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Label: Freude Am Tanzen Recordings
Catalog#: FAT061
Release date: 15-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 108 mb
Genre: Electronic
Style: Deep house

Tracklist:
1. Pictures [Console Remix] (6:20)
2. For You [Marbert Rocel Remix] (7:27)
3. Passengers [Jesper Ryom Remix] (6:58)
4. Someone feat. Kuss [Douglas Greed Remix] (5:42)
5. Clouds [Mathias Kaden’s Funky Clouds Remix] (7:25)
6. Nothing [Klinke auf Cinch Remix] (6:35)
7. Letter [Mooryc Remix] (4:20)
8. Left [Ruede Hagelstein & The Noblettes Interpretation] (4:06)

In June 2011 the house producer Marek Hemmann and the Singer Fabian Reichelt released their first album to the masses on Freude Am Tanzen. Only Our Hearts to Lose was one of the first markers on the way these two were headed they began with the street-sweeper single “Left/Right”: the synthesis of pop and club, the melting of Marek Hemmanns singularly fine austere tech house and Fabian Reichelts lyrics. The results couldn’t be disputed and even more appreciated, yet still not quite every techno fan could quite feel this flyer from their favorite DJ in strange (quite pop) clothes. Perhaps not everyone trusts themselves to just say to themselves: bring the pathos, the feelings and the melting voice because it just has to be! At the same time in the club context, because as they both are of the opinion that there is the most thrilling place for modern songwriting. Where else can you find the fundamentally excited and music loving bunch in one place? Where else can an artist drop his ‘hurray’ atom-bomb on the masses and drop it on the one? Thus, ‘Only Our Hearts To Lose’ presents a shimmering, beautiful being in the club and the balcony, between a tender sunset and the deepest part of the nights dance.

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Label: Absolute Truth Press
Catalog#: ATPCD-001
Country: Finland
Release date: 1998
Source: CD, Album
Format: MP3
Quality: 320 kbps
Size: 155 mb
Genre: Electronic
Style: Drum & Bass

Tracklist:
1. Setting The Scene (1:03)
2. Material Atmosphere (6:41)
3. Meditation (6:45)
4. Descended (8:49)
5. From Shadow (8:49)
6. Substance (7:38)
7. Raga (6:32)
8. Beyond (25:47)

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Label: Lethal Script Label
Catalog#: LSL021
Release date: 15-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 35 mb
Genre: Electronic
Style: Minimal

Tracklist:
1. Little Journey (4:53)
2. Nucleus (6:24)
3. My Reality Simulator Is Broken (3:49)

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Label: Defected
Catalog#: DFTD388D
Release date: 18-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 34 mb
Genre: Electronic
Style: Deep house

Tracklist:
1. Pieces feat. Laila Walker [Garage Mix] (6:26)
2. Pieces feat. Laila Walker [Panorama Mix] (8:33)

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Label: NM2 (Noir Music 2)
Catalog#: NM2022
Release date: 18-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 75 mb
Genre: Electronic
Style: Deep house, Tech house

Tracklist:
1. Topspin & Dmit Kitz – Dzhubga (6:37)
2. Hector Couto – My Love Is Underground (6:31)
3. Purple Velvet – I Need It (6:59)
4. Whitesquare – All In (7:08)
5. Tuneon – Whatchado (6:27)

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Label: Monique Speciale
Catalog#: MS101
Release date: 11-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 44 mb
Genre: Electronic
Style: Tech House

Tracklist:
1. Fucking Pillow (6:54)
2. Fucking Pillow [Loko Remix] (6:13)
3. La Selva (6:11)

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Label: No.19 Music
Catalog#: NO19CD002
Release date: 18-02-2013
Source: WEB, Compilation, Mixed
Format: MP3
Quality: 320 kbps
Size: 362 mb
Genre: Electronic
Style: Deep House, Tech House

Tracklist:
1. Art Department – Into The Dust (1:26)
2. Jonny White & Nitin – La Cueva (6:13)
3. Ali Love – The Jungle [Brigante’s Mix] (6:52)
4. Robert Owens & Luca C & Brigante – Tomorrow Can Wait [Art Department Remix] (9:32)
5. Jonathan Lee – Senses (7:28)
6. Robert Owens & Jakkin Rabbit – Full Of Dreams (5:25)
7. Fuckpony – Bongo Born [Tale Of Us & Jay Haze Remix] (7:28)
8. Jamie Jones – Doctor Blue (4:50)
9. DJ Hell & Bryan Ferry – U Can Dance Feat. Bryan Ferry [Carl Craig Unreleased Remix] (8:46)
10. Damian Lazarus, Shaun Reeves, Art Department & BLUD – Robot Heart Feat. Damian Lazarus (8:17)
11. My Favorite Robot – Not Progress (6:22)
12. Gregorythme – Arificial Tears (9:31)
13. Art Department – Insomniac (10:22)
14. Danny Solar – After Party (7:30)
15. Art Department – Social Experiment 003 [Art Department DJ Mix] (72:29)

No.19 Musics Social Experiment continues with a stunning new chapter delivered courtesy of musical heavyweights Art Department and featuring an array of exclusive material. Art Department are an act, that in the space of a few short years have become one of the biggest names on dance musics landscape. Musical partners Jonny White & Kenny Glasgow have a long history together, but it was with the launch of their Art Department moniker and their seminal releases through Crosstown Rebels that the pair came into the spotlight on the world stage. Debut album The Drawing Board received rapturous support and their single Without You was proclaimed a record of the year 2010 by the likes of Resident Advisor and Mixmag. Two years on and Art Department are riding high, touring the world and delivering their own unique party experience wherever they go, now they come together to compile and mix their first official compilation album capturing something of that experience in a stunning 72 minute mix. The album features 14 tracks with some of the biggest and brightest names in electronic music making an appearance, 8 exclusives bring unheard cuts from the likes Jamie Jones, My Favorite Robot & Art Department themselves and the whole thing is tied together seamlessly with the duos creative vision. Bookended with Art Department exclusives in the shape of Into the Dust Intro and Insomniac, the mix takes an emotive and intense journey through the realms of twisted house music, deep techno and afterhour grooves, fusing uplifting vocal compositions with rolling instrumental workouts as only Jonny & Kenny know how. Robot Heart the new single from Art Department, BLUD & Shaun Reeves makes a welcome appearance with the sultry London vocals of one Damian Lazarus adding to the mix and with the likes of Carl Craig, Robert Owens, Fuckpony, DJ Hell, Brian Ferry, Tale of Us & Ali Love featuring on the album, there is truly no shortage to the musical talent on offer here on a selection that shines from beginning to end.

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Label: Stones Throw
Release date: 16-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 47 mb
Genre: Electronic
Style: Abstract Hip-Hop

Tracklist:
01 Static Invazion
02 Episode XVI
03 The Paper
04 What Can U Tell Me
05 The Frontline (Liberation)
06 African Voodoo Queen (Drama)
07 Interview #4080
08 Funky Butt, Part 1

Download Links Removed

Label: none
Catalog#: none
Release date: 11-02-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 84 mb
Genre: Electronic, Rock
Style: Post Rock, Ambient, Shoegaze, Electronic

Tracklist:
1. Looking Back (2:39)
2. Shoreline (3:44)
3. Purpose (2:58)
4. Searching the Sky (4:14)
5. Contact (5:12)
6. Fear Decides (3:45)
7. Come and Go (4:03)
8. Under the Starlit Sky (4:08)
9. No, We Never Had To (5:02)

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Label: Thrill Jockey
Catalog#: Thrill 316
Release date: 19-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 115 mb
Genre: Electronic
Style: Experimental / Vocal / IDM

Tracklist:
1. You (7:02)
2. Very Large Green Triangles (4:43)
3. Mental Radio (3:39)
4. Ross Transcript (2:37)
5. Teen Paranormal Romance (4:47)
6. Tunnel (5:40)
7. In Search Of A Lost Faculty (6:11)
8. Aetheric Vehicle (7:14)
9. E.S.P. (8:03)
10. Ganzfield (∞)

*Excerpts from the album. Now available from Experimedia.net.* *CD version in deluxe digipack with 24 page booklet.* As always, the first Matmos album in five years doesn’t begin with the music itself. It starts with an specific approach, a conceptual framework, and a bold endeavor. Each of the nine tracks that comprise “The Marriage of True Minds” began with Matmos attempting to communicate the methods of their new album to test subjects who were deprived of both sight and sound. It’s a take on the Ganzfeld experiment, of which the Baltimore duo’s last EP was named after. The inspirations proved to be wildly singular: some came in the form of a hummed vocal fragment that was looped and warped, others in a visual depiction that intimated a musical structure to follow.

In translating these sources to song, “Marriage” is often playful and exuberant, exaggerating a voice snippet into an electronic symphony (“Very Large Green Triangles”) or matching what sounds like a Latin marching band with sirens and fire engines (“Mental Radio”). So much sonic material is placed into the album that highlights abound, but “Tunnel” may be Matmos’ crowning achievement on this double LP. The track, which features fellow Baltimore mainstay Dan Deacon, begins with stray scratches of raw guitar that is soon matched by a booming techno beat worthy of a night club dancefloor. “Tunnel” expertly accelerates and slows the swarm of hyperactive sound with a unique swagger until it closes unexpectedly in a fit of coughing.

Yet, for a pop album as varied as “Marriage,” the album is entirely listenable. The styles – ranging from the skittering pulse of tap dancing to the blackened churn of doom metal – are of course eccentric, but they are layered into tight, discernible shapes that are both meticulous and adventurous in a way that electronic pop rarely is. – Ryan Potts, Experimedia

Expanding upon the ambitious premise of their recently released The Ganzfeld EP, Baltimore-based electronic duo Matmos (Drew Daniel and M.C. Schmidt) are now releasing their first new full-length album in five years : The Marriage of True Minds.

Matmos are known for making toe-tapping rhythmic pop out of odd and unusual sound sources. They have always worn genre loosely, but it’s safe to say that this is the first electronic album to start with tap dancing and end with doom metal, and the only album on which members of Nautical Almanac and the Arditti String Quartet rub shoulders. Comprising stomping techno, eerie synth jams, musique concrete, Latin rhythms, and Ethiopian music, at once at home in the academy, the art gallery, the nightclub and the noise warehouse, the dizzyingly diverse assemblage which is “The Marriage of True Minds” is driven by a tightly unified conceptual agenda: telepathy.

For the past four years the band have been conducting parapsychological experiments based upon the classic Ganzfeld (“total field”) experiment, but with a twist: instead of sending and receiving simple graphic patterns, test subjects were put into a state of sensory deprivation by covering their eyes and listening to white noise on headphones, and then Matmos member Drew Daniel attempted to transmit “the concept of the new Matmos record” directly into their minds. During videotaped psychic experiments conducted at home in Baltimore and at Oxford University, test subjects were asked to describe out loud anything they saw or heard within their minds as Drew attempted transmission. The resulting transcripts became poetic and conceptual scores used by Matmos to generate the nine songs on this album. If a subject hummed something, that became a melody; passing visual images suggested arrangement ideas, instruments, or raw materials for a collage; if a subject described an action, then the band members had to act out that out and make music out of the noises generated in the process of the re-enactment. “The Marriage of True Minds” boasts a promiscuous cast of guest musicians, an array of sonic tactics, and a broad swathe of musical styles, but this diversity is joined together with a common purpose: the translation of this archive of psychic experiments into a delirious hybrid of conceptual noise and electronic pop.

After opening ripples of piano and percussion, the voice of Carly Ptak (Nautical Almanac) whispers lyrics that announce the theme of the album as a whole: “Telepathy / We want to know . . .” The song is a deconstructed cover of “You”, originally written by Leslie Weiner and Holger Hiller (of post-punk legends Palais Schaumberg). A sultry and cryptic ode to the mystery of interpersonal communication, “You” exhibits the odd sound design which is a Matmos trademark: the bassline is an amplified rubber band played by Jason Willett (Half Japanese), and the spiky beats are actually the manipulated sound of a tap dancer shuffling on a stone floor. Joining chamber music to tech-house, “You” acts as a primer for the album as a whole that follows it: a promiscuous cast of musicians from incongruous backgrounds all go under the digital editing knife as they are chopped into tight, surprisingly listenable songs which—for the first time in Matmos’ work- prominently feature vocalists and voices.

Already featured on the “Ganzfeld EP”, “Very Large Green Triangles” is an attention-grabbing slice of Gothic pop that overlays a psychedelic vision of geometrical apocalypse onto a stomping Baltimore club beat. The album version is longer and stranger than the EP version, with a free improv honky tonk piano solo preceding the beat drop. The song is based upon a psychic session with the oddball crooner Ed Schrader (Ed Schrader’s Music Beat), who was convinced to re-sing snippets of his own psychic session to build the song’s lyrical and conceptual hook (the song also boasts a lavish animated video which was much celebrated on the blogosphere).

As the album progresses, each song takes a different transcript as a musical launchpad. “Mental Radio” synchs jubilant Latin percussion onto the jostling and sloshing of water in a bucket, only to collapse into near silence until the ringing of a triangle cues an eruption of boisterous free jazz horns, which are joined by fire engines and a berserk synth invasion. Mirroring the free associative switchbacks within a particularly fevered psychic session, “Ross Transcript” is an exercise in the band’s most beloved musical form, musique-concrete, complete with jarring edits of heavily manipulated voices, cut-up plunderphonic noises, and field recordings. Blowing hot and cold, “Teen Paranormal Romance” drizzles melancholic synths onto booming bass-jeep drops and a gnarled modular bassline played by longtime Matmos collaborator Jay Lesser. Spiked with groans and mutters from noise bro DJ Dog Dick and eerie backing vocals by Dominque Leone, the song is at once fast and slow, at once heart-on-sleeve and ludicrous, not unlike the genre of popular occult fiction for which it is named. (It’s based on DJ Dog Dick’s wordless psychic session.)

A patchwork from multiple sessions, “Tunnel” begins with throat singing from Dan Deacon, whose growls and groans give birth to a relentless techno stomp on which Owen Gardner (from up and coming Baltimore band Horse Lords) plays manic, scrabbling Bo Diddley-esque guitar figures. After breaking down for the whispered delivery of one of the more cryptic utterances from the psychic archive (“there a light at the end of the tunnel . . . but it isn’t daylight”), handclaps and tambourines tighten the groove, which climaxes in a vertiginous synth solo, before the whole thing falls apart in a fit of coughing (Sabbath’s “Sweet Leaf” in reverse?).

“In Search of a Lost Faculty” offers the most dramatic, even disturbing evidence for the pronounced similarity of many of the experimental sessions: over and over, whether male or female, British or American, young or old, the psychic test subjects saw, heard or imagined the presence of triangles. The song gathers every reference to triangles experienced throughout four years of experimentation into a sonic archive of collective imagination, punctuating spoken testimonies about this recurring figure with ominous organ, timpani, and violin played by Ashot Sarkissjan of the Arditti String Quartet. “Faculty” ends with a celestial cloud of vocals by Angel Deradoorian of the Dirty Projects and Clodagh Simonds of Fovea Hex, amid processed swirls of bagpipe. Is this song evidence for the reality of telepathy? Is this song evidence that triangles were kind of trendy four years ago? Listen and judge for yourself.

Based upon the transcript of the psychic session of modular guru Keith Fullerton Whitman, “Aetheric Vehicle” is the last transcript-specific song on the album, and offers a hazy, funky variant on the kind of melodies found in Ethiopian music. Over a cascade of meandering synth played by M. C. Schmidt and intricate rhythms made out of the sampled sounds of Chinese checkers and handcuffs, a kind of mutant hybrid of African music and R & B crystallizes. This heady mix is capped with the smoky, wordless wails and moans of Jenn Wasner (Wye Oak, Flock of Dimes), who ends the song in an aviary of whistling, rattles and bells.

Ending with another cover which returns us full circle to the beginning of the record, Matmos save their wildest provocation for last: a polyglot deconstruction of The Buzzcock’s “E.S.P,” which gearshifts across multiple genres over eight minutes, testing the limits of how different styles and moods can flow and fold into each other. “Do you believe in E.S.P.? / I do and I’m trying to get through to you” growls Gerry Mak of Brooklyn experimental doom metal band Bloody Panda in a withering Cookie Monster voice. Heavy doom metal riffs play punk chords at a funereal crawl, until military snare rolls pick the pace up to a black metal blur (played by members of Baltimore occult crust band Pleasure Wizard). This gives way to a shimmering, sunny interlude of cyclic guitar and synth figures that recalls the Matmos of “The Civil War” and “The West” until, audaciously, a drum roll hits and the whole band erupts into something which has always been pretty much unthinkable in Matmos’ work: full on, no apologies riff rock. Connecting the latent family resemblance between surf rock and black metal, the Buzzcocks song plays out until, for the first time in twenty years as a band, M. C. Schmidt and Drew Daniel sing together, harmonizing the words “If you’re picking up on me, then you’ll know just what to do . . .” Abruptly switching off this romantic closure (Daniel and Schmidt are a couple who recently celebrated their 20th anniversary), the song cuts to dead silence as Schmidt delivers the final phrase of the record: “So . . . think.” It’s an emotionally naked and risky ending to one of the strangest records you will hear this year, and a fittingly open-ended conclusion to a sonic experiment in the possibility of purely mental connection.

The album was recorded and mixed at home in Baltimore and at Snow Ghost Studio in Montana, and was mastered in San Francisco by Thomas DiMuzio. Designed by Rex Ray, the album’s packaging presents in the liner notes the complete texts of the psychic transcripts which generated each individual song, along with photographs that document the Ganzfeld sessions. The vinyl version of the release also contains a bonus locked groove of white noise so that the home listener can put on the eye-coverings and headphones which accompanied the deluxe edition of “The Ganzfeld EP” and complete the re-enactment of the experimental conditions that created the songs. The result is an artifact which is both an art object, a scientific report, a practical joke and a daring pop record.

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Label: Funckarma
Release date: 10-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 51 mb
Genre: Electronic
Style: IDM, Experimental, Dubstep

Tracklist:
1 Metheus
2 Graines
3 Qintazm
4 Beaser
5 Hillis Sent

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Label: N5MD
Catalog#: MD207
Release date: 25-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 129 mb
Genre: Electronic
Style: IDM / Ambient / Cinematic

Tracklist:
01. Wake (5:22)
02. The Rising Tide (8:58)
03. Vision Blur (4:54)
04. .Through (Feat. Anklebiter) (7:36)
05. Arc (5:03)
06. What Awaits (6:29)
07. Shadow Fall (3:48)
08. Waning Light (6:13)
09. Set (3:52)
10. The Rising Tide (Radio Edit) (4:30)

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Label: Rephlex
Catalog#: EOD 219 CD
Release date: 04-02-2013
Source: CD, Album
Format: MP3
Quality: 320 kbps
Size: 124 mb
Genre: Electronic
Style: Electro, Acid

Tracklist:
1 Matter (4:21)
2 Travellax Acid (5:58)
3 Zinking (8:32)
4 Innsmouth (4:22)
5 I Hear 3 (5:18)
6 Arrow (3:48)
7 Return To Star Base Zero (4:36)
8 Beyond The Corridors (3:35)
9 The Color Out Of Space (4:41)
10 Retcho (11:37)

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Label: Erotus
Catalog#: EROV1
Release date: march 2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 79 mb
Genre: Electronic
Style: Dub Techno, Ambient

Tracklist:
A1 6 PM (6:39)
A2 11 PM (7:27)
B1 1 AM (5:32)
B2 4 AM (13:39)

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Label: Celsius
Catalog#: CLS 041
Release date: 18-02-2013
Source: WEB
Format: MP3
Quality: 320 kbps
Size: 35 mb
Genre: Electronic
Style: Drum & Bass

Tracklist:
1. Protaras (04:05)
2. Beacon City Skyline (deep mix feat Dennean) (05:31)
3. Year In The Rain (05:56)

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Label: R & S
Catalog#: DRACULA001
Release date: 11-02-2013
Source: Vinyl
Format: MP3
Quality: 320 kbps
Size: 27 mb
Genre: Electronic
Style: Beats, Soul, Techno, Electronic

Tracklist:
A. Dracula
B. Dracula (Happa Remix)

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Label: Entropy Records
Catalog#: EF.0107, EF.0107F
Country: France
Release date: 18-02-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 180 mb
Genre: Electronic
Style: Dub Techno, Ambient

Tracklist:
1. Deimos (6:08)
2. Phobos (7:36)
3. Moonray (6:16)
4. Aureolin (6:56)
5. Atomization (6:39)
6. Sidereo (7:44)
7. Aureolin (Dublicator Remix) (7:01)
8. Moonray (Schindling Remix) (8:44)
9. Moonray (Zoltan Solomon Remix) (9:11)
10. Moonray (Sub.Made Reduced Version) (6:26)
11. Imbrium (6:48)

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Label: Denovali
Catalog#: DEN161
Release date: feb 2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 96 mb
Genre: Electronic
Style: Electroacoustic, Modern Classical, Ambient

Tracklist:
01-The Uncanny
02-Valse Fatale
03-Fatalist
04-History (Fragment)
05-The Repetition of History
06-The History of Repetition

With his new album Field Rotation concentrates on the more classically based production, continuing and expanding upon the musical idea of his ‘Acoustic Tales’ project. ‘Fatalist: The Repetition of History’ is marked by a noticeable inner fragility, the contrast between bitter harshness and stirring melancholy. In the fatalist view of history, the ancient Greeks thought that just as the four seasons of spring, summer, autumn and winter repeat themselves every year, history would do the same and follow a cyclic course. This may or may not be true, however, Field Rotation has certainly succeeded once again in composing an album which will ease as many minds as it will thoroughly shake.

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Label: Fake Four Inc.
Release date: 19-02-2013
Source: WEB, Album
Format: MP3
Quality: 320 kbps
Size: 140 mb
Genre: Electronic
Style: Hip-Hop

Tracklist:
01 A Long Winter (feat. Ceschi)
02 City In Amber (feat. Lotte Kostner)
03 Exit Theme (feat. Astronautalis & Lotte Kestner)
04 Kill The King (feat. Deacon The Villain)
05 Melancholia
06 Micheal
07 Palmreader
08 Petrichor
09 Russian Roulette (feat. Cage & Yes Alexander)
10 Seven Devils
11 Snow White
12 Song For The End Of The World
13 The Beast

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Label: SQE
Catalog#: 852914 001174
Release date: 19-02-2013
Source: CD, Album
Format: MP3
Quality: 320 kbps
Size: 107 mb
Genre: Electronic
Style: Electronic, Beats, Trip-Hop, Downtempo, Vocals, 2 Step, Leftfield

Tracklist:
1. Caves (album version) (03:56)
2. Others (03:32)
3. Cargo (03:19)
4. Can’t Keep Your Mind Off (03:28)
5. Something To Me (04:29)
6. They (03:40)
7. Only A Few (04:21)
8. Guard (04:26)
9. Paper Thin (03:05)
10. She’s Been High (04:59)
11. Waiting Place (02:36)
12. Finish Round (05:12)

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