Recent posts: IDM

Label: Thrill Jockey
Catalog#: Thrill 316
Release date: 19-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 115 mb
Genre: Electronic
Style: Experimental / Vocal / IDM

Tracklist:
1. You (7:02)
2. Very Large Green Triangles (4:43)
3. Mental Radio (3:39)
4. Ross Transcript (2:37)
5. Teen Paranormal Romance (4:47)
6. Tunnel (5:40)
7. In Search Of A Lost Faculty (6:11)
8. Aetheric Vehicle (7:14)
9. E.S.P. (8:03)
10. Ganzfield (∞)

*Excerpts from the album. Now available from Experimedia.net.* *CD version in deluxe digipack with 24 page booklet.* As always, the first Matmos album in five years doesn’t begin with the music itself. It starts with an specific approach, a conceptual framework, and a bold endeavor. Each of the nine tracks that comprise “The Marriage of True Minds” began with Matmos attempting to communicate the methods of their new album to test subjects who were deprived of both sight and sound. It’s a take on the Ganzfeld experiment, of which the Baltimore duo’s last EP was named after. The inspirations proved to be wildly singular: some came in the form of a hummed vocal fragment that was looped and warped, others in a visual depiction that intimated a musical structure to follow.

In translating these sources to song, “Marriage” is often playful and exuberant, exaggerating a voice snippet into an electronic symphony (“Very Large Green Triangles”) or matching what sounds like a Latin marching band with sirens and fire engines (“Mental Radio”). So much sonic material is placed into the album that highlights abound, but “Tunnel” may be Matmos’ crowning achievement on this double LP. The track, which features fellow Baltimore mainstay Dan Deacon, begins with stray scratches of raw guitar that is soon matched by a booming techno beat worthy of a night club dancefloor. “Tunnel” expertly accelerates and slows the swarm of hyperactive sound with a unique swagger until it closes unexpectedly in a fit of coughing.

Yet, for a pop album as varied as “Marriage,” the album is entirely listenable. The styles – ranging from the skittering pulse of tap dancing to the blackened churn of doom metal – are of course eccentric, but they are layered into tight, discernible shapes that are both meticulous and adventurous in a way that electronic pop rarely is. – Ryan Potts, Experimedia

Expanding upon the ambitious premise of their recently released The Ganzfeld EP, Baltimore-based electronic duo Matmos (Drew Daniel and M.C. Schmidt) are now releasing their first new full-length album in five years : The Marriage of True Minds.

Matmos are known for making toe-tapping rhythmic pop out of odd and unusual sound sources. They have always worn genre loosely, but it’s safe to say that this is the first electronic album to start with tap dancing and end with doom metal, and the only album on which members of Nautical Almanac and the Arditti String Quartet rub shoulders. Comprising stomping techno, eerie synth jams, musique concrete, Latin rhythms, and Ethiopian music, at once at home in the academy, the art gallery, the nightclub and the noise warehouse, the dizzyingly diverse assemblage which is “The Marriage of True Minds” is driven by a tightly unified conceptual agenda: telepathy.

For the past four years the band have been conducting parapsychological experiments based upon the classic Ganzfeld (“total field”) experiment, but with a twist: instead of sending and receiving simple graphic patterns, test subjects were put into a state of sensory deprivation by covering their eyes and listening to white noise on headphones, and then Matmos member Drew Daniel attempted to transmit “the concept of the new Matmos record” directly into their minds. During videotaped psychic experiments conducted at home in Baltimore and at Oxford University, test subjects were asked to describe out loud anything they saw or heard within their minds as Drew attempted transmission. The resulting transcripts became poetic and conceptual scores used by Matmos to generate the nine songs on this album. If a subject hummed something, that became a melody; passing visual images suggested arrangement ideas, instruments, or raw materials for a collage; if a subject described an action, then the band members had to act out that out and make music out of the noises generated in the process of the re-enactment. “The Marriage of True Minds” boasts a promiscuous cast of guest musicians, an array of sonic tactics, and a broad swathe of musical styles, but this diversity is joined together with a common purpose: the translation of this archive of psychic experiments into a delirious hybrid of conceptual noise and electronic pop.

After opening ripples of piano and percussion, the voice of Carly Ptak (Nautical Almanac) whispers lyrics that announce the theme of the album as a whole: “Telepathy / We want to know . . .” The song is a deconstructed cover of “You”, originally written by Leslie Weiner and Holger Hiller (of post-punk legends Palais Schaumberg). A sultry and cryptic ode to the mystery of interpersonal communication, “You” exhibits the odd sound design which is a Matmos trademark: the bassline is an amplified rubber band played by Jason Willett (Half Japanese), and the spiky beats are actually the manipulated sound of a tap dancer shuffling on a stone floor. Joining chamber music to tech-house, “You” acts as a primer for the album as a whole that follows it: a promiscuous cast of musicians from incongruous backgrounds all go under the digital editing knife as they are chopped into tight, surprisingly listenable songs which—for the first time in Matmos’ work- prominently feature vocalists and voices.

Already featured on the “Ganzfeld EP”, “Very Large Green Triangles” is an attention-grabbing slice of Gothic pop that overlays a psychedelic vision of geometrical apocalypse onto a stomping Baltimore club beat. The album version is longer and stranger than the EP version, with a free improv honky tonk piano solo preceding the beat drop. The song is based upon a psychic session with the oddball crooner Ed Schrader (Ed Schrader’s Music Beat), who was convinced to re-sing snippets of his own psychic session to build the song’s lyrical and conceptual hook (the song also boasts a lavish animated video which was much celebrated on the blogosphere).

As the album progresses, each song takes a different transcript as a musical launchpad. “Mental Radio” synchs jubilant Latin percussion onto the jostling and sloshing of water in a bucket, only to collapse into near silence until the ringing of a triangle cues an eruption of boisterous free jazz horns, which are joined by fire engines and a berserk synth invasion. Mirroring the free associative switchbacks within a particularly fevered psychic session, “Ross Transcript” is an exercise in the band’s most beloved musical form, musique-concrete, complete with jarring edits of heavily manipulated voices, cut-up plunderphonic noises, and field recordings. Blowing hot and cold, “Teen Paranormal Romance” drizzles melancholic synths onto booming bass-jeep drops and a gnarled modular bassline played by longtime Matmos collaborator Jay Lesser. Spiked with groans and mutters from noise bro DJ Dog Dick and eerie backing vocals by Dominque Leone, the song is at once fast and slow, at once heart-on-sleeve and ludicrous, not unlike the genre of popular occult fiction for which it is named. (It’s based on DJ Dog Dick’s wordless psychic session.)

A patchwork from multiple sessions, “Tunnel” begins with throat singing from Dan Deacon, whose growls and groans give birth to a relentless techno stomp on which Owen Gardner (from up and coming Baltimore band Horse Lords) plays manic, scrabbling Bo Diddley-esque guitar figures. After breaking down for the whispered delivery of one of the more cryptic utterances from the psychic archive (“there a light at the end of the tunnel . . . but it isn’t daylight”), handclaps and tambourines tighten the groove, which climaxes in a vertiginous synth solo, before the whole thing falls apart in a fit of coughing (Sabbath’s “Sweet Leaf” in reverse?).

“In Search of a Lost Faculty” offers the most dramatic, even disturbing evidence for the pronounced similarity of many of the experimental sessions: over and over, whether male or female, British or American, young or old, the psychic test subjects saw, heard or imagined the presence of triangles. The song gathers every reference to triangles experienced throughout four years of experimentation into a sonic archive of collective imagination, punctuating spoken testimonies about this recurring figure with ominous organ, timpani, and violin played by Ashot Sarkissjan of the Arditti String Quartet. “Faculty” ends with a celestial cloud of vocals by Angel Deradoorian of the Dirty Projects and Clodagh Simonds of Fovea Hex, amid processed swirls of bagpipe. Is this song evidence for the reality of telepathy? Is this song evidence that triangles were kind of trendy four years ago? Listen and judge for yourself.

Based upon the transcript of the psychic session of modular guru Keith Fullerton Whitman, “Aetheric Vehicle” is the last transcript-specific song on the album, and offers a hazy, funky variant on the kind of melodies found in Ethiopian music. Over a cascade of meandering synth played by M. C. Schmidt and intricate rhythms made out of the sampled sounds of Chinese checkers and handcuffs, a kind of mutant hybrid of African music and R & B crystallizes. This heady mix is capped with the smoky, wordless wails and moans of Jenn Wasner (Wye Oak, Flock of Dimes), who ends the song in an aviary of whistling, rattles and bells.

Ending with another cover which returns us full circle to the beginning of the record, Matmos save their wildest provocation for last: a polyglot deconstruction of The Buzzcock’s “E.S.P,” which gearshifts across multiple genres over eight minutes, testing the limits of how different styles and moods can flow and fold into each other. “Do you believe in E.S.P.? / I do and I’m trying to get through to you” growls Gerry Mak of Brooklyn experimental doom metal band Bloody Panda in a withering Cookie Monster voice. Heavy doom metal riffs play punk chords at a funereal crawl, until military snare rolls pick the pace up to a black metal blur (played by members of Baltimore occult crust band Pleasure Wizard). This gives way to a shimmering, sunny interlude of cyclic guitar and synth figures that recalls the Matmos of “The Civil War” and “The West” until, audaciously, a drum roll hits and the whole band erupts into something which has always been pretty much unthinkable in Matmos’ work: full on, no apologies riff rock. Connecting the latent family resemblance between surf rock and black metal, the Buzzcocks song plays out until, for the first time in twenty years as a band, M. C. Schmidt and Drew Daniel sing together, harmonizing the words “If you’re picking up on me, then you’ll know just what to do . . .” Abruptly switching off this romantic closure (Daniel and Schmidt are a couple who recently celebrated their 20th anniversary), the song cuts to dead silence as Schmidt delivers the final phrase of the record: “So . . . think.” It’s an emotionally naked and risky ending to one of the strangest records you will hear this year, and a fittingly open-ended conclusion to a sonic experiment in the possibility of purely mental connection.

The album was recorded and mixed at home in Baltimore and at Snow Ghost Studio in Montana, and was mastered in San Francisco by Thomas DiMuzio. Designed by Rex Ray, the album’s packaging presents in the liner notes the complete texts of the psychic transcripts which generated each individual song, along with photographs that document the Ganzfeld sessions. The vinyl version of the release also contains a bonus locked groove of white noise so that the home listener can put on the eye-coverings and headphones which accompanied the deluxe edition of “The Ganzfeld EP” and complete the re-enactment of the experimental conditions that created the songs. The result is an artifact which is both an art object, a scientific report, a practical joke and a daring pop record.

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Label: Funckarma
Release date: 10-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 51 mb
Genre: Electronic
Style: IDM, Experimental, Dubstep

Tracklist:
1 Metheus
2 Graines
3 Qintazm
4 Beaser
5 Hillis Sent

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Label: N5MD
Catalog#: MD207
Release date: 25-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 129 mb
Genre: Electronic
Style: IDM / Ambient / Cinematic

Tracklist:
01. Wake (5:22)
02. The Rising Tide (8:58)
03. Vision Blur (4:54)
04. .Through (Feat. Anklebiter) (7:36)
05. Arc (5:03)
06. What Awaits (6:29)
07. Shadow Fall (3:48)
08. Waning Light (6:13)
09. Set (3:52)
10. The Rising Tide (Radio Edit) (4:30)

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Label: Ghostly International
Catalog#: GI-172
Release date: 19-02-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 119 mb
Genre: Electronic
Style: IDM, Techno, Electronic

Seattle-based producer Jeff McIlwain’s work has long inhabited the fertile border zone between electronic pop and experimental electronic music — it’s a place that’s home to music that has both a brain and a heart, and McIlwain’s been exploring its boundaries for the best part of a decade now.

The Waiting Room is his third full-length release for Ghostly International under the moniker Lusine, and his first album since 2009’s A Certain Distance. As with all McIlwain’s work as Lusine, this is a record that’s characterized by both diversity and coherency. Its tracks traverse a variety of sonic landscapes, from the widescreen atmospherics of appropriately-titled opening track “Panoramic” through the digital soul arrangement of Electronic’s “Get the Message” and the club-friendly bounce of “First Call” to the slow-building Detroit-inflected closer “February”.

But for all The Waiting Room’s eclecticism, it’s also notable that it plays out as a coherent whole, with McIlwain’s deft production creating the sense of a single, logical journey — an album, rather than a simple collection of tracks. It also continues the excursions into vocal-led tracks that characterized A Certain Distance — exactly half of The Waiting Room’s ten tracks employ vocalists, most notably the aforementioned “Get the Message,” wherein guest vocalist and wife Sarah McIlwain makes Bernard Sumner’s words her own: “I don’t know where to begin / Living in sin,” she sings calmly, “How can you talk? / Look where you’ve been.”

As a whole, this is an album that’s both cerebral and visceral, a record that’s both rewarding of a serious headphone session and also warm and melodic enough to make listening as engaging in an emotional sense as it is in an intellectual one. Many artists flirt with these two extremities of electronic music; few tie them together as well as McIlwain does.

Tracklist:
1. Panoramic
2. Get The Message
3. Lucky
4. On Telegraph
5. Another Tomorrow
6. Without A Plan
7. First Call
8. By This Sound
9. Stratus
10. February

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Label: Outlier
Catalog#: OUT50
Release date: 15-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 78 mb
Genre: Electronic
Style: Bass, IDM, Experimental

Tracklist:
01. Left (Original Mix)
02. Left (Woulg’s Sweaty Sax Mix)
03. Left (MATAS Remix)
04. Left (Danaet ‘She Left’ Mix)
05. Left (Iller The Abstract Giraffe Remix)
06. Left (oddlogic ambient reprocess)

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Label: Mute
Release date: feb 2013
Source: WEB, OST
Format: MP3
Quality: 320 kbps
Size: 101 mb
Genre: Electronic
Style: Ambient, Modern Classical, Experimental, IDM

Tracklist:
01. 44
02. 44 (noise version)
03. LightOn
04. Tod
05. Blank Page
06. PV
07. K&F Thema (pizzicato)
08. K&F Thema
09. Austerlitz
10. A Violent Sky

The album is based on a theatre production of Tolstoy’s War and Peace by German director Sebastian Hartmann. Hartmann asked the producer, real name Sascha Ring, to contribute to the project commissioned by German arts festival Ruhrfestspiele in Recklinghausen. After agreeing to take on the album, Ring spent a month in an abandoned factory building rehearsing with a 30-piece ensemble. Apparat live band members Philipp Timm and Christoph Hartmann were also involved in the production. Although the music wasn’t initially intended for a proper release, Ring, Hartmann and Timm took the album into the studio after the final performance. Ring said: “In the studio the material got another twist, became a real piece of music. I took the recordings with me, wherever I was—at home, at a hotel room, in an airplane, and straightened it up.”

The most recent Apparat LP was 2011’s The Devil’s Walk, also released on Mute, the venerable UK label helmed by Daniel Miller. Ring revealed details of the new album today on his Facebook page. He said: “It’s the first record ever that didn’t hurt at some point. It’s full of imperfection because it was made by humans.” He goes on to describe the record as “a bit of a weird record with not many beats and lots of drones.”

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Label: Broken Bubble
Catalog#: BB23
Release date: 04-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 49 mb
Genre: Electronic
Style: Bass, IDM

Tracklist:
1.Första 04:00
2.Jinn 03:44
3.Fledgling 03:06
4.Kotoaru 02:57
5.Treasure 02:45
6.Kotoaru (Klātu Remix) 07:23
7.Treasure (Jacob 2-2 Remix) 02:59

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Label: AY
Catalog#: DQC-1000
Release date: jan 2013
Source: CD, Album
Format: MP3
Quality: 320 kbps
Size: 174 mb
Genre: Electronic
Style: Ambient, IDM, Techno

Tracklist:
1. Never Meant You Any Harm (13:23)
2. (N)ever Existed (23:44)
3. Washed Away In Your Waves (This Is Love) (19:56)
4. A Place To Call (15:47)
5. Waiting For A Friend (5:20)

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Label: False Profit
Release date: 29-01-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 55 mb
Genre: Electronic
Style: Bass, Glitch, IDM, Experimental

Tracklist:
1.Careless
2.Pouring Midway
3.Siphons in the Sky
4.Slow Burner ft. Connie Lim
5.Slow Burner (Instrumental)

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Label: none
Catalog#: none
Source: WEB
Release date: 24-01-2013
Format: MP3
Quality: 320 kbps
Size: 10 mb
Genre: Electronic
Style: IDM, Folk

Tracklist:
1.Halt 00:48
2.Barriere 03:30

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Label: Loci
Source: WEB, Album
Release date: 29-01-2013
Format: MP3
Quality: 320 kbps
Size: 100 mb
Genre: Electronic
Style: Downtempo, Trip Hop, IDM, Electronic

Tracklist:
1. Minor Cause 05:17
2. Valhalla 05:07
3. Merlion 04:04
4. Outlaw 03:38
5. Dusk to Dawn 05:25
6. The Way 04:50
7. Afterglow 05:31
8. Eve II 03:12
9. Natural Cause 05:15
10. Galapagos 01:57

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Label: Trippin’ The Rift
Catalog#: TTRR016
Source: WEB
Release date: 22-01-2013
Format: MP3
Quality: 320 kbps
Size: 46 mb
Genre: Electronic
Style: IDM, Ambient, Experimental, Electronic

Tracklist:
01. Time Goes By (feat. Paola Prinzivalli)
02. Through The Mountains
03. Mermaids
04. I’ve Changed
05. Autumn Mood (feat. Paola Prinzivalli)

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Label: Digital Diamonds
Catalog#: none
Source: WEB
Release date: 29-10-2012
Format: MP3
Quality: 320 kbps
Size: 100 mb
Genre: Electronic
Style: IDM, Downtempo, Ambient

Tracklist:
01. Kopter
02. Own The Sky
03. Zilloin
04. Flight 530
05. Last Man Landing
06. In The Air Tomorrow
07. Lumitus

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Label: PMI Dance
Catalog#: REN57CD
Source: WEB
Release date: 14-01-2013
Format: MP3
Quality: 320 kbps
Size: 758 mb
Genre: Electronic
Style: Electronic, Tech House, IDM

Tracklist:
01. James Zabiela & Lusine – Intro (Leaving The House On A Snow Day, Snowflakes Falling Slowly) & Operation Costs (04:44)
02. Pedram – Lost In Trans (05:58)
03. Nosaj Thing – Us (03:07)
04. Nosaj Thing – Fog (03:42)
05. ZABIELA, James/VARIOUS – Pedestrians & Burnt Bridges (03:19)
06. James Zabiela & R3volve – Street Sounds (Life Is Best Seen As A Gift) & Bootpacker Alpha (06:55)
07. Mondkopf – Libera Me (03:53)
08. James Zabiela & ASC – Change Machine (Everything Slows Down) & Porcelain (05:22)
09. Reason Or Romanza – Radiance Trigger (Recueremix) (05:14)
10. Ruxpin – A Sunrise (& They Turned To Stone) (05:03)
11. James Zabiela & Herman – False Dream & Change Of Mind (original mix & James Zabiela Re-Arrange) (06:32)
12. James Zabiela & Moderat – Romanian Pilot & Out Of Sight (05:41)
13. Peter Benisch – Skymning (05:30)
14. James Zabiela & Boys Noize – Market Chatter & Heart Attack (04:32)
15. James Zabiela & Ellen Alien & Apparat – Clapping And Drummin In Defensa & Do Not Break (05:12)
16. James Zabiela & Ruxpin – Street Sounds & I Saw Her Standing There & Our Deepest Desire & Outro (Busker) (04:13)
17. Renaissance – The Masters Series – Life – Part 1 (A Life Less Ordinary – continuous DJ mix by James Zabiela) (01:12:09)
18. James Zabiela & Sally Shapiro – Intro (Busker) & Swimming Through The Blue Lagoon (02:29)
19. James Zabiela & Vince Watson – Whatever Can Be Imagined Can Be Realised & Long Way From Home & Harmony, Simple & Beautiful (05:30)
20. Siopis – Really Love Ya (James Zabiela Re-Arrange) (07:05)
21. D-Pulse & James Zabiela – New Poetry & Transformation (Unreleased Version & original mix) (08:20)
22. Phil Kieran – Never Ending Mountain (James Zabiela Re-Arrange) (08:46)
23. Gui Boratto – I Feel Love (Robert Babicz Earth Remix) (08:54)
24. ZABIELA, James/VARIOUS – Illicit Offering & Blame (original mix & Masters version) (06:19)
25. James Zabiela & Dusty Kid – Ancient Masters & Amazon (07:44)
26. Jori Hulkkonen – I Am Dead (Guy J remix – James Zabiela Three Deck Re-Arrange Mash-Up) (09:10)
27. James Zabiela & Hardfloor – Today We Hold The Light That Travels Into Time & Space & The Life We Choose (original mix & ERP remix) (08:08)
28. Spooky & James Zabiela – No Return & Love, A Reason (We Are The Drum Neighbourhood) (Josh Wink acid vocal remix – additional Vvocal edit & original mix) (08:45)
29. Kaito – We Are Living Here (09:22)
30. James Zabiela & Glimpse & Jay Shepheard – All This Has Happened Before & Colours (original mix & Jay Shepheard dub) (06:14)
31. James Zabiela & Siriusmo – What We Can’t Imagine & Nights Off & In It’s Wrong Place & Outro (Dude Hassle In Miraflores, Peru) (04:09)
32. Renaissance – The Masters Series – Life – Part 2 (Afterlife: continuous DJ mix by James Zabiela) (01:17:58)

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Label: Omelette
Catalog#: none
Source: WEB
Release date: 07-01-2013
Format: MP3
Quality: 320 kbps
Size: 39 mb
Genre: Electronic
Style: Glitch Hop, Funky, IDM

Tracklist:
1 Heisenbogan
2 Piss Rash Blues
3 SBS Quality
4 Heisenbogan (Love & Light Remix)

Articulated and refined, ‘Lego Bolognese’ is a delicious exploration of funky and glitchy beats distinctly rooted in a mellow blues oriented soundscape. With no sound placeless or any moment akward this EP keeps the head nodding from start to finish. Another huge release from Mr. Bill with a bonus top notch remix from Love and Light!

Rich, bluesy flavours set the space in ‘Heisenbogan’, and are quickly infiltrated by tight percussion and hyper-specific bass articulations. With dense layers of muted guitars and a wild west twang echoing over a powerful and polished glitch hop beat. Soft chords take you into a lounge-y breakdown and allow the track to simmer into a mellow flow.

In ‘Piss Rash Blues’ an organic drum kit along with a precision cut Saxophone flare lock into an immediately entrancing groove with a raw organic soundscape that seems clearer by the moment. Synthetic pads and melodic snippets balance the spectrum solidifying this song into another deep and loungey number.

‘SBS Quality’ immediately captures the attention with tightening percussive elements and raw textures stretched over warm and bendy chords. Quickly dropping into dense flashes of serialised funk that are locked together by an incredibly crisp beat. Unfolding in a sweet lullaby of a breakdown, the second half culminates in a fury of bubbles, funk and percussive genius before gently settling to rest.

Closing out the EP. is ‘Love and Light’s’ rocking remix of ‘Heisenbogan’. It’s huge beat and raw bass tones, topped of with vocal embellishments and airy sweeps give it an extra crunky feel. With rip roaring synth bass and slap bass extractions cutting through a rich atmosphere, this remix is sure rock the dance floors.

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Label: Exitab
Catalog#: EXTB036
Source: WEB
Release date: 03-09-2012
Format: MP3
Quality: 320 kbps
Size: 95 mb
Genre: Electronic
Style: Experimental, IDM, Dubstep

Tracklist:
1.Aches – Glass Lip 03:56
2.Aches – Fine Tongue 03:54
3.Aches – Trjus Refresh 05:32
4.Aches – Stop Breathing 03:27
5.Aches – Talking Refreshment 03:38
6.Aches – Doesn’t Reply 05:41
7.Aches – Bullet Sleep 03:54
8.Aches – Thinker 05:16
9.Aches – Easy Ghost 05:20

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Label: Ad Noiseam
Catalog#: adn165
Source: WEB, Album
Release date: -12-2012
Format: MP3
Quality: 320 kbps
Size: 88 mb
Genre: Electronic
Style: Breakcore, IDM, Experimental, Modern Classical, Avant-garde

Tracklist:
1. Tout Petit Moineau
2. Damaged Wig
3. Absolute Psalm
4. Cicadidae
5. Vegetable Soup
6. Lullaby for a Fat Jellyfish
7. Grosse Barbe
8. Corpus Tristis
9. Scarlatti 2.0
10. Toothpaste
11. Infinite Loop

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