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Artist: Mono
Title Of Album: Rays of Darkness
Year Of Release: 2014
Label: Pelagic
Genre: Post Rock, Instrumental
Quality: Flac (tracks+.cue)
Bitrate: Lossless
Total Time: 00:35:22
Total Size: 194 mb

Tracklist:
01. Recoil, Ignite
02. Surrender
03. The Hand That Holds the Truth
04. The Last Rays

When MONO began in 1999, they set out with a simple mission: From bliss to bludgeon, no matter how long or winding the path may be. Their debut album, Under The Pipal Tree, outlined that mission in twisted, psychedelic fury. Subsequent albums would see the band honing their craft, mastering their mission, and ultimately abandoning that path in favor of more grandiose pursuits. Flanked by increasingly larger orchestras, MONO performed live at some of the most prestigious venues in New York City, London, Tokyo, and Australia. MONO had become an orchestral rock band, a spectacle of extreme melancholy and melodrama. On 2012’s For My Parents, the band had finally reached the logical conclusion of that era; it was time to remember where they started, and to rethink where they were heading. Less strings? No strings? Louder?Quieter? Lighter? Darker? Yes.

The Last Dawn and Rays of Darkness are a pair of new albums by MONO. Recorded simultaneously yet conceptually and creatively disparate, the two act as both opposing and complementary sides to a story. No strangers to narratives, the two albums explore familiar themes for the band: Hope and hopelessness, love and loss, immense joy and unspeakable pain. Those elemental parts of life and the complicated relationships they create have never been more resonant through MONO’s music than they are here.

The Last Dawn is the first of these two companion albums, and is the “lighter” of the two, thematically and melodically. It contains undoubtedly some of MONO’s strongest songs ever, drawing on an array of influences from minimalist film score to vintage shoegaze. It is MONO at their absolute purest, executing an uncanny, unspoken dialogue with each other without the dozens of stringed instruments that have been so prominent throughout their catalog. The songs are also noticeably more efficient – there hasn’t been a MONO full-length record to fit on a single slab of vinyl since 2003’s One Step More And You Die – and the album benefits immeasurably from this streamlined approach. MONO have always been masters of telling compelling stories without words. But now they’ve proven they can do it without frills, too.

Rays of Darkness is the first MONO album in 15 years to feature no orchestral instruments whatsoever. That fact alone is remarkable given the band’s reputation for sweeping, dramatic instrumentals that recall Oscar-worthy film scores. Instead, Rays of Darkness more closely resembles a jet engine taking off inside a small, crowded auditorium. It is MONO’s blackest album ever, a collection of scorched riffs, doom rhythms, and an unexpected contribution from post-hardcore pioneer Tetsu Fukagawa of Envy. The album ends with the smoldering wreckage of distorted guitars and ominous drones playing out a eulogy to the days when MONO shot blinding rays of light through seemingly endless darkness.

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Artist: VA
Title Of Album: Bass Agenda Vol 2: The War On Error
Year Of Release: 2014
Label: Bass Agenda
Genre: Electro
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:11:52
Total Size: 160 mb

Tracklist:
1. Preview all tracks 28:20
2. g13ck – Paax
3. Will Web – Das Werk Von Robotern
4. dynArec – Rearguard Redemption
5. Dark Vektor – Paciencia
6. Rogue Frequency – Symmetry
7. MicroControUnit – Field Report
8. Inkamera – Skylar
9. Gragee feat. 4th Genome – No Release
10. Elec Pt.1 – Zwei.Two.Dos.Twee
11. Seldom Seen – Betos Revenge
12. FAH – We Warned You That This Life Could End You
13. Robodrum – Panic Zone
14. Dagobert presents The Dagonaut – Dancing on The Milkway
15. Morphogenetic – To Be Here As One

Following on from Bass Agenda Vol 1 released in 2013 Vol 2 continues the theme; showcasing the talent of artists who appeared as guests on the Bass Agenda Radio Show in the last year or so.

The concept is simple; to provide your ears with a selection of sounds than span the world, unlimited by genre boundary politics. All together forming a rich sonic journey for the senses, individually giving a best case example of their particular area of the underground sound spectrum.

The world is dropping its standards when it comes to music. Don’t make that mistake. Join The War On Error….

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Artist: Vincent Floyd
Title Of Album: Moonlight Fantasy
Year Of Release: 2014
Label: Rush Hour Music NL / RHM 008
Genre: House
Quality: MP3, Vinyl
Bitrate: 320 kbps
Total Time: 00:38:15
Total Size: 87 mb

Tracklist:
A1 – Unknown
A2 – Unknown
A3 – Unknown
B1 – Unknown
B2 – Unknown
B3 – Unknown

All tracks are untitled, but I named the A1, A2, etc.
No cover art, it only includes an A4 insert that mentions this is a promo and due for a official release late 2014 (+ CD). Also this is all unreleased music from the 80’s & 90’s

Direct downloads for TMF users. JOIN NOW!

Label/Catalog#: Owl / OWL002
Release date: 2014
Source: Vinyl
Format: mp3
Quality: 320 kbps
Size: 69 MB
Genre: Electronic
Style: Minimal House

Tracklist:

Side 1
1. “Track 1”
Side 2
1. “Track 2”

Played by
Rob Gribbin, Mark Graham (Contrast-Wax), Juno Recommends Minimal/Tech House, Toki Fuko, Loopdeville, Scott Kemp

Review
The mysterious Owl imprint returns for another round of reduced grooves and thoughtful textures that look beyond dancing concerns to a more arty kind of house music premise. There’s definitely a strung-out jazz influence hanging over “Track 1” as typified by the woozy horn samples, but it’s matched by subdued strangeness from the additional synth work. “Track 2” is quite a different beast, getting into a tricky electro beat over which to fly a spread of vocal snatches and some oddball bass synth action with an end result that comes on like a modern-day answer to The Art Of Noise.

320 kbps
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Artist: DMX Krew
Title Of Album: 100 Tears
Year Of Release: 2014
Label: Fundamental Records – FR005
Genre: Electro
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:45:57
Total Size: 103 mb

Tracklist:
1 100 Tears
2 Unexpected Spring
3 Transubstantiation
4 Inverted World
5 Time Enough For Love
6 Hyperion
7 Output Data
8 Why
9 Tone Splice
10 Akai Lament
11 Hexagone
12 Not Noticing

Fundamental Records presents ‘100 tears’ a brand new album from DMX Krew.

This is a one off exclusive Bleep edition of 100 copies pressed on deluxe double white vinyl and housed inside a metallic cardboard jacket screen printed by hand by designer Alek Stark. Below are a few words from Ed DMX about the making of the album.

These are nearly all tracks that were written at the end of 2013 and the beginning of 2014 when I was in the process of moving house, which meant I couldn’t have my studio set up.

Instead I made these tracks using one or two synths and one drum machine, recording into a laptop without a mixing desk. I guess this is the way a lot of people make music but it’s new to me. Having the restriction of only a few pieces of equipment on each track helped me to focus on musical ideas. When I felt too restricted by the machines in use, I would put a couple away and get a couple of different ones out of storage.

So the whole thing has a slightly different production vibe than some of my stuff, and a slightly different thought process, but the inspiration is the same: science fact and fiction mixed with the emotions of daily life.

Ed DMX

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The hugely talented Dutch DJ/producer Esther Roozendaal aka Estroe launches her new label with a typically deep serving of modern house. The title track is a driving affair powered by lithe percussive bursts and which eventually leads into fragile, understated melodies. “I Wish” is slightly more forceful thanks to the niggling acid line that runs through it, but on this occasion, gentle, lullaby-like vocals and tinkling keys serve to highlight Estroe’s deft, musical touch. Lending some dance floor clout to the release is Canadian dub techno artist Deadbeat, who delivers a harder, 303-led take on the title track and Nadia Struiwigh, whose version of “I Wish” is a droning, tunnelling affair.

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Label/Cat#: Rosedale Records – ROSE001
Source: WEB
Release date: 2014-10-13
Format: mp3
Quality: 320 kbps
Size: 56 mb
Genre: Electronic
Style: Techno

Tracklist
1. I See You (Original Mix)6:25
2. I See You (Deadbeat’s Double Down Acid Dub)6:53
3. I Wish (Original Mix)6:28
4. I Wish (Nadia Struiwigh Remix)5:48

320 kbps
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Label/Cat#: Flight Recorder – FLR007
Country: UK
Year: Jan 2014
Genre: Electronic
Style: Techno, Electro
Format: Vinyl, 12″

[size=3]Tracklist[/size]
A1 – Cold Confession
A2 – The King Of Trash
B1 – Black Flowers
B2 – The Unspeakable Void

320 kbps
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