Recent posts: Album

Artist: Sven Wittekind
Title Of Album: Voodoo
Year Of Release: may 2013
Label: Sven Wittekind Germany – SWR 0040
Genre: Techno
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:39:20
Total Size: 221 mb

Tracklist:
1. Invisibles (feat Virgil Enzinger) (07:33)
2. Dynamite (07:21)
3. Magnetic (06:39)
4. Mindtrip (06:14)
5. 386 (06:05)
6. Friday 13th (08:26)
7. Measure Of Justice (08:03)
8. The Roots Of Darkness (feat Stigmata/Andre Walter) (08:01)
9. Anathema (08:55)
10. Explosion (07:21)
11. Hubster 2 (08:00)
12. Wanga (06:36)
13. Dancefield (08:11)
14. To Be Continued (01:48)

The mysticism for which this religion i.e. black magic stands for, has always excited me. On the dancefloor too, a kind of magic and fascination takes place. This is the reason why my new album is titled Voodoo. With Voodoo Sven Wittekind a Frankfurt citizen, makes it quite clear, that his focus, unlike it is normally practised in this business, goes further than over the edge of the plate. For him techno is more than just a sound – pure magic with an entirely own fascination. Week after week when he performs, a layer of magic is covering the dancefloor. It is not only since yesterday that Sven Witterkind belongs to the electronic circle. One would think that someone in the best years of his life is part of one of the most established techno- performers of the republic, publishing his fourth album on 17th of May. In Voodoo each ritual requires a sacrificial offering. Without it, that is how it is written down no magic. Otherwise the gods will get angry. As a rule the most common sacrifices are rum, corn, flower, bread, tobacco or even blood. Already since 1999 Sven Wittekind is known for yet another and special regular habit of special donations to his audience his music. After three tremendously successful long-players, his long awaited fourth studio-album will be released on 2nd May 2013. And this time too, it will be a sacrificial donation to the dancefloor and his fans out there, which listen to and celebrate a kind of common religion. Techno in my opinion is a strong countermovement, be it of a political kind or against the normal flow of everyday life. One meets to celebrate something together and at the same time gain some distance from many things and evoke happier ones. So I celebrate my own Voodoo and use my music as a tool. One can listen to straight techno a sort of further development of its forerunner. He combines Pianos, dubstep-elements, melodies and other facets in his very own special manner. The Wittekind fanbase will have quite something to celebrate when this piece of music will reach the public

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Label: Recycled Plastics
Catalog#: BC25B
Release date: 21-12-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 144 mb
Genre: Electronic
Style: Dub Techno, Ambient

Tracklist:
1. Dormant Shadows 06:42
2. Transmit Decks 09:01
3. Altered Sense 07:13
4. Monang 10:06
5. SSRT24.422 05:13
6. Systems Override 11:25
7. Viral [Geomatrix Mix] 04:36
8. Cyder Canyon [Version II] 08:16

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Label: Self
Release date: 22-12-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 119 mb
Genre: Electronic
Style: Nu Jazz, Broken Beat, IDM, House, Electronic

Tracklist:
1. Take This Love (6:36)
2. Vital Signs (4:22)
3. Water Cycle (6:07)
4. Quiet Room (2:51)
5. Bishop’s Rising Sun (3:07)
6. Cyber Coil (2:07)
7. Found Ture Love (3:39)
8. Black Black (5:38)
9. Thounder Cloud (4:31)
10. Magic Cloud ‘1970 (3:31)
11. All Around Me (3:56)
12. Do You Remember xxxx (1:24)
13. Open Your Eyes (5:05)

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Artist: SFV Acid
Title Of Album: SFV #2
Year Of Release: jan 2013
Label: SFV Rec
Genre: House, Acid House
Quality: MP3, Cassette, Album
Bitrate: 320 kbps
Total Time: 00:53:02
Total Size: 113 mb

Tracklist:
1). Acid Jam
2). Grandma’s Mitzvah
3). G Cids
4). $$
5). Chaco ♥ Steve + Happy Acid Kinesinte
6). UChnthe2nd
7). 8th Grade Trauma
8). Ballad 9
9). Pro+Rips
10). Sine CZ Construction
11). ?
12). Frem Rolor [‘Fremboli’ from SFV Acid #2]
13). ZB
14). ZB Pt. 2
15). Summer’s Vage Cloud
16). SFV Acid Style
17). Slim Ministry
18). Techno Church

As SFV Acid Zane Reynolds makes the kind of gritty drum machine jams that you always hope existed in the early ’80s but only sort of did. His music is at once deeply minimal and expansively textured (seriously, the bass that bleeds all throughout “z!! b!!” is enough to sustain a track all by itself), and as much as Reynolds seems to love vintage gear, it never sounds senselessly retro. Though #2 is actually his second release, it’s actually a look back at Reynolds high school production days, and it pretty much proves that even when this dude was hating math class

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Artist: Dissolved
Title Of Album: Surge Of The Lucid
Year Of Release: 28 jan 2013
Label: Daddy Tank
Genre: Ambient, IDM, Experimental, Glitch, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:59:37
Total Size: 136 mb

Tracklist:
1.Heart Of The Well 01:59
2.Your Age In Shark Years 04:02
3.Selmentrasm 06:26
4.Forgotten Processes 09:51
5.Lenslock 03:31
6.Stickleback Red 05:52
7.Machinery In Sea Water 04:52
8.Ski Run In The Distance 08:03
9.On Board The Deuterium Arc 14:57

Dissolved‘s last venture was a shared excursion with Nonima; Paul Daniels’ latest is a solo outing, a little less industrial in nature but still tailored for dance floors. A few tracks are obvious highlights, but the album as a whole is consistently engaging.

By virtue of its unusual juxtapositions, the 10-minute “Forgotten Processes” leaps from the album and runs around the room with its spangles and decals falling off. The track begins with recessed organ and a female spoken word monologue about working in a darkroom. It’s only been a few years since the darkroom career dissolved, a victim of digital processing, but already the thought of developing film in the dark produces a sense of nostalgia. Lisa Stampfli’s vocals recall Sina Hübner of Psychobitch: confident yet wistful, with a touch of defiance. As she speaks of her own undeveloped life and stops wearing her mask, one can sense a growing temporal displacement. Twirling patterns of drums and synth surround her voice like waterspouts. Originality is key; this is likely the first song to include the lyric, “I’m replacing water with silver bromide.”

Of the other dance tracks, “Stickleback Red” is the most effective, due to a 90-second outro that pumps up the drums while eliminating all extraneous sounds. This percussive jam would be well-served by a remix; perhaps it’s time to give Nomina a call again! As for the track title, it may refer to either a fish or an Australian wine, but since it’s an instrumental, few will ask. ”Your Age in Shark Years” adds party banter, IDM textures and a layer of sampled 80s-style vox; “Selmantrasm” is the album’s speed demon at 146 b.p.m..

The finale “On Board the Deuterium Arc” is a risk that pays off, a fifteen-minute track that serves as a musical reflection of the ultraviolet spectrum, the practice of spectroscopy and the danger of looking too closely into the brilliance of discharged light. (As a certain New Jersey artist once wrote, “Mama always told me not to look into the eyes of the sun; but Mama, that’s where the fun is!”) This rotating instrumental never settles on a single pattern for too long, in tune with the natural variances in light gradation. As time passes, it contacts and folds over itself until one is no longer sure where it begins or ends, like a ball of yarn whose ends have been lost. The spell is only broken once, in the middle of the piece, with the spoken words, “Bass. Drums. The D.J.” – rather unnecessary since one would normally be aware of these three things in a club. Such minor indulgences can be forgiven in the service of the beat. (Richard Allen)

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Label: Broken Bubble
Catalog#: free
Release date: 11-12-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 107 mb
Genre: Electronic
Style: Future Garage, Post-Dustep, Bass

Tracklist:
1. Tea Party 04:32
2. Blood Orange 04:02
3. Stepping Stones 03:45
4. Mosaic 04:53
5. Light Treason 06:39
6. Blood Orange (Dr Perceptron Remix) 08:20
7. Stepping Stones (Pogflipper Remix) 02:52
8. Tea Party (Prof.Logik’s Swank Re-flux) 03:13
9. Light Treason (Blood Boy Remix) 05:23

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Label: Pavillon36
Release date: 30-07-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 92 mb
Genre: Electronic
Style: ungle, IDM, Breaks, Drum & Bass

Tracklist:
1. Elevate Your Force 01:30
2. Amazing Selector 04:43
3. Meditation Inside 04:41
4. Another Legend 07:02
5. Level Up 06:05
6. Simple Jungle List 01:19
7. People Machine 04:47
8. Technique Mecha 05:15
9. Paper For Dragon 04:46

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Label: skudge
Catalog#: skudgewlp001
Release date: 19-12-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 116 mb
Genre: Electronic
Style: Techno

Tracklist:
A1 Greenhorn
A2 Hope Is Gone
A3 Serpents
B1 Get None
B2 Dyspnea
B3 Lost Teeth
C1 The Four Skulls
C2 Rise
C3 Scurvy
D1 In Solitude
D2 Sunken Mosque
D3 Torments

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Artist: Oneohtrix Point Never
Title Of Album: The Fall Into Time
Year Of Release: 2013
Label: Software Recording Co. / SFT0321
Genre: Ambient
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:43:17
Total Size: 99 mb

Tracklist:
01. Blue Drive (10:05)
02. The Trouble With Being Born (4:31)
03. Sand Partina (7:01)
04. Melancholy Descriptions Of Simple 3D Environments (10:58)
05. Memory Vague (4:47)
06. KGB Nights (6:07)

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Artist: Tomas Weiss
Title Of Album: Zeitlos
Year Of Release: dec 2013
Label: El Culto
Genre: Ambient
Quality: Flac
Bitrate: Lossless
Total Time: 01:08:03
Total Size: 246 mb

Tracklist:
1. Alignment 11:44
2. Through Realms 7:30
3. Near Nothing 5:30
4. Foundation 7:43
5. Liminal Traces 8:57
6. Absence 6:50
7. Chronos 6:16
8. Zeitlos 13:33

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Artist: Ensemble Economique
Title Of Album: Light That Comes, Light That Goes
Year Of Release: 2013
Label: Denovali Records / DEN187
Genre: Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:39:02
Total Size: 97 mb

One of two new releases from Brian Pyle (the other being ‘Interval Signals’), Light That Comes is a rich exploration of Ensemble Economique’s range and power. With a palpable sense of the sublime throughout, the listener is guided through drones like the pillars and buttresses of a cathedral for a sombre new religion, into the sounds of the ocean (somehow elegiac), flute tones springing up in the fog like gravestones, and fallen kosmische. These are followed by the wonderfully odd ‘As the Train Leaves Tonight,’ a version of Spandau Ballet’s ‘True’ produced from within the shadow universe, featuring crashing waves of reverb, staccato chords and tommy-gun drums. Similarly, ‘Radiate Through Me’ is a shoegazy torch song of sorts, sluggishly drifting along on beams of spectacular light. The brilliantly unique continuum between drone and pop traversed here makes ‘Light That Comes’ a key listen.

Tracklist:
1. If You Need Help [12:39]
2. Light That Comes, Light That Goes [3:28]
3. Ksenia [8:15]
4. Glass on the Horizon [4:56]
5. As the Train Leaves Tonight [4:05]
6. Radiate Through Me [5:36]

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Artist: BJ Nilsen
Title Of Album: Eye Of The Microphone
Year Of Release: dec 2013
Label: Touch / TO:95
Genre: Experimental, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:43:19
Total Size: 100 mb

Tracklist:
1. Londinium (10:46)
2. Coins And Bones (17:45)
3. Twenty Four Seven (14:48)

‘In 2012 I received a scholarship from the Leverhulme Trust for a one-year Artist in Residency at the UCL Urban Laboratory in London, to introduce sound as an art practice to urban scholars and students. As part of my research I decided to dérive the city.

I spent full days and sometimes nights sweeping the streets and its interiors for sound – walking and listening with no route or intention. A city without sound does not exist. Every location, passageway, alley, road, park, and pub contains its own world of isolated sound events and patterns – the sound of a shopping bag caught by the wind on the asphalt of a busy street when a bus passes by. What seems to be merely a bus is also a cacophony of sounds, a sound world in itself: hydraulics, breaks, interior noise, honking, public announcements, humans, rolling bottles, cell phones, mp3 players. The rattle of an air-conditioning unit in an old pub toilet gradually develops its broken down sound over many years, creating a raga for it own demise. Nobody seems to hear it. Is it there? The choice of sound varies; it’s a personal selection, some sounds made it into this composition, many hours of recording didn’t.

Sound composition can alter space and time and transform a specific location and experience into an imaginary world.

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Artist: Astor
Title Of Album: Inland
Year Of Release: nov 2013
Label: Kye / Kye 26
Genre: Experimental, Electronic
Quality: MP3, Vinyl
Bitrate: 320 kbps
Total Time: 00:43:22
Total Size: 100 mb

Tracklist:
01 – Side A
02 – Side B

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Label: Ezhevika
Catalog#: ezh-023
Release date: 19-12-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 124 mb
Genre: Electronic
Style: IDM, Ambient, Abstract Beats

Tracklist:
01. Kuranty (2:20)
02. Du En (4:36)
03. Gentle sigh (4:28)
04. Tet a Tet Night (4:52)
05. Suck in (5:02)
06. If You Leave (7:09)
07. Indian Night (5:37)
08. Kiev (live) (16:10)
09. Shuma – Dy Hula Pcholka (remix Gran+) (5:16)

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