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Label: Greenmoney Recordings
Catalog#: GMR 016
Release date: 20-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 23 mb
Genre: Electronic
Style: House, Bass

Tracklist:
1. It Ain’t Like That (06:04)
2. Barbara (03:17)

320 kbps
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Label: Crosstown Rebels
Catalog#: CRM111
Release date: 27-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 60 mb
Genre: Electronic
Style: Deep House

Tracklist:
A1 Moan & Groan 07:49
A2 Tonight In Tokyo (Breach Remix) 06:21
B1 Tonight In Tokyo (Cassius Remix) 12:26

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Label: Desolat Germany
Catalog#: DESOLAT X021
Release date: 27-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 65 mb
Genre: Electronic
Style: Tech House

Tracklist:
1. Pompino (07:37)
2. Desert Storm (09:01)
3. Dimensions (08:08)
4. Sonny Got It Going On (05:37)

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Label: Life And Death
Catalog#: LAD009CD
Release date: 15-04-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 150 mb
Genre: Electronic
Style: Deep House, Deep/Dub Techno, Electronic

Tracklist:
1. Clockwork – First Floor (5:21)
2. Clockwork – Places (3:00)
3. Clockwork & Chasing Kurt – Running Searching (5:26)
4. Clockwork – Subterfuge (5:26)
5. Clockwork & Avatism – The Quiet Hour (6:25)
6. Clockwork – Prisms (4:42)
7. Clockwork – Second Floor (7:21)
8. Clockwork & Clarian – This World Is Not Designed For Us (5:09)
9. Clockwork – Oblique (5:27)
10. Clockwork – Hidden Spectator (3:29)
11. Clockwork – False Matters (5:31)
12. Clockwork & Tale Of Us – Lost Keys (5:02)
13. Clockwork – One Way Ticket (3:44)

Releaseinfo: Opening up with the gentle yet solidly throbbing First Floor, the story begins in what could easily be the early hours of the Berghain. Or perhaps it’s an industrial landscape of the not so distant future. Either way, the cinematic tone of the story begins here as the Italian duo move forward on their journey… Next stop is Places, a space filled with shuffled breakbeats and emotional synths, peppered with vocals that hint at a nostalgia for another time and place. Somewhere we’ve been before? Somewhere we might be going? Like a literary foreshadowing of things to come. And in an instant, the pace quickens. As Running Searching begins so do we shoot directly into the heart of things. Here Chasing Kurt joins the crew, his vocals coming in like a soulful rallying cry bolstered by deep bass and arepeggiated synths that urge us all ever ahead. Onward. Upward. A truly standout moment. Now energized, Subterfuge seems to move the journey downwards and upwards simultaneously. As we step into a dreamy underground place where the beat moves us forward but the space between the synths keeps us looking all around in wonder. Voices surround us, subtly hinting at a story we might now slowly begin to piece together… But before we can get our footing and our heads around what is happening the dreamscape seems to shift and The Quiet Hour begins. With help from talented Italian producer, Avatism, the journey takes a dramatic and animated turn into slow driving techno. This is a textured soundscape energized by drums that might sound inspired from the influences of the past but are clearly crafted with sounds pulled from the future. From here we arrive at Prisms, an interlude that at first seems relaxed until you realize that with just a combination of arpeggiated synths, percussive elements and noises plucked from the ether you are smack in the middle of a piece of music that somehow wraps it’s emotion around a moving image that moves you with it. Doing it all without the standard straightforward push of the 4/4 kick and yet always propelling us ahead. Moving up another level to the Second Floor, the four to the floor kick returns and we’ve stepped back into the club without ever leaving the story behind. The emotion remains but the beat reemerges with a sythesized tonal percussion that sets the stage for a modern tale of tribal warfare. The urban jungle is its landscape and the dancefloor is the domain where it reigns over all. The perfect counterpoint comes next as Clarian joins the team with his fervent announcement, This World Is Not Designed For Us. Beautiful vocals, melodies and synths are accompanied by disjointed beats that still somehow stay in lockstop with its narrative. A distress call from the youth of today looking to find their place in an ever confusing world. Oblique, which follows, answers this call like a shot fired into the night. A forceful piece of dancefloor material that works well both in a room full of a thousand or a room of only one. It showcases solid beats that rest firmly in your body while the airy high end of plucky synths and melody that arrive like the blowing of Gabriel’s trumpet across the airwaves of the heavens to land directly in the listener’s lap, creating a mood that is oblique perhaps but certainly anything but inaccessible. After the blunt energy of its predecessor, Hidden Spectator seems at first to flip the mood but then takes us slowly back up with a soundscape that builds from an ambience to a dull roar, keeping the emotional level high as we take just a slight pause from the beats before heading back into the fray… Then we’re back as False Matters launches us even higher into the techno stratosphere. The hardest hitting track of the trip, we’re at full force here with a nod to Detroit and its Underground Resistance but never losing the unique sonic footprint that Clockwork have created throughout the voyage. A solid groove that build and builds and builds and builds and never lets us down. How to follow such raw energy? With beauty it seems, as Lost Keys brings label mates Tale of Us onboard to begin to wrap up the chronicle. The beats stay strong but here become more shuffled and emotive as they are accompanied by keys that are not so much lost as pleading. Brimming with feeling as this pairing of friends and artistic peers shine through with an emotional maturity that seems only appropriate as one reaches the end of this kind of journey. A real achievement. And then, like all good stories, the end must come. But if it’s not a disappointment that’s a testament to the forlorn beauty of One Way Ticket. The best kind of send off, its haunting guitar strikes a deep emotional chord that keeps ringing in our minds long after the last of the melody has faded away. The story may be over but it still remains living somewhere deep inside of us. Just as we remain eager to hear it retold once again…

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Label: White Paddy Mountain
Catalog#: WPMC002
Release date: 10-04-2013
Source: CD
Format: MP3
Quality: 320 kbps
Size: 178 mb
Genre: Electronic
Style: Ambient, Experimental

Tracklist:
1. Askococo and Opitope
2. Christophe Charles, Tamaru and Opitope
3. Christophe Charles, Christopher Willits, Taylor Deupree, Tetsuro Yasunaga, Toshimaru Nakamura and Opitope
4. Carl Stone, Hans Reichel, Kazuhisa Uchihashi and Opitope
5. Tagomago and Opitope
6. Asuna, Yusuke Date and Opitope

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Label: Box
Catalog#: BOX 006
Release date: 24-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 88 mb
Genre: Electronic
Style: Techno

Tracklist:
1. Harmonia (06:02)
2. Expose (04:36)
3. Halfdance (06:35)
4. Mute Swans (06:02)
5. Expose (Applescal remix) (09:17)
6. Strains On Canvas (05:36)
7. Faerben (03:49)

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Label: Noptical Audion
Release date: 28-01-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 82 mb
Genre: Electronic
Style: Psychedelic, Trip Hop, Ambient, Chill, Electronic

Tracklist:
01. Noptical Audion 04:18
02. Z-DNA 02:13
03. (620) Alaxka 03:36
04. Arctic Stars 01:27
05. Weefie’s Eyelets 05:00
06. Thermal View 01:20
07. Polyommatus Icarus 04:22
08. Access Interlode 02:33

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Label: Apollo/R&S Belgium
Catalog#: AMB 1312D
Release date: 12-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 60 mb
Genre: Electronic
Style: Experimental, Downtempo, Electronic

Tracklist:
1. Jan Mayen (08:00)
2. Kodiak (05:41)
3. Stufen-Spitzbergen (06:52)
4. Stronsay (05:58)

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Label: Minus
Catalog#: MINUSMINMAX1
Release date: 27-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 346 mb
Genre: Electronic
Style: Techno, Tech House

Tracklist:
1. 4Yo4U – Daily Faces (8:23)
2. Barem – Limbus (7:54)
3. Dandi & Ugo – Alternative Way (7:24)
4. Etapp Kyle – Yuma (6:37)
5. Gaiser – Trashbend (6:24)
6. Heartthrob – Y2k2u (7:41)
7. Hobo – Incise (7:23)
8. Jonni Darkko – Close (5:49)
9. Joran Van Pol – Faded (7:45)
10. Julian Jeweil – Yoko (7:17)
11. Justin James – Song So True (5:58)
12. Kazuya Nagaya – The Sea Spills Over Into The Sky (3:50)
13. Matador (IE) – 51 Mexicans (6:47)
14. Pots Of Gold – Rainbows (6:51)
15. Mathew Jonson – Metropolis (3:39)
16. Maxime Laffon – Fusion (7:58)
17. Mitsuo Nakazato – Drive (6:47)
18. MRDIE – Sex Beat (7:38)
19. Nsound – Loe (6:02)
20. Theorem – Formulate (9:36)
21. Tripmastaz – Tyree (7:03)
22. Valentino Kanzyani – Bobby On Drums (9:06)
23. Joran Van Pol – Faded [Intro Version] (7:45)
24. Joran Van Pol – Faded [Sound Tool] (1:20)
25. Hobo – minMAX mixed by Hobo (58:17)

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Label: Anticon
Catalog#: abr0138
Release date: 28-05-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 101 mb
Genre: Electronic
Style: Downtempo, Glitch, Beats, Electronic

Tracklist:
01 Worsening
02 Miasma Sky
03 Ironworks
04 Ossuary
05 Incompatible
06 No Eyes
07 Phaedra
08 No Past Lives
09 Earth Death
10 Inter

Three years ago, Baths dropped his startlingly beautiful debut, Cerulean. Released on Anticon, the record blurred the line between post-modern pop and the LA beat scene with devastating emotional clarity. Its tone was as celestial as its album title, taken from a shade of blue typically used to describe the sky.

Cerulean earned year-end “Best Of” recognition from Pitchfork and The Onion’s A.V. Club and established Chatsworth-raised Will Wiesenfeld as one of the finest young composers (and falsettos) in Los Angeles. His sophomore album, Obsidian finds him emerging as one of the most complete artists of his generation. As you might expect, the name hints at darker overtones. The mood is shimmering and pitch-black, the lovely blood flow has turned into lava.

“I’ve always been inspired by really dark material and from the beginning I knew I wanted the songs to be much darker, both musically and lyrically,” Baths says.

Following the success of his first album, Baths spent much of the next year touring to progressively larger audiences. He also released an ethereal ambient project under the Geotic name. When he returned home in July of 2011 to record his sophomore effort, he was bedridden for months because of an E. Coli bacterial infection, barely able to digest solid food and bereft of creative energy.

Obsidian understandably has these scars etched into its imprint. The first song is called “Worsening,” subsequent cuts include “Ossuary,” “No Past Lives” and “Earth Death.” While the mood is often bleak, it’s never bloated. “Miasma Sky” balances being “swallowed alive by the sky” with a gorgeous piano groove and levitative croon that could detonate a disco club night. The album is unusually cohesive, suffused with heavenly choirs, head-nodding percussion, sexually-charged lyrics, and wry humor.

“The songs and lyrics all came out of a pretty fucked and arduous process of trial and error,” Baths says. ”But I hope people understand that I’m not the depressed, suicidal, and death-obsessed person the record may paint me as being. These are just darker areas that I wanted to explore.”

The areas of exploration include reading and research into the Dark Ages and the black plague, different versions of Hell as spied through Dante’s Inferno, the Bible, and old world illuminated manuscripts and paintings. These noirish fascinations met the virtuosic chops of a 24-year old who has been playing piano for 20 years.

“Anything I found that felt like a unique vision of darker emotions or atmospheres, I tried to absorb,” Baths says. “Being a positive and outgoing guy made it that much more difficult getting into that mindset. It was a matter of tapping into that and returning with songs that felt genuine and somehow from my own personal experience.”

This is the power of Obsidian. It combines universal questions with personal pain. On just his second album, Baths exhibits what only a few artists are capable of: painting in any shade they desire.

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Label: SLL
Release date: 27-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 101 mb
Genre: Electronic
Style: Experimental, IDM, Post Rock, Ambient, Electronic

Tracklist:
01. Cafe 04:28
02. A Gift of Silence (Feat. Unradiant) 05:29
03. Who 04:00
04. Depression (Feat. Thostey) 03:14
05. Up Late 03:30
06. The Darkness (Feat. Phyrius) 02:55
07. Falling Out 02:42
08. Bridges 02:44
09. Time Changes (Feat. Phyrius) 05:18
10. To a Firefly (Feat. Dryze) 03:16
11. Horizons (Feat. Silent Letters) 03:28

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Label: Divorce US
Catalog#: D 40LP
Release date: 27-05-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 81 mb
Genre: Electronic
Style: Experimental, Electronic

Tracklist:
1. Druid in Ruins 03:46
2. Bunt 02:16
3. New Breath 03:07
4. Ezy2luv 03:21
5. (Swallow Your Own) Shadow 02:32
6. Treasure Trail Mix Up 01:18
7. Lava Love 02:07
8. Nomad 03:35
9. Gaasyendietha Slips into the Laurentian Abyss 02:12
10. Felix 02:29
11. Everything Has Changed 02:18
12. How Many Hearts Do You Hold 02:18
13. Frozen Frisbee 01:38
14. Bye 02:36

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