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LABEL: Blue | BLUE 007
GENRE: Techno
RELEASED: 2000
MP3 DOWNLOAD SOURCE: Vinyl
BITRATE: 320kbps / 44100kHz / Full Stereo
TRACKS: 2
SIZE: 43.50 megs

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LABEL: Blue | BLUE 001
GENRE: Techno
RELEASED: 1998
MP3 DOWNLOAD SOURCE: Vinyl
BITRATE: 320kbps / 44100kHz / Full Stereo
TRACKS: 3
SIZE: 59.25 megs

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Label/Cat#: Motorik – MTK 016
Year: 28 November, 2014
Source: WEB
Format: mp3
Quality: 320 kbps
Size: 51 MB
Genre: Electronic
Style: Deep House

Tracklist:
1. Dat Groove (feat DJ Funk) (5:42)
2. Dat Groove (feat DJ Funk – Mak & Pasteman remix) (5:02)
3. Dat Groove (feat DJ Funk – Carisma remix) (7:21)
4. Dat Groove (feat DJ Funk – Sinden remix) (5:40)

320 kbps
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Label/Cat#: Electric Blue – EB003
Source: WEB
Release date: 2014-09-08
Format: mp3
Quality: 320 kbps
Size: 48 mb
Genre: Electronic
Style: Deep House

Tracklist
1. Subculture (Original Mix)10:00
2. Movement 7 (Original Mix)11:13

320 kbps
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Label/Cat#: Thema – THEMA039
Source: WEB
Release date: 2014-10-06
Format: mp3
Quality: 320 kbps
Size: 350 mb
Genre: Electronic
Style: Techno/House

Tracklist
1. Lost In Brooklyn (Original Mix)7:43
2. Lost In Brooklyn (Norm Talley Remix) (Original Mix)7:47

320 kbps
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Label/Cat#: Vulcania Records – VNR101
Source: WEB
Release date: 2014-11-17
Format: mp3
Quality: 320 kbps
Size: 33 mb
Genre: Electronic
Style: Deep House

Tracklist
1. Mountain (Original Mix)6:50
2. Dangerous (Original Mix)7:35

320 kbps
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Artist: Lawrence
Title Of Album: A Day In The Life
Year Of Release: 2014
Label: Mule Musiq
Genre: Ambient
Quality: MP3
Bitrate: VBR V0
Total Time: 00:40:24
Total Size: 63 mb

Tracklist:
1. Horses 3:02
2. A Day In The Life 3:20
3. Lucy, Lucy 2:56
4. Nowhere Is A Place 4:46
5. Marlen 4:03
6. Fainting 2:44
7. Simmer 2:35
8. The Visit 2:15
9. Dreams Are Dead 3:46
10. Blue Mountain 4:05
11. Bonheur 2:19
12. Lost In Joy 4:26

all art has to be combined with the notion of outlast. this can be only realized when the energies of the expenditure do not disappear and get stored in the creation. to get this creative process started, an artist needs to open himself to the world collapsing upon him.

“a day in the life” – the brand-new ambient and beyond album by lawrence, confirms this assumption – yet no world really collapsed on the dj and producer from hamburg. instead his emotional perception danced upon friendship and wanderlust and he put together twelve tracks for an album dedicated to his long lasting relation to toshiya kawasaki, man of action behind labels like mule musiq, endless flight and mule electronic, and the artist stefan marx.

besides co-running the label dial and the mathew gallery in berlin lawrence is constantly releasing music on his own labels

and befriended platforms like smallville records. furthermore the north german regularly contributes to kawasaki’s imprints mule musiq and electronic. just recently he dropped the ep “blue mountain” on mule musiq – a deep emotional foretaste of what “a day in the life” delivers on album length.

the music he shares on his latest long player isn’t linked to a special place or event. he mostly produced it up-road on his dj trips around the globe including toshiya’s homeland japan. back in his cosy backyard studio in hamburg he finished all musical pieces and mixed them down with a lot of joy.

they are listening to great track names like “nowhere is a place” or “lost in joy”, which allow in combination with the lovingly detailed sounds imaginative mind games. in terms of style ambient calls the tune and opens the genre into the wide open with the very own musical and emotive language of lawrence.

a track like “nowhere is a place” spreads smoothly twisted spectral vibes with blurring sounds that could easily originate from alienated instruments like a damaru or a conch horn. lawrence himself keeps it secret and let the music speak for itself. sometimes soft sizzling noise slides under gentle balanced ambient air like in the track “the visit”.

in other arrangements he let the chords dance with cute smacking electronic glimpses or odd slow-motion melodies remind on the work of hans-joachim roedelius and his love for the gentle swing.

all compositions float and sound like the improvisations of a virtuoso who has forgotten his virtuosity in order to drown real deep in his creations. for lawrence the album is “a triple buddy record” as not only his emotional content is included in the finished product. also his friends stefan marx – who is in charge for the artwork – and mule musiq head toshiya kawasaki have been profoundly involved in the outcome.

“since ten years the three of us work together. the record shows this very nicely in terms of our love for ambient music and cover artwork. the cover shows stefan’s sublet apartment in nyc – also a very ambient place.

the idea for the record emerged out of a sudden inspiration and this fits prefect to the way how toshiya runs a label where sharing a good natural wine is more important than marketing.”

lawrence confesses about the genesis of “a day in the life” and its emotional content. it is a weightless one where all feelings are stored supremely in what you can hear, see and hold in hand. and they are not made for them alone. they are there to share.

vbr
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Label/Cat#: Alleanza – ALLE050
Source: WEB
Release date: 2014-11-17
Format: mp3
Quality: 320 kbps
Size: 34 mb
Genre: Electronic
Style: Techno

Tracklist
1. Zephyros (Original Mix)7:33
2. Gradiva (Original Mix)7:19

320 kbps
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Artist: D-Fried
Title Of Album: Peak Shift Effect
Year Of Release: 2014
Label: Clean Error – ERR016
Genre: IDM, Ambient, Downtempo, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:27:01
Total Size: 60 mb

Tracklist:
1. Over The House-Tops (Original Mix)4:57
2. Peak Shift Effect (Original Mix)5:09
3. Plastic Me (Original Mix)5:18
4. Rainbow Bridge (Original Mix)2:49
5. Red Rubber Ring (Original Mix)3:52
6. Westfall (Original Mix)4:53

Jordi Saludes, musical architectural mason, & dj from Barcelona, Spain has published multitudinous albums, eps and a long list of 12″ on various European labels. Under his D-FRIED nom de plume, he mixes electronic textures and urban vertex sounds with ornate rhythms, building with ordinary noises and subtle digital melodies, funneling soundtracks for city travelers. After his first album “Clouds Leave No Trace” on Phonocake reached the fleck as one of the very few best top speed net label albums in 2009, he appeared again in variegated compilations in Europe and Japan in labels like Mille Plateaux/Force Intel, Lemongrass Music, Mizukage Recs, Phonocake, Discontinu, Emilii, Disboot, etc…His second album “The Lost Tomorrow” (Discontinu 2013) had a very sweltering welcome in Spain, with excellent reviews in magazines and other international media. With quite a few releases on his fricassee pan, D-Fried is always involved in phrenic collaborations with other artists, working on different sides of the conduit aqueducts, and making music for commercials, documentaries, films, contemporary dance, audiovisual installations, and websites. As with most Clean Error artists he’s been listening and building his musical apparatus since childhood and has glommed onto his influences from literally most any genre of music from his vast vinyl, CD, and cassette .mp3 collection that flew on through to his eardrums other side. Disinclining a few genres of course, Jordi’s influences include music from labels and artists from Warp, Mille Plateaux, Moor Music, Rephlex, City Centre Offices, Planet Mu, Soma, etc, however, Jordi is probably most influenced by others artists such as Brian Eno, Vangelis, Tangerine Dream, Kraftwerk, New Order, Cabaret Voltaire, Larry Heard, OMD, Future Sound Of London, John Carpenter, Photek, Biosphere, Cliff Martinez, Drexciya, etc. which you could probably, as well as Clean Errors other artists, discuss minute by hour, hour by month, or month by year. All that being said again, his latest and first phenomenal release for New York’s Clean Error Records “Peak Shift Effect” is exquisitely recorded much like live real time player’s performances recorded by tracking analogously one track after the other. Much of the rhythms themselves were created utilizing software such as Battery, Kontakt, Reaktor or Ultrabeat, The rest of the tracking came from hardware instruments themselves played in real time. Jordi is not a hardware/analog fundamentalist: He loves software variables as much as any other kind of instrument or device able to make the dulcet of noise however, Jordi’s purpose to avoid the use of soft synths was none other than only to put some limitations in his creative process, aiming to traipse through different paths, undertaking different decisions and ending up with a different results. ” In this work Jordi incorporated some small classic machinery like the Korg Kaossilator, PCM100 Philips, Casio VL-1 or Yamaha MU15, giving a tinge of lo-fi to the melodies, because of the sounds and the limitations of interpretation with mini keys, micro keys and tactile surfaces, what began as an experiment ended up taking a role that Jordi never initially expected. A Roland Juno 106, an Ensoniq ASR10 and a Yamaha DX7 have also played an important role, along with a couple of Alesis unit effects and a slew of guitar pedals. With all this said, it is certainly apparent that Jodi Saludes knows his way around quite a large apparatus of gear and this is certainly audible to the other side of any listener’s eardrum on any planetary scale. Clean Error Records hopes you enjoy D–FRIED “Peak Shift Effect” as much as we do.

320 kbps
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Label/Cat#: My Favorite Robot Records – MFR112
Source: WEB
Release date: 2014-11-03
Format: mp3
Quality: 320 kbps
Size: 44 mb
Genre: Electronic
Style: Electronic, House

Tracklist
1. Wasting Away Again In Moderation (Original Mix)6:03
2. Unrest (Original Mix)7:14
3. Floating In The Wind (Original Mix)6:13

320 kbps
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