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Artist: Traxman
Title Of Album: Da Mind Of Traxman Vol 2
Year Of Release: 16 may 2014
Label: Planet Mu / ZIQ346
Genre: Juke, Footwork
Quality: MP3
Bitrate: 320 kbps
Total Time: 01:01:20
Total Size: 137 mb

Tracklist:
1. Time Slip (03:01)
2. Blow Your Whistle (Tha Out Of Here Remixx) (03:28)
3. Nothing Stays The Same (03:05)
4. Mic (02:55)
5. Computer Getto (03:28)
6. Make Love To Me (03:54)
7. Bubbles (02:59)
8. Let It Roll Geto (03:26)
9. Ever & Always (03:16)
10. Under Cover Jack (03:53)
11. Can Nutin Hold Me Back (02:29)
12. 15416 (03:17)
13. Gone & Hit That Shit (03:02)
14. I Need Too Do It (feat DJ Fred) (03:49)
15. Your Just Movin (03:25)
16. Tha Edge Of Panic (04:13)
17. I Wanna Be High (02:54)
18. U Got Me Runnin (Remixx) (04:38)

The last few years have seen Chicago Footwork rise to international success, and Traxman’s debut album – ‘The Mind of Traxman’ on Planet Mu – played no small part in that. It showcased Cornelius Ferguson’s brilliant ability to synthesise the beat digging of classic hip hop with the high-speed abstraction of Footwork’s house-derived beat science.

The selection of tracks on this second chapter show a slightly different take on Traxman’s abilities. Instead of bringing in concepts from other genres, he simply creates a wider variety of Footwork, made with a minimal, reduced palette. Often just one or two samples are selected and diced into brain-blurring cubist puzzles that bear little relation to their original sources, or anything else for that matter.

A number of the tracks here show off the high-speed micro-edited possibilities of Footwork, that end up bringing the sound closer to a faster, hands-on, mpc-punched version of micro-house, bringing out a jagged, fitful character that keeps you on your toes. Tracks like ‘Time Slip’ echo SND, but cut with hip hop breaks and flying snares, while ‘Blow Your Whistle (Tha Out Of Here Remixx)’ chops up a short vocal and whistle noise to ridiculously energetic effect. Other tracks pull on a techno edge, ‘Computer Getto’s galloping game of hide and seek with Kraftwerk, ‘Bubbles‘ electronic arcade game blips, or ‘Under Cover Jack‘s 303 groove, remind one of the house origins of this music, while ‘Can Nutin Hold Me Back’ has a leg in soul’s history, with its detached accapella chopped into twitchy choruses. Later on ‘15146’ cuts up barked numbers over sprightly woodwind while ‘Gone and Hit that Shit’ reduces words to rhythmic shapes, darting around meaning. ‘The Edge of Panic’ is an unexpected and incredibly aggressive detour into Footwork x Speed Metal that could be a micro-genre of its own. We catch our breath with ‘I Wanna Be High’ before the album ends with the gentle bass and chopped jazz drums of ‘U Got Me Running (Remixx)’. The mind of Traxman dazzles again.

Traxman, a.k.a. Corky Strong, real name Cornelius Ferguson, is a Chicago Footwork veteran whose discography also includes many classic Ghetto House and Juke releases going as far back as the mid ’90s with music on labels like the legendary Dance Mania. He’s worked as a DJ for over three decades and was a member of the Geto DJz and Ghetto Teknitianz crews alongside two other Footwork scene leaders, DJ Rashad and DJ Spinn. He describes his style as “funky, soulful and a bit eccentric.”

320 kbps
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Artist: Boris Divider
Title Of Album: Deflector | Atractor
Year Of Release: 12 may 2014
Label: Fundamental Records / FR004
Genre: Electro
Quality: MP3, Vinyl
Bitrate: 320 kbps
Total Time: 00:47:480
Total Size: 106 mb

Tracklist:
A1 Deflector 5:46
A2 Automatischer Austausch 5:41
B1 Particle 5:36
B2 Collision 5:28
C1 Global Panic Processor 5:56
C2 Mikrowelt 5:44
D1 Atractor 5:45
D2 Atractor | Extended

Man/machine magician Boris Divider unleashes his fourth album… And, as with much of Fundamentals’ current output, it’s highly limited. Continuing his explorations and escapades into the darkest, iciest realms of electronic music, Deflector/Atractor is perhaps his most extensive collection to date as we’re treated to shimmering ambient bliss (“Particle”) to dreamy, skippy, robot-charming fracturism (“Mikrowelt”) via his more classic, straight up funky electro (“Deflector”). Yet another bold march into the coded unknown for both Boris and Fundamentals, this can’t be slept on.

320 kbps
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