateral efficacy ofUKbass. “InDisguise” is subversive 4/4 tech-house banger, functional as both set highlight and/or DJ tool, “slow-burning” with urgency via its driving vocal snippet and slithering slabs of acidic bass, before briefly and cunningly exploding into strobing laser madness, only to quickly wrangle us back into the main groove. “Killjoy” is dubstep-in-beat-only, in the vein of trax by fellow bass luminaries Paleman or Objekt. It features restless percussion skittering around a neck-snapping halftime beat, with grimy square subs billowing from underneath. Dubby chords washes evoke a grey cityscape, while an 808 lead melody raises the contrast and lowers the gamma on that mental picture, resulting in the darkest offering on the release. “Subconscious” and “Timelapse”, on the other hand, while employing similar production mechanics as the previous two trax, go the stop-start garage route, bringing in vocals to convey a different outlook for the monochrome urban aesthetic – a celestial and hopeful one. Beaka’s output is one that is comfortable both in club and in home-listening scenarios, and IM is pround to present a release which so deftly showcases his versatility.

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Label: Infinite Machine
Catalog#: IMSL15
Release date: 14-10-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 38 mb
Genre: Electronic
Style: UK Garage, House

Tracklist:
01.- I’d Stay Here
02.- Le Rêve
03.- I’d Stay Here (Liar Resax)

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Label: Infinite Machine
Catalog#: IMSL17
Release date: nov 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 27 mb
Genre: Electronic
Style: Juke, Bass

Tracklist:
01 Tumblr Girl
02 Polygon Fane
03 Tumblr Girl (8prn Remix)

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Label: Infinite Machine
Catalog#: IM020
Release date: 24-06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 31 mb
Genre: Electronic
Style: Bass, Future Garage

Tracklist:
1 Assamite
2 Tzimisce
3 Toreador
4 Lasombra

Liar’s second offering in the cycle just recently initiated by “Mas” is perhaps his heaviest release to date. An indiscriminate love letter to all iterations of rave in the past 40 years, “Que” effortlessly reunites heretofore estranged elements of hardcore, via Liar’s blissfully disturbed vision of future bass music.

Opener “Assamite” is a dark, brooding, dizzyingly calculated exercise in techno unshackled from the trappings of four-to-the-floor. Spartan and reductionist, it dispenses with melody, instead creating an immersive sonic backdrop for the rapid-fire percussion and billowing bassline. As the incessant industrial impacts begin to dictate your breathing and the ghostly choirs provide a chilling lull, a keyword starts being whispered to you, fully driving home the dystopian opiate aesthetic.

“Tzimisce” takes a page from the millenial ‘nu-skool breaks’ book, and employs multiple 90s breakbeat hardcore approaches, all the while keeping it resolutely 2013. The opening sample chants “they entwine”, and upon first listen this becomes seemingly self-referential – the abberant reece coils around the beat with impunity, literally tying everything together with the gusto of a bondage enthusiast or a boa constrictor.

On the flipside, “Toreador” is brief, minimalist, and jocular. Blending heavyweight house and cyber-tastic late-80s electro, it revolves around a pugilistic bassline and corroded Eddie Griffin soundbite.

Closer “Lasombra” wraps things up in an action B-movie kind of way – with urgency and bombast. The most 4/4 of the four, it is indebted to neuro-house natives such as Noisia or The Proxy, yet departs from their MO via a full complement of Liar’s trademark quirks. Metallic rave piano stabs ramp up the pressure, junglist easter eggs line every nook & cranny, sax solos take the edge off, and a chipmunked diva both lionizes and sums up the aim of this EP…

…Which is to get your body moving along with your most questionable thoughts.

All tracks written and produced by Liar.
Mastering by Liar.
Artwork by Liar and Borealis.
Modelling by Ana Kopitar.

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Label: Infinite Machine
Catalog#: IM019
Release date: june 03 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 79 mb
Genre: Electronic
Style: Techno

Tracklist:
01. – Ever Decreasing Circles 06:24
02. – GO 06:34
03. – Come Out 05:39
04. – Ever Decreasing Circles (Borealis Unmoved Mover Remix) 08:28
05. – GO (Kommune1 Remix) 06:32
06. – GO (Liar Resex) 04:00

Cambridge resident Samuel Emerson Iliffe, aka ill Life, is driven by a penchant for warping things. Akin to warping his sonorous surname into the „ill Life” moniker, he warps formely innocuous techno fare into a clangorous, concussive march of living, breathing percussion. Samuel’s sonics seemingly owe a considerable amount to recent innovations from the likes of Blawan or Perc Trax alumni, however his only fault is taking part in the phenomenon of „synchronous innovation”. Before Karenn coalesced, before Clouds’ newest offerings started being rinsed, ill Life had long since moulded his sound. It is Infinite Machine’s infinite regret to have discovered him so belatedly. But there’s no use crying over spilled trax.
„Ever Decreasing Circles” blasts off right away, employing burrowing sounds, and disgruntled mechanical noise that is ostensibly trying to shrug off the tyranny of the relentless 4/4 pulse, but never quite manages. There is conflict at the core of this track, and by the time the subtle tension of metallic dub stabs sets in, and immersive quality of the pitched-down, k-hole vox ruminations takes hold, the listener is smack dab in the middle of it. Staying true to its name, the track constricts further and further, until the ceaseless burrowing nearly instills a body high.
Operating in an alternate universe where Moby was a speedball enthusiast, „Go” is an overwhelming rave tirade, insinuating itself with muttered vocal clips and intently punctuated by the reccuring lead sample, while percussion creates a dizzying effect by virtue of its doppler-effect like dynamics.
„Come Out” is an arithmetic mean between warehouse and dub techno, driven forth by visceral vibrations in both the perc and lowend. An instrospective number , it provides a welcome mid-EP opportunity to catch one’s breath.
Borealis builds on the foundation of „Ever Decreasing Circles” with a copious serving of acid before finally climaxing into his trademark shadow trance euphoria.
Kommune1 masterfully bridges the gap between the two essential stompers, seemingly sounding like a megamix of the two.
Musical polymath Liar yet again steps in to supply the shameless banger, crafting a cohseive whole from aquatic, Drexciyan electro, an almost comical take on acid, mindless cathartic drumming and very nearly illegal sound design. „I know you’re different, cause I’m really normal”, it insists, with no small amount of irony. A nod to all all things warehouse, this „resex” bridges the gap between 90’s nostalgia and the forward-thinking histrionics of the original mix.

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Label: Infinite Machine
Catalog#: IMSL 8
Release date: 27-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 32 mb
Genre: Electronic
Style: Bass, Future Garage

Tracklist:
1. “Lunar Eve”
2. “Triangle Optics”
3. “Triangle Optics” (Kon remix)

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Label: Infinite Machine
Catalog#: IMSL 7
Release date: 20-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 22 mb
Genre: Electronic
Style: Juke, Future Garage

Tracklist:
1. Fucking At Disneyland (03:12)
2. I Got Hard Wobs & So Many Huneys M8 (03:58)

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Label: Infinite Machine
Catalog#: IM017
Release date: 01-04-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 102 mb
Genre: Electronic
Style: Bass, Future Garage

Tracklist:
01 AFDW (3:57)
02 Tough Luck (4:08)
03 Bag of snakes (4:09)
04 Always something (3:53)
05 Bag of snakes (Deft Remix) (5:26)
06 AFDW ( Herr Johann Remix) (5:37)
07 Always something (Sibian & Faun Remix) (6:12)
08 Tough Luck (Blacksmif Forge Melded Remix) (5:42)
09 Tough Luck (Seapoint Remix) (5:20)

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Label: Infinite Machine
Catalog#: IM 018
Release date: 06-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 168 mb
Genre: Electronic
Style: Bass, Future Garage

Tracklist:
1. Noname (Framework Remix) 5:41
2. Invisible Colors (Deft Remix) 5:27
3. Noname (Pixelord Remix) 4:16
4. Unrest (Arapaima Remix) 3:15
5. Noname (Heblank Remix) 5:37
6. Pleasure (Obey City Remix) 4:21
7. Noname (Resketch Remix) 6:20
8. Pleasure (Village Remix) 3:23
9. Invisible Colors (Totte Remix) 5:01
10. Unrest (Seapoint Remix) 4:11
11. Invisible Colors (Druid Cloak Remix) 4:51
12. Pleasure (M.Constant Remix) 5:17
13. Unrest (Liar Remix) 3:30
14. Pleasure (Herr Johann Remix) 7:43
15. Unrest (Troy Gunner Remix) 4:44

This spring, as a tribute to fantastic Frenchman 123Mrk’s breakout debut on Infinite Machine, the “Noname” EP, we’ve proudly put together a hefty, ecletic collection of remixes from peers and fans of the effervescent post-dubstep innovator.

The eponymous track first gets the Framework treatment: a wistful yet energic dense percussive workout. Then, Pixelord spins it into a playful, arp-driven future beats number. Heblank focuses on the original’s house elements, and repurposes them as the basis for heavyweight, rave-piano-driven 4/4 banger. Resketch seemingly takes the same initial route, but his take on a house re-imagining is of a more chilled-out, deep and balearic persuasion.

“Unrest” is updated to 2013 hit status via Arapaima’s faithful, emotional and uplifting trap edit. Seapoint applies his signature stop-start beats dynamic on his take, creating an indefinable, next-gen, quirky and murky bass music banger. Liar, curveballing as usual, employs the talents of piano experimentalist Parachute Pulse and samples one of his own signature tracks to create a metallic, spacey, lo-fi esotech cover. Dub wizard Troy Gunner molds “Unrest” into a contemplative, hypnagogic finale for the release.

“Pleasure” explodes under Obey City’s touch into a genre-obsolete, exuberant fusion of nostalgic synthwork, sci-fi sound design, and ravey, energizing breakbeat. ViLLAGE brings his impeccable pop sensibilities to his faithful take on the original, perfecting it into the urgent, slighty trapped-out anthem of this relase. M.Constant, on the other hand, warps it nearly beyond recognition into a sexy melange of bluesy, vocal-driven warehouse techno and UKG. Herr Johann goes the future garage route for his take on it, but eschews the lamentable gloominess oft-associated with the genre, instead opting for thoughtful optimism and an irresistably immersive atmosphere on top of the woodblocks.

“Invisible Colors”, in the deft hands of Deft, becomes a vibrant post-footwork roller, replete with retrofuturistic synth washes and bubbling arps. TOTTE takes the track into UKG-revivalist territory, utilizing insanely catchy, soulful vocal cuts, talking percussion, and an unbridled sense of fun. Druid Cloak’s signature “Broked-n-Cloak’d” approach infuses his remix with a psych-folky, magical quality. Fresh from the grove.

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Label: Infinite Machine
Catalog#: IMSL 4
Release date: 11-03-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 31 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Suction Clip (07:03)
2. Dorian Hope (06:35)

The work of San Francisco producer Nico Jacobsen, the Hound Scales project has been described as ‘junta rave’. Whether or not Jacobsen uses this music as a soundtrack to oppress those who disagree with him is unknown, but it is clear that “Suction Clip” packs a punch. The rhythm is slamming and dirty, the beats heavy and cracked and the crackling percussion leads unexpectedly into a hushed breakdown. “Dorian Hope”
is built from a similar basis; the rhythm is slamming and noisy, the beats double up, ratcheting up the intensity levels and the central riff sounds like someone is scraping an industrial hammer against a concrete floor.

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Label: Infinite Machine
Catalog#: IMSL5
Release date: 18-03-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 55 mb
Genre: Electronic
Style: Bass, Future Garage

Tracklist:
1. Athene (4:26)
2. Blue Flame (3:27)
3. Night Touch (4:41)
4. Athene (Seapoint Remix) (3:16)
5. Blue Flame (Slick Shoota Remix) (3:36)
6. Blue Flame (Shackles Remix) (4:19)

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Label: Infinite Machine
Catalog#: IM016
Country: Canada
Release date: 25-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 52 mb
Genre: Electronic
Style: Bass, Future Garage

Tracklist:
1. Pixelord – I Don’t Need This (2:55)
2. Pixelord – I’ll Be There (3:05)
3. Pixelord – Shining Inside (4:17)
4. Zack Christ – Tungo (3:46)
5. Zack Christ – Sumpa Titi Buto (3:26)
6. Pixelord – I Don’t Need This (Zack Christ Remix) (4:12)

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Label: Infinite Machine
Catalog#: IMSL3
Release date: 11-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 42 mb
Genre: Electronic
Style: Bass

Tracklist:
01. Entrenched
02. Croak
03. Entrenched (Liar Remix)
04. Entrenched (Framework Remix)

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Label: Infinite Machine
Catalog#: IMSL2
Release date: 04-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 24 mb
Genre: Electronic
Style: UK Garage, House

Tracklist:
01 – iO Sounds – Tough Luck
02 – iO Sounds – Tough Luck (Cloaka Remix)

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