Recent posts: Electronic

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LABEL: Kill The DJ | 64567
GENRE: House, Electronic
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320kbps / 44100kHz / Full Stereo
TRACKS: 5
SIZE: 69.43 megs

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Artist: Nina
Title Of Album: No Observable Effect Concentration
Year Of Release: 2014
Label: Krokodilo Tapes / KROK009
Genre: Techno, Abstract
Quality: MP3
Bitrate: 320 kbps, Cassette
Total Time: 01:30:08
Total Size: 201 mb

Tracklist:
01. Side A
02. Side B

C90 mixtape of soundgirl punishments from Nina, who runs the Nina Trifft night at Hamburg’s storied Golden Pudel club.
Equal parts cyberpunk body-horror and real-deal harbour city sorrow.

Edition of 75.

Both sides ripped into a single track

320 kbps
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Artist: VA
Title Of Album: House of Mutes Vol. 1
Year Of Release: 2014
Label: Obsolete Future / OF007
Genre: Techno, IDM, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:29:13
Total Size: 205 mb

Tracklist:
1.Freqmodif – Mesocyclone
2.Mannequinz – Shiyan36
3.The Argus Effect – Anklebiter
4.MKG Systems – SCR
5.Thug Entrancer – Resolve
6.Cygnus – Varaxis Networks
7.Bodytronix – Live at Switched On (Guy Taylor Edit)
8.Formant – Fault Creep
9.Paradise – Doom Rollster
10.Dyad – Vertical Hold
11.Hellhole – Shadow Projector
12.Brown/Ballas – Furious
13.Headgear – Edit 4
14.WWC – This Ain’t a Hate Thing
15.BuzzzuwfarfewwW – Morninghaze

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Artist: Cut Hands
Title Of Album: Festival of the Dead
Year Of Release: 2014
Label: Blackest Ever Black / BLACKESTLP010
Genre: Experimental, Tribal
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:49:59
Total Size: 115 mb

Tracklist:
1. The Claw (6:27)
2. I Know What I Must Do (0:49)
3. Damballah 58 (6:40)
4. Parataxic Distortion (3:27)
5. Festival Of The Dead (4:53)
6. Belladonna Theme (3:10)
7. Vaudou Take Me High (6:50)
8. Inlightenment (3:14)
9. None Of Your Bones Are Broken (2:39)
10. Madwoman (Festival mix) (5:52)
11. Fruit Is Ripe (2:16)
12. Fire Ends The Day (3:34)

Festival Of The Dead is the new full-length studio album from William Bennett’s Cut Hands, due to be released by Blackest Ever Black on 2xLP, CD and digital formats on October 13th, 2014

This is Cut Hands’ third album to date: the acclaimed Afro Noise I introduced the project in 2011, and 2012’s Black Mamba expanded its feverish vision, preceded by a single of the same name on Blackest Ever Black. 2013 saw the release of the similarly fiery ‘Madwoman’ and ‘Damballah 58′ 12″s (on Downwards and BEB respectively)

Festival of The Dead is without doubt the most potent distillation yet of Cut Hands’ malign percussive energy, with pieces like ‘The Claw’ and ‘Vaudou Take Me High’ leading the irresistible polyrhythmic assault, in pursuit of one thing: a final rapturous celebration of oblivion

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Artist: Phil Gerus
Title Of Album: Opposites Left Together EP
Year Of Release: 2014
Label: Man Make Music – MMAKEM015
Genre: House, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:16:09
Total Size: 38 mb

Tracklist:
1. Adorn Your Ankle (Original Mix)3:19
2. Hold Your Tongue and Let Me Love (Original Mix)3:15
3. Kissing This and That of You (Original Mix)3:21
4. Opposites Left Together (Original Mix)3:04
5. Voice to Voice Lip to Lip (Original Mix)3:09

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Label/Cat#: Mondotunes – CBOOM01
Source: WEB
Release date: 2014-10-06
Format: mp3
Quality: 320 kbps
Size: 26 mb
Genre: Electronic
Style: Electronica

Tracklist
1. Hisarna (Original Mix)6:00
2. Mbira (Original Mix)5:41

320 kbps
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Label: Sellout
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 95 MB
Genre: Electronic
Style: Beats, Electronic

Tracklist:
01. Inn i lyset (5:21)
02. Borge progjazz (4:29)
03. Jeg velger deg (4:20)
04. Whole (6:16)
05. Vagt minne (5:57)
06. Megalodon (6:01)
07. Tor Kel Sen (5:42)
08. The Exit (3:34)

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Artist: Cooly G
Title Of Album: Wait Til’ Night
Year Of Release: 2014
Label: Hyperdub – HDB023
Genre: Techno Bass Funk UK Garage
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:42:19
Total Size: 96 mb

Tracklist:
01. Wait ‘Til Night
02. Like A Woman Should
03. Your Sex
04. I Like
05. Dancing
06. A Quick Question
07. Want
08. So Deep
09. 1st Time
10. Freak You
11. Fuck With You
12. The 3 Of Us

London’s Merisa Campbell has been a pillar of the Hyperdub roster since her debut in 2009, making waves with her rolling, UK funky-inspired sound and ethereal vocal stylings. (She also runs her own label, Dub Organizer.) She released her first full-length, Playin Me, two years ago, which RA’s review called called “one of 2012’s crossover successes.”

Hyperdub describe Wait ‘Til Night as “an album of sensitive, lo-fi bedroom music,” with lyrical themes that generally focus on romance and sex. Though her broken beat sensibility remains, the new LP reportedly marks a move away from club material in favour of more R&B-influenced sounds. Synth pop and reggae are among the other reference points mentioned, and Campbell apparently raps on the record’s closing track, “3 Of Us.”

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Label/Cat#: Combien Mille Records – CMR011
Source: WEB
Release date: 2014-09-26
Format: mp3
Quality: 320 kbps
Size: 20 mb
Genre: Electronic
Style: Electronica

Tracklist
1. Untitled (Original Mix)4:00
2. Late (Original Mix)4:19

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Label/Cat#: Mondotunes – MH01
Source: WEB
Release date: 2014-09-30
Format: mp3
Quality: 320 kbps
Size: 51 mb
Genre: Electronic
Style: Electronica

Tracklist
1. Blood Type 0 Positive (Original Mix)3:50
2. Blood Type 0 Negative (Original Mix)4:06
3. Blood Type A (Original Mix)4:36
4. Blood Type B (Original Mix)5:18
5. Deep Desire (feat. Jake Hoe) feat. Jake Hoe (Original Mix)4:36

http://www.beatport.com/release/manufaktur-herzblut-blut-traxx-vol-1-ep/1379531

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Label: The Death Of Rave
Catalog#: RAVE006
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 54 MB
Genre: Electronic
Style: Experimental, Electronic

Tracklist:
1. “EP 1”
2. “EP 2”
3. “EP 3”
4. “EP 4”
5. “EP 5”
6. “EP 6”

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LABEL: Vlek | VLEK16
GENRE: Techno, Electronic
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320kbps / 44100kHz / Full Stereo
TRACKS: 4
SIZE: 53.57 megs

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Artist: Mnemonic
Title Of Album: Result No. 7
Year Of Release: 2014
Label: Halbsicht Tonträger / hs013
Genre: IDM, Electro
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:54:15
Total Size: 124 mb

Tracklist:
01. Small Matter
02. Monument
03. Grotesque
04. Mutual Assured Destruction
05. Bleiglanz
06. Facsimile
07. Simple Man
08. Manipulation Maneuver
09. Opaque Meal
10. All Is Lost
11. Skepticism
12. Tact
13. Catharsis

The 7th album “Result No. 7” is based on an abstract and analogue idea of sound. Fragments of emotional sound patterns appear only rarely in this overall rough sounding work. Unlike the typical style of Mnemonic, themes are focused on their essentials. Even if the amount of melodies and variations are reduced significantly, every track is full of enthusiasm and drive. “Result No. 7” is characterized by simplicity and clearness, but it is far away from being a minimalistic or monotone album. Overall, the new album combines a wide array of carefully constructed experimental soundscapes and leaves a powerful impression on its listener.

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Label/Cat#: Experimentalist – 10078441
Source: WEB
Release date: 2014-10-04
Format: mp3
Quality: 320 kbps
Size: 38 mb
Genre: Electronic
Style: Electronica

Tracklist
1. Sinister Comb (Original Mix)4:25
2. Fix Me (Original Mix)7:26
3. Bastardf—— (Original Mix)4:56

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LABEL: Boomkat
GENRE: Electronic
RELEASED: 2014
MP3 DOWNLOAD SOURCE: WEB
BITRATE: 320 kbps
TRACKS: 14
SIZE: 187.39 megs

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Label: Mexican Summer
Release date: 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 100 MB
Genre: Electronic
Style: Experimental, Downtempo

Tracklist:
01. I’m Flexible
02. She Happens
03. Afterprom
04. Return to The Pec Deck
05. Acceptance Speech
06. Because of M.A.S.K.
07. Under Wolf Rule
08. There Was a Time

Torn Hawk is the audio project of producer and video artist Luke Wyatt. Over the past couple of years, Wyatt has unfurled a serial tapestry of content arguing for a reconciliation of aesthetic irony with compositional sincerity and emotional vulnerability. Let’s Cry And Do Pushups At The Same Time is Wyatt’s most recent full-length statement as Torn Hawk, and marks the onset of a more emotionally manipulative and sonically confident direction.

It’s difficult to neatly categorize Wyatt’s genre-refracting productions, which formerly have found a home on L.I.E.S., Not Not Fun, Rush Hour’s “No Label”, 1080p, and several other labels, including his own imprint Valcrond Video. The nuts & bolts of Let’s Cry’s eight tracks are built from live guitar, drum machines, junky synths, and layers of acid-washed samples. Wyatt smears the disparate elements of each track into a cohesive whole that transcends the (banality) (thrift-store dustiness) of each: the result is a series of heart-tuggingly confessional watercolors, framed with cinderblocks and distressed leather.

In the foreground of each track, Wyatt’s guitar moves between the shag carpet meditations of Manuel Göttsching, the digital delay jangle-grid of The Chameleons, the sunstroke saturation of Medicine, and the modal wankery of Tom Verlaine. Throw in the unabashed melodrama of something a sax might do on a Don Henley hit, and you get a better idea of Torn Hawk’s sensibility.

Movies and television also leave an undeniable impression on this album, which should come as no surprise to anyone who has followed Wyatt’s parallel video efforts, which he calls “Video Mulch”. The influence of film scores comes through in the inspirational mood cues of tracks like “Afterprom”, which presents a bouquet of guitar scrawls wrapped in a black garbage bag, and “Because of M.A.S.K.”, which would sit perfectly over the end credits of a rom-com set within the subculture of identity theft.

Elsewhere, “She Happens” takes the precarious tenderness of a brand new love affair and holds it over the edge of an audio cliff by the scruff of its neck; “Acceptance Speech” evokes the feel-good podium glow of awards-show public masturbation; and “Under Wolf Rule” balances threat with inspirational thrust: it’s the ideal soundtrack to decapitate to, and then thoughtfully consider the floral arrangements that are to be placed around the heads. Closing out the album, “There Was A Time” hovers in the strip mall of emotions between the storefronts of regret and expectation, expertly evoking the temporal hang-ups that feed or defeat our day-to-day happiness.

As its title suggests, Let’s Cry grapples with the duality of internal conflict and persona construction. It’s a theme that also ties in with Wyatt’s aesthetic interest in “parodying toughness”. In his visual presentation, Wyatt often presents a South Florida machismo in tandem with a vulnerable, self-help softness. It’s this kind of playfully sincere doubling that Wyatt thrives on; he is committed to making music that pumps you up and tugs at your heart stuff – he is making music for you to work out and weep to.

Let’s Cry And Do Pushups At The Same Time will be released November 10 (UK/EU) and November 11 (US) on LP, CD and digital formats.

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