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Ben Salisbury & Geoff Barrow – Ex Machina

Artist: Ben Salisbury & Geoff Barrow
Title Of Album: Ex Machina
Year Of Release: 2015
Label: Invada Records / INV 144CD
Genre: Soundtrack, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:08:41
Total Size: 155 mb

Tracklist:
CD1 – Original Score:
01. Ben Salisbury & Geoff Barrow – The Turing Test
02. Ben Salisbury & Geoff Barrow – Watching
03. Ben Salisbury & Geoff Barrow – Ava
04. Ben Salisbury & Geoff Barrow – Falling
05. Ben Salisbury & Geoff Barrow – I Am Become Death
06. Ben Salisbury & Geoff Barrow – Hacking / Cutting
07. Ben Salisbury & Geoff Barrow – The Test Worked
08. Ben Salisbury & Geoff Barrow – Skin
09. Ben Salisbury & Geoff Barrow – Out
10. CUTS – Bunsen Burner

CD2 – Bonus Material:
01. Ben Salisbury & Geoff Barrow – The Lab (Bonus Material)
02. Ben Salisbury & Geoff Barrow – Masks
03. Ben Salisbury & Geoff Barrow – Ava Undresses (Demo Version 1)
04. Ben Salisbury & Geoff Barrow – Session 2
05. Ben Salisbury & Geoff Barrow – Mary Experiment
06. Ben Salisbury & Geoff Barrow – Ava Turns To CCTV
07. Ben Salisbury & Geoff Barrow – Climbing The Waterfall
08. Ben Salisbury & Geoff Barrow – Ava Undresses (Demo Version 2)
09. Ben Salisbury & Geoff Barrow – Reversing The Test
10. Ben Salisbury & Geoff Barrow – A Beginning

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“Invada Records have just announced that they’ll be releasing Geoff Barrow and Ben Salisbury’s soundtrack to Ex Machina on April 10. To mark the news, they’ve given us a play of the album’s ‘Hacking / Cutting’, along with an exclusive look at the release’s artwork.
The pair have previously worked together as Drokk, releasing Music Inspired By Mega-City One, their unused score for the film Dredd, in 2012, and reconvening last year for a live improvisation at the Dark Outside project in Scotland. Take a look at a film about the latter below and read Salisbury telling us about it here. The film, which is the directorial debut of Alex Garland, the author and screenwriter behind The Beach, 28 Days Later and Sunshine among many others, is out now. Says Salisbury of the album: “[W]e wanted to slightly get away from the type of soundtrack album that has a huge tracklist with lots of short cues. Instead, we’ve tried to put together an album of fuller-length tracks, by segueing some of our cues and creating a structure and shape that mirrors the film in some way.”

23.06.2015 Electronic , Label Invada

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