Some Little Things – Rhinobass

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From the foothills of the Sierras Chicas in central Argentina, Cordoba residents Leandro Moyano and Matias Medina, have been an impressive mainstay of the South American underground dance scene via their Some Little Things pseudonym. Now bringing their distinctive blend of progressive and “futuristic” sounds to Suffused Music, Some Little Things gallop into the here and now with “Rhinobass”. A raft of influences that include UK progressive giants, Pink Floyd, and Argentinean rock acts Patricio Rey and Redonditos de Ricota, vie for attention amongst the myriad electronic tastemakers including Sasha, Digweed and legendary fellow countryman Hernan Cattaneo. Moreover, not content with merely citing such heavyweights influences, Some Little Things have found themselves sharing the DJ booth with such celebrated company as SoundExile, Roger Martinez and Guy Mantzur. A fledgling production career that began midway through 2014 with the debut “Lines” on Sindor Records, has subsequently seen a clutch of impressive releases hit high profile imprints including Dopamine, Clinique and Tim Penner’s Slideways. Furthermore, the appearance of “Carnival” including a remix from Cattaneo and SoundExile on Hope Recordings’ “Never Get Out of the Boat” sampler, set another high benchmark. Debuting on Suffused Music with “Rhinobass” Some Little Things provide further illustration of their rise to the upper echelons of underground dance music. “Doris” opens the EP with a huge resonant bass line that bounces across the lower frequency spectrum accompanied by a fizzing, ticking percussive rhythmic line and soaring white noise effects. A rolling tom groove comes to the fore from the mid point onwards as an acid-tinged lead line makes its presence felt in menacing fashion. The intriguingly titled “Elena de Rumania” follows, supplying a similar flair for rhythmic sensibility. Evolving effortlessly throughout its eight-minute journey, parallels with electronic giants, Leftfield, are not misplaced as a collage of melodic riffs and arpeggios entwine atop a dominant beat to mesmerising effect. An exquisite key change heightens anticipation before a breakdown full of melodic poise leaves the way clear for gentle rhythms to hold sway once more. Title track “Rhinobass” brings the story to a close with a carefully constructed work that epitomises Some Little Things’ penchant for progressive sounds carefully interlaced with a thoroughly modern house vibe. Metronomic in rhythm and effects, the track elicits an exhilarating edge through its use of sumptuous octave pitched arpeggios and textured pad sounds. The resultant effect is a work that is as likely to appeal over headphones as it is in the clubs of their native Argentina and beyond.