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Label/Cat#: Sonntag Morgen – SMR 032
Year: December, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 45 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Coaq (06:47)
2. Ireo (06:31)
3. Iso (06:47)

320 kbps
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Label/Cat#: Underground Music – UMR 026
Year: 14 December, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 52 mb
Genre: Electronic
Style: Progressive House

Tracklist:
1. Forgotten Things (original mix) (07:44)
2. Forgotten Things (Dahny Hadal remix) (07:13)
3. Forgotten Things (Aggressor remix) (07:21)

320 kbps
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Label/Cat#: Overcooked – OCR 024
Year: 27 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 42 mb
Genre: Electronic
Style: Nu Disco, House

Tracklist:
1. Lost In Time (original Ix) (04:01)
2. Lost In Time (Bronx remix) (04:42)
3. Lost N Time (Parlaphone remix) (04:12)
4. Lost In Time (Lafrench Toast remix) (05:29)

320 kbps
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Label: Lost Codes
Catalog#: 006
Release date: 06-12-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 33 mb
Genre: Electronic
Style: Bass, Grime

Tracklist:
1-Red_Pill_Blue_Pill
2-Da_Descent
3-Love_You.
4-Red_Pill_Blue_Pill_Visionist_Remix

320 kbps
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Label/Cat#: 7 Days Ent. – 1009
Country: US
Year: Nov 2013
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: 48 mb
Genre: Electronic
Style: House, Techno, Detroit

Tracklist:
A1 – Big Strick – Rain Dance (06:23)
A2 – Generation Next – And You Too (07:24)
B1 – Generation Next – Like Father, Like Son (Feat Big Strick) (feat. Big Strick) (07:30)

=http://www.juno.co.uk/products/big-strick-generation-like-father-like-son/507099-01juno.co.uk[/url]

320 kbps
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Label/Cat#: Vakant Germany – VA 052
Year: December, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 67 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Mastodon (Mind Against remix) (08:23)
2. Behind The Hourglass (Alex Smoke remix) (06:58)
3. Not Everything Is Lost (Lake People remix) (07:04)
4. Blackened (Sons Of Tiki remix) (07:27)

320 kbps
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Label/Cat#: Parity – PA 013
Year: 21 November, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 68 mb
Genre: Electronic
Style: Dub Techno

Tracklist:
1. 314 (dub) (02:53)
2. 314 (version) (07:36)
3. Logarithms (original mix) (06:56)
4. Moodswing (original mix) (06:51)
5. Variation (original mix) (07:26)

320 kbps
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Artist: Wanda Group
Title Of Album: A Slab About Being Held Captive
Year Of Release: 2013
Label: NNA / 068
Genre: Ambient, Experimental
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:42:03
Total Size: 97 mb

Tracklist:
01 How to Learn How to Concentrate
02 No Mouth or Transparency and Variable

Washed up on the shores of Brighton UK, we find “A Slab About Being Held Captive” laying there quietly in the sand. This soaking enigma is the latest creation of Louis Johnstone, following up an influx of recent vinyl on Opal Tapes, Notown, Where To Now?, and Svetlana Industries. Since their debut release “Bass Urine” on NNA in 2011, Wanda and the girls have matured to a new point of refinement, sinking deeper into the careful organization of disconcerting sounds. “A Slab” truly is a seasick collage, with a pervading aqueous essence flowing throughout the two side-long pieces, carrying along with it fragments of field and domestic recordings and sample clutter. Syrupy waves of sound meld into one another with cinematic pacing, forming a gelatinous backdrop for hard cut interjections of concréte style sample manipulation, lending themselves to an air of confusing tension. As the liquid bath abruptly turns to slate, a group of gulls squawk at a bubble filled with muffled porno moans as they glide by. Body sounds and animal conversations are drowned out by the mechanical purrs of an industrial assembly line, sputtering and choking their last breaths as they struggle to stay afloat. Maddening tones seem to permeate from within, sizzling their way through the stereo field like two magnets dancing, drilling through the headspace. This hypnotic phenomena forces the mind inward, reducing it to a skull full of opiate brain mush and half-cooked soggy memories. These collections of moments may fall shamelessly into near-nothingness at any given time, eventually refilling themselves with sound in a cyclical rising and falling, perhaps acting as an abstract reflection on mental states of indifference, alienation, or just general life terror and bleakness. Wanda’s ability to maintain compositional fluidity throughout such a dynamic range of materials is reinforced by an original sense of movement and pacing, and the ability to form a creative symbiosis between cold sterility and organic warmth. Although ultimately, it’s probably best left to the artist’s own words:

“WANDA GROUP IS OR COULD BE OR WANTS TO BE A GROUP
IT IS NOT
I SHOULD BE BUT I AM AFRAID IT NEVER BECAME ONE
EITHER DUE TO A LACK OF FRIENDSHIP, KINDNESS OR POUNDING HUMAN REGRET ?
WHO KNOWS ?
WANDA GROUP TRIES TO MAKE EARTH MUSIC
THIS COULD BE INSIDE OR ABOVE OR RIGHT ON THE LAND
I THINK THAT YOU SHOULD LOOK AT CONCRETE OR MOUNTAINS TO TRY AND MOVE YOURSELF
ART GALLERIES WORK BUT SOMETIMES I THINK PEOPLE NEED TO LOOK AT THE STUFF THAT IS GROUND OR SHOVED RIGHT INTO THE EARTH OR HAS BECOME THE EARTH
ALL IS ONE SORT OF THING ETC
WANDA GROUP DOES TRY TO LOVE IN A MASSIVE WAY
IT IS ALL VERY SERIOUS AT POINTS AND SOMETIMES I NEEDS TO BE
WANDA GROUP REALLY SHOULD NOT BE ALLOWED TO FUCKING SPEAK OR TYPE (MAYBE ONLY EXIST IN A STATUE ?)”

320 kbps
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Artist: Espectrostatic
Title Of Album: Espectrostatic
Year Of Release: 19 nov 2013
Label: Trouble in Mind / TIM061
Genre: Experimental, Electropunk, Giallowave, Horrorwave, Psychedelic, Ambient, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:38:43
Total Size: 136 mb

Tracklist:
1. Smokeface Appears
2. Doomed Lovers In A Gathering Storm
3. The Haunted Doll Factory
4. The Killing Touch
5. Searching The Museum
6. The Wrong Side Of The Portal
7. The Procession
8. It’s Raining Knives (Love Is Doomed)
9. Lost In The Catacombs
10. Consulting The Necronauts
11. Phantom Swarm
12. The Infernal Elevator
13. Please Be Careful As You Exit

Alex Cuervo has been rattling skulls for years in punk & garage bands like The Hex Dispensers, Blacktop, This Damn Town & Feast of Snakes. 2011 saw the release of two solo EPs under his own name, exploring his interest in darker, synth-oriented punk music. Since then, the Texan native has not only honed his skills on the synthesizer, but constructed this 13-song suite of instrumentals that owe a serious debt to the pioneers of late-seventies horror soundtracks like John Carpenter, Italo-prog masters Goblin & the work of German pioneers Tangerine Dream.

“Espectrostatic” unfolds like the soundtrack to a lost horror classic, with it’s pulsing synths & ominous passages inferring the unleashing of an ancient, horror creating a Lovecraft-ian musical journey. The tracks range from near ambient clouds of dread (”Consulting The Necronauts”) to throbbing tunes that could almost be mistaken for the goth-club floor-fillers created by Skinny Puppy & Soft Cell (”Phantom Swarm”). This is music made for the night & all things that reside therein. The LP edition of “Espectrostatic” is pressed on 150gm black vinyl & includes a download code. Features sleeve design from reknowned designer/illustrator Jason Willis.

320 kbps
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Artist: Aaron Martin & Orla Wren
Title Of Album: The Blizzard That Birthed Her
Year Of Release: 01 dec 2013
Label: FACTURE
Genre: Ambient, Experimental, Modern Classical
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:53:45
Total Size: 123 mb

Tracklist:
1. Five Acre Ladder 06:24
2. Five Acre Ladder (with Aaron Martin) 06:52
3. Five Acre Ladder (with Isnaj Dui) 06:12
4. Five Acre Ladder (Reprise) 04:20
5. Mountains And Wishbones 07:52
6. Mountains And Wishbones (with Aaron Martin) 06:36
7. Mountains And Wishbones (with Isnaj Dui) 04:52
8. Mountians And Wishbones (Reprise) 03:46
9. The Cup of Remembered Things (with Aaron Martin) [bonus track] 06:50

Offered as metaphor and delivered as analogy…
The Blizzard That Birthed Her is the continuing echo of this year’s Home Normal success, Book Of The Folded Forest. Birthed as two original Orla Wren tracks ‘Five Acre Ladder’ and ‘Mountains And Wishbones’ which were recorded in the same session, Tui then worked the cello, bass and vocals of Aaron Martin into two alternative versions of each track, making up the 4 tracks on the 10” vinyl for Facture.
He then offered the same to Isnaj Dui who contributed some flute for him to then create the two versions with her as guest. To complete the companion 8 track letter pressed CD version the two “reprise” versions were created by Tui utilizing parts from the other tracks.

The Blizzard That Birthed Her cannot be called an album in the strictest sense. It consists of two original tracks, each one of which has been recorded four times including two separate takes of each with different collaborators. At their most basic – the opening, unaccompanied blueprint of Five Acre Ladder – they build and swirl on the sparest of electronic melodies over a plateau of drone, creating worlds that are at once misty and earthy. Orla Wren’s individual pieces are each like a single exhalation drawn out and slowed so that every particle of air, every bit of woodland mist, every icy molecule of breath is discernible. And like breaths that are given personality by external forces – tiredness, passion, fear – each of these pieces is markedly different, whilst retaining the overarching character of the species. The atonal bells and wordless vocals on the Aaron Martin take of Five Acre Ladder give the tune a processional, pagan quality, while the flute of Isnaj Dui suggests a subtler, more lithe form of movement. Martin’s cello takes centre stage on his version of the second track, Mountains And Wishbones, which has the most discernible build and fade (or inhalation and exhalation) of anything here.

When a musician’s artistic vision is as singular as that of Orla Wren – the collaborative arm of electro-acoustic soundscaper Tui – it serves little purpose to compare it with other performers. Indeed, The Blizzard That Birthed Her appears to owe as much to sound art, field recording and sculpture as it does to folk, or electronic popular music. In particular, the variety of land art as practiced by Robert Smithson or Richard Long comes to mind. The circular or cyclical nature of these tracks mirrors the use of circles as archetypal shapes in much of Long’s work. And of course the organic side of this music, the idea of growth within nature as a basic constituent of performance or sculpture, is something that Long has been doing throughout his career.

In addition to these eight intriguing and surprisingly filmic compositions we get a bonus track, another recording with Aaron Martin called The Cup Of Remembered Things. Relying on eerie found sounds and the occasional supernatural vocal sample it serves as a delicate coda to an impressive record that wears the ambition of its concept lightly.

320 kbps
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Artist: Jan St. Werner
Title Of Album:Transcendental Animal Numbers
Year Of Release: 12 nov 2013
Label: Thrill Jockey / Thrill 356
Genre: Experimental, Electronic
Quality: MP3
Bitrate: 320 kbps
Total Time: 00:40:09
Total Size: 95 mb

Transcendental Animal Numbers is the second entry in Jan St. Werner’s Fiepblatter Catalogue. The work is comprised of carefully edited sounds derived from computer algorithms. There are no intentional references to traditional ideas of tuning, meter or spectrum. Rather, there are unexpected shifts of sonic scales, sudden frequency modulations andextreme panoramic shifts that produce an unconventional chunk of condensed acoustic information. Still the resulting compositions are arranged seamlessly and unpredictably as if they were field recordings of animals in the wilderness. The work is a representation of an acoustic organism where no sound is derived from any living creature or acoustic source, instead it is artificiality incorporating the irrational and unpredictable into a logical mathematical system to create a black box in which sound can scatter. Werner likens Transcendental Animal Numbers to Schrödinger’s “cat in a box” experiment that proves that quantum physics is the unpredictability of one particle simultaneously existing in various states.

Tracklist:
1. Transcendental Animal Music (20:00)
2. Parrodisia (20:08)

320 kbps
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Label: Witty Tunes
Catalog#: WT149
Release date: dec 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 29 mb
Genre: Electronic
Style: Tech House

Tracklist:
1 David Herrero – You Get Funky (Original Mix)
2 David Herrero – Babe (Original Mix)

320 kbps
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Label: Mystic Carousel
Catalog#: MYC071
Release date: 24-11-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 91 mb
Genre: Electronic
Style: Progressive House

Tracklist:
1 Stephen Thompson – Asgardian (Original Mix)
2 Stephen Thompson – Gizmo (Original Mix)
3 Stephen Thompson – Helpless Youth (Original Mix)
4 Stephen Thompson – Sanguinis Pretium (Original Mix)

320 kbps
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Label/Cat#: Eskimo Belgium – 541416 506260D
Year: 9 December, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 40 mb
Genre: Electronic
Style: Nu Disco, House

Tracklist:
1. For Days (original mix) (05:45)
2. For Days (instrumental mix) (05:45)
3. Night Keys (original mix) (06:11)

320 kbps
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Label: Kubic Records
Release date: jan 2014
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 33 mb
Genre: Electronic
Style: Tech House, Techno

Tracklist:
A1) Luca M & JUST2 & Funky Doodle – Turbo Gum (Original Mix)
A2) Luca M & JUST2 & Funky Doodle – Jelly Bear (Original Mix)

320 kbps
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Label: Suara
Catalog#: [SS21]
Release date: 16-12-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 61 mb
Genre: Electronic
Style: Techno, Tech House

Tracklist:
1 Alberto Ruiz – Particle (Original Mix)
2 Veerus, Maxie Devine – My Beat (Original Mix)
3 Mario Ochoa – It’s Time To Go Down (Original Mix)
4 Sergio Fernandez – Snowy Evening (Original Mix)

320 kbps
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Label/Cat#: Dessau Recordings – DES 001
Year: 9 December, 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 30 mb
Genre: Electronic
Style: Tech House

Tracklist:
1. Move (06:23)
2. Changes (07:32)

320 kbps
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