Recent posts: Ambient / Downtempo

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Label: Mareld
Catalog#: MARELD 31
Release date: 13-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 81 mb
Genre: Electronic
Style: Dub Techno, Ambient

Tracklist:
1. Our Posthuman Future (06:52)
2. The Singularity Is Near (15:08)
3. The Age Of Intelligent Machines (08:53)
4. The Age Of Spiritual Machines (05:30)

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Label: Mareld
Catalog#: MARELD 34
Release date: 06-06-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 70 mb
Genre: Electronic
Style: Dub Techno, Ambient

Tracklist:
1. After The Long Goodbye (Eschaton) (09:21)
2. The Lost Memory (06:43)
3. Revenge Of The Cold Machines (07:28)
4. White Maze (08:00)

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Artist: Kriipis Tulo
Title Of Album: Hommikune Ujuja
Year Of Release: 09 Apr 2013
Label: Entropy / EG 044
Genre: Dub Techno, Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:16:12
Total Size: 177 mb

Tracklist:
1. Hommikune Ujuja
2. Black Silk
3. Päevane Ujuja
4. Lite On
5. LOD | Mastuerzo (Kriipis Tulo Remix)
6. Frozen Morning
7. Golden Hair
8. Õhtune Ujuja
9. Ookean
10. Ööne Ujuja (Oloolo Re-Edit)
11. Our Love
12. Roman Skok | Drop (Kriipis Tulo Remix)
13. The Deep Of The Night
14. Peace Keepers

In the beginning of 2002 Kirils Lomunovs a.k.a. Kriipis Tulo completed an album entitled Hommikune Ujuja. The feeling of soaking in warm and soft water in a swimming pool where two young people – a boy and a girl – meet each other runs through all tracks of Hommikune Ujuja. Sympathizing each other at the first sight they fall in love and enjoy each other staying together. Everything takes place here – in the swimming pool where unceasing murmur of the water runs through the romanticism and tenderness of Hommikune Ujuja track and happy-go-lucky time carelessly spent beside the soda pop machine in Päevane Ujuja. Finally, complete dissolution in the water and each other – Ööne Ujuja. Hommikune Ujuja album is the script of the movie that was never filmed. It is a dream… only a beautiful dream.

Kirils Lomunovs, Echochorus

Expert sound designer and controllerist has been featured as a key figure of the Latvian electronic music scene for producing some of the most essential experimental electronic, ambient and techno music of the past years. In 1996 started improvisation on the old soviet synthesizers and effects, since 2001 experimented with stylistics of minimal and dub techno. As a Kriipis Tulo was involved in such experimental electronic music events as Jazz Giantsast/Present Riga (2001), Sound Forest – festival of avant-garde music and video art (2003-2005) and also Pan Sonic (2002), Yoshio Machida (2003) and Phill Niblock (2004) live performances. In collaboration with Voldemars Johansons worked for an audio installation “Gaismas pils”, inspired by the project of the Latvian New National Library of the same name and presented it on the Architectural biennial NEXT (Venice) and KIMAF 2002 (Kiev). In 2002 completed an EP entitled Ujuja (in Estonian means “swimming”).

At October 2004 participated @ MOKS Media Art Symposium in Estonia. In autumn 2005 created original soundtrack music for video installation “Exposed Paintings” for exhibition of one of the most popular Latvian painters Ritums Ivanovs. In 2005 as sound producer worked on a short film “Alise” (Director Asnate Ribena). In 2004-2006 as Kriipis Tulo collaborating with Luis Ortiz for remix projects on Sinergy-Networks . In 2006 founded Astrowind project and presented new soundtrack to the “Dreamers” – a new exhibition of Ritums Ivanovs in spring 2008. Astrowind released several significant albums which declared forward-loocking style – paleopsychedelic ambient. Essential Astrowind’s album “Kaidanovsky” published in Italy in 2012. Astrowind is a key line and the project simultaneous with EchoChorus activities managed by same person. From 2008 started performing as a DJ.

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Label: spiel:feld
Release date: 01-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 228 mb
Genre: Electronic
Style: Ambient, Dub/Deep Techno

Tracklist:
01. Der Mandant – Alpenwind 07:13
02. Vytis – Whirlpool 07:54
03. Deni Diezer – Mood In Two Stages 09:01
04. Esko Barba – Floating 06:51
05. Stereopathy – Struggle 09:39
06. Martin Nonstatic – Close Encounters 08:26
07. Fingers In The Noise – El Key 06:50
08. Aura Fresh – Retrigger 08:30
09. S_EncE – Light Grey 08:00
10. 1Way – Kaneda (Live Mix) 07:12
11. Andrea Porcu – Fever 09:54
12. Fabio Scalabroni – What You Feel Is What You Get 06:09
13. Zuurb – Portia 05:03

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Label: LBA
Catalog#: 100559 53
Release date: 23-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 166 mb
Genre: Electronic
Style: Ambient, Downtewmpo, Electronic

Tracklist:
1. Transponder – Crucible (05:00)
2. Dissolved – Vaporised Orchids (05:52)
3. Phon & Antiphon – Isoprene (11:07)
4. Creotaur – Strangely Brewed (03:18)
5. Dancing For Architecture – Chasing The Centrifuge (retouch) (05:49)
6. Transponder – Transducer (03:42)
7. Dissolved – Camphorian Descent (06:28)
8. Luminar Ax – Vitreous Anterior (02:41)
9. Dancing For Architecture – The Holographic Principle (05:12)
10. Transponder – Space Dust (04:41)
11. Blaue Kino – Traces (11:44)
12. 23 ID – Sonic Gluon (07:27)
13. Softworld – You Are Made Of Light (03:38)

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Label: denovali
Catalog#: den164
Release date: 14-03-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 167 mb
Genre: Electronic
Style: Ambient, Exprimental

Tracklist:
1. Hinkley Point Balloon Release 04:14
2. Giulio’s Throat 10:08
3. On The Dark Great Sea 04:56
4. Time Buries The Door 04:57
5. White And Dodger Herald The Atomic Age 08:14
6. Trim Tab pt.1 05:56
7. Trim Tab pt.2 03:58
8. Characterisation Level 20:14
9. Kindertransport 11:15

Onkalo (‘hiding place’) is the name of the spent nuclear fuel repository currently under construction in Finland to house hazardous nuclear waste. It is designed to last a minimum of 100,000 years – a scale of time unimaginable when the oldest surviving man made structures have endured not even a tenth of that time. The human species as we know it is thought to have existed for approximately 100,000 years – is it possible for humankind to build something that will endure a timescale that vast again? And what will be left to uncover it if it does so?

Taking this as a starting point, Petrels second album draws on a fascination with how we deal with what is left over, both physically and mentally. With this thread running through Onkalo, the album also takes inspiration from speculative science, immense time scales, retro-futurism, personal history, and how the post-war optimism of the dawn of the atomic age has come up against a more uncertain vision of the future.

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Label: Kahvi Collective
Catalog#: #327
Country: UK
Release date: 14-10-2012
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 447 mb
Genre: Electronic
Style: IDM, Ambient

Tracklist:
1. Advanced Dreams – Spacejazz
2. aAirial – Printemps
3. Alexander Chereshnev – Last Dance With Sharon Tate
4. Alkor – Experimental Thought Revelation
5. Ciaran Byrne – Dorion The 1st
6. Low orbit satellite – Monmay
7. Fthr – Never Ending Story
8. Suecae Sounds – Fragmented Dialogues
9. Weldroid – Kings Bad Dream
10. Integer ring – Litchi
11. Acrilic Colors – Desert Earthworks
12. migloJE – That’s Not What Rreally Matters
13. Brothomstates & Crankshaft – Wekilldaenemy (Low orbit satellite & Reii remodel)
14. 4T Thieves – Altered Reality
15. Advanced Dreams – Long Squares Of Fields
16. Isoteric – Witching Hour
17. Integer ring – Waterloo
18. Kuukala – The Merchant Of Venice
19. Alkor – Tiny Robots
20. Brioskj – Strolling Along The Grand Canal
21. Radioactive Sandwich – After All
22. Khosro – Espoir
23. Data Rebel – Mirror Image
24. Isoteric – Stasis
25. Weli – Lost On A Carousel Ride
26. Yimino – Pouss
27. Lackluster – Attack Mukadubtesti Flatbits
28. Fthr – Someone Like You
29. Xerxes – Let It Go (Phobium Remix)

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Artist: John Hudak
Title Of Album: tapeOTO
Year Of Release: 03 feb 2013
Label: Nostalgie De La Boue / ndlb#24
Genre: Ambient, Experimental
Quality: Flac
Bitrate: Lossless
Total Time: 00:31:10
Total Size: 80 mb

Tracklist:
1. tapeOTO (31:10)

“On the occasion of thinking about someone else one takes into account the other’s likes and dislikes, as far as one can know anything about anyone else. These get folded into one’s own likes and dislikes and results in more or less a collaboration between the ideas, depending on how much one can put oneself in the place of the other.
This piece was created for the wedding of two friends, so it holds the idea of continuation as well as hope, love, prosperity and growth.
Tape refers to magnetic tape that used to hold sound (still does), and the external invention that holds things together.”
John Hudak

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Artist: Montren
Title Of Album: Mirror
Year Of Release: 17 feb 2013
Label: GV Sound / GV-173
Genre: Ambient, Drone
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:37:58
Total Size: 85 mb

Tracklist:
1 Inhalation (04:40)
2 Tension (08:00)
3 Beyond The Mirror (06:18)
4 Falsh (06:29)
5 Farewell (08:24)
6 Tension (Jan Amit Remix) (04:04)

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Label: Ghostly International US
Catalog#: GI-182
Release date: -04-2013
Source: CD, Album
Format: MP3
Quality: 320 kbps
Size: 112 mb
Genre: Electronic
Style: Experimental, IDM, Downtempo, Hip-Hop, Electronic

Tracklist:
1. Junk City II (06:33)
2. An English House (04:21)
3. Brazil (05:46)
4. My Father In Hong Kong (04:03)
5. Community (04:33)
6. S950 (02:21)
7. We Work Nights (05:57)
8. Flinton (03:56)
9. Enoshima (03:08)
10. The Most Liveable City (04:31)
11. Reprise (03:27)

“Electronic music producer Derwin Panda developed his sound in his hometown of Chelmsford, Essex, as he worked day jobs in record shops and adult bookstores while making music in his studio at night. The resulting tracks that comprised his breakout 2010 debut, Lucky Shiner, rejiggered hip-hop’s boom-tick with exotic timbres, vibrant keyboard hues and minced vocal snippets — redolent of Four Tet, if slightly more caffeinated.

In the three years between his debut and his latest album, Half of Where You Live, Gold Panda seems to have gotten out of the house and turned into a world-beater, with the album acting as a travelogue of sorts; it name-checks the small Japanese island of Enoshima in one song and the British village of Flinton in another. Stemming from time Panda spent traveling through South America, “Brazil” features a tocking woodblock alongside harps, canned handclaps and a sampled voice uttering that country’s name, the track growing in warmth and light as it whirs along. “The Most Liveable City” (which as of 2012 was Melbourne, Australia) balances field recordings of bird calls with a gorgeous synth melody and a skittering snare pattern that evokes Aphex Twin at his most hyperkinetic.

Gold Panda is most evocative in “My Father in Hong Kong 1961.” Electronically rendered exotica as viewed through the prism of Ryuichi Sakamoto, the song features stately metallophone tones that cast a glow and evoke a sense of nostalgia for a bygone place and time. It’s well worth the trip.”

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Artist: Felix K
Title Of Album: Flowers Of Destruction
Year Of Release: 04 may 2013
Label: Hidden Hawaii LTD / HHD LTD 000
Genre: Abstract, Drum n Bass, Techno, Ambient
Quality: MP3, 3 × Vinyl, 12″, Album, Test Pressing, Limited Edition, Stamped
Bitrate: 320 kbps
Total Time: 01:02:53
Total Size: 141 mb

Tracklist:
A1 – Flower Of Destruction #1
A2 – Flower Of Destruction #2
A3 – Flower Of Destruction #3
B1 – Flower Of Destruction #4
B2 – Flower Of Destruction #5
C1 – Flower Of Destruction #6
C2 – Flower Of Destruction #7
D1 – Flower Of Destruction #8
D2 – Flower Of Destruction #9
E1 – Flower Of Destruction #10
E2 – Flower Of Destruction #11
E3 – Flower Of Destruction #12
F1 – Flower Of Destruction #13
F2 – Flower Of Destruction #14
F3 – Flower Of Hope

‘Flowers Of Destruction’ is the official Debut Album of Felix K. Record Release Date is 04.05.2013.

Some things are created without any particular purpose, some things just happen. According to Felix K, his 15 track debut album ‘Flowers of Destruction’ is just such a thing. Maybe this also explains his decision to only use numerical titles, which emphasizes on the literal level what becomes obvious when listening to the tracks behind the numbers. This album is a coherent whole, indeed each track has a distinct vibe of its own, but when taken together they form a space of transformation where various moods, sounds and rhythms blend harmoniously into each other. The album unfolds its acoustic beauty because it simply avoids posing ever-so obvious imperatives to impress, somehow like nature slowly reclaiming the urban concrete jungles of a post-industrialist dystopia.

‘Flowers of Destruction’ can be located in a musical universe somewhere between electronica, techno, ambient and 170 bpm. Some of its tracks are driven by Felix’ unique and compelling drum sequencing with lots of sub bass and pushing percussions, whereas others take the time to dive into ambient depths and widths with their dubby drones and mesmerizing melodies. They all make use of contrast and opposing elements that create a fascinating tension, like the destructive force of an explosion in slow motion.

In terms of its physical appearance, the album’s 3×12″ grey vinyl will correspond with the different shades of grey of the full cover artwork. There will be 500 copies released in May on Hidden Hawaii LTD and distributed by Hard Wax. A couple of weeks later, the album will also be released digitally.

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Artist: E.R.S.
Title Of Album: Digital Rituals
Year Of Release: 3 june 2013
Label: Dubmission / CDDUBM031
Genre: Downtempo / Dub / Ambient
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:09:57
Total Size: 162 mb

Tracklist:
1 Digital Rituals (4:23)
2 Get Ready To Fly (6:44)
3 And Here I Am (Part 1) (5:07)
4 Evolution Of A Funky Mind (12:56)
5 Firedance (8:10)
6 Kunga Karunga (6:53)
7 The Laws Of Planet Fix (9:27)
8 And Here I Am (Part 2) (4:11)
9 A Coffee In The Bazaar (6:31)
10 Fireman (5:35)

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Artist: aArial
Title Of Album: Emotions Are Desert Islands
Year Of Release: 7 jan 2013
Label: Kahvi Collective / kahvi330
Genre: IDM, Ambient
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:49:45
Total Size: 126 mb

Tracklist:
1.Intro 03:12
2.Squares 03:01
3.Round-trip 05:38
4.piano impro #3 01:37
5.Seize the moment 04:06
6.On the eve of summer 04:15
7.Behind the clouds 03:54
8.Afternoon mood 05:28
9.Interlude 02:41
10.Un nuage dans un verre d’eau 03:42
11.Litany 03:10
12.Smriti 03:56
13.CR memories 04:01
14.Season leaf 00:54

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Label: basic_sounds
Catalog#: bsc034
Release date: -04-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 36 mb
Genre: Electronic
Style: Dub Techno, Ambient

Tracklist:
01. Insomnia 1:06 AM
02. Insomnia 3:01 AM
03. Insomnia 6:28 AM

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Label: Drut
Catalog#: DRUT 002
Release date: 03-06-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 103 mb
Genre: Electronic
Style: IDM, Electronic, Downtempo, Trip-Hop

Tracklist:
1. Astrolomy (04:41)
2. Beaks Of Eagles (04:31)
3. Superzero Theme (02:59)
4. Go Visible (04:29)
5. Nice Eyes In My Size (05:05)
6. Single Stripe (03:36)
7. Glinterlude (02:40)
8. Puds (05:28)
9. Outwhere (03:10)
10. Answered (06:50)

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Artist: Ruxpin
Title Of Album: This Time We Go Together
Year Of Release: 2013
Label: n5MD / CATMD211
Genre: Ambient / IDM / Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:56:14
Total Size: 126 mb

Tracklist:
1 This Time We Go Together (2:58)
2 Such A Distance To Fall (3:28)
3 A Start From The End (2:12)
4 As We Exhale, We Enter (3:43)
5 Here The Sun Hardly Sets (4:14)
6 Will We Reach There In Time? (1:37)
7 We Are Far Away From All The Things We Know (2:00)
8 We Flap Our Wings (But Never Leave The Ground) (4:35)
9 Cloud In My Spacesuit (4:51)
10 Love Interest (3:47)
11 Where Do We Float From Here? (3:37)
12 Home (Until We) (0:46)
13 With Our Hands We Form Contact (4:05)
14 Hand In Hand Toward The Stars (5:36)
15 We Have Come To Our End (6:39)
16 This Place Was Ours To Begin With (2:08)

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Label: Planet Mu
Catalog#: ZIQ328
Release date: 04-04-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 88 mb
Genre: Electronic
Style: House, Downtempo, Synthpop, Techno

Tracklist:
1. Bliss (06:05)
2. Blue Lights (feat Gravenhurst) (04:53)
3. Wartime (feat Gravenhurst) (05:07)
4. Robo Corp (02:26)
5. Devotion (feat Gravenhurst) (06:10)
6. Knell (04:02)
7. Slumber (feat Gravenhurst) (07:10)
8. Fanfare (03:00)

Mike Paradinas and his missus, Lara Rix-Martin are joined by Nick Talbot of Gravenhurst for their lovely debut album as Heterotic. Summoning influence from classic house, late ’80s electronic dream pop, they squarely hit upon a sound somewhere between classic New Order and early µ-Ziq, mixing breezy vocals with multi-tiered electro basslines and lushest synths to often gorgeous effect.

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Label: White Paddy Mountain
Catalog#: WPMC002
Release date: 10-04-2013
Source: CD
Format: MP3
Quality: 320 kbps
Size: 178 mb
Genre: Electronic
Style: Ambient, Experimental

Tracklist:
1. Askococo and Opitope
2. Christophe Charles, Tamaru and Opitope
3. Christophe Charles, Christopher Willits, Taylor Deupree, Tetsuro Yasunaga, Toshimaru Nakamura and Opitope
4. Carl Stone, Hans Reichel, Kazuhisa Uchihashi and Opitope
5. Tagomago and Opitope
6. Asuna, Yusuke Date and Opitope

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Label: Noptical Audion
Release date: 28-01-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 82 mb
Genre: Electronic
Style: Psychedelic, Trip Hop, Ambient, Chill, Electronic

Tracklist:
01. Noptical Audion 04:18
02. Z-DNA 02:13
03. (620) Alaxka 03:36
04. Arctic Stars 01:27
05. Weefie’s Eyelets 05:00
06. Thermal View 01:20
07. Polyommatus Icarus 04:22
08. Access Interlode 02:33

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Label: Apollo/R&S Belgium
Catalog#: AMB 1312D
Release date: 12-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 60 mb
Genre: Electronic
Style: Experimental, Downtempo, Electronic

Tracklist:
1. Jan Mayen (08:00)
2. Kodiak (05:41)
3. Stufen-Spitzbergen (06:52)
4. Stronsay (05:58)

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Label: Anticon
Catalog#: abr0138
Release date: 28-05-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 101 mb
Genre: Electronic
Style: Downtempo, Glitch, Beats, Electronic

Tracklist:
01 Worsening
02 Miasma Sky
03 Ironworks
04 Ossuary
05 Incompatible
06 No Eyes
07 Phaedra
08 No Past Lives
09 Earth Death
10 Inter

Three years ago, Baths dropped his startlingly beautiful debut, Cerulean. Released on Anticon, the record blurred the line between post-modern pop and the LA beat scene with devastating emotional clarity. Its tone was as celestial as its album title, taken from a shade of blue typically used to describe the sky.

Cerulean earned year-end “Best Of” recognition from Pitchfork and The Onion’s A.V. Club and established Chatsworth-raised Will Wiesenfeld as one of the finest young composers (and falsettos) in Los Angeles. His sophomore album, Obsidian finds him emerging as one of the most complete artists of his generation. As you might expect, the name hints at darker overtones. The mood is shimmering and pitch-black, the lovely blood flow has turned into lava.

“I’ve always been inspired by really dark material and from the beginning I knew I wanted the songs to be much darker, both musically and lyrically,” Baths says.

Following the success of his first album, Baths spent much of the next year touring to progressively larger audiences. He also released an ethereal ambient project under the Geotic name. When he returned home in July of 2011 to record his sophomore effort, he was bedridden for months because of an E. Coli bacterial infection, barely able to digest solid food and bereft of creative energy.

Obsidian understandably has these scars etched into its imprint. The first song is called “Worsening,” subsequent cuts include “Ossuary,” “No Past Lives” and “Earth Death.” While the mood is often bleak, it’s never bloated. “Miasma Sky” balances being “swallowed alive by the sky” with a gorgeous piano groove and levitative croon that could detonate a disco club night. The album is unusually cohesive, suffused with heavenly choirs, head-nodding percussion, sexually-charged lyrics, and wry humor.

“The songs and lyrics all came out of a pretty fucked and arduous process of trial and error,” Baths says. ”But I hope people understand that I’m not the depressed, suicidal, and death-obsessed person the record may paint me as being. These are just darker areas that I wanted to explore.”

The areas of exploration include reading and research into the Dark Ages and the black plague, different versions of Hell as spied through Dante’s Inferno, the Bible, and old world illuminated manuscripts and paintings. These noirish fascinations met the virtuosic chops of a 24-year old who has been playing piano for 20 years.

“Anything I found that felt like a unique vision of darker emotions or atmospheres, I tried to absorb,” Baths says. “Being a positive and outgoing guy made it that much more difficult getting into that mindset. It was a matter of tapping into that and returning with songs that felt genuine and somehow from my own personal experience.”

This is the power of Obsidian. It combines universal questions with personal pain. On just his second album, Baths exhibits what only a few artists are capable of: painting in any shade they desire.

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