Recent posts: Album

Artist: Pausal
Title Of Album: Sky Margin
Year Of Release: 11 sep 2013
Label: Own Records / OWNREC66
Genre: Drone, Ambient
Quality: Flac
Bitrate: Lossless
Total Time: 00:32:10
Total Size: 149 mb

Tracklist:
1 Vapour
2 Distance
3 Trails
4 Celestial
5 Balance
6 Topography
7 Solstice
8 Utopian

Pausal is the audio and visual art project of Alex Smalley and Simon Bainton, both from Hampshire, UK. “Sky Margin” continues their exploration of combining mostly acoustic sound sources (instruments, field and vinyl recordings) with digital and guitar pedal processing. Although somewhat lighter in tone than it’s emphatic predecessor, it once again sees the drier and noisier textures rising to the forefront whilst retaining much of the reverb-heavy drone based elements that have consistently marked their work. They have performed across the UK and in Europe supporting artists such as Grouper, Mountains, Stars of the Lid, Chihei Hatakeyama and Greg Haines.

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Artist: Simon James Phillips
Title Of Album: Chair
Year Of Release: 30 nov 2013
Label: Room40 / RM458
Genre: Drone, Modern Classical, Ambient
Quality: Flac
Bitrate: Lossless
Total Time: 00:51:26
Total Size: 162 mb

Tracklist:
Set Ikon Set Remit – (11:38)
Ellipsis – (5:55)
Posture – (4:53)
The Voice Imitator – (7:42)
9er On/Off Switch – (3:57)
Poul – (11:14)
Moth To Taper – (5:55)

Listening to Chair by Berlin-based pianist Simon James Phillips, it is interesting to note that he collaborates with Chris Abrahams of The Necks. The duo perform together as Pedal, a word with links to the ‘Chair’ of this album’s title, and emphasises, the physical link from body to instrument at work when performing music. There’s a similarity too between Phillips and Abrahams’s playing, a fondness for melodic repetition particularly, but Phillips is far closer to Charlemagne Palestine in most other respects.

The physicality of sound production, not just from human to instrument but from instrument to resonance in space, is what most strongly unites Phillips and Palestine. Like the teddy-coveting dronester, Phillips plays with repetition, sustain and the reverberation of the recording space to create rich and blurred walls of sound. So dense is much of Chair that I’d guessed at multitracking, but it turns out the result comes from sound engineer Mattef Kuhlmey’s use of numerous microphones, placed around the “richly resonant environment” of Berlin’s Grunewald Church.

Chair‘s seven pieces tend for either busy density or cautious spaciousness, the former like Palestine, the latter recalling exploratory Spectralists like Tristan Murail or Helmut Lachenmann. These slower pieces are the more interesting, if not as exciting, offering patient examinations of various sonic effects within approachable, repeated patterns. ’9er On Off Switch’lurches forward, all breathy and open, before suddenly withdrawing, like explosions in reverse. ‘Posture’ plods, methodically, like a retentive drunk. ‘Set Ikon Set Remit’ and ‘Poul’ meanwhile erupt like geysers, the sustain pedal held throughout (12 minutes each), particulars bleeding into luminous sludge. Kuhlmey captures both the murk and the clarity with precision, making for another highly recommended Room 40 release.

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Label/Cat#: Square Harmony – SH 003
Year: 25 December, 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 100 mb
Genre: Electronic
Style: Future Garage, UK Garage, Bass, Dubstep

Tracklist:
1. Interlude (01:15)
2. Heretic (04:08)
3. Promises (03:24)
4. Forgiven & Forgotten Friends (FFF) (03:52)
5. Velvet (03:13)
6. Machinehead (feat CoMa) (03:40)
7. Answers (03:36)
8. Trust Me (04:48)
9. Sleep Lines (03:07)
10. Saudade (03:56)
11. Olga (02:07)
12. Underworld (05:10)
13. Outerlude (01:14)

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Label: Silver Field Records
Release date: 28-12-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 127 mb
Genre: Electronic
Style: Dub Techno, Ambient

Tracklist:
1.Plasma Planet
2.Laser Tank
3.Sega
4.Termination
5.Machine Has Awoken
6.Deep Space Travel
7.Rhythm Hymn

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Artist: Roe
[Title Of Album: Shades
Release date: 2013
Source: WEB, ALbum
Format: MP3
Quality: 320 kbps
Size: 111 mb
Genre: Electronic
Style: Ambient

Tracklist:
01. Columbia blue (3:42)
02. Bittersweet ochre (5:21)
03. Persian green (2:57)
04. Cadmium orange (3:21)
05. Light steel gray (5:19)
06. Moonstone violet (2:18)
07. Pearl aqua (1:21)
08. Pink lavender (4:49)
09. Navy purple (3:34)
10. Cadet brown (4:18)
11. Rosewood red (2:12)
12. Floral white (3:02)
13. Jasmine yellow (5:00)

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Artist: FootMerc
Title Of Album: Priced to Move
Year Of Release: 28 oct 2013
Label: Self
Genre: Juke, Footwork, Bass
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:52:28
Total Size: 123 mb

Tracklist:
1. The 4077th 03:09
2. FootMerc & Mel Gibson – Ima Freak 03:42
3. FootMerc & ZSonic – No Rush 03:37
4. Wots that Sound (The Arctic Night-Lights) 05:00
5. Rockin’ It 05:00
6. FootMerc & D’Jo – LadyKillahz 03:39
7. The Funk Zone 03:48
8. Different Kind Of Lady 04:10
9. FootMerc, MoonDoctoR & FreshTillDef – Take U Bak 03:25
10. Dance Floor Fudge 04:24
11. FootMerc & ZSonic – Space Junk 03:32
12. Air (FootMerc Bonus Free Flip) 05:00
13. FootMerc & ZSonic – No Rush (Dj Chap’s Inna Year 4000 Remix) 04:00

320 kbps
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Label: free
Release date: 24-12-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 8\58 mb
Genre: Electronic
Style: Chillwave, Wonky, Electronic, Shoegaze

Tracklist:
1. Guitar Loops Pt.1 03:13
2. Guitar Loops Pt.2 01:51
3. Guitar Loops Pt.3 02:15
4. Guitar Loops Pt.4 03:37
5. Guitar Loops Pt.5 02:11
6. Guitar Loops Pt.6 00:48
7. Guitar Loops Pt.7 02:54
8. Guitar Loops Pt.8 01:57
9. Guitar Loops Pt.9 02:40

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Artist: Flica
Title Of Album: Weekendary
Year Of Release: nov 2013
Label: mü-nest / MNC015
Genre: Abstract, Downtempo, IDM, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:44:54
Total Size: 102 mb

Tracklist:
1 Lucid Dreams (6:06)
2 11:25pm (4:23)
3 Midnight Call (2:45)
4 Reforming (4:11)
5 Weekendary (4:57)
6 The Books (3:43)
7 Ideal (4:19)
8 Wasteland (4:15)
9 Journey (3:44)
10 The Space Elevator (6:34)

Weekendary is the philosophy in which flica, the electronic ideologue, tries to communicate through his beats. While still as mood-heavy as his previous release, it’s much less overbearing in its solemnness – just as a thoughtful, cleansing weekend should be.

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Label/Cat#: Entropy – EF 0118
Year: 26 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 178 mb
Genre: Electronic
Style: Dub Techno, Ambient

Tracklist:
1. Liquids (16:46)
2. Snow (16:35)
3. Dusk (18:28)
4. Fields (13:26)
5. Stars (13:17)

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Artist: Gunna Dee
Title Of Album: Hustler By Nature 2
Year Of Release: may 2013
Label: Sn1
Genre: Hip-Hop, Grime
Quality: AAC
Bitrate: 256 kbps
Total Time: 00:42:25
Total Size: 81 mb

Tracklist:
01. Morning Prayer
02. Make A Killin (feat. Giggs)
03. Hustle Religiously
04. 4 My Town (feat. Loick Essien)
05. On It (feat. Blade Brown)
06. Roll
07. Dead Souls
08. Music Therapy (feat. Skepta)
09. Story Of Me (Extended Version)
10. Down Girl
11. Bad Girl (feat. Angel)

256 kbps
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Artist: Celer
Title Of Album: Voyeur
Year Of Release: 23 dec 2013
Label: Humming Conch / Conch009
Genre: Ambient, Drone, Experimental
Quality: Flac
Bitrate: Lossless
Total Time: 00:33:12
Total Size: 99 mb

Tracklist:
1. Opening Titles (Before Morning) 02:28
2. Bitter Light and Anticipating a Day Heat (The Isolated) 03:02
3. The Spilling; Romantic Goodbye (The Lovers) 03:01
4. Meticulous and Exact Methods of an Exhausted Dreamer (A Rooftop Hour) 03:09
5. Binoculars, a Telephone, and Fear (The Note) 04:03
6. Intermission (Afternoon, Don’t End) 02:44
7. Guiding Lights (Split-screen Comparison) 02:56
8. Bass Punctures (The Pressure Urge) 02:06
9. Lofty Swells (An Impending Advance) 03:02
10. Impossible Escape (The Amicable Understanding) 04:09
11. Finale (After Midnight) 02:29

A few years ago I was commissioned by a film company in California to create a musical score for a film inspired by the Hitchcock 1954 film Rear Window, but with a more surrealist, two-sided viewer plot. As filming hadn’t begun, I was given the screenplay and timeline, and asked to make specific music that might fit with the themes in those pages, which also included an overture, intermission, and exit music. I recorded the music at home and in a studio provided by the film company in Silverlake, California, and finished a week before the first draft deadline was to be submitted. Surprisingly, before I even delivered any of the music, I was informed that the entire project was cancelled. Several years later, the score for the film of the same title is finally seeing the light of day. It is available on vinyl in an edition of 300 copies by the label Humming Conch from Berlin, with cover art by Peter Lograsso.

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